|Jun 14, 2013||Man of Steel||$225,000,000||$116,619,362||$291,045,518||$667,999,518||Play|
|Mar 25, 2016||Batman v Superman: Dawn of Justice||$250,000,000||$166,007,347||$330,360,194||$868,160,194||Play|
|Aug 5, 2016||Suicide Squad||$175,000,000||$133,682,248||$325,100,054||$746,100,054||Play|
|Jun 2, 2017||Wonder Woman||$150,000,000||$103,251,471||$412,563,408||$821,563,408||Play|
|Nov 17, 2017||Justice League||$300,000,000||$93,842,239||$229,024,295||$655,953,446||Play|
|Dec 21, 2018||Aquaman||$160,000,000||$0||$0|
|Unknown||Untitled Joker/Harley Quinn Film||$0||$0|
|Unknown||Untitled Deathstroke Film||$0||$0|
|Unknown||Untitled Joker Origin Movie||$0||$0|
|Apr 5, 2019||Shazam!||$0||$0|
|Sep 20, 2019||The Kitchen||$0||$0|
|Nov 1, 2019||Wonder Woman 1984||$0||$0|
|Unknown||Untitled Deadshot Film||$0||$0|
|Unknown||Justice League 2||$0||$0|
|Unknown||The New Gods||$0||$0|
|Feb, 2020||Suicide Squad 2||$0||$0|
|Apr 3, 2020||Cyborg||$0||$0|
|Jun, 2020||The Flash: Flashpoint||$0||$0|
|Unknown||Gotham City Sirens||$0||$0|
|2020||Green Lantern Corps||$0||$0|
Box Office History for DC Extended Universe Movies
|Nov 12, 2013||Man of Steel||$43,764,336||$68,274,886||$112,039,222|
|Jun 28, 2016||Batman v Superman: Dawn of Justice||$21,826,915||$55,711,518||$77,538,433|
|Nov 15, 2016||Suicide Squad||$29,613,721||$65,359,315||$94,973,036|
|Aug 29, 2017||Wonder Woman||$17,169,494||$84,381,680||$101,551,174|
|Feb 13, 2018||Justice League||$10,930,347||$38,075,421||$49,005,768|
Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Home Media Magazine.
For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.
We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.
Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.
May 8th, 2018
It is a terrible week on the home market. Of the new releases getting full mentions, only two of them would be included in an average week, while most of the rest would be relegated to Secondary Blu-ray releases. Why is it so bad this week? Because Black Panther is coming out on Video on Demand and it is scaring away all of the competition. Fortunately, it is the Pick of the Week, but I would wait for the DVD, Blu-ray Combo Pack, or 4K Ultra HD Combo Pack to come out next week to buy it. The next best option is Gun Crazy on Blu-ray.
March 20th, 2018
It is a slow week with less than a dozen releases in the main section, and that includes two late reviews. There’s no more than that for the secondary Blu-ray releases. That said, a high percentage of these are worth picking up with many Pick of the Week contenders. For example, the biggest release of the week, Jumanji: Welcome to the Jungle, is one of the best, as is one of the smallest releases, Miss Kiet’s Children. However, in the end, I went with Coco, which technically came out a couple of weeks ago, but the screener arrived late and it really deserves the title of Pick of the Week.
February 1st, 2018
2018 got off to a good start and January more or less held its ground when compared to 2017. There were some misses, but surprise holdovers made up the difference. Looking forward, February will be dominated by Black Panther. In fact, it will very likely make more during its opening weekend than the second place film, Fifty Shades Freed, will likely make in total. Black Panther likely won’t break records, but it could come close, while Fifty Shade Freed and Peter Rabbit both have a 50/50 shot at $100 million. Last February, The Lego Batman Movie both earned $175 million, while Fifty Shades Darker earned over $100 million. Black Panther will easily beat any film from last February; in fact, it could earn more than the top two films earned combined. As long as the rest of the box office isn’t a complete disaster, February should help 2018 earn a significant edge over 2017 in the year-over-year comparisons.
December 10th, 2017
Coco remains the number one movie at the box office this weekend by a considerable margin, mainly due to a lack of serious competition from new releases. Disney’s animated adventure will gross about $18.3 million this weekend, for a domestic total of $135.5 million. The film will also pile up another $55.3 million internationally, taking its worldwide cume to $389.5 million. It still has some big openings to come, including Brazil, Korea, the UK, and Japan in January, so it has some way to go, although its progress will be eclipsed by The Last Jedi for the next few weeks.
December 8th, 2017
There is only one wide release this weekend, Just Getting Started. However, it is barely opening wide and is widely expected to miss the top ten. This means the top five will barely change from last week and Coco should have no trouble remaining on top of the chart. This weekend last year, Office Christmas Party opened in second place, behind Moana. Office Christmas Party was hardly a monster hit, but it was strong enough to keep 2017 from winning the year-over-year comparison. Hopefully, it will still be close.
December 3rd, 2017
The weekend after Thanksgiving is usually when the studios take a breather before the big Christmas season, and this year is no different, with no new wide releases, and relatively minor shuffles on screen use at the theaters. It’s therefore little surprise that Coco holds on at the top of the chart, and its strong reviews and season-friendly nature help it to extend its lead over Justice League. Coco is headed towards $26.114 million this weekend, according to Disney, for $109 million or so to date. That’s down 49% from last weekend. Justice League, meanwhile, drops a more troubling 60% to $16.58 million, for $197 million after three weekends.
More exciting action lies among the limited and expanding releases, however…
November 30th, 2017
There are no wide releases this weekend, which means Coco should have no trouble remaining on top of the chart. In fact, most of the top five will remain the same as last weekend. Maybe one of the Awards Season contenders will expand enough to grab a spot in the top five, but that isn’t really likely. This weekend last year, Moana remained in first place, as there were also no new releases to compete against. 2017 should be able to win in the year-over-year comparison, but it will be awfully close.
November 26th, 2017
Coco will easily top the box office chart this Thanksgiving weekend, with Disney projecting a $71 million 5-day opening, including $49 million from Friday to Sunday. That’s the fourth-best Thanksgiving opening of all time, behind Frozen ($94 million), Moana ($82 million), and Toy Story 2 ($80 million). In all, Disney lays claim to 10 of the top 11 opening weekend’s over this holiday period, although, to be fair, the Hunger Games and Harry Potter franchises both claim several spots in the higher reaches of the Thanksgiving weekend record chart, but were just playing in their second weekend, rather than opening.
Nit-picking aside, it’s a great weekend for Coco.
November 23rd, 2017
It's Thanksgiving weekend, which means Black Friday, Cyber Monday, and of course the first installment of our Holiday Gift Guide. This week we will tackle first run releases, and normally franchise box sets as well, but this year none jump out as essential additions to the Holiday Gift guide. Worse still, 2017 has been awful at the box office with potential blockbuster after potential blockbuster getting savaged by critics and struggling at the box office. Additionally, some of the biggest and some of the best have been on the home market for nearly half a year, meaning nearly everyone who would want them, already own them. That doesn’t mean there are no films worth adding to this list, but the list is a little shorter than usual. On a side note, two of the films on this year’s list are from the MCU and it would have been three, but Thor: Ragnarok is still in theaters. If you know someone who loves the MCU, but has all of the movies, then check out this site, which has some more unique gift ideas. I specifically like the Spider-man Drone.
November 22nd, 2017
Coco is the only wide release of the week, which is amazing for Thanksgiving weekend. This should boost its chances at the box office and it is now expected to open in first place. Justice League was expected to repeat as box office champion this weekend, but that’s likely not going to happen now. This weekend last year, Moana earned $82 million over the five-day weekend. I don’t think Coco will match that, but it will come close enough to top the chart.
Weekend Wrap-Up: Justice is Leagues ahead of Competition, but Misses Expectations with $93.84 million
November 21st, 2017
Justice League easily won the race for first place on the weekend box office chart. However, it only managed $93.84 million, which is substantially lower than it was expected to open with. In fact, it’s the first film in the DCEU to not open with more than $100 million. (To be fair, it is doing better internationally.) Wonder was a surprising hit in second place and it helped the box office rise 32% from last weekend to $199 million. More importantly, this weekend was 26% higher than the same weekend last year. 2017 ended its most recent slump, but it is still 4.5% or $430 million behind last year’s pace at $9.21 billion to $9.65 billion.
November 19th, 2017
Justice League was meant to the be the big pay-off for the first phase of the DC Extended Universe, bringing together the characters introduced in Man of Steel, Batman v Superman: Dawn of Justice, and Wonder Woman, and setting the stage for next year’s Aquaman. The huge success of Wonder Woman this Summer seemed to be just the kick the franchise needed, and, given the history of the Marvel Cinematic Universe, which enjoyed steadily building success leading up to the gigantic opening of The Avengers, an opening north of $150 million, and maybe even approaching $200 million seemed a possibility a couple of months ago. In that context, the $96 million projected weekend announced by Warner Bros. this morning looks like a huge disappointment. What does it mean for the franchise?
November 18th, 2017
As predicted, Justice League dominated the Friday box office chart, earning four times its nearest competitor. However, it only managed $38.8 million on Friday, which is well below expectations. In fact, tracking has been dropping and the film is now widely expected to open with less than $100 million over the weekend, making it the only film in the DCEU to fail to reach the century mark during its opening weekend. There are a number of reasons why this film is struggling. Firstly, except for Wonder Woman, no film in the franchise has earned good reviews and mainstream audiences may have given up on the franchise. Secondly, the troubled production meant a lot of people who were part of the target audience, but not hardcore D.C. Comics fans, are taking a wait-and-see approach here. Since its reviews are bad, these people are staying home. Its CinemaScore is just a B plus, so it won’t have great legs going forward. Finally, there’s Thor: Ragnarok. That film is proving to be stronger than expected competition, as it started faster and is holding up better than most similar films. I think Warner Bros. is going to have to rethink the entire DCEU before going forward. Aquaman is already in post-production and Wonder Woman 2 is definitely going forward. After that, I’m not sure what films will or will not be made.
November 17th, 2017
Justice League will have no trouble earning first place this weekend, but it looks like it won’t match Thor: Ragnarok’s opening. The latest in the DCEU opened with $13 million in previews, compared to $14.5 million for Thor: Ragnarok. Assuming the films have the same legs, then Justice League will earn $110 million during its opening weekend, which is a little lower than our prediction. Unfortunately, its reviews are significantly weaker than the Ragnarok’s and that’s going to hurt its legs. I still think it will top $100 million, but it will be closer to Wonder Woman’s $103 million opening weekend than to our original prediction.
November 16th, 2017
Justice League is hoping to be the biggest hit of the month, but two things could get in the way of that goal. Firstly, Thor: Ragnarok got off to a faster than expected start. Secondly, Justice League’s reviews are significantly weaker. There are two other films coming out this week, The Star and Wonder, both of whom are simply hoping not to be lost in a crowded marketplace. This crowded marketplace should help 2017 end its slump against 2016. This weekend last year, Fantastic Beasts and Where to Find Them opened in first place with just under $75 million, while there were three other films that earned between $10 million and $20 million. This year, Justice League should top $100 million with ease, while Thor: Ragnarok will earn more than $25 million. The top two films this year should do better than the top five films from last year and that should lead to 2017 earning a comfortable win over 2016 in the year-over-year comparison.
November 1st, 2017
October wasn’t a good month; then again, outside of a few bright spots, the overall box office has been a disaster since early summer. I would love to say November will turn things around, but, while it should be better, in this case “better” is a relative term. There are two films on this list with a chance at $300 million, Thor: Ragnarok and Justice League, while Coco is nearly a guarantee for $200 million. By comparison, last November had a similar result with three films earning between $200 million and $300 million, but none topping that figure. This means, if Thor: Ragnarok and Justice League both get to that milestone, then 2017 could cut into 2016’s lead during the month. It will still take a minor miracle for 2017 to catch up in the end, but just cutting the lead in half by the end of December would be a reason to celebrate at this point.
October 10th, 2017
It’s a good week for the home market with top notch releases in nearly every category. Baby Driver is the biggest first run release of the week and one of the best releases. The Lure is a foreign-language film and one of two Criterion Collection releases in competition for Pick of the Week. Maudie is a Canadian limited release that did surprisingly well in theaters. Finally there’s Othello, which first came out more than 60 years ago. The only thing we are missing is a TV on DVD title. As for the winner, I’m giving Pick of the Week to, Othello, while Maudie wins Puck of the Week for Best Canadian Release.
October 8th, 2017
Wonder Woman is the fourth film in the DCEU and apparently it is one of the last. (Warner Bros. recently came out and said they would be focusing on individual stories and downplaying the overall continuity for a while. Smart move.) Wonder Woman broke a number of records during its box office run, including biggest box office hit for a female director, biggest super hero original movie, etc. and in the end, it was the biggest domestic hit of the summer. Did it deserve this success? Or was it only good compared to the previous installments in the DCEU?
September 5th, 2017
There are a few first-run releases coming out this week, but none of them did well enough in theaters and / or with critics to bother with above the fold, so to speak. There is one exception, The Big Sick, but it is only coming out on VOD this week. I’m hoping a Blu-ray screener is on its way. As for the Pick of the Week contenders, they are, in alphabetical order, Emmet Otter’s Jug-Band Christmas on DVD, Mr. Mom on Blu-ray, and Rebecca: Criterion Collection on Blu-ray. In the end, I went with the Alfred Hitchcock classic as the Pick of the Week.
July 30th, 2017
A solid second weekend will be enough to keep Dunkirk at the top of the box office chart this weekend, as The Emoji Movie falls short of a par performance for a family-friendly animated film. Christopher Nolan’s war movie will fall 44% from it opening—a decent figure these days—to earn $28.1 million this time around, according to Warner Bros.’ projection released on Sunday morning. That will take it past $100 million domestically today, puts it on course for around $200 million domestically in total.
July 23rd, 2017
Dunkirk will easily top the chart at the box office this weekend, with a $50.5 million opening weekend from 3,720 theaters that’s broadly in line with expectations, and also remarkably similar to the first weekend for Interstellar, which opened with $47.5 million from 3,561 theaters back in 2014. It seems that the film has reached the Christopher Nolan fan base, but not extended much beyond that. Remarkably, Pearl Harbor remains the record holder for biggest opening weekend for a World War II movie, with the $59 million it earned back in 2001 (equivalent to roughly $93 million with today’s ticket prices).
July 16th, 2017
A weekend estimate just ahead of our prediction for War for the Planet of the Apes, and a one just below our prediction for Spider-Man: Homecoming means there’s a clear winner at the box office. War will come in with $56.5 million, per Fox’s Sunday morning estimate, while Homecoming will finish second with $45.2 million.
July 9th, 2017
A $117 million opening weekend is pretty much all Sony could ask for from Spider-Man: Homecoming. It’s the second-best debut for the Spider-Man franchise, if you ignore the effects of inflation, and makes it almost certain that the franchise will break its unfortunate streak of earning less at the domestic box office with every new outing. With, reportedly, a more constrained budget—this is the least expensive Spider-Man film, adjusted for inflation—profitability looks assured, and Sony’s partnership with Disney looks as though it’s paying off.
July 6th, 2017
Despicable Me 3 dominated the international box office almost as much as it dominated the domestic box office earning $98.8 million on 8,525 screens in 52 markets for totals of $121.1 million international and $171.2 worldwide. Its biggest opening came from the U.K., where it earned $14.50 million in 608 theaters, while Mexico wasn’t far behind with $12.34 million. However, arguably its most impressive opening came in Brazil where it earned $7.5 million, which is the best opening for an animated film in that market. The film has already made enough to pay for its $75 million production budget, so it is a monster hit. However, its decline from Minions means Universal is more likely to make a second and third Minions movie rather than a fourth Despicable Me. As someone who prefers the Despicable Me movies, this is disappointing. On the other hand, I recognize I’m not in the target demographic for these films, so I really shouldn’t have a say in these things.
July 2nd, 2017
With July 4 falling on a Tuesday this year, this is less a holiday weekend, and more the beginning of a holiday week, and it’s bookended by new releases from two of the industry’s most reliable franchises. Despicable Me 3 starts off festivities this weekend with a solid-but-unspectacular $75.4 million from a record-setting 4,529 theaters. Breaking The Twilight Saga: Eclipse’s record for widest opening weekend of all time is no small feat for Universal, but it’s an ominous sign for the franchise that the only film to open in close to this number of theaters and pull in similar numbers at the box office was Shrek Forever After, which opened with $70.8 million in 4,359 theaters back in 2010. That was the last Shrek movie, and this might be a good time for Gru to call it a day.
July 1st, 2017
As expected, Despicable Me 3 earned first place at the box office on Friday with $29.2 million. This is the best single day for an animated film this year. To emphasize, this isn’t just the best opening day, but the best single day, and it should top that on Saturday. The previous record was $23.00 million, earned by The Lego Batman Movie. This film’s reviews are not as good as The Lego Batman Movie’s reviews are (they both earned A minuses from CinemaScore) so it won’t have the same legs. That said, an $83 million opening is still a great start and roughly on par with Despicable Me 2.
June 29th, 2017
Despicable Me 3 should dominate the box office this weekend, which is good news, because the last few weeks have been underwhelming. In fact, we haven’t had a monster hit since Wonder Woman started the month off with a bang. The House is an R-rated comedy, but since the last such film to come out bombed, I’m a little worried about its chances. Baby Driver opened on Wednesday and its early numbers are promising. It won’t be a $100 million hit, but it should earn a solid profit for Sony. This weekend last year, there were no monster hits at the box office, but there was solid depth. This weekend, we should be much stronger on top, while the depth won’t be that much weaker, leading to 2017 ending its mini-losing streak.
June 27th, 2017
Transformers: The Last Knight had the weekend to itself, but it couldn’t take advantage earning $44.68 million / $68.48 million over the full five days. It earned less over five days than last year’s winner, Finding Dory, earned over three days. Wonder Woman remained in second place becoming just the third film released in 2017 to hit $300 million, but there was not much else to celebrate at the box office. This explains why the overall box office fell 27% from last weekend down to $139 million. More importantly, this is 26% lower than the same weekend last year. 2017 is still ahead of 2016, but its lead was cut in half to just 1.3% or $70 million. This is a little distressing.
June 25th, 2017
A tepid $45.3 million Friday-to-Sunday domestic weekend for Transformers: The Last Knight is pretty much unmitigated bad news for Paramount Pictures. The studio is in desperate need of a hit, and the Transformers franchise is by far their biggest property. Even including the film’s grosses from Wednesday and Thursday, its $69 million debut is barely in the top ten for the year so far, and poor reviews and a B+ CinemaScore mean that it won’t have significant legs, even with a bit of help from the upcoming July 4 weekend. So all eyes are going to be on its overseas performance.
June 24th, 2017
Transformers: The Last Knight suffered a 48% plummet on Thursday to earn just $8.14 million; however, it bounced back on Friday with $13.69 million. If we again compare this to Dark of the Moon, which is the last film in the franchise to open on a Wednesday, we get mixed messages. The Last Knight fell faster on Thursday (48% to 43%) but bounced back more on Friday (68% to 53%). If we assume The Last Knight will continue to outperform Dark of the Moon over the rest of the weekend, then it will earn about $42 million over the three-day weekend and $66 million over five. This is the worst opening in the franchise by a wide margin, but there is good news for Paramount, as the film earned $41.46 million during its first day in China, and $47.55 million if you include previews. The international numbers will save this film and justify more sequels.
June 22nd, 2017
Transformers: The Last Knight got off to a weak start on Wednesday earning only $15.65 million. That’s not a great start. Fortunately, Cars 3 and Wonder Woman should have strong holds this weekend and that will help the overall box office numbers. They probably won’t help enough to top this weekend last year in the year-over-year comparison, but it should be close.
June 20th, 2017
As expected, Cars 3 earned first place over the weekend, but it did so with just $53.69 million, which is lower than anticipated. On the other hand, Wonder Woman remains one of the most impressive wide releases of 2017 when it comes to legs. Even if it didn’t earn another dollar, it would still have above average legs. All Eyez on Me went off to a fast start, but has a troubling internal multiplier, which doesn’t bode well for its future. Overall, the box office rose 31% from last weekend to $189 million. Unfortunately, it fell 19% from the same weekend last year and that’s more important. Fortunately, 2017 still has a sizable lead over 2016 at $5.16 billion to $5.00 billion.
June 17th, 2017
As anticipated, Cars 3 is cruising to the top of the box office chart this weekend, with Disney predicting a weekend of $53.547 million, as of Sunday morning. While that’s a very respectable figure in anyone’s book (and continues Disney’s domination at the box office this year), it’s down markedly from Cars 2’s $66.1 million opening weekend in 2011, and points towards a final domestic box office around $150 million. If that proves to be the case, it’ll be the second-worst performer ever for Pixar, beating only The Good Dinosaur. Talk of a decline at Pixar is over-blown, in my opinion, but this is still a so-so result by their high standards.
June 17th, 2017
As expected, Cars 3 earned first place on Friday, but it was a little more subdued than expected, with just $19.5 million for the day. This is a higher opening day than The Lego Batman Movie managed, but family films have a much higher internal multiplier outside of summer, because kids won’t be able to see the movie during matinees on the Friday. If it has the same internal multiplier as Finding Dory had, it would open with $48 million. While Cars 3’s reviews are not as good, it earned an A from CinemaScore, the same as Dory did. Furthermore, Cars 3 is being seen much more by kids than Dory was, as that film had a larger share of adult animation fans, so this should also help its legs. It won’t match our prediction of $58 million, but $51 million is still a great result.
June 15th, 2017
It’s a busy week with four truly wide releases, led by Cars 3. The latest film from Pixar is widely expected to earn first place at the box office, but it is part of the only Pixar franchise that isn’t a critical darling. Rough Night is playing in 3,000 theaters, but its early reviews are mixed and that's not going to help its box office numbers. All Eyez on Me is playing in 2,450 theaters, but its early reviews are even worse. Meanwhile, 47 Meters Down’s early reviews were 78% positive, but that has since changed for the worse. This weekend last year, there were two wide releases, Finding Dory and Central Intelligence, which earned a combined $170 million. There’s no way the four new releases coming out this week will match that. Even another strong hold by Wonder Woman won’t make a difference in the year-over-year competition and 2017 is going to lose.
June 13th, 2017
The weekend box office had a few surprises, some positive and some negative. On the positive side, Wonder Woman had the best hold for a major super hero movie since Spider-Man and is on pace for $340 million to $375 million. On the negative side were all three new releases. The Mummy finished on the low side of already low expectations, while It Comes At Night pleased critics, but not moviegoers. Meanwhile, Megan Leavey missed the Mendoza Line. Overall, the box office fell 22% from last weekend to $144 million. This is 5.7% lower than this weekend last year. Fortunately, since this time last week, 2017 expanded its lead over 2016 by about $20 million at $4.90 billion to $4.73 billion. We are almost halfway through the year, so a $175 million / 3.7% lead is solid. It isn’t impossible for that lead to evaporate, but it is enough to be cautiously optimistic about the final tally.
June 11th, 2017
There are precious few crumbs of comfort to be found from Universal’s launch of The Mummy this weekend. The studio is projecting a $32.2 million opening this weekend from 4,035 theaters. That will be a fairly distant second to Wonder Woman, which is expected to earn about $57.1 million. Even the bright news—that this is Tom Cruise’s biggest global opening weekend—comes with an asterisk.
June 8th, 2017
Last weekend was a great one at the box office with Wonder Woman earning over $100 million during its opening. This weekend isn’t expected to be nearly as potent. The biggest new release is The Mummy, which is supposed to be the start of the Dark Universe, but its reviews suggest this combined universe will be short-lived. It Comes At Night could become A24’s biggest hit, although that’s not a particularly high bar. Finally there’s Megan Leavey. It isn’t expected to open truly wide, but it only needs about $2 million to reach the top ten. This weekend last year was similar in terms of box office strength. The Conjuring 2: The Enfield Poltergeist led the way with barely more than $40 million, while there were two other new releases to top $20 million. This year’s crop of new films is nowhere near as good as that; however, the holdovers should make up the difference leaving 2017 ahead in the year-over-year comparison.
June 6th, 2017
The overall box office bounced back after a weak Memorial Day thanks to two critically acclaimed movies. Wonder Woman led the way with $103.25 million, while Captain Underpants: The First Epic Movie was way back with $23.85 million. Overall, the weekend box office pulled in $185 million, which is 31% more than last weekend. It is also 37% more than the same weekend last year. This helped 2017’s lead over 2016 grow by nearly a full percentage point to 3.5% at $4.69 billion to $4.52 billion.
June 2nd, 2017
It’s the first weekend of June and it looks like it could be a monster weekend. Wonder Woman could earn over $100 million during the weekend, while Captain Underpants: The First Epic Movie is hoping to hit $100 million in total. Both have a great chance of getting there. Add in some solid holdovers and this weekend should earn close to $200 million. By comparison, this weekend last year was nowhere near as strong with Teenage Mutant Ninja Turtles: Out of the Shadows earning first place with just $35.32 million. Wonder Woman will earn more than that opening day. There’s a chance Wonder Woman will earn more over the weekend than the top five earned this weekend last year.
June 1st, 2017
May was a really soft month with only one unqualified hit, Guardians of the Galaxy, Vol. 2, which is climbing towards $375 million domestically. The second biggest hit of the month will be Pirates of the Caribbean: Dead Men Tell No Tales and I would be surprised if it tops $150 million by any serious margin. June looks a lot more profitable. There are five weeks and every week there is at least one film with a great shot at $100 million or more. In fact, there are four films with at least a decent shot at $200 million and we could double the number of $300 million hits released so far this year. Wonder Woman is widely expected to start the month with an explosive debut and pulling in more than $100 million during its opening weekend is more and more likely. That said, Despicable Me 3 will probably end up being the biggest hit overall with over $300 million. Meanwhile, Cars 3 and Transformers: The Last Knight are both aiming for $200 million. Last June was not particularly strong, outside of one hit. Finding Dory earned nearly $500 million domestically, while the second best film, Central Intelligence, barely earned a quarter of that. I don’t think any film will come close to Finding Dory, but there’s a lot more depth this time around and I have high hopes 2017 will extend its lead.
March 1st, 2017
February was an okay month. The films that missed expectations were mostly balanced by the films that were pleasant surprises. Unfortunately, last February was amazing as Deadpool dominated the chart, so 2017 has fallen further behind 2016 and 2016’s lead is now about $100 million. It is not so bad that a good March won’t help 2017 back into the lead. Will that happen? We have some good news and some bad news. Good news: Every week there is one movie that has at least a shot at $100 million. Two of them, Logan and Beauty and the Beast, could reach $200 million or a lot more. Bad News: last March, both Zootopia and Batman v Superman: Dawn of Justice earned more than $300 million. That’s a really powerful one-two punch and I don’t think we can replicate that this time around. On the other hand, last March, the third best film of the month was 10 Cloverfield Lane, while there were four films that were expected to open wide that earned less than $10 million at the box office. 2017 likely won’t be as good at the top, but I also don’t think it will have as many bombs either. If Beauty and the Beast reaches the very high end of expectations, then 2017 could even close the gap with 2016 entirely. I’ll be happy getting halfway there.
February 20th, 2017
Doctor Strange was the first time that magic was really strongly introduced into the Marvel Cinematic Universe and some thought the film was a bit of a risk as a result. Instead, the film became the second biggest introductory film in the MCU, behind only Guardians of the Galaxy. Is it as good as its box office numbers would suggest? Or has the MCU become self-sustaining generating hundreds of million of dollars regardless of quality?
February 1st, 2017
January turned out to be a good month. Granted, it didn’t live up to last January, but its box office was one of the top five Januarys of all time, so that’s still a good start to the year. Also, we will have our first $100 million movie released in 2017 and that doesn’t happen this early very often. As for February, there’s potentially the first $200 million hit of the year, The Lego Batman Movie. Fifty Shades Darker and The Great Wall both have a shot at $100 million. That said, it is more likely that both will miss that milestone than both will get there. As for the rest of the films, there are a few that are aiming for solid midlevel hits, like John Wick: Chapter Two and Get Out, while there are very few potential bombs. By comparison, last February there was one monster hit, Deadpool, and a lot of bombs. No other movie besides Deadpool made $50 million. No movie opening this month will match Deadpool, but we won’t have as many bombs either, so hopefully that will balance out and 2017 won’t fall further behind 2016.
December 19th, 2016
I know what you are thinking. “Didn’t X-Men: Apocalypse come out on DVD and Blu-ray Combo Pack in early October?” Yes. However, the screener didn’t arrive till November and that’s too late to get a review done. That said, no screeners arrived this week, so I thought I might was well write a late review rather than do nothing.
December 8th, 2016
The first installment of our Holiday Gift Guide was a little shorter than I would have liked, because there wasn’t much in the way of first-run releases and franchise box sets. The second installment is going to be even shorter. That’s not to say there isn’t a lot of TV on DVD releases that would make worthy gifts, but we limit ourselves to first seasons and complete series Megasets. You don’t need us to tell you if Modern Family: Season Seven would make a good gift, for example. If the recipient hasn’t started watching the show yet, they are likely not into it. (There is an exception to this rule this year, but more on that down below.) The number of high-quality new shows that have a first season out on DVD / Blu-ray are very limited. Atlanta is amazing, but the first season is only out on Video on Demand. The first season of Luke Cage is only available on Netflix. Furthermore, there are not a lot Megasets worth talking about. That said, we begin with not just a Megaset, but a Gigaset. Perhaps even a Teraset!
December 5th, 2016
There are a few releases on this week’s list that are worth picking up. The Secret Life of Pets is by far the biggest release of the week. That said, Don’t Think Twice is the best and the Blu-ray is our Pick of the Week.
November 28th, 2016
Last week was the week of Black Friday / Cyber Monday, so the massive sales scared away top-notch releases. This week is the week after Black Friday / Cyber Monday and the new releases are even worse. There are a few midlevel releases, like Don’t Breathe or Pete’s Dragon, but the the size of the release quickly drops from there. Fortunately, both of those releases are very good and on even really busy weeks would be contenders for Pick of the Week. It was a close pick between the two, but in the end, I went with Don’t Breathe as Pick of the Week.
November 28th, 2016
After Superman Returns struggled at the box office and The Dark Knight became a surprise $1 billion hit, the folks at Warner Bros. decided to reboot the D.C. movies as D.C. Extended Universe using the dark and gritty style of the Dark Knight Trilogy. That hasn’t worked out so far. Man of Steel barely broke even and the mixed reviews made a few people worried about the franchise’s future. The dour interpretation of Superman didn’t work and the editing and pacing was a mess, but at least it had an interesting villain. Batman v Superman was terrible and had one of the worst villains of any comic book movie I’ve seen. When that film was eviscerated by the critics, Warner Bros. stepped in and made last minute changes to Suicide Squad. Did it work? Nope. But is it better than BvS?
November 1st, 2016
October turned out to be a mixed month. On the one hand, not one movie earned $100 million, or even came close. However, it was also a more steady month than last October and the last two weeks really helped 2016 in the year-over-year comparisons. In November, we have five films with at least a shot at $100 million, three of which should have no trouble getting to at least $200 million. A little while ago, I thought Fantastic Beasts and Where to Find Them would be the biggest hit of the month, but the buzz took a hit recently. More on that below. Meanwhile, Doctor Strange’s reviews are currently 90% positive and that should help it out at the box office. The third very likely $200 million hit is Moana. There is certainly precedent for an animated movie to be a monster hit at this time of year, but there is also a lot of competition. Last November was similar in strength, with five films that earned more than $100 million and two films that earned more than $200 million. None earned more than $300 million, so that’s the goal for this November. If we can get one $300 million and / or three $200 million movies over the month, then it will be seen as a victory.
September 4th, 2016
Don’t Breathe is pulling off an easy win at the box office this weekend, and will become in the process the first horror film to win two straight weekends since Ouija did so, with some help from Halloween, in 2014. With an estimated 3-day $15.7 million, Don’t Breathe is ahead of Suicide Squad, which will stay in the top two for a fifth straight weekend with $10 million or so. Its total stands at $297 million as of Sunday, and will pass $300 million tomorrow. The relative success of those two films prompts a question… where are the new releases?
August 28th, 2016
Fall season begins in earnest this weekend with the low-budget suspense flick Don’t Breathe taking over at the top of the box office chart. Sony is predicting a $26.1 million debut for the film, which will be the best debut for a horror or suspense film since The Purge: Election Year’s $31.5 million in July, and the best for a non-sequel since Annabelle’s $37.1 million in October, 2014. Don’t Breathe has the advantage of really good reviews (currently running at 84% positive on Rotten Tomatoes), although it will have a lot of competition over the next few weeks, with films aimed at a broadly similar audience coming out every week for the next three weeks (not to mention a truckload more arriving in October).
August 21st, 2016
Three even-matched debutants proved to be no match for the incumbents at the box office this weekend, with Suicide Squad taking a third straight victory at the box office with $20.71 million, according to Warner Bros.’ Sunday morning projection. Sausage Party stays in second with $15.3 million, and that leaves the new entrants in 3rd, 4th and 5th. This was a weekend where diversity isn’t the problem, but novelty is.
August 16th, 2016
The overall box office was a little weaker than expected with Suicide Squad falling nearly as fast as Batman v Superman: Dawn of Justice did. On the other hand, Sausage Party opened better than expected earning a solid second place. Overall, the box office pulled in $172 million over the weekend, which is 25% smaller than last weekend. Compared to the same weekend last year, the box office was 16% higher and that’s the most important number. Year-to-date, 2016 has pulled in $7.43 billion, putting it 5.3% ahead of last year’s pace. The box office just needs to maintain its $380 million lead throughout the rest of the summer to be considered a success.
August 14th, 2016
A precipitous drop from last weekend won’t be enough to knock Suicide Squad off its perch at the top of the box office chart, according to studio estimates released on Friday. But a 67% fall is steep, even by modern standards. On the bright side, it is less than Batman v Superman’s 69% decline in its second weekend earlier this year, at least according to the estimates. A weak Sunday would put the two films basically neck-and-neck on that front, and it looks increasingly likely that Suicide Squad will end with less than $300 million domestically.
August 10th, 2016
As expected, Suicide Squad easily won the international box office race pulling in $132 million in 57 markets. However, its results in individual markets were mixed when compared to its domestic opening, as well as when compared to Batman v Superman. For example, the film earned first place in Russia with $11.42 million over the weekend, while BvS opened with $7.84 million. It is also a little better than its debut here, given the size of the two markets, and the slumping rubles. On the other hand, the film managed $13.9 million in the U.K., compared to BvS’s opening of $20.66 million. Likewise, a $13.9 million opening in the U.K. is equivalent to about $90 million here, which is much less than its debut here. That’s still a huge opening, but not a monster opening. BvS finished with over $500 million internationally; if Suicide Squad finishes with just under $400 million internationally, it will break even, so the studio can’t be too upset. They could yell, “Damn the critics, full speed ahead.” and let the D.C. Extended Universe turn into another Transformers. Hit after hit, but critically reviled.
August 9th, 2016
Overall, the weekend lived up to expectations, with Suicide Squad doing a little better than expected at the expense of some of its competition. For example, Jason Bourne had one of the worst sophomore stint declines of the summer. The overall box office rose 20% from last weekend hitting $229 million. Suicide Squad earned more this weekend than the entire box office earned this weekend last year, so it should come as no surprise that the year-over-year growth was stunning at 73%. Year-to-date, 2016 saw its lead over 2015 grow by more than $100 million hitting 5.3% at $7.16 billion to $6.80 billion.
August 8th, 2016
It is a really slow week on the top with only a couple of main releases worth being a contender for Pick of the Week: Supergirl: Season 1 and Sweet Bean on DVD. The Nice Guys would also be a contender, but it is only coming out on Video on Demand this week and it is worth waiting for the Blu-ray Combo Pack. With only two real choices, Sweet Bean is my Pick of the Week.
August 7th, 2016
One of the most talked-about debuts of the year is shaping up to be one of the better ones. Suicide Squad will open with about $135 million, according to Warner Bros., easily the biggest weekend in August, beating Guardians of the Galaxy’s $94.3 million in 2014. It’s also the 3rd-best weekend in 2016, and should earn a little more than Deadpool’s $132 million debut. In spite of these awesome stats, there’s about as much negative press for the film as positive, and some of it not entirely fair.
August 5th, 2016
Suicide Squad started its domestic run last night with $20.5 million from its Thursday previews. This is the best previews since Captain America: Civil War and nearly double the previous August preview record of $11.2 million, held by Guardians of the Galaxy. This is great news for the studio. ... except for two small problems. This is 26% lower than Batman v. Superman and the two films earned identical reviews. If the two films have identical legs during their opening weekends, it will mean Suicide Squad will make $123 million over the weekend and $244 million in total. That’s not enough to revive the hopes of a DC Extended Universe that can rival the MCU.
August 4th, 2016
Before we talk about the weekend predictions... Warner Bros. owns D.C. Comics and a 30% share in Rotten Tomatoes. So accusing Rotten Tomatoes of having an anti-D.C. bias is silly. Starting a petition to shut down Rotten Tomatoes is a sign you really need a more productive hobby. I suggest Magic: The Gathering. ... Moving on... Suicide Squad is the last major release of the summer. Unfortunately, its reviews are among the worst of any $100 million movie released this summer. The counter-programming this week is Nine Lives, a talking animal / body swap movie that still has no reviews on Rotten Tomatoes. Many analysts think it will fail to reach the top five during its opening weekend. This weekend last year was the weekend Fantastic Four opened. Suicide Squad should crush that movie at the box office. In fact, it should earn more than the top ten earned last year.
August 1st, 2016
July did reasonably well, thanks mostly to The Secret Life of Pets, which will top $300 million shortly and could earn double its nearest competitor when all is said and done. That said, there were also a quartet of $100 million hits as well, so the month had good depth as well. August isn’t as lucky. There is one film that is expected to earn $100 million during its opening weekend, Suicide Squad, and one more that is expected to reach $100 million in total, Pete’s Dragon. There could be a surprise hit among the rest of the releases, (my long shot with a shot is Sausage Party) but for the most part, the rest of the wide releases would be happy with just $50 million at the box office. Last August was a disaster and Straight Outta Compton was the only hit of the month. Unless Suicide Squad bombs compared to expectations, 2016 will come out ahead in the year-over-year comparison.
April 21st, 2016
It's a bad week for new releases, as The Jungle Book is widely expected to dominate the box office. The only truly wide release is The Huntsman: Winter's War, but its reviews are simply terrible. There are also three films opening in select theaters and one of them should earn a spot in the top ten. They only need a little more than $1 million to do so. This weekend last year, the only true wide release was The Age of Adaline, which opened with $13 million on its way to becoming a midlevel hit. The Huntsman could double that opening, but it won't have the same legs.
April 15th, 2016
Batman v Superman: Dawn of Justice earned first place with $31.92 million in 67 theaters for totals of $486.8 million internationally and $783.4 million worldwide. At this pace, the film will hit $800 million early this weekend, but it looks like $900 million might be out of reach. This is bad news for the studio, as the film reportedly needed to hit $1 billion to break even. On other other hand, if the other films in the D.C. Extended Universe are good, then each time one of them comes out, BvS will gets a small boost on the home market. Maybe that will be enough to break even eventually.
April 2nd, 2016
Batman v Superman: Dawn of Justice is officially in trouble after falling 81% on the Friday over Friday comparison. It only managed $15.35 million at the box office yesterday, which is 5.4% less than Deadpool earned during its second Friday of its release. Granted, BvS still has a nearly $30 million lead over Deadpool after 8 days of release, but unless it bounces back on Saturday, that lead isn't safe. Look for between $50 million and $51 million over the weekend. Also look out for panicked Warner Bros. executives and possible rescheduling of some of the D.C. Extended Universe upcoming releases.
March 28th, 2016
As expected, Batman v Superman: Dawn of Justice dominated the box office earning $166.01 million over the weekend. However, this is lower than anticipated and lower than Saturday's calculation or Sunday's estimates. (Our model turned out to be closer.) Most of the rest of the films in the top five had reason to be happy, as did the overall box office, which was an amazing $252 million. This is 92% higher than last weekend and 68% more than this weekend last year. This kind of year-over-year growth usually only happens when there's a misalignment in holidays, which is exactly what happened this weekend. Last year, Easter didn't happen until April 5th. Year-to-date, 2016 doubled its lead over 2015 at $2.63 billion to $2.27 billion. A $370 million, 16% lead is certainly impressive, but I suspect it will shrink dramatically next month. Hopefully it isn't completely gone by May.
March 27th, 2016
Batman and Superman not only had to fight each other this weekend, but also mediocre reviews. They have come through in some style, however, posting a record for March of $170.1 million, according to Warner Bros.’ Sunday morning estimate. Our model has the film coming a little below that mark, at $165 million or so, which might mean it won’t quite top Harry Potter and the Deathly Hallows, Part II’s $169 million, which is currently the studio’s best ever weekend. But the fact that we’re comparing the movie to the Harry Potter franchise is nothing but good news for them.
March 25th, 2016
Batman v Superman: Dawn of Justice started its box office run with $27.7 million from Thursday previews. This is more than twice what Deadpool earned during its previews earlier this year and it beats the previous pre-summer record of $15.8 million by Furious 7 last year. Unfortunately, there are a couple of reasons to not be too excited. Firstly, the Fanboy effect is really strong for this film. “Committed” would be a word I would use to described the hardcore fans of the DC Extended Universe. They will rush out to see the movie regardless of the quality. Secondly, this is a terrible movie. Its Tomatometer Score is just 30% positive, which is bad no matter how you look at it. Word-of-mouth could do some real damage before the weekend is over.
March 24th, 2016
Batman v Superman: Dawn of Justice opens this weekend and should become the biggest film of the year. It has to become the biggest hit of the year. It is the first of ten upcoming films in the DC Extended Universe and it is rumored that Warner Bros. spent $400 million getting this movie to theaters. To be fair, $100 million of this could be described as pre-pre-production for the rest of the DCEU. The other wide release is My Big Fat Greek Wedding 2, which is a delayed sequel that I'm not sure many people are really excited to see. It likely didn't cost a lot, so it should break even sooner rather than later. This weekend last year, Home earned first place with $52.11 million. Batman v Superman: Dawn of Justice should earn more than that during its opening day.
Note: This list contains actors who appeared in at least two movies in the franchise.
|Gal Gadot||5||Wonder Woman||$2,345,677,048||$5,999,198,855||39.1%|
|Henry Cavill||4||Clark Kent/Kal-El||$2,192,113,158||$2,806,060,815||78.1%|
|Ben Affleck||3||Bruce Wayne / Batman||$1,524,113,640||$5,414,236,097||28.2%|
|Margot Robbie||3||Harley Quinn||$746,100,054||$2,167,219,097||34.4%|
|Ray Fisher||3||Victor Stone/Cyborg||$655,953,446||$655,953,446||100.0%|
|Amy Adams||3||Lois Lane||$2,192,113,158||$4,956,970,967||44.2%|
|Diane Lane||3||Martha Kent||$2,192,113,158||$4,496,714,255||48.7%|
|Ezra Miller||3||Barry Allen/The Flash||$1,402,053,500||$2,391,855,392||58.6%|
|Chris Pine||2||Steve Trevor||$821,563,408||$3,553,577,606||23.1%|
|Willem Dafoe||2||Dr. Nuidis Vulko||$655,953,446||$8,709,269,685||7.5%|
|Laurence Fishburne||2||Perry White||$1,536,159,712||$6,245,495,080||24.6%|
|Jesse Eisenberg||2||Lex Luthor||$1,524,113,640||$4,043,054,076||37.7%|
|Kiersey Clemons||2||Iris West||$655,953,446||$831,860,992||78.9%|
|Billy Crudup||2||Barry’s Father||$655,953,446||$2,516,377,420||26.1%|
|Michael Shannon||2||General Zod||$1,536,159,712||$3,823,327,554||40.2%|
|Harry Lennix||2||General Swanwick||$1,536,159,712||$1,627,666,106||94.4%|
|Christina Wren||2||Major Carrie Farris||$1,536,159,712||$1,536,159,712||100.0%|
|Kevin Costner||2||Jonathan Kent||$1,536,159,712||$4,895,895,485||31.4%|
|Chad Krowchuk||2||Glen Woodburn||$1,536,159,712||$2,086,241,325||73.6%|
|Patrick Wilson||2||Orm Marius / Ocean Master||$868,160,194||$3,216,640,451||27.0%|
|Coburn Goss||2||Father Leone||$1,536,159,712||$1,536,159,712||100.0%|
|Carla Gugino||2||Voice of Kelor||$1,536,159,712||$4,802,025,543||32.0%|
|Joseph Cranford||2||Pere Ross||$1,536,159,712||$1,536,159,712||100.0%|
Note: This list contains people who contributed to at least two movies in the franchise.
Story by (2)
Executive Producer (1)
|Charles Roven||7||Producer (7)||$3,759,776,620||$8,053,365,343||46.7%|
Executive Producer (1)
Executive Producer (3)
Story by (1)
Executive Producer (3)
|David Brenner||3||Editor (3)||$2,192,113,158||$6,758,256,512||32.4%|
|Steven Mnuchin||3||Executive Producer (3)||$2,435,823,656||$7,065,820,809||34.5%|
Unit Production Manager (2)
Executive Producer (1)
Associate Producer (1)
Executive Producer (1)
|Lora Kennedy||3||Casting Director (3)||$2,357,723,120||$3,578,130,010||65.9%|
|Kristy Carlson||3||Casting Director (3)||$2,357,723,120||$3,200,682,536||73.7%|
Second Unit Director (3)
Stunt Coordinator (3)
Story by (1)
Executive Producer (1)
Executive Producer (1)
Story Creator (1)
Executive Producer (1)
|Richard Suckle||2||Producer (2)||$1,567,663,462||$2,127,146,858||73.7%|
|David S. Goyer||2||
Story Creator (1)
Executive Producer (1)
Executive Producer (1)
|Peter Safran||2||Producer (2)||$0||$1,667,261,703||0.0%|
Executive Producer (1)
|Jerry Siegel||2||Character Creator (2)||$1,536,159,712||$2,521,299,223||60.9%|
|Joe Shuster||2||Character Creator (2)||$1,536,159,712||$2,521,299,223||60.9%|
|Rupert Gregson-Williams||2||Composer (2)||$821,563,408||$4,447,564,546||18.5%|
|Michael Wilkinson||2||Costume Designer (2)||$1,536,159,712||$5,574,293,906||27.6%|
|Hans Zimmer||2||Composer (2)||$1,536,159,712||$29,976,079,842||5.1%|
|John 'DJ' DesJardin||2||Visual Effects Supervisor (2)||$1,536,159,712||$2,154,346,968||71.3%|
Unit Production Manager (2)
|Tim Rigby||2||Stunt Coordinator (2)||$1,689,723,602||$2,020,503,653||83.6%|
|Bruce G. Moriarty||2||First Assistant Director (2)||$1,536,159,712||$1,569,607,324||97.9%|
Fight Choreographer (1)
Stunt Coordinator (1)
|Misha Bukowski||2||Second Assistant Director (2)||$1,536,159,712||$2,065,235,781||74.4%|
|Josh R. Jaggars||2||Visual Effects Producer (2)||$1,536,159,712||$1,536,159,712||100.0%|
Sound Designer (2)
Sound Supervisor (1)
|Chris Jenkins||2||Re-recording Mixer (2)||$1,536,159,712||$9,306,611,944||16.5%|
Post-Production Supervisor (2)
Associate Producer (1)
|Michael Keller||2||Re-recording Mixer (2)||$1,614,260,248||$6,543,282,421||24.7%|
Assistant Director (1)
Assistant Editor (1)
|Michael McGee||2||Sound Mixer (2)||$1,536,159,712||$4,200,957,324||36.6%|
|Melissa Muik||2||Music Editor (2)||$1,689,723,602||$2,230,237,725||75.8%|
|Andrew Kawczynski||2||Additional Music (2)||$1,689,723,602||$2,406,002,420||70.2%|