Fifty Shades Darker (2017)
| Theatrical Performance | ||
| Domestic Box Office | $114,434,010 | Details |
| International Box Office | $266,933,036 | Details |
| Worldwide Box Office | $381,367,046 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $14,412,124 | |
| Blu-ray Sales (estimated) | $17,324,216 | |
| Total | $31,736,340 | |
| OpusData ID: 229480100 More info... | ||
| Further financial details... | ||
Synopsis
When a wounded Christian Grey tries to entice a cautious Ana Steele back into his life, she demands a new arrangement before she will give him another chance. As the two begin to build trust and find stability, shadowy figures from Christian’s past start to circle the couple, determine to destroy their hopes for a future together.
Metrics
| Opening Weekend: | $46,607,250 (40.7% of total gross) |
| Legs: | 2.46 (domestic box office/biggest weekend) |
| Domestic Share: | 30.0% (domestic box office/worldwide) |
| Production Budget: | $55,000,000 (worldwide box office is 6.9 times production budget) |
| Theater counts: | 3,710 opening theaters/3,714 max. theaters, 4.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $152,578,683 |
Movie Details
| Domestic Releases: | February 10th, 2017 (Wide) by Universal |
| International Releases: | February 8th, 2017 (Wide) (South Korea)
February 8th, 2017 (Wide) (Switzerland) February 8th, 2017 (Wide) (France) February 8th, 2017 (Wide) (Netherlands) February 8th, 2017 (Wide) (Philippines) ... Show all releases |
| Video Release: | April 25th, 2017 by Universal Home Entertainment |
| MPA Rating: | R for strong erotic sexual content, some graphic nudity, and language. (Rating bulletin 2450 (Cert #50775), 11/9/2016) |
| Running Time: | 118 minutes |
| Franchise: | Fifty Shades of Grey |
| Plot point: | Exes in Love, Relationships Gone Wrong, Romance, Sexual Fetishism, The Past Catching up with You |
| Subgenre: | Erotic Drama |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Universal Pictures, Perfect World Pictures, Michael De Luca Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 10, 2017 | 2 | $46,607,250 | 3,710 | $12,563 | $46,607,250 | 1 | |
| Feb 17, 2017 | 2 | $20,276,260 | -56% | 3,714 | $5,459 | $88,972,715 | 2 |
| Feb 24, 2017 | 5 | $7,792,655 | -62% | 3,216 | $2,423 | $103,727,870 | 3 |
| Mar 3, 2017 | 9 | $3,558,020 | -54% | 2,205 | $1,614 | $109,985,335 | 4 |
| Mar 10, 2017 | 10 | $1,652,095 | -54% | 1,498 | $1,103 | $112,945,330 | 5 |
| Mar 17, 2017 | 18 | $453,590 | -73% | 607 | $747 | $114,030,075 | 6 |
| Mar 24, 2017 | 33 | $131,960 | -71% | 189 | $698 | $114,376,885 | 7 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 9, 2017 | P | $5,720,000 | 3,120 | $1,833 | $5,720,000 | |||
| Feb 10, 2017 | 1 | $21,444,970 | 3,710 | $5,780 | $21,444,970 | 1 | ||
| Feb 11, 2017 | 2 | $15,841,200 | -26% | 3,710 | $4,270 | $37,286,170 | 2 | |
| Feb 12, 2017 | 2 | $9,321,080 | -41% | 3,710 | $2,512 | $46,607,250 | 3 | |
| Feb 13, 2017 | 1 | $3,903,815 | -58% | 3,710 | $1,052 | $50,511,065 | 4 | |
| Feb 14, 2017 | 1 | $11,002,245 | +182% | 3,710 | $2,966 | $61,513,310 | 5 | |
| Feb 15, 2017 | 1 | $3,799,735 | -65% | 3,710 | $1,024 | $65,313,045 | 6 | |
| Feb 16, 2017 | 1 | $3,383,410 | -11% | 3,710 | $912 | $68,696,455 | 7 | |
| Feb 17, 2017 | 2 | $6,729,060 | +99% | -69% | 3,714 | $1,812 | $75,425,515 | 8 |
| Feb 18, 2017 | 2 | $8,278,375 | +23% | -48% | 3,714 | $2,229 | $83,703,890 | 9 |
| Feb 19, 2017 | 4 | $5,268,825 | -36% | -43% | 3,714 | $1,419 | $88,972,715 | 10 |
| Feb 20, 2017 | 4 | $2,407,710 | -54% | -38% | 3,714 | $648 | $91,380,425 | 11 |
| Feb 21, 2017 | 3 | $1,864,805 | -23% | -83% | 3,714 | $502 | $93,245,230 | 12 |
| Feb 22, 2017 | 2 | $1,389,580 | -25% | -63% | 3,714 | $374 | $94,634,810 | 13 |
| Feb 23, 2017 | 3 | $1,300,405 | -6% | -62% | 3,714 | $350 | $95,935,215 | 14 |
| Feb 24, 2017 | 3 | $2,612,315 | +101% | -61% | 3,216 | $812 | $98,547,530 | 15 |
| Feb 25, 2017 | 5 | $3,393,845 | +30% | -59% | 3,216 | $1,055 | $101,941,375 | 16 |
| Feb 26, 2017 | 6 | $1,786,495 | -47% | -66% | 3,216 | $556 | $103,727,870 | 17 |
| Feb 27, 2017 | 5 | $631,355 | -65% | -74% | 3,216 | $196 | $104,359,225 | 18 |
| Feb 28, 2017 | 5 | $830,160 | +31% | -55% | 3,216 | $258 | $105,189,385 | 19 |
| Mar 1, 2017 | 5 | $630,220 | -24% | -55% | 3,216 | $196 | $105,819,605 | 20 |
| Mar 2, 2017 | 4 | $607,710 | -4% | -53% | 3,216 | $189 | $106,427,315 | 21 |
| Mar 3, 2017 | 7 | $1,171,205 | +93% | -55% | 2,205 | $531 | $107,598,520 | 22 |
| Mar 4, 2017 | 9 | $1,544,650 | +32% | -54% | 2,205 | $701 | $109,143,170 | 23 |
| Mar 5, 2017 | 9 | $842,165 | -45% | -53% | 2,205 | $382 | $109,985,335 | 24 |
| Mar 6, 2017 | 6 | $306,170 | -64% | -52% | 2,205 | $139 | $110,291,505 | 25 |
| Mar 7, 2017 | 10 | $398,435 | +30% | -52% | 2,205 | $181 | $110,689,940 | 26 |
| Mar 8, 2017 | 7 | $317,535 | -20% | -50% | 2,205 | $144 | $111,007,475 | 27 |
| Mar 9, 2017 | 7 | $285,760 | -10% | -53% | 2,205 | $130 | $111,293,235 | 28 |
| Mar 10, 2017 | 9 | $533,400 | +87% | -54% | 1,498 | $356 | $111,826,635 | 29 |
| Mar 11, 2017 | 10 | $717,725 | +35% | -54% | 1,498 | $479 | $112,544,360 | 30 |
| Mar 12, 2017 | 10 | $400,970 | -44% | -52% | 1,498 | $268 | $112,945,330 | 31 |
| Mar 13, 2017 | 11 | $160,340 | -60% | -48% | 1,498 | $107 | $113,105,670 | 32 |
| Mar 14, 2017 | 14 | $178,280 | +11% | -55% | 1,498 | $119 | $113,283,950 | 33 |
| Mar 15, 2017 | 11 | $170,565 | -4% | -46% | 1,498 | $114 | $113,454,515 | 34 |
| Mar 16, 2017 | 13 | $121,970 | -28% | -57% | 1,498 | $81 | $113,576,485 | 35 |
| Mar 17, 2017 | - | $136,165 | +12% | -74% | 607 | $224 | $113,712,650 | 36 |
| Mar 18, 2017 | - | $212,645 | +56% | -70% | 607 | $350 | $113,925,295 | 37 |
| Mar 19, 2017 | - | $104,780 | -51% | -74% | 607 | $173 | $114,030,075 | 38 |
| Mar 20, 2017 | 14 | $50,795 | -52% | -68% | 607 | $84 | $114,080,870 | 39 |
| Mar 21, 2017 | - | $66,535 | +31% | -63% | 607 | $110 | $114,147,405 | 40 |
| Mar 22, 2017 | 14 | $56,370 | -15% | -67% | 607 | $93 | $114,203,775 | 41 |
| Mar 23, 2017 | - | $41,150 | -27% | -66% | 607 | $68 | $114,244,925 | 42 |
| Mar 24, 2017 | - | $41,625 | +1% | -69% | 189 | $220 | $114,286,550 | 43 |
| Mar 25, 2017 | - | $59,355 | +43% | -72% | 189 | $314 | $114,345,905 | 44 |
| Mar 26, 2017 | - | $30,980 | -48% | -70% | 189 | $164 | $114,376,885 | 45 |
| Mar 27, 2017 | - | $13,580 | -56% | -73% | 189 | $72 | $114,390,465 | 46 |
| Mar 28, 2017 | - | $16,035 | +18% | -76% | 189 | $85 | $114,406,500 | 47 |
| Mar 29, 2017 | - | $14,230 | -11% | -75% | 189 | $75 | $114,420,730 | 48 |
| Mar 30, 2017 | - | $13,280 | -7% | -68% | 189 | $70 | $114,434,010 | 49 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 10, 2017 | 1 | $68,696,455 | 3,710 | $18,517 | $68,696,455 | 1 | |
| Feb 17, 2017 | 2 | $27,238,760 | -60% | 3,714 | $7,334 | $95,935,215 | 2 |
| Feb 24, 2017 | 5 | $10,492,100 | -61% | 3,216 | $3,262 | $106,427,315 | 3 |
| Mar 3, 2017 | 8 | $4,865,920 | -54% | 2,205 | $2,207 | $111,293,235 | 4 |
| Mar 10, 2017 | 10 | $2,283,250 | -53% | 1,498 | $1,524 | $113,576,485 | 5 |
| Mar 17, 2017 | 17 | $668,440 | -71% | 607 | $1,101 | $114,244,925 | 6 |
| Mar 24, 2017 | 31 | $189,085 | -72% | 189 | $1,000 | $114,434,010 | 7 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 2/9/2017 | $2,238,126 | 0 | 187 | 444 | $3,724,443 | 4/4/2026 | |||
| Australia | 2/10/2017 | $4,739,919 | 612 | 612 | 2,013 | $13,795,064 | 4/20/2017 | |||
| Austria | 2/10/2017 | $0 | 0 | 83 | 541 | $4,475,655 | 7/1/2020 | |||
| Belgium | 2/8/2017 | $0 | 0 | 103 | 511 | $4,668,680 | 5/4/2017 | |||
| Brazil | 2/9/2017 | $7,428,179 | 0 | 613 | 2,231 | $21,207,467 | 8/26/2020 | |||
| Bulgaria | 2/10/2017 | $172,689 | 0 | 0 | 0 | $627,501 | 2/26/2019 | |||
| Chile | 2/9/2017 | $0 | 0 | 62 | 236 | $2,273,168 | 12/20/2018 | |||
| Colombia | 2/9/2017 | $0 | 0 | 171 | 391 | $2,009,784 | 12/20/2018 | |||
| Croatia | 2/9/2017 | $0 | 0 | 22 | 83 | $520,005 | 1/1/2019 | |||
| Czech Republic | 2/10/2017 | $902,132 | 152 | 152 | 488 | $2,147,627 | 1/1/2019 | |||
| Denmark | 2/9/2017 | $0 | 0 | 100 | 385 | $4,421,943 | 4/27/2017 | |||
| Finland | 2/10/2017 | $0 | 0 | 84 | 315 | $1,620,781 | 5/4/2017 | |||
| France | 2/8/2017 | $8,272,719 | 0 | 593 | 2,114 | $24,892,867 | 6/26/2018 | |||
| Germany | 2/9/2017 | $8,529,213 | 0 | 735 | 4,689 | $32,709,880 | 6/29/2018 | |||
| Greece | 2/9/2017 | $0 | 0 | 114 | 239 | $1,683,339 | 4/5/2017 | |||
| Hong Kong | 2/9/2017 | $0 | 0 | 39 | 111 | $1,845,927 | 4/27/2017 | |||
| Hungary | 2/9/2017 | $0 | 0 | 76 | 214 | $1,227,665 | 1/1/2019 | |||
| Israel | 2/9/2017 | $0 | 0 | 30 | 188 | $2,502,149 | 1/1/2019 | |||
| Italy | 2/9/2017 | $6,836,672 | 0 | 182 | 218 | $15,987,384 | 3/16/2017 | |||
| Japan | 6/23/2017 | $91,605 | 15 | 15 | 44 | $315,625 | 7/20/2017 | |||
| Lithuania | 2/10/2017 | $157,242 | 190 | 190 | 445 | $571,903 | 3/21/2017 | |||
| Mexico | 2/10/2017 | $2,683,437 | 0 | 203 | 233 | $6,354,100 | 3/28/2017 | |||
| Netherlands | 2/8/2017 | $1,365,781 | 133 | 134 | 1,083 | $6,308,107 | 5/12/2017 | |||
| New Zealand | 2/10/2017 | $373,181 | 103 | 103 | 500 | $1,345,992 | 4/5/2017 | |||
| Norway | 2/10/2017 | $0 | 0 | 101 | 250 | $3,533,340 | 5/4/2017 | |||
| Panama | 2/9/2017 | $0 | 0 | 141 | 272 | $2,561,367 | 1/1/2019 | |||
| Peru | 2/9/2017 | $0 | 0 | 75 | 118 | $1,000,327 | 12/20/2018 | |||
| Philippines | 2/8/2017 | $0 | 0 | 82 | 188 | $3,400,064 | 12/20/2018 | |||
| Poland | 2/10/2017 | $2,703,921 | 0 | 286 | 898 | $7,391,149 | 1/1/2019 | |||
| Portugal | 2/10/2017 | $716,100 | 112 | 112 | 488 | $2,750,562 | 4/27/2017 | |||
| Russia (CIS) | 2/10/2017 | $6,513,766 | 1,336 | 1,348 | 4,937 | $13,377,712 | 1/1/2019 | |||
| Singapore | 2/9/2017 | $0 | 0 | 24 | 71 | $1,034,536 | 4/27/2017 | |||
| Slovakia | 2/10/2017 | $496,563 | 79 | 79 | 221 | $1,106,718 | 3/23/2017 | |||
| Slovenia | 2/9/2017 | $127,751 | 29 | 29 | 152 | $520,117 | 11/17/2017 | |||
| South Africa | 2/10/2017 | $0 | 0 | 112 | 534 | $2,548,196 | 5/19/2017 | |||
| South Korea | 2/8/2017 | $648,176 | 435 | 435 | 585 | $1,387,772 | 3/21/2017 | |||
| Spain | 2/10/2017 | $5,226,292 | 804 | 804 | 3,004 | $13,745,107 | 2/17/2021 | |||
| Sweden | 2/10/2017 | $0 | 0 | 126 | 488 | $5,397,377 | 5/4/2017 | |||
| Switzerland | 2/8/2017 | $0 | 0 | 88 | 369 | $4,235,301 | 4/27/2017 | |||
| Taiwan | 2/10/2017 | $0 | 0 | 90 | 264 | $2,798,012 | 3/21/2017 | |||
| Thailand | 2/9/2017 | $0 | 0 | 88 | 135 | $768,880 | 3/9/2017 | |||
| Turkey | 2/10/2017 | $552,881 | 249 | 249 | 820 | $1,786,141 | 2/26/2019 | |||
| United Kingdom | 2/10/2017 | $9,448,037 | 604 | 604 | 2,825 | $28,591,888 | 4/27/2017 | |||
| Venezuela | 2/10/2017 | $0 | 0 | 73 | 356 | $1,180,076 | 4/20/2017 | |||
| Rest of World | $10,581,338 | |||||||||
| International Total | $266,933,036 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Dakota Johnson | Anastasia Steele | |
| Jamie Dornan | Christian Grey |
Supporting
| Eric Johnson | Jack Hyde | |
| Eloise Mumford | Kate Kavanagh | |
| Bella Heathcote | Leila | |
| Rita Ora | Mia Grey | |
| Luke Grimes | Elliot Grey | |
| Victor Rasuk | Jose | |
| Max Martini | Taylor | |
| Bruce Altman | Jerry Roach | |
| Kim Basinger | Elena Lincoln | |
| Marcia Gay Harden | Grace Trevelyan Grey | |
| Andrew Airlie | Carrick Grey | |
| Robinne Lee | Ros Bailey | |
| Amy Price-Francis | Liz | |
| Fay Masterson | Mrs. Jones | |
| Ryker Brown | 4-Year-Old Christian | |
| Logan Brown | 4-Year-Old Christian | |
| John Callander | Pimp | |
| Carmen Dollard | Christian’s Birth Mom | |
| Ellen Ewusie | Gallery Guest | |
| Elizabeth McLaughlin | Gallery Owner | |
| Albert Nicholas | Waiter | |
| Stephan Miers | Hairdresser | |
| Michael Meneer | Auctioneer | |
| Michael St. John Smith | Auction Bidder | |
| Derek Green | Auction Bidder | |
| Michelle Harrison | Auction Bidder | |
| Mark DeCarlo | News Anchor | |
| Bill Dow | Willis | |
| Ashleigh Lathrop | Hannah | |
| Stephanie Florian | News Reporter | |
| Julia Dominczak | Gretchen | |
| Shiraine Haas | Gwen | |
| Colin Lawrence | Penthouse Restaurant Customer | |
| Lucia Walters | Penthouse Restaurant Customer | |
| Brooke Johnston | Whispering Gallery Lady | |
| Paniz Zade | Salon Receptionist | |
| Carmel Amit | Whispering Guest at Masked Party | |
| Isaiah Dobbs | Flower Delivery Man | |
| Jose James | Gala Crooner | |
| Otis Brown | Band Member | |
| Aaron Parks | Band Member | |
| Josh Hari | Band Member | |
| Rob Compton | Yacht Captain | |
| Peter Boulanger | Fire Choreographer | |
| Neezar Joseph Elferzeli | Fire Breather | |
| Ryan Mellors | Juggler | |
| Chris Murdoch | Juggler |
Production and Technical Credits
| James Foley | Director | |
| Niall Leonard | Screenwriter | |
| E.L. James | Based on the novel by | |
| E.L. James | Producer | |
| Dana Brunetti | Producer | |
| Michael De Luca | Producer | |
| Marcus Viscidi | Producer | |
| Nelson Coates | Production Designer | |
| Richard Francis-Bruce | Editor | |
| Danny Elfman | Composer | |
| John Schwartzman | Director of Photography | |
| Shay Cunliffe | Costume Designer | |
| Dana Sano | Music Supervisor | |
| Laray Mayfield | Casting Director | |
| Julie Schubert | Casting Director | |
| Barbara Kelly | Unit Production Manager | |
| Marcus Viscidi | Unit Production Manager | |
| Paul Barry | First Assistant Director | |
| Phil Nee Nee | Second Assistant Director | |
| Jeremy Stanbridge | Supervising Art Director | |
| Peter Bodnarus | Art Director | |
| Craig Humphries | Art Director | |
| Tara Arnett | Assistant Art Director | |
| Jay Mitchell | Set Designer | |
| Jim Ramsay | Set Designer | |
| Kyle White | Set Designer | |
| Carolyn Loucks | Set Decorator | |
| Mark Noda | Sound Mixer | |
| Janice Macisaac | Costume Supervisor | |
| Evelyne Noraz | Make up | |
| Rosalina Da Silva | Make up | |
| Danna Rutherford | Hairstylist | |
| Anna Rane | Script Supervisor | |
| Kirk Johns | Location Manager | |
| Graham Stumpf | Post-Production Supervisor | |
| Angie Rubin | Music Editor | |
| Bill Abbott | Music Editor | |
| Dane A. Davis | Supervising Sound Editor | |
| Stephanie L. Flack | Supervising Sound Editor | |
| Robert Jackson | Dialogue Editor | |
| Michele Perrone | Dialogue Editor | |
| Eliza Pollack Zebert* | Dialogue Editor | |
| Mary Jo Lang | Foley Mixer | |
| Jon Taylor | Re-recording Mixer | |
| Frank A. Montano | Re-recording Mixer | |
| Alex Burdett | Special Effects Supervisor | |
| Brittani Smith | Casting Associate | |
| Paige Orr | Casting Assistant | |
| Scott Ateah | Second Unit Director | |
| Kevin Hahn | Visual Effects Supervisor | |
| Tyler Kehl | Visual Effects Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
When a wounded Christian Grey tries to entice a cautious Ana Steele back into his life, she demands a new arrangement before she will give him another chance. As the two begin to build trust and find stability, shadowy figures from Christian’s past start to circle the couple, determine to destroy their hopes for a future together.
Metrics
| Opening Weekend: | $46,607,250 (40.7% of total gross) |
| Legs: | 2.46 (domestic box office/biggest weekend) |
| Domestic Share: | 30.0% (domestic box office/worldwide) |
| Production Budget: | $55,000,000 (worldwide box office is 6.9 times production budget) |
| Theater counts: | 3,710 opening theaters/3,714 max. theaters, 4.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $152,578,683 |
Movie Details
| Domestic Releases: | February 10th, 2017 (Wide) by Universal |
| International Releases: | February 8th, 2017 (Wide) (South Korea)
February 8th, 2017 (Wide) (Switzerland) February 8th, 2017 (Wide) (France) February 8th, 2017 (Wide) (Netherlands) February 8th, 2017 (Wide) (Philippines) ... Show all releases |
| Video Release: | April 25th, 2017 by Universal Home Entertainment |
| MPA Rating: | R for strong erotic sexual content, some graphic nudity, and language. (Rating bulletin 2450 (Cert #50775), 11/9/2016) |
| Running Time: | 118 minutes |
| Franchise: | Fifty Shades of Grey |
| Plot point: | Exes in Love, Relationships Gone Wrong, Romance, Sexual Fetishism, The Past Catching up with You |
| Subgenre: | Erotic Drama |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Universal Pictures, Perfect World Pictures, Michael De Luca Productions |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 10, 2017 | 2 | $46,607,250 | 3,710 | $12,563 | $46,607,250 | 1 | |
| Feb 17, 2017 | 2 | $20,276,260 | -56% | 3,714 | $5,459 | $88,972,715 | 2 |
| Feb 24, 2017 | 5 | $7,792,655 | -62% | 3,216 | $2,423 | $103,727,870 | 3 |
| Mar 3, 2017 | 9 | $3,558,020 | -54% | 2,205 | $1,614 | $109,985,335 | 4 |
| Mar 10, 2017 | 10 | $1,652,095 | -54% | 1,498 | $1,103 | $112,945,330 | 5 |
| Mar 17, 2017 | 18 | $453,590 | -73% | 607 | $747 | $114,030,075 | 6 |
| Mar 24, 2017 | 33 | $131,960 | -71% | 189 | $698 | $114,376,885 | 7 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 9, 2017 | P | $5,720,000 | 3,120 | $1,833 | $5,720,000 | |||
| Feb 10, 2017 | 1 | $21,444,970 | 3,710 | $5,780 | $21,444,970 | 1 | ||
| Feb 11, 2017 | 2 | $15,841,200 | -26% | 3,710 | $4,270 | $37,286,170 | 2 | |
| Feb 12, 2017 | 2 | $9,321,080 | -41% | 3,710 | $2,512 | $46,607,250 | 3 | |
| Feb 13, 2017 | 1 | $3,903,815 | -58% | 3,710 | $1,052 | $50,511,065 | 4 | |
| Feb 14, 2017 | 1 | $11,002,245 | +182% | 3,710 | $2,966 | $61,513,310 | 5 | |
| Feb 15, 2017 | 1 | $3,799,735 | -65% | 3,710 | $1,024 | $65,313,045 | 6 | |
| Feb 16, 2017 | 1 | $3,383,410 | -11% | 3,710 | $912 | $68,696,455 | 7 | |
| Feb 17, 2017 | 2 | $6,729,060 | +99% | -69% | 3,714 | $1,812 | $75,425,515 | 8 |
| Feb 18, 2017 | 2 | $8,278,375 | +23% | -48% | 3,714 | $2,229 | $83,703,890 | 9 |
| Feb 19, 2017 | 4 | $5,268,825 | -36% | -43% | 3,714 | $1,419 | $88,972,715 | 10 |
| Feb 20, 2017 | 4 | $2,407,710 | -54% | -38% | 3,714 | $648 | $91,380,425 | 11 |
| Feb 21, 2017 | 3 | $1,864,805 | -23% | -83% | 3,714 | $502 | $93,245,230 | 12 |
| Feb 22, 2017 | 2 | $1,389,580 | -25% | -63% | 3,714 | $374 | $94,634,810 | 13 |
| Feb 23, 2017 | 3 | $1,300,405 | -6% | -62% | 3,714 | $350 | $95,935,215 | 14 |
| Feb 24, 2017 | 3 | $2,612,315 | +101% | -61% | 3,216 | $812 | $98,547,530 | 15 |
| Feb 25, 2017 | 5 | $3,393,845 | +30% | -59% | 3,216 | $1,055 | $101,941,375 | 16 |
| Feb 26, 2017 | 6 | $1,786,495 | -47% | -66% | 3,216 | $556 | $103,727,870 | 17 |
| Feb 27, 2017 | 5 | $631,355 | -65% | -74% | 3,216 | $196 | $104,359,225 | 18 |
| Feb 28, 2017 | 5 | $830,160 | +31% | -55% | 3,216 | $258 | $105,189,385 | 19 |
| Mar 1, 2017 | 5 | $630,220 | -24% | -55% | 3,216 | $196 | $105,819,605 | 20 |
| Mar 2, 2017 | 4 | $607,710 | -4% | -53% | 3,216 | $189 | $106,427,315 | 21 |
| Mar 3, 2017 | 7 | $1,171,205 | +93% | -55% | 2,205 | $531 | $107,598,520 | 22 |
| Mar 4, 2017 | 9 | $1,544,650 | +32% | -54% | 2,205 | $701 | $109,143,170 | 23 |
| Mar 5, 2017 | 9 | $842,165 | -45% | -53% | 2,205 | $382 | $109,985,335 | 24 |
| Mar 6, 2017 | 6 | $306,170 | -64% | -52% | 2,205 | $139 | $110,291,505 | 25 |
| Mar 7, 2017 | 10 | $398,435 | +30% | -52% | 2,205 | $181 | $110,689,940 | 26 |
| Mar 8, 2017 | 7 | $317,535 | -20% | -50% | 2,205 | $144 | $111,007,475 | 27 |
| Mar 9, 2017 | 7 | $285,760 | -10% | -53% | 2,205 | $130 | $111,293,235 | 28 |
| Mar 10, 2017 | 9 | $533,400 | +87% | -54% | 1,498 | $356 | $111,826,635 | 29 |
| Mar 11, 2017 | 10 | $717,725 | +35% | -54% | 1,498 | $479 | $112,544,360 | 30 |
| Mar 12, 2017 | 10 | $400,970 | -44% | -52% | 1,498 | $268 | $112,945,330 | 31 |
| Mar 13, 2017 | 11 | $160,340 | -60% | -48% | 1,498 | $107 | $113,105,670 | 32 |
| Mar 14, 2017 | 14 | $178,280 | +11% | -55% | 1,498 | $119 | $113,283,950 | 33 |
| Mar 15, 2017 | 11 | $170,565 | -4% | -46% | 1,498 | $114 | $113,454,515 | 34 |
| Mar 16, 2017 | 13 | $121,970 | -28% | -57% | 1,498 | $81 | $113,576,485 | 35 |
| Mar 17, 2017 | - | $136,165 | +12% | -74% | 607 | $224 | $113,712,650 | 36 |
| Mar 18, 2017 | - | $212,645 | +56% | -70% | 607 | $350 | $113,925,295 | 37 |
| Mar 19, 2017 | - | $104,780 | -51% | -74% | 607 | $173 | $114,030,075 | 38 |
| Mar 20, 2017 | 14 | $50,795 | -52% | -68% | 607 | $84 | $114,080,870 | 39 |
| Mar 21, 2017 | - | $66,535 | +31% | -63% | 607 | $110 | $114,147,405 | 40 |
| Mar 22, 2017 | 14 | $56,370 | -15% | -67% | 607 | $93 | $114,203,775 | 41 |
| Mar 23, 2017 | - | $41,150 | -27% | -66% | 607 | $68 | $114,244,925 | 42 |
| Mar 24, 2017 | - | $41,625 | +1% | -69% | 189 | $220 | $114,286,550 | 43 |
| Mar 25, 2017 | - | $59,355 | +43% | -72% | 189 | $314 | $114,345,905 | 44 |
| Mar 26, 2017 | - | $30,980 | -48% | -70% | 189 | $164 | $114,376,885 | 45 |
| Mar 27, 2017 | - | $13,580 | -56% | -73% | 189 | $72 | $114,390,465 | 46 |
| Mar 28, 2017 | - | $16,035 | +18% | -76% | 189 | $85 | $114,406,500 | 47 |
| Mar 29, 2017 | - | $14,230 | -11% | -75% | 189 | $75 | $114,420,730 | 48 |
| Mar 30, 2017 | - | $13,280 | -7% | -68% | 189 | $70 | $114,434,010 | 49 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 10, 2017 | 1 | $68,696,455 | 3,710 | $18,517 | $68,696,455 | 1 | |
| Feb 17, 2017 | 2 | $27,238,760 | -60% | 3,714 | $7,334 | $95,935,215 | 2 |
| Feb 24, 2017 | 5 | $10,492,100 | -61% | 3,216 | $3,262 | $106,427,315 | 3 |
| Mar 3, 2017 | 8 | $4,865,920 | -54% | 2,205 | $2,207 | $111,293,235 | 4 |
| Mar 10, 2017 | 10 | $2,283,250 | -53% | 1,498 | $1,524 | $113,576,485 | 5 |
| Mar 17, 2017 | 17 | $668,440 | -71% | 607 | $1,101 | $114,244,925 | 6 |
| Mar 24, 2017 | 31 | $189,085 | -72% | 189 | $1,000 | $114,434,010 | 7 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 2/9/2017 | $2,238,126 | 0 | 187 | 444 | $3,724,443 | 4/4/2026 | |||
| Australia | 2/10/2017 | $4,739,919 | 612 | 612 | 2,013 | $13,795,064 | 4/20/2017 | |||
| Austria | 2/10/2017 | $0 | 0 | 83 | 541 | $4,475,655 | 7/1/2020 | |||
| Belgium | 2/8/2017 | $0 | 0 | 103 | 511 | $4,668,680 | 5/4/2017 | |||
| Brazil | 2/9/2017 | $7,428,179 | 0 | 613 | 2,231 | $21,207,467 | 8/26/2020 | |||
| Bulgaria | 2/10/2017 | $172,689 | 0 | 0 | 0 | $627,501 | 2/26/2019 | |||
| Chile | 2/9/2017 | $0 | 0 | 62 | 236 | $2,273,168 | 12/20/2018 | |||
| Colombia | 2/9/2017 | $0 | 0 | 171 | 391 | $2,009,784 | 12/20/2018 | |||
| Croatia | 2/9/2017 | $0 | 0 | 22 | 83 | $520,005 | 1/1/2019 | |||
| Czech Republic | 2/10/2017 | $902,132 | 152 | 152 | 488 | $2,147,627 | 1/1/2019 | |||
| Denmark | 2/9/2017 | $0 | 0 | 100 | 385 | $4,421,943 | 4/27/2017 | |||
| Finland | 2/10/2017 | $0 | 0 | 84 | 315 | $1,620,781 | 5/4/2017 | |||
| France | 2/8/2017 | $8,272,719 | 0 | 593 | 2,114 | $24,892,867 | 6/26/2018 | |||
| Germany | 2/9/2017 | $8,529,213 | 0 | 735 | 4,689 | $32,709,880 | 6/29/2018 | |||
| Greece | 2/9/2017 | $0 | 0 | 114 | 239 | $1,683,339 | 4/5/2017 | |||
| Hong Kong | 2/9/2017 | $0 | 0 | 39 | 111 | $1,845,927 | 4/27/2017 | |||
| Hungary | 2/9/2017 | $0 | 0 | 76 | 214 | $1,227,665 | 1/1/2019 | |||
| Israel | 2/9/2017 | $0 | 0 | 30 | 188 | $2,502,149 | 1/1/2019 | |||
| Italy | 2/9/2017 | $6,836,672 | 0 | 182 | 218 | $15,987,384 | 3/16/2017 | |||
| Japan | 6/23/2017 | $91,605 | 15 | 15 | 44 | $315,625 | 7/20/2017 | |||
| Lithuania | 2/10/2017 | $157,242 | 190 | 190 | 445 | $571,903 | 3/21/2017 | |||
| Mexico | 2/10/2017 | $2,683,437 | 0 | 203 | 233 | $6,354,100 | 3/28/2017 | |||
| Netherlands | 2/8/2017 | $1,365,781 | 133 | 134 | 1,083 | $6,308,107 | 5/12/2017 | |||
| New Zealand | 2/10/2017 | $373,181 | 103 | 103 | 500 | $1,345,992 | 4/5/2017 | |||
| Norway | 2/10/2017 | $0 | 0 | 101 | 250 | $3,533,340 | 5/4/2017 | |||
| Panama | 2/9/2017 | $0 | 0 | 141 | 272 | $2,561,367 | 1/1/2019 | |||
| Peru | 2/9/2017 | $0 | 0 | 75 | 118 | $1,000,327 | 12/20/2018 | |||
| Philippines | 2/8/2017 | $0 | 0 | 82 | 188 | $3,400,064 | 12/20/2018 | |||
| Poland | 2/10/2017 | $2,703,921 | 0 | 286 | 898 | $7,391,149 | 1/1/2019 | |||
| Portugal | 2/10/2017 | $716,100 | 112 | 112 | 488 | $2,750,562 | 4/27/2017 | |||
| Russia (CIS) | 2/10/2017 | $6,513,766 | 1,336 | 1,348 | 4,937 | $13,377,712 | 1/1/2019 | |||
| Singapore | 2/9/2017 | $0 | 0 | 24 | 71 | $1,034,536 | 4/27/2017 | |||
| Slovakia | 2/10/2017 | $496,563 | 79 | 79 | 221 | $1,106,718 | 3/23/2017 | |||
| Slovenia | 2/9/2017 | $127,751 | 29 | 29 | 152 | $520,117 | 11/17/2017 | |||
| South Africa | 2/10/2017 | $0 | 0 | 112 | 534 | $2,548,196 | 5/19/2017 | |||
| South Korea | 2/8/2017 | $648,176 | 435 | 435 | 585 | $1,387,772 | 3/21/2017 | |||
| Spain | 2/10/2017 | $5,226,292 | 804 | 804 | 3,004 | $13,745,107 | 2/17/2021 | |||
| Sweden | 2/10/2017 | $0 | 0 | 126 | 488 | $5,397,377 | 5/4/2017 | |||
| Switzerland | 2/8/2017 | $0 | 0 | 88 | 369 | $4,235,301 | 4/27/2017 | |||
| Taiwan | 2/10/2017 | $0 | 0 | 90 | 264 | $2,798,012 | 3/21/2017 | |||
| Thailand | 2/9/2017 | $0 | 0 | 88 | 135 | $768,880 | 3/9/2017 | |||
| Turkey | 2/10/2017 | $552,881 | 249 | 249 | 820 | $1,786,141 | 2/26/2019 | |||
| United Kingdom | 2/10/2017 | $9,448,037 | 604 | 604 | 2,825 | $28,591,888 | 4/27/2017 | |||
| Venezuela | 2/10/2017 | $0 | 0 | 73 | 356 | $1,180,076 | 4/20/2017 | |||
| Rest of World | $10,581,338 | |||||||||
| International Total | $266,933,036 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Dakota Johnson | Anastasia Steele | |
| Jamie Dornan | Christian Grey |
Supporting
| Eric Johnson | Jack Hyde | |
| Eloise Mumford | Kate Kavanagh | |
| Bella Heathcote | Leila | |
| Rita Ora | Mia Grey | |
| Luke Grimes | Elliot Grey | |
| Victor Rasuk | Jose | |
| Max Martini | Taylor | |
| Bruce Altman | Jerry Roach | |
| Kim Basinger | Elena Lincoln | |
| Marcia Gay Harden | Grace Trevelyan Grey | |
| Andrew Airlie | Carrick Grey | |
| Robinne Lee | Ros Bailey | |
| Amy Price-Francis | Liz | |
| Fay Masterson | Mrs. Jones | |
| Ryker Brown | 4-Year-Old Christian | |
| Logan Brown | 4-Year-Old Christian | |
| John Callander | Pimp | |
| Carmen Dollard | Christian’s Birth Mom | |
| Ellen Ewusie | Gallery Guest | |
| Elizabeth McLaughlin | Gallery Owner | |
| Albert Nicholas | Waiter | |
| Stephan Miers | Hairdresser | |
| Michael Meneer | Auctioneer | |
| Michael St. John Smith | Auction Bidder | |
| Derek Green | Auction Bidder | |
| Michelle Harrison | Auction Bidder | |
| Mark DeCarlo | News Anchor | |
| Bill Dow | Willis | |
| Ashleigh Lathrop | Hannah | |
| Stephanie Florian | News Reporter | |
| Julia Dominczak | Gretchen | |
| Shiraine Haas | Gwen | |
| Colin Lawrence | Penthouse Restaurant Customer | |
| Lucia Walters | Penthouse Restaurant Customer | |
| Brooke Johnston | Whispering Gallery Lady | |
| Paniz Zade | Salon Receptionist | |
| Carmel Amit | Whispering Guest at Masked Party | |
| Isaiah Dobbs | Flower Delivery Man | |
| Jose James | Gala Crooner | |
| Otis Brown | Band Member | |
| Aaron Parks | Band Member | |
| Josh Hari | Band Member | |
| Rob Compton | Yacht Captain | |
| Peter Boulanger | Fire Choreographer | |
| Neezar Joseph Elferzeli | Fire Breather | |
| Ryan Mellors | Juggler | |
| Chris Murdoch | Juggler |
Production and Technical Credits
| James Foley | Director | |
| Niall Leonard | Screenwriter | |
| E.L. James | Based on the novel by | |
| E.L. James | Producer | |
| Dana Brunetti | Producer | |
| Michael De Luca | Producer | |
| Marcus Viscidi | Producer | |
| Nelson Coates | Production Designer | |
| Richard Francis-Bruce | Editor | |
| Danny Elfman | Composer | |
| John Schwartzman | Director of Photography | |
| Shay Cunliffe | Costume Designer | |
| Dana Sano | Music Supervisor | |
| Laray Mayfield | Casting Director | |
| Julie Schubert | Casting Director | |
| Barbara Kelly | Unit Production Manager | |
| Marcus Viscidi | Unit Production Manager | |
| Paul Barry | First Assistant Director | |
| Phil Nee Nee | Second Assistant Director | |
| Jeremy Stanbridge | Supervising Art Director | |
| Peter Bodnarus | Art Director | |
| Craig Humphries | Art Director | |
| Tara Arnett | Assistant Art Director | |
| Jay Mitchell | Set Designer | |
| Jim Ramsay | Set Designer | |
| Kyle White | Set Designer | |
| Carolyn Loucks | Set Decorator | |
| Mark Noda | Sound Mixer | |
| Janice Macisaac | Costume Supervisor | |
| Evelyne Noraz | Make up | |
| Rosalina Da Silva | Make up | |
| Danna Rutherford | Hairstylist | |
| Anna Rane | Script Supervisor | |
| Kirk Johns | Location Manager | |
| Graham Stumpf | Post-Production Supervisor | |
| Angie Rubin | Music Editor | |
| Bill Abbott | Music Editor | |
| Dane A. Davis | Supervising Sound Editor | |
| Stephanie L. Flack | Supervising Sound Editor | |
| Robert Jackson | Dialogue Editor | |
| Michele Perrone | Dialogue Editor | |
| Eliza Pollack Zebert* | Dialogue Editor | |
| Mary Jo Lang | Foley Mixer | |
| Jon Taylor | Re-recording Mixer | |
| Frank A. Montano | Re-recording Mixer | |
| Alex Burdett | Special Effects Supervisor | |
| Brittani Smith | Casting Associate | |
| Paige Orr | Casting Assistant | |
| Scott Ateah | Second Unit Director | |
| Kevin Hahn | Visual Effects Supervisor | |
| Tyler Kehl | Visual Effects Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.