Gail Daughtry and the Celebrity Sex Pass (2026)
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| Theatrical Performance | ||
| Domestic Box Office | $1,438,844 | Details |
| OpusData ID: 790160100 More info... | ||
| Further financial details... | ||
Synopsis
Small town hairdresser Gail Daughtry is engaged to her devoted high school sweetheart, Tom. Her life takes a turn when a trip to a book signing leads to Tom meeting — and sleeping — with his “celebrity pass.” Reeling from the betrayal, Gail impulsively joins her friend Otto on a trip to Los Angeles, where a psychic convinces Gail that the only way to save her marriage is to “even the scales” with her own celebrity pass: Jon Hamm. Thus begins an epic journey through Tinseltown as Gail and Otto join forces with a talent agency assistant, a paparazzo, and actor John Slattery, all in the search for Hamm. Along the way, they collide with celebrities and are hunted by a group of Italian assassins as they get ever closer to finding the elusive star.
Metrics
| Opening Weekend: | $898,962 (62.5% of total gross) |
| Legs: | 1.60 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1,000 opening theaters/1,000 max. theaters, 1.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,438,844 |
Movie Details
| Domestic Releases: | July 10th, 2026 (Wide) by Sony Pictures Classics |
| International Releases: | September 4th, 2026 (Wide) (United Kingdom) |
| MPA Rating: | R for sexual content, violence/bloody images and language. (Rating bulletin 2936 (cert #56022), 5/13/2026) |
| Running Time: | 93 minutes |
| Cast, crew, or production detail: | Ensemble, Fictionalized Version of Yourself, Gratuitous Cameos |
| Film festival: | Sundance Film Festival 2026 |
| Geographical setting: | Hollywood |
| Plot point: | Hitmen, Infidelity, Left at the Altar, Love Triangle, Psychics, Relationships Gone Wrong, Romance, Wedding Day Disasters |
| Release detail: | Festival Acquisition |
| Social setting: | Movie Business, Wedding Day |
| Subgenre: | Sex Comedy |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Likely Story, Oval-5 |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 10, 2026 | 11 | $898,962 | 1,000 | $899 | $898,962 | 1 | |
| Jul 17, 2026 | - | $111,217 | -88% | 357 | $312 | $1,324,820 | 2 |
| Jul 24, 2026 | - | $14,570 | -87% | 25 | $583 | $1,417,318 | 3 |
| Jul 31, 2026 | - | $3,977 | -73% | 15 | $265 | $1,432,039 | 4 |
| Aug 7, 2026 | - | $1,635 | -59% | 7 | $234 | $1,437,690 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jul 10, 2026 | 10 | $592,212 | 1,000 | $592 | $592,212 | 1 | ||
| Jul 11, 2026 | - | $162,282 | -73% | 1,000 | $162 | $754,494 | 2 | |
| Jul 12, 2026 | - | $144,468 | -11% | 1,000 | $144 | $898,962 | 3 | |
| Jul 13, 2026 | - | $77,152 | -47% | 1,000 | $77 | $976,114 | 4 | |
| Jul 14, 2026 | - | $102,227 | +33% | 1,000 | $102 | $1,078,341 | 5 | |
| Jul 15, 2026 | - | $85,832 | -16% | 1,000 | $86 | $1,164,173 | 6 | |
| Jul 16, 2026 | 12 | $49,430 | -42% | 1,000 | $49 | $1,213,603 | 7 | |
| Jul 17, 2026 | - | $33,967 | -31% | -94% | 357 | $95 | $1,247,570 | 8 |
| Jul 18, 2026 | - | $49,002 | +44% | -70% | 357 | $137 | $1,296,572 | 9 |
| Jul 19, 2026 | - | $28,248 | -42% | -80% | 357 | $79 | $1,324,820 | 10 |
| Jul 20, 2026 | - | $19,257 | -32% | -75% | 357 | $54 | $1,344,077 | 11 |
| Jul 21, 2026 | - | $23,008 | +19% | -77% | 357 | $64 | $1,367,085 | 12 |
| Jul 22, 2026 | - | $22,367 | -3% | -74% | 357 | $63 | $1,389,452 | 13 |
| Jul 23, 2026 | - | $13,298 | -41% | -73% | 357 | $37 | $1,402,748 | 14 |
| Jul 24, 2026 | - | $3,484 | -74% | -90% | 25 | $139 | $1,406,232 | 15 |
| Jul 25, 2026 | - | $6,459 | +85% | -87% | 25 | $258 | $1,412,691 | 16 |
| Jul 26, 2026 | - | $4,627 | -28% | -84% | 25 | $185 | $1,417,318 | 17 |
| Jul 27, 2026 | - | $2,268 | -51% | -88% | 25 | $91 | $1,419,586 | 18 |
| Jul 28, 2026 | - | $2,758 | +22% | -88% | 25 | $110 | $1,422,344 | 19 |
| Jul 29, 2026 | - | $2,750 | n/c | -88% | 25 | $110 | $1,425,094 | 20 |
| Jul 30, 2026 | - | $2,916 | +6% | -78% | 25 | $117 | $1,428,010 | 21 |
| Jul 31, 2026 | - | $1,404 | -52% | -60% | 15 | $94 | $1,429,414 | 22 |
| Aug 1, 2026 | - | $1,281 | -9% | -80% | 15 | $85 | $1,430,695 | 23 |
| Aug 2, 2026 | - | $1,344 | +5% | -71% | 15 | $90 | $1,432,039 | 24 |
| Aug 3, 2026 | - | $1,330 | -1% | -41% | 15 | $89 | $1,433,369 | 25 |
| Aug 4, 2026 | - | $868 | -35% | -69% | 15 | $58 | $1,434,237 | 26 |
| Aug 5, 2026 | - | $553 | -36% | -80% | 15 | $37 | $1,434,790 | 27 |
| Aug 6, 2026 | - | $1,265 | +129% | -57% | 15 | $84 | $1,436,055 | 28 |
| Aug 7, 2026 | - | $543 | -57% | -61% | 7 | $78 | $1,436,598 | 29 |
| Aug 8, 2026 | - | $599 | +10% | -53% | 7 | $86 | $1,437,197 | 30 |
| Aug 9, 2026 | - | $493 | -18% | -63% | 7 | $70 | $1,437,690 | 31 |
| Aug 10, 2026 | - | $257 | -48% | -81% | 7 | $37 | $1,437,947 | 32 |
| Aug 11, 2026 | - | $355 | +38% | -59% | 7 | $51 | $1,438,302 | 33 |
| Aug 12, 2026 | - | $364 | +3% | -34% | 7 | $52 | $1,438,666 | 34 |
| Aug 13, 2026 | - | $178 | -51% | -86% | 7 | $25 | $1,438,844 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 10, 2026 | 11 | $1,213,603 | 1,000 | $1,214 | $1,213,603 | 1 | |
| Jul 17, 2026 | 18 | $189,145 | -84% | 357 | $530 | $1,402,748 | 2 |
| Jul 24, 2026 | 30 | $25,262 | -87% | 25 | $1,010 | $1,428,010 | 3 |
| Jul 31, 2026 | 36 | $8,045 | -68% | 15 | $536 | $1,436,055 | 4 |
| Aug 7, 2026 | - | $2,789 | -65% | 7 | $398 | $1,438,844 | 5 |
Leading
| Zoey Deutch | Gail Daughtry |
Supporting
| Jon Hamm | Himself | |
| John Slattery | Himself | |
| Ken Marino | Vincent | |
| Miles Gutierrez-Riley | Otto | |
| Ben Wang | Caleb | |
| Sabrina Impacciatore | Ludovica | |
| Joe Lo Truglio | Sergio | |
| Michael Cassidy | Tom | |
| Thomas Lennon | Remy Fontaine | |
| Kerri Kenney-Silver | Psychic |
Cameo
| Jennifer Aniston | herself | |
| Henry Winkler | himself | |
| Elizabeth Banks | Herself | |
| Weird Al Yankovic | Himself |
Production and Technical Credits
| David Wain | Director | |
| David Wain | Screenwriter | |
| Ken Marino | Screenwriter | |
| Anthony Bregman | Producer | |
| Peter Cron | Producer | |
| Ken Marino | Producer | |
| David Wain | Producer | |
| Crystine Zhang | Producer | |
| Charles Zhong | Producer | |
| Robert Herjavec | Executive Producer | |
| Chechen Dong | Executive Producer | |
| Tom Griffin | Executive Producer | |
| Amanda Chang | Executive Producer | |
| Adrian Politowski | Executive Producer | |
| Jamie Canniffe | Executive Producer | |
| Franny Baldwin | Executive Producer | |
| Zoey Deutch | Executive Producer | |
| Jon Hamm | Executive Producer | |
| John Slattery | Executive Producer | |
| Scott Likens | Co-Executive Producer | |
| Geoffroy t’Serstevens | Co-Executive Producer | |
| Sierra Garcia | Co-Executive Producer | |
| Jade Park | Co-Executive Producer | |
| Kevin Atkinson | Director of Photography | |
| Justin Lieb | Production Designer | |
| John Daigle | Editor | |
| Bryn Carter | Costume Designer | |
| Craig Wedren | Composer | |
| Jeanne McCarthy | Casting Director | |
| Nicole Abellera | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Small town hairdresser Gail Daughtry is engaged to her devoted high school sweetheart, Tom. Her life takes a turn when a trip to a book signing leads to Tom meeting — and sleeping — with his “celebrity pass.” Reeling from the betrayal, Gail impulsively joins her friend Otto on a trip to Los Angeles, where a psychic convinces Gail that the only way to save her marriage is to “even the scales” with her own celebrity pass: Jon Hamm. Thus begins an epic journey through Tinseltown as Gail and Otto join forces with a talent agency assistant, a paparazzo, and actor John Slattery, all in the search for Hamm. Along the way, they collide with celebrities and are hunted by a group of Italian assassins as they get ever closer to finding the elusive star.
Metrics
| Opening Weekend: | $898,962 (62.5% of total gross) |
| Legs: | 1.60 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1,000 opening theaters/1,000 max. theaters, 1.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,438,844 |
Movie Details
| Domestic Releases: | July 10th, 2026 (Wide) by Sony Pictures Classics |
| International Releases: | September 4th, 2026 (Wide) (United Kingdom) |
| MPA Rating: | R for sexual content, violence/bloody images and language. (Rating bulletin 2936 (cert #56022), 5/13/2026) |
| Running Time: | 93 minutes |
| Cast, crew, or production detail: | Ensemble, Fictionalized Version of Yourself, Gratuitous Cameos |
| Film festival: | Sundance Film Festival 2026 |
| Geographical setting: | Hollywood |
| Plot point: | Hitmen, Infidelity, Left at the Altar, Love Triangle, Psychics, Relationships Gone Wrong, Romance, Wedding Day Disasters |
| Release detail: | Festival Acquisition |
| Social setting: | Movie Business, Wedding Day |
| Subgenre: | Sex Comedy |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Likely Story, Oval-5 |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 10, 2026 | 11 | $898,962 | 1,000 | $899 | $898,962 | 1 | |
| Jul 17, 2026 | - | $111,217 | -88% | 357 | $312 | $1,324,820 | 2 |
| Jul 24, 2026 | - | $14,570 | -87% | 25 | $583 | $1,417,318 | 3 |
| Jul 31, 2026 | - | $3,977 | -73% | 15 | $265 | $1,432,039 | 4 |
| Aug 7, 2026 | - | $1,635 | -59% | 7 | $234 | $1,437,690 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jul 10, 2026 | 10 | $592,212 | 1,000 | $592 | $592,212 | 1 | ||
| Jul 11, 2026 | - | $162,282 | -73% | 1,000 | $162 | $754,494 | 2 | |
| Jul 12, 2026 | - | $144,468 | -11% | 1,000 | $144 | $898,962 | 3 | |
| Jul 13, 2026 | - | $77,152 | -47% | 1,000 | $77 | $976,114 | 4 | |
| Jul 14, 2026 | - | $102,227 | +33% | 1,000 | $102 | $1,078,341 | 5 | |
| Jul 15, 2026 | - | $85,832 | -16% | 1,000 | $86 | $1,164,173 | 6 | |
| Jul 16, 2026 | 12 | $49,430 | -42% | 1,000 | $49 | $1,213,603 | 7 | |
| Jul 17, 2026 | - | $33,967 | -31% | -94% | 357 | $95 | $1,247,570 | 8 |
| Jul 18, 2026 | - | $49,002 | +44% | -70% | 357 | $137 | $1,296,572 | 9 |
| Jul 19, 2026 | - | $28,248 | -42% | -80% | 357 | $79 | $1,324,820 | 10 |
| Jul 20, 2026 | - | $19,257 | -32% | -75% | 357 | $54 | $1,344,077 | 11 |
| Jul 21, 2026 | - | $23,008 | +19% | -77% | 357 | $64 | $1,367,085 | 12 |
| Jul 22, 2026 | - | $22,367 | -3% | -74% | 357 | $63 | $1,389,452 | 13 |
| Jul 23, 2026 | - | $13,298 | -41% | -73% | 357 | $37 | $1,402,748 | 14 |
| Jul 24, 2026 | - | $3,484 | -74% | -90% | 25 | $139 | $1,406,232 | 15 |
| Jul 25, 2026 | - | $6,459 | +85% | -87% | 25 | $258 | $1,412,691 | 16 |
| Jul 26, 2026 | - | $4,627 | -28% | -84% | 25 | $185 | $1,417,318 | 17 |
| Jul 27, 2026 | - | $2,268 | -51% | -88% | 25 | $91 | $1,419,586 | 18 |
| Jul 28, 2026 | - | $2,758 | +22% | -88% | 25 | $110 | $1,422,344 | 19 |
| Jul 29, 2026 | - | $2,750 | n/c | -88% | 25 | $110 | $1,425,094 | 20 |
| Jul 30, 2026 | - | $2,916 | +6% | -78% | 25 | $117 | $1,428,010 | 21 |
| Jul 31, 2026 | - | $1,404 | -52% | -60% | 15 | $94 | $1,429,414 | 22 |
| Aug 1, 2026 | - | $1,281 | -9% | -80% | 15 | $85 | $1,430,695 | 23 |
| Aug 2, 2026 | - | $1,344 | +5% | -71% | 15 | $90 | $1,432,039 | 24 |
| Aug 3, 2026 | - | $1,330 | -1% | -41% | 15 | $89 | $1,433,369 | 25 |
| Aug 4, 2026 | - | $868 | -35% | -69% | 15 | $58 | $1,434,237 | 26 |
| Aug 5, 2026 | - | $553 | -36% | -80% | 15 | $37 | $1,434,790 | 27 |
| Aug 6, 2026 | - | $1,265 | +129% | -57% | 15 | $84 | $1,436,055 | 28 |
| Aug 7, 2026 | - | $543 | -57% | -61% | 7 | $78 | $1,436,598 | 29 |
| Aug 8, 2026 | - | $599 | +10% | -53% | 7 | $86 | $1,437,197 | 30 |
| Aug 9, 2026 | - | $493 | -18% | -63% | 7 | $70 | $1,437,690 | 31 |
| Aug 10, 2026 | - | $257 | -48% | -81% | 7 | $37 | $1,437,947 | 32 |
| Aug 11, 2026 | - | $355 | +38% | -59% | 7 | $51 | $1,438,302 | 33 |
| Aug 12, 2026 | - | $364 | +3% | -34% | 7 | $52 | $1,438,666 | 34 |
| Aug 13, 2026 | - | $178 | -51% | -86% | 7 | $25 | $1,438,844 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 10, 2026 | 11 | $1,213,603 | 1,000 | $1,214 | $1,213,603 | 1 | |
| Jul 17, 2026 | 18 | $189,145 | -84% | 357 | $530 | $1,402,748 | 2 |
| Jul 24, 2026 | 30 | $25,262 | -87% | 25 | $1,010 | $1,428,010 | 3 |
| Jul 31, 2026 | 36 | $8,045 | -68% | 15 | $536 | $1,436,055 | 4 |
| Aug 7, 2026 | - | $2,789 | -65% | 7 | $398 | $1,438,844 | 5 |
Leading
| Zoey Deutch | Gail Daughtry |
Supporting
| Jon Hamm | Himself | |
| John Slattery | Himself | |
| Ken Marino | Vincent | |
| Miles Gutierrez-Riley | Otto | |
| Ben Wang | Caleb | |
| Sabrina Impacciatore | Ludovica | |
| Joe Lo Truglio | Sergio | |
| Michael Cassidy | Tom | |
| Thomas Lennon | Remy Fontaine | |
| Kerri Kenney-Silver | Psychic |
Cameo
| Jennifer Aniston | herself | |
| Henry Winkler | himself | |
| Elizabeth Banks | Herself | |
| Weird Al Yankovic | Himself |
Production and Technical Credits
| David Wain | Director | |
| David Wain | Screenwriter | |
| Ken Marino | Screenwriter | |
| Anthony Bregman | Producer | |
| Peter Cron | Producer | |
| Ken Marino | Producer | |
| David Wain | Producer | |
| Crystine Zhang | Producer | |
| Charles Zhong | Producer | |
| Robert Herjavec | Executive Producer | |
| Chechen Dong | Executive Producer | |
| Tom Griffin | Executive Producer | |
| Amanda Chang | Executive Producer | |
| Adrian Politowski | Executive Producer | |
| Jamie Canniffe | Executive Producer | |
| Franny Baldwin | Executive Producer | |
| Zoey Deutch | Executive Producer | |
| Jon Hamm | Executive Producer | |
| John Slattery | Executive Producer | |
| Scott Likens | Co-Executive Producer | |
| Geoffroy t’Serstevens | Co-Executive Producer | |
| Sierra Garcia | Co-Executive Producer | |
| Jade Park | Co-Executive Producer | |
| Kevin Atkinson | Director of Photography | |
| Justin Lieb | Production Designer | |
| John Daigle | Editor | |
| Bryn Carter | Costume Designer | |
| Craig Wedren | Composer | |
| Jeanne McCarthy | Casting Director | |
| Nicole Abellera | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.