Don Juan DeMarco (1995)
| Theatrical Performance | ||
| Domestic Box Office | $22,032,635 | Details |
| OpusData ID: 23590100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $4,556,274 (20.7% of total gross) |
| Legs: | 4.84 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Production Budget: | $25,000,000 (worldwide box office is 0.9 times production budget) |
| Theater counts: | 1,110 opening theaters/1,226 max. theaters, 7.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $57,284,845 |
Movie Details
| Domestic Releases: | April 7th, 1995 (Wide) by New Line |
| MPA Rating: | PG-13 for sexual content. |
| Running Time: | 92 minutes |
| Plot point: | Mental Illness, One Last Job, Romance |
| Social setting: | Mental Hospital, Retirement, Therapists / Therapy |
| Subgenre: | Romantic Drama |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | New Line Cinema, American Zoetrope |
| Production Countries: | United States |
| Languages: | English, Spanish |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 7, 1995 | 4 | $4,556,274 | 1,110 | $4,105 | $4,556,274 | 1 | |
| Apr 14, 1995 | 6 | $3,704,804 | -19% | 1,211 | $3,059 | $9,595,494 | 2 |
| Apr 21, 1995 | 7 | $2,614,487 | -29% | 1,226 | $2,133 | $13,479,153 | 3 |
| Apr 28, 1995 | 9 | $1,729,748 | -34% | 1,102 | $1,570 | $15,970,287 | 4 |
| May 5, 1995 | 11 | $1,119,653 | -35% | 1,083 | $1,034 | $17,655,461 | 5 |
| May 12, 1995 | 14 | $704,691 | -37% | 900 | $783 | $18,796,433 | 6 |
| May 19, 1995 | 17 | $393,468 | -44% | 600 | $656 | $19,506,544 | 7 |
| May 26, 1995 | 26 | $222,759 | -43% | 201 | $1,108 | $19,929,276 | 8 |
| Jun 2, 1995 | 29 | $124,468 | -44% | 150 | $830 | $20,113,974 | 9 |
| Jun 9, 1995 | 22 | $305,445 | +145% | 460 | $664 | $20,484,226 | 10 |
| Jun 16, 1995 | 23 | $242,187 | -21% | 420 | $577 | $20,925,622 | 11 |
| Jun 23, 1995 | 23 | $219,975 | -9% | 352 | $625 | $21,312,921 | 12 |
| Jun 30, 1995 | 28 | $109,526 | -50% | 207 | $529 | $21,569,179 | 13 |
| Jul 7, 1995 | 28 | $97,043 | -11% | 161 | $603 | $21,750,268 | 14 |
| Jul 14, 1995 | 35 | $64,420 | -34% | 94 | $685 | $21,878,541 | 15 |
| Jul 21, 1995 | 42 | $38,256 | -41% | 50 | $765 | $21,960,484 | 16 |
| Jul 28, 1995 | 50 | $26,878 | -30% | 26 | $1,034 | $22,011,141 | 17 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 7, 1995 | 4 | $5,890,690 | 1,110 | $5,307 | $5,890,690 | 1 | |
| Apr 14, 1995 | 6 | $4,973,976 | -16% | 1,211 | $4,107 | $10,864,666 | 2 |
| Apr 21, 1995 | 7 | $3,375,873 | -32% | 1,226 | $2,754 | $14,240,539 | 3 |
| Apr 28, 1995 | 9 | $2,295,269 | -32% | 1,102 | $2,083 | $16,535,808 | 4 |
| May 5, 1995 | 11 | $1,555,934 | -32% | 1,083 | $1,437 | $18,091,742 | 5 |
| May 12, 1995 | 14 | $1,021,334 | -34% | 900 | $1,135 | $19,113,076 | 6 |
| May 19, 1995 | 16 | $593,441 | -42% | 600 | $989 | $19,706,517 | 7 |
| May 26, 1995 | 25 | $282,989 | -52% | 201 | $1,408 | $19,989,506 | 8 |
| Jun 2, 1995 | 29 | $189,275 | -33% | 150 | $1,262 | $20,178,781 | 9 |
| Jun 9, 1995 | 21 | $504,654 | +167% | 460 | $1,097 | $20,683,435 | 10 |
| Jun 16, 1995 | 21 | $409,511 | -19% | 420 | $975 | $21,092,946 | 11 |
| Jun 23, 1995 | 22 | $366,707 | -10% | 352 | $1,042 | $21,459,653 | 12 |
| Jun 30, 1995 | 29 | $193,572 | -47% | 207 | $935 | $21,653,225 | 13 |
| Jul 7, 1995 | 29 | $160,896 | -17% | 161 | $999 | $21,814,121 | 14 |
| Jul 14, 1995 | 35 | $108,107 | -33% | 94 | $1,150 | $21,922,228 | 15 |
| Jul 21, 1995 | 43 | $62,035 | -43% | 50 | $1,241 | $21,984,263 | 16 |
Leading
| Marlon Brando | Dr. Jack Mickler | |
| Johnny Depp | Don Juan | |
| Faye Dunaway | Marilyn Mickler |
Supporting
| Rachel Ticotin | Dona Inez | |
| Bob Dishy | Dr. Paul Showalter | |
| Géraldine Pailhas | Dona Ana | |
| Carmen Argenziano | Don Alfonzo | |
| Talisa Soto | Doña Julia | |
| Marita Geraghty | Woman in Restaurant | |
| Richard Sarafian | Detective Sy Tobias | |
| Tresa Hughes | Grandmother DeMarco | |
| Gilbert Lewis | Judge Ryland | |
| Franc Luz | Don Antonio | |
| Jo Champa | Sultana Gulbeyaz | |
| Stephen Singer | Dr. Bill Dunsmore | |
| Esther Scott | Nurse Alvira | |
| Nada Despotovich | Nurse Gloria | |
| Tommy Lister | Rocco Compton | |
| Tom Mardirosian | Baba the Eunuch | |
| Al Corley | Woman's Date | |
| Nick La Tour | Nicholas the Doorman | |
| Bill Capizzi | Sultan | |
| Patricia Mauceri | Dona Querida | |
| Cliff Weissman | Delivery Man #1 | |
| Michael Malota | Young Don Juan | |
| Renee Sicignano | Flower Girl | |
| Trevor Long | Waiter | |
| Sanjay | Auctioneer | |
| Diane Lee | Night Duty Nurse | |
| Joni Kramer | Nurse | |
| Shirlee Reed | Nurse | |
| Ken Gutstein | Doctor #1 | |
| Adriana Jardini | Social Worker | |
| Robert Polanco Rodriguez | Priest | |
| Roberta Danza | Nun | |
| Bridget Mariano | Nun | |
| Christine Wolfe | Nun | |
| Jose Hernandez | Bandleader | |
| Selena Perez | Singer |
Production and Technical Credits
| Jeremy Leven | Director | |
| Jeremy Leven | Screenwriter | |
| Francis Ford Coppola | Producer | |
| Fred Fuchs | Producer | |
| Patrick Palmer | Producer | |
| Ruth Vitale | Executive Producer | |
| Michael De Luca | Executive Producer | |
| Robert Newmyer | Co-Executive Producer | |
| Brian Reilly | Co-Executive Producer | |
| Jeffrey Silver | Co-Executive Producer | |
| Ralf Bode | Director of Photography | |
| Sharon Seymour | Production Designer | |
| Tony Gibbs | Film Editor | |
| Kirsten Everbergv | Costume Designer | |
| Michael Kamen | Music by | |
| Lynn Kressel | Casting by | |
| Vincent Agostino | Production Supervisor | |
| Jerry L. Ballew | Assistant Director | |
| Patrick Palmer | Unit Production Manager | |
| Jeff Knipp | Art Director | |
| Maggie Martin | Set Decorator | |
| Fred Lloyd | Costume Supervisor | |
| Richard Lightstone | Production Sound Mixer | |
| Paul Massey | Re-recording Mixer | |
| Christopher David | Re-recording Mixer | |
| Tom Perry | Re-recording Mixer | |
| Dane A. Davis | Supervising Sound Editor | |
| Bryan Adams | Words and Music | |
| R.J. Lange | Words and Music | |
| Michael Kamen | Words and Music | |
| Zigmund Gron | Music Editor | |
| Christopher Brooks | Music Editor | |
| Dawn Soler | Music Supervisor | |
| Ron Berkeley | Makeup (Key) | |
| Phillip Rhodes | Makeup (Marlon Brando) | |
| Patty York | Makeup (Johnny Depp) | |
| Lucia Mace | Hairstylist (Key) | |
| Vera Mitchell | Hairstylist (Marlon Brando) | |
| Clare M. Corsick | Hairstylist (Johnny Depp) | |
| Luke M. O’Connor | Hairstylist (Geraldine Pailhas) | |
| Victor Paul | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $4,556,274 (20.7% of total gross) |
| Legs: | 4.84 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Production Budget: | $25,000,000 (worldwide box office is 0.9 times production budget) |
| Theater counts: | 1,110 opening theaters/1,226 max. theaters, 7.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $57,284,845 |
Movie Details
| Domestic Releases: | April 7th, 1995 (Wide) by New Line |
| MPA Rating: | PG-13 for sexual content. |
| Running Time: | 92 minutes |
| Plot point: | Mental Illness, One Last Job, Romance |
| Social setting: | Mental Hospital, Retirement, Therapists / Therapy |
| Subgenre: | Romantic Drama |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | New Line Cinema, American Zoetrope |
| Production Countries: | United States |
| Languages: | English, Spanish |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 7, 1995 | 4 | $4,556,274 | 1,110 | $4,105 | $4,556,274 | 1 | |
| Apr 14, 1995 | 6 | $3,704,804 | -19% | 1,211 | $3,059 | $9,595,494 | 2 |
| Apr 21, 1995 | 7 | $2,614,487 | -29% | 1,226 | $2,133 | $13,479,153 | 3 |
| Apr 28, 1995 | 9 | $1,729,748 | -34% | 1,102 | $1,570 | $15,970,287 | 4 |
| May 5, 1995 | 11 | $1,119,653 | -35% | 1,083 | $1,034 | $17,655,461 | 5 |
| May 12, 1995 | 14 | $704,691 | -37% | 900 | $783 | $18,796,433 | 6 |
| May 19, 1995 | 17 | $393,468 | -44% | 600 | $656 | $19,506,544 | 7 |
| May 26, 1995 | 26 | $222,759 | -43% | 201 | $1,108 | $19,929,276 | 8 |
| Jun 2, 1995 | 29 | $124,468 | -44% | 150 | $830 | $20,113,974 | 9 |
| Jun 9, 1995 | 22 | $305,445 | +145% | 460 | $664 | $20,484,226 | 10 |
| Jun 16, 1995 | 23 | $242,187 | -21% | 420 | $577 | $20,925,622 | 11 |
| Jun 23, 1995 | 23 | $219,975 | -9% | 352 | $625 | $21,312,921 | 12 |
| Jun 30, 1995 | 28 | $109,526 | -50% | 207 | $529 | $21,569,179 | 13 |
| Jul 7, 1995 | 28 | $97,043 | -11% | 161 | $603 | $21,750,268 | 14 |
| Jul 14, 1995 | 35 | $64,420 | -34% | 94 | $685 | $21,878,541 | 15 |
| Jul 21, 1995 | 42 | $38,256 | -41% | 50 | $765 | $21,960,484 | 16 |
| Jul 28, 1995 | 50 | $26,878 | -30% | 26 | $1,034 | $22,011,141 | 17 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 7, 1995 | 4 | $5,890,690 | 1,110 | $5,307 | $5,890,690 | 1 | |
| Apr 14, 1995 | 6 | $4,973,976 | -16% | 1,211 | $4,107 | $10,864,666 | 2 |
| Apr 21, 1995 | 7 | $3,375,873 | -32% | 1,226 | $2,754 | $14,240,539 | 3 |
| Apr 28, 1995 | 9 | $2,295,269 | -32% | 1,102 | $2,083 | $16,535,808 | 4 |
| May 5, 1995 | 11 | $1,555,934 | -32% | 1,083 | $1,437 | $18,091,742 | 5 |
| May 12, 1995 | 14 | $1,021,334 | -34% | 900 | $1,135 | $19,113,076 | 6 |
| May 19, 1995 | 16 | $593,441 | -42% | 600 | $989 | $19,706,517 | 7 |
| May 26, 1995 | 25 | $282,989 | -52% | 201 | $1,408 | $19,989,506 | 8 |
| Jun 2, 1995 | 29 | $189,275 | -33% | 150 | $1,262 | $20,178,781 | 9 |
| Jun 9, 1995 | 21 | $504,654 | +167% | 460 | $1,097 | $20,683,435 | 10 |
| Jun 16, 1995 | 21 | $409,511 | -19% | 420 | $975 | $21,092,946 | 11 |
| Jun 23, 1995 | 22 | $366,707 | -10% | 352 | $1,042 | $21,459,653 | 12 |
| Jun 30, 1995 | 29 | $193,572 | -47% | 207 | $935 | $21,653,225 | 13 |
| Jul 7, 1995 | 29 | $160,896 | -17% | 161 | $999 | $21,814,121 | 14 |
| Jul 14, 1995 | 35 | $108,107 | -33% | 94 | $1,150 | $21,922,228 | 15 |
| Jul 21, 1995 | 43 | $62,035 | -43% | 50 | $1,241 | $21,984,263 | 16 |
Leading
| Marlon Brando | Dr. Jack Mickler | |
| Johnny Depp | Don Juan | |
| Faye Dunaway | Marilyn Mickler |
Supporting
| Rachel Ticotin | Dona Inez | |
| Bob Dishy | Dr. Paul Showalter | |
| Géraldine Pailhas | Dona Ana | |
| Carmen Argenziano | Don Alfonzo | |
| Talisa Soto | Doña Julia | |
| Marita Geraghty | Woman in Restaurant | |
| Richard Sarafian | Detective Sy Tobias | |
| Tresa Hughes | Grandmother DeMarco | |
| Gilbert Lewis | Judge Ryland | |
| Franc Luz | Don Antonio | |
| Jo Champa | Sultana Gulbeyaz | |
| Stephen Singer | Dr. Bill Dunsmore | |
| Esther Scott | Nurse Alvira | |
| Nada Despotovich | Nurse Gloria | |
| Tommy Lister | Rocco Compton | |
| Tom Mardirosian | Baba the Eunuch | |
| Al Corley | Woman's Date | |
| Nick La Tour | Nicholas the Doorman | |
| Bill Capizzi | Sultan | |
| Patricia Mauceri | Dona Querida | |
| Cliff Weissman | Delivery Man #1 | |
| Michael Malota | Young Don Juan | |
| Renee Sicignano | Flower Girl | |
| Trevor Long | Waiter | |
| Sanjay | Auctioneer | |
| Diane Lee | Night Duty Nurse | |
| Joni Kramer | Nurse | |
| Shirlee Reed | Nurse | |
| Ken Gutstein | Doctor #1 | |
| Adriana Jardini | Social Worker | |
| Robert Polanco Rodriguez | Priest | |
| Roberta Danza | Nun | |
| Bridget Mariano | Nun | |
| Christine Wolfe | Nun | |
| Jose Hernandez | Bandleader | |
| Selena Perez | Singer |
Production and Technical Credits
| Jeremy Leven | Director | |
| Jeremy Leven | Screenwriter | |
| Francis Ford Coppola | Producer | |
| Fred Fuchs | Producer | |
| Patrick Palmer | Producer | |
| Ruth Vitale | Executive Producer | |
| Michael De Luca | Executive Producer | |
| Robert Newmyer | Co-Executive Producer | |
| Brian Reilly | Co-Executive Producer | |
| Jeffrey Silver | Co-Executive Producer | |
| Ralf Bode | Director of Photography | |
| Sharon Seymour | Production Designer | |
| Tony Gibbs | Film Editor | |
| Kirsten Everbergv | Costume Designer | |
| Michael Kamen | Music by | |
| Lynn Kressel | Casting by | |
| Vincent Agostino | Production Supervisor | |
| Jerry L. Ballew | Assistant Director | |
| Patrick Palmer | Unit Production Manager | |
| Jeff Knipp | Art Director | |
| Maggie Martin | Set Decorator | |
| Fred Lloyd | Costume Supervisor | |
| Richard Lightstone | Production Sound Mixer | |
| Paul Massey | Re-recording Mixer | |
| Christopher David | Re-recording Mixer | |
| Tom Perry | Re-recording Mixer | |
| Dane A. Davis | Supervising Sound Editor | |
| Bryan Adams | Words and Music | |
| R.J. Lange | Words and Music | |
| Michael Kamen | Words and Music | |
| Zigmund Gron | Music Editor | |
| Christopher Brooks | Music Editor | |
| Dawn Soler | Music Supervisor | |
| Ron Berkeley | Makeup (Key) | |
| Phillip Rhodes | Makeup (Marlon Brando) | |
| Patty York | Makeup (Johnny Depp) | |
| Lucia Mace | Hairstylist (Key) | |
| Vera Mitchell | Hairstylist (Marlon Brando) | |
| Clare M. Corsick | Hairstylist (Johnny Depp) | |
| Luke M. O’Connor | Hairstylist (Geraldine Pailhas) | |
| Victor Paul | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.