An unconventional romance between two people living vastly different realities mere blocks away from one another. Each lost in their everyday lives, Meira, a Hasidic Jewish wife and mother and Félix, a Secular loner mourning the recent death of his estranged father, unexpectedly meet in a local bakery in Montreal's Mile End district. What starts as an innocent friendship becomes more serious as the two wayward strangers find comfort in one another. As Felix opens Meira's eyes to the world outside of her tight-knit Orthodox community, her desire for change becomes harder for her to ignore, ultimately forcing her to choose: remain in the life that she knows or give it all up to be with Félix.
Latest Ranking on Cumulative Box Office Lists
|All Time Domestic Box Office (Rank 9,001-9,100)
|All Time International Box Office (Rank 9,301-9,400)
|All Time Worldwide Box Office (Rank 12,101-12,200)
|All Time Domestic Highest Grossing Limited Release Movies (Rank 2,301-2,400)
|All Time Domestic Box Office for R Movies (Rank 3,001-3,100)
|All Time International Box Office for R Movies (Rank 2,401-2,500)
|All Time Worldwide Box Office for R Movies (Rank 3,501-3,600)
See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.
||April 17th, 2015 (Limited) by Oscilloscope Pictures|
||March 10th, 2016 (Wide) (Uruguay)
||July 21st, 2015 by Oscilloscope Video, released as Felix and Meira|
||R for a scene of sexuality/nudity.|
(Rating bulletin 2357, 1/21/2015)
||vs. The Captive|
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||Romance, Love Triangle, Relationships Gone Wrong, Jewish, Orthodox Religion, Cross-Culture Romance, Interfaith Romance|
|Production Method:||Live Action|
|Creative Type:||Contemporary Fiction|
Ranking on other Records and Milestones
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Production and Technical Credits
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.
April 28th, 2015
There were no films in the $10,000 club this week and no new releases really came close. The closest was Full Moon in Paris, which rose 58% from last weekend to $7,987, still in one theater. Felix et Meira was next with an average of $6,590 after expanding from one to four theaters. Don't Think I've Forgotten: Cambodia's Lost Rock and Roll was the biggest new release with an average of $6,402 in three theaters over the weekend for an average of $8,465 from Wednesday to Sunday.
April 21st, 2015
Ex Machina remained in first place on the per theater chart with an average of $20,478 in 39 theaters. The only other film in the $10,000 club was Felix et Meira, which earned $15,018 in its lone theater.
April 19th, 2015
Furious 7 continues its cruise into the record books this weekend with a third straight weekend at number one domestically, an international weekend estimated at $167.9 million (including $93.3 million in China to take it to $250 million there), and a worldwide total estimated at $1.153 billion as of the end of Sunday. It’s now the biggest film in Universal’s history, and their second after Jurassic Park to cross $1 billion at the worldwide box office. The film’s 51% decline in its third weekend in the domestic market suggests it’s running out of steam and will probably end with around $330 million here. It still has one weekend to cash in though, before Avengers: Age of Ultron will start on its own march to $1 billion on May 1.
April 17th, 2015
There's a lot of films that might be opening in limited release this week, but many of them have not enough reviews to have a Tomatometer Score. (I'll be skipping most of those.) Worse still, many that do are earning terrible reviews. There are some that are worth watching, like Alex of Venice, Felix and Meira, and Tangerines. On the other hand, I wouldn't bet on any of them finding success at the box office.
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