Diana Vreeland: The Eye Has to Travel (2012)
| Theatrical Performance | ||
| Domestic Box Office | $1,004,821 | Details |
| International Box Office | $261,633 | Details |
| Worldwide Box Office | $1,266,454 | |
| OpusData ID: 167180100 More info... | ||
| Further financial details... | ||
Synopsis
An intimate portrait and a vibrant celebration of Diana Vreeland, one of the most influential women of the 20th century, an enduring icon whose influence changed the face of fashion, beauty, art, publishing and culture forever. During her fifty year reign as the "Empress of Fashion," she launched Twiggy, advised Jackie O and coined some of fashion's most eloquent proverbs such as "the bikini is the biggest thing since the atom bomb." She was the fashion editor of Harper's Bazaar where she worked for 25 years before becoming editor-in-chief of Vogue followed by a remarkable stint at the Met's Costume Institute where she helped popularize its historical collections.
Metrics
| Opening Weekend: | $63,700 (6.3% of total gross) |
| Legs: | 11.08 (domestic box office/biggest weekend) |
| Domestic Share: | 79.3% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/27 max. theaters, 9.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,507,904 |
Movie Details
| Domestic Releases: | September 21st, 2012 (Limited) by Samuel Goldwyn Films |
| International Releases: | September 21st, 2012 (Wide) (United Kingdom)
October 4th, 2012 (Wide) (Netherlands) November 15th, 2012 (Wide) (New Zealand) November 16th, 2012 (Wide) (Taiwan) November 22nd, 2012 (Wide) (Australia) ... Show all releases |
| Video Release: | February 5th, 2013 by Entertainment One |
| MPA Rating: | PG-13 for some nude images. (Rating bulletin 2227, 6/13/2012) |
| Running Time: | 86 minutes |
| Cast, crew, or production detail: | Animated Sequences, Archive Footage |
| Plot point: | Biography, Fashion |
| Social setting: | Publishing Industry |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Gloss Studio, Mago Media, Lisa Immordino |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 21, 2012 | 48 | $63,700 | 3 | $21,233 | $63,700 | 1 | |
| Sep 28, 2012 | 45 | $90,699 | +42% | 14 | $6,479 | $193,543 | 2 |
| Oct 5, 2012 | 41 | $85,039 | -6% | 18 | $4,724 | $330,670 | 3 |
| Oct 12, 2012 | 39 | $55,809 | -34% | 17 | $3,283 | $438,837 | 4 |
| Oct 19, 2012 | 37 | $73,928 | +32% | 27 | $2,738 | $547,686 | 5 |
| Oct 26, 2012 | 41 | $57,232 | -23% | 26 | $2,201 | $653,710 | 6 |
| Nov 2, 2012 | 44 | $54,523 | -5% | 24 | $2,272 | $744,522 | 7 |
| Nov 9, 2012 | 43 | $42,063 | -23% | 24 | $1,753 | $811,450 | 8 |
| Nov 16, 2012 | 52 | $20,959 | -50% | 15 | $1,397 | $859,780 | 9 |
| Nov 23, 2012 | 57 | $18,291 | -13% | 15 | $1,219 | $890,486 | 10 |
| Nov 30, 2012 | 60 | $13,553 | -26% | 12 | $1,129 | $912,840 | 11 |
| Dec 7, 2012 | 72 | $7,176 | -47% | 15 | $478 | $928,157 | 12 |
| Dec 14, 2012 | 68 | $4,532 | -37% | 14 | $324 | $938,476 | 13 |
| Dec 21, 2012 | 64 | $3,643 | -20% | 7 | $520 | $945,959 | 14 |
| Jan 4, 2013 | 65 | $5,882 | 7 | $840 | $963,138 | 16 | |
| Jan 11, 2013 | 64 | $6,191 | +5% | 7 | $884 | $972,291 | 17 |
| Jan 25, 2013 | 67 | $6,776 | 8 | $847 | $996,242 | 19 | |
| Feb 1, 2013 | 74 | $5,038 | -26% | 6 | $840 | $1,004,821 | 20 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 21, 2012 | 47 | $102,844 | 3 | $34,281 | $102,844 | 1 | |
| Sep 28, 2012 | 41 | $142,787 | +39% | 14 | $10,199 | $245,631 | 2 |
| Oct 5, 2012 | 39 | $137,397 | -4% | 18 | $7,633 | $383,028 | 3 |
| Oct 12, 2012 | 37 | $90,730 | -34% | 17 | $5,337 | $473,758 | 4 |
| Oct 19, 2012 | 34 | $122,720 | +35% | 27 | $4,545 | $596,478 | 5 |
| Oct 26, 2012 | 39 | $93,521 | -24% | 26 | $3,597 | $689,999 | 6 |
| Nov 2, 2012 | 44 | $79,388 | -15% | 24 | $3,308 | $769,387 | 7 |
| Nov 9, 2012 | 42 | $69,434 | -13% | 24 | $2,893 | $838,821 | 8 |
| Nov 16, 2012 | 57 | $33,374 | -52% | 15 | $2,225 | $872,195 | 9 |
| Nov 23, 2012 | 59 | $27,092 | -19% | 15 | $1,806 | $899,287 | 10 |
| Nov 30, 2012 | 61 | $21,694 | -20% | 12 | $1,808 | $920,981 | 11 |
| Dec 7, 2012 | 74 | $12,963 | -40% | 15 | $864 | $933,944 | 12 |
| Dec 14, 2012 | 73 | $8,372 | -35% | 14 | $598 | $942,316 | 13 |
| Jan 4, 2013 | 67 | $8,844 | 7 | $1,263 | $966,100 | 16 | |
| Jan 25, 2013 | 70 | $10,317 | 8 | $1,290 | $999,783 | 19 | |
| Feb 1, 2013 | 74 | $5,038 | -51% | 6 | $840 | $1,004,821 | 20 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 11/22/2012 | $16,014 | 7 | 7 | 7 | $16,014 | 12/12/2015 | |||
| Netherlands | 10/4/2012 | $12,909 | 11 | 11 | 11 | $12,909 | 12/12/2015 | |||
| New Zealand | 11/15/2012 | $10,539 | 10 | 10 | 10 | $149,634 | 12/12/2015 | |||
| Taiwan | 11/16/2012 | $1,835 | 2 | 2 | 4 | $5,362 | 12/12/2015 | |||
| United Kingdom | 9/21/2012 | $23,389 | 5 | 5 | 15 | $77,714 | 12/12/2015 | |||
| International Total | $261,633 | 12/12/2015 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Documentary Subject
| Diana Vreeland | Herself |
Production and Technical Credits
| Lisa Immordino Vreeland | Director | |
| Lisa Immordino Vreeland | Producer | |
| Jonathan Gray | Executive Producer | |
| Mark Lee | Co-Executive Producer | |
| Bent-Jorgen Perlmutt | Co-Director | |
| Bent-Jorgen Perlmutt | Editor | |
| Frederic Tcheng | Co-Director | |
| Frederic Tcheng | Editor | |
| Susan Jacobs | Music Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
An intimate portrait and a vibrant celebration of Diana Vreeland, one of the most influential women of the 20th century, an enduring icon whose influence changed the face of fashion, beauty, art, publishing and culture forever. During her fifty year reign as the "Empress of Fashion," she launched Twiggy, advised Jackie O and coined some of fashion's most eloquent proverbs such as "the bikini is the biggest thing since the atom bomb." She was the fashion editor of Harper's Bazaar where she worked for 25 years before becoming editor-in-chief of Vogue followed by a remarkable stint at the Met's Costume Institute where she helped popularize its historical collections.
Metrics
| Opening Weekend: | $63,700 (6.3% of total gross) |
| Legs: | 11.08 (domestic box office/biggest weekend) |
| Domestic Share: | 79.3% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/27 max. theaters, 9.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,507,904 |
Movie Details
| Domestic Releases: | September 21st, 2012 (Limited) by Samuel Goldwyn Films |
| International Releases: | September 21st, 2012 (Wide) (United Kingdom)
October 4th, 2012 (Wide) (Netherlands) November 15th, 2012 (Wide) (New Zealand) November 16th, 2012 (Wide) (Taiwan) November 22nd, 2012 (Wide) (Australia) ... Show all releases |
| Video Release: | February 5th, 2013 by Entertainment One |
| MPA Rating: | PG-13 for some nude images. (Rating bulletin 2227, 6/13/2012) |
| Running Time: | 86 minutes |
| Cast, crew, or production detail: | Animated Sequences, Archive Footage |
| Plot point: | Biography, Fashion |
| Social setting: | Publishing Industry |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Gloss Studio, Mago Media, Lisa Immordino |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 21, 2012 | 48 | $63,700 | 3 | $21,233 | $63,700 | 1 | |
| Sep 28, 2012 | 45 | $90,699 | +42% | 14 | $6,479 | $193,543 | 2 |
| Oct 5, 2012 | 41 | $85,039 | -6% | 18 | $4,724 | $330,670 | 3 |
| Oct 12, 2012 | 39 | $55,809 | -34% | 17 | $3,283 | $438,837 | 4 |
| Oct 19, 2012 | 37 | $73,928 | +32% | 27 | $2,738 | $547,686 | 5 |
| Oct 26, 2012 | 41 | $57,232 | -23% | 26 | $2,201 | $653,710 | 6 |
| Nov 2, 2012 | 44 | $54,523 | -5% | 24 | $2,272 | $744,522 | 7 |
| Nov 9, 2012 | 43 | $42,063 | -23% | 24 | $1,753 | $811,450 | 8 |
| Nov 16, 2012 | 52 | $20,959 | -50% | 15 | $1,397 | $859,780 | 9 |
| Nov 23, 2012 | 57 | $18,291 | -13% | 15 | $1,219 | $890,486 | 10 |
| Nov 30, 2012 | 60 | $13,553 | -26% | 12 | $1,129 | $912,840 | 11 |
| Dec 7, 2012 | 72 | $7,176 | -47% | 15 | $478 | $928,157 | 12 |
| Dec 14, 2012 | 68 | $4,532 | -37% | 14 | $324 | $938,476 | 13 |
| Dec 21, 2012 | 64 | $3,643 | -20% | 7 | $520 | $945,959 | 14 |
| Jan 4, 2013 | 65 | $5,882 | 7 | $840 | $963,138 | 16 | |
| Jan 11, 2013 | 64 | $6,191 | +5% | 7 | $884 | $972,291 | 17 |
| Jan 25, 2013 | 67 | $6,776 | 8 | $847 | $996,242 | 19 | |
| Feb 1, 2013 | 74 | $5,038 | -26% | 6 | $840 | $1,004,821 | 20 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 21, 2012 | 47 | $102,844 | 3 | $34,281 | $102,844 | 1 | |
| Sep 28, 2012 | 41 | $142,787 | +39% | 14 | $10,199 | $245,631 | 2 |
| Oct 5, 2012 | 39 | $137,397 | -4% | 18 | $7,633 | $383,028 | 3 |
| Oct 12, 2012 | 37 | $90,730 | -34% | 17 | $5,337 | $473,758 | 4 |
| Oct 19, 2012 | 34 | $122,720 | +35% | 27 | $4,545 | $596,478 | 5 |
| Oct 26, 2012 | 39 | $93,521 | -24% | 26 | $3,597 | $689,999 | 6 |
| Nov 2, 2012 | 44 | $79,388 | -15% | 24 | $3,308 | $769,387 | 7 |
| Nov 9, 2012 | 42 | $69,434 | -13% | 24 | $2,893 | $838,821 | 8 |
| Nov 16, 2012 | 57 | $33,374 | -52% | 15 | $2,225 | $872,195 | 9 |
| Nov 23, 2012 | 59 | $27,092 | -19% | 15 | $1,806 | $899,287 | 10 |
| Nov 30, 2012 | 61 | $21,694 | -20% | 12 | $1,808 | $920,981 | 11 |
| Dec 7, 2012 | 74 | $12,963 | -40% | 15 | $864 | $933,944 | 12 |
| Dec 14, 2012 | 73 | $8,372 | -35% | 14 | $598 | $942,316 | 13 |
| Jan 4, 2013 | 67 | $8,844 | 7 | $1,263 | $966,100 | 16 | |
| Jan 25, 2013 | 70 | $10,317 | 8 | $1,290 | $999,783 | 19 | |
| Feb 1, 2013 | 74 | $5,038 | -51% | 6 | $840 | $1,004,821 | 20 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 11/22/2012 | $16,014 | 7 | 7 | 7 | $16,014 | 12/12/2015 | |||
| Netherlands | 10/4/2012 | $12,909 | 11 | 11 | 11 | $12,909 | 12/12/2015 | |||
| New Zealand | 11/15/2012 | $10,539 | 10 | 10 | 10 | $149,634 | 12/12/2015 | |||
| Taiwan | 11/16/2012 | $1,835 | 2 | 2 | 4 | $5,362 | 12/12/2015 | |||
| United Kingdom | 9/21/2012 | $23,389 | 5 | 5 | 15 | $77,714 | 12/12/2015 | |||
| International Total | $261,633 | 12/12/2015 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Documentary Subject
| Diana Vreeland | Herself |
Production and Technical Credits
| Lisa Immordino Vreeland | Director | |
| Lisa Immordino Vreeland | Producer | |
| Jonathan Gray | Executive Producer | |
| Mark Lee | Co-Executive Producer | |
| Bent-Jorgen Perlmutt | Co-Director | |
| Bent-Jorgen Perlmutt | Editor | |
| Frederic Tcheng | Co-Director | |
| Frederic Tcheng | Editor | |
| Susan Jacobs | Music Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.