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Geostorm (2017)

Geostorm
Theatrical Performance
Domestic Box Office $33,700,160Details
International Box Office $187,100,000Details
Worldwide Box Office $220,800,160
Home Market Performance
Est. Domestic DVD Sales $2,791,276 Details
Est. Domestic Blu-ray Sales $4,194,340 Details
Total Est. Domestic Video Sales $6,985,616
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

After an unprecedented series of natural disasters threatened the planet, the world’s leaders came together to create an intricate network of satellites to control the global climate and keep everyone safe. But now, something has gone wrong—the system built to protect the Earth is attacking it, and it’s a race against the clock to uncover the real threat before a worldwide geostorm wipes out everything…and everyone along with it.

Metrics

Latest Ranking on Cumulative Box Office Lists


Movie Details

Production Budget:$100,000,000
Domestic Releases: October 20th, 2017 (Wide) by Warner Bros.
October 20th, 2017 (IMAX) by Warner Bros.
International Releases: October 13th, 2017 (Wide) (Hong Kong)
October 13th, 2017 (Wide) (Indonesia)
October 13th, 2017 (Wide) (Malaysia)
October 13th, 2017 (Wide) (Philippines)
October 13th, 2017 (Wide) (Taiwan)
... Show all releases
Video Release: January 2nd, 2018 by Warner Home Video
MPAA Rating: PG-13 for destruction, action and violence.
(Rating bulletin 2471 (Cert #50332), 4/12/2017)
Running Time: 109 minutes
Comparisons: vs. Pacific Rim: Uprising
Create your own comparison chart…
Keywords: Extreme Weather, Outer Space, Space Program, Assassination, Political Assassination, Delayed Release, Development Hell, Near Future
Source:Original Screenplay
Genre:Action
Production Method:Live Action
Creative Type:Science Fiction
Production Companies: Skydance Productions, Electric Entertainment
Production Countries: United States

Leading Cast

   Jake Lawson
   Hannah Lawson

Supporting Cast

Jim Sturgess    Max Lawson
Abbie Cornish    Sarah Wilson
Ed Harris    Secretary Leonard Dekkom
Andy Garcia    President Andrew Palma
Alexandra Maria Lara    Ute Fassbinder
Daniel Wu    Cheng Long
Eugenio Derbez    Al Hernandez
Amr Waked    Ray Dussette
Adepero Oduye    Eni Adisa
Robert Sheehan    Duncan Taylor
Richard Schiff    Senator Cross
Mare Winningham    Dr. Cassandra Jennings
Zazie Beetz    Dana
Danielle Garcia    Mickey
Ritchie Montgomery    Mike
David S. Lee    Rico
Billy Slaughter    Karl
Gregalan Williams    General Montgraff
Richard Regan Paul    Makmoud Habib
David Jensen    Dr. Brackish Quigley
Derek Roberts    Major Collner
Nathan Moore    NASA Techie #1
Blake Burt    U.N. Private
Corey Mendell Parker*    Lammy
Catherine Ashton    British Tech
Arnold Chun    Japanese Tech
Randall Newsome    Vice President Miller
Sean Paul Braud    Dixon
Aidan Kumar Singh    Little Mumbai Boy
Douglas M. Griffin    NASA Tech (Mission Control)
Eric John Ukleja    Secret Service Agent
Joe Drago    Senior NASA Tech
Asher McCleary    Boyfriend
Evgeny V. Krutov    Russian Man
Anastasiya Rul    Russian Woman
Adam Stephenson    Coms Tech
Carlos Antonio    Uniformed Guard
Julia Denton    Hannah’s Mom

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

   Director
Dean Devlin    Screenwriter
Paul Guyot    Screenwriter
Dean Devlin    Producer
David Ellison    Producer
Dana Goldberg    Producer
Marc Roskin    Executive Producer
Herbert W. Gains    Executive Producer
Don Granger    Executive Producer
Kirk M. Petruccelli    Production Designer
Ron Rosen    Editor
Chris Lebenzon    Editor
John Refoua    Editor
Lorne Balfe    Composer
Roberto Schaefer    Director of Photography
Jeffrey A. Okun    Visual Effects Supervisor
Ronna Kress    Casting Director
Susan Matheson    Costume Designer
Sara Flamm    Unit Production Manager
Herbert W. Gains    Unit Production Manager
Cliff Lanning    First Assistant Director
Rhys Summerhayes    Second Assistant Director
Chris Watts    Visual Effects Supervisor
Cliff Lanning    Co-Producer
Rachel Olschan-Wilson*    Co-Producer
Page Buckner    Supervising Art Director
Vlad Bina    Art Director
Scott Plauche    Art Director
Domenic Silvestri    Art Director
Lauren Abiouness    Assistant Art Director
Gary M. Warshaw*    Assistant Art Director
Anne Kuljian    Set Decorator
Suzanne Bingham    Script Supervisor
Lumi Docan    Post-Production Supervisor
Richard Mirisch    Post-Production Supervisor
Joseph Kirkland    Additional Editor
Christine Kim    First Assistant Editor
Elaine Walrath    Second Assistant Editor
Tom MacDonald    Costume Supervisor
Francisco X. Perez    Make up
Kimberley Spiteri    Hairstylist
Marie Elena    Hairstylist
Pud Cusack    Sound Mixer
Mike Meinardus    Special Effects Supervisor
Roy K. Cancino    Special Effects
Robert Alidon    Special Effects
Michael John Clarke    Special Effects
Lawrence Decker    Special Effects
Steven Kline    Special Effects
Bruce Y. Kuroyama    Special Effects
Ryan Meinardus    Special Effects
Jose A. Paramo    Special Effects
Mark Sheaffer    Special Effects
Daniel J. Yates    Special Effects
John Ziegler    Special Effects
Douglas D. Ziegler    Special Effects
Elston James Howard    Location Manager
Marc Roskin    Second Unit Director
Gary Capo    Second Unit Director of Photography
Cameron Frankley    Sound Designer
Cameron Frankley    Sound Supervisor
Jon Michaels    Supervising Sound Editor
Hugh Waddell    Supervising Sound Editor
Tim LeBlanc    Re-recording Mixer
Cameron Frankley    Re-recording Mixer
Patrick Cyccone    Re-recording Mixer
Myron Nettinga    Re-recording Mixer
Harrison Meyle    Supervising Dialogue Editor
Sean Heissinger    Dialogue Editor
Michael Hertlein    Dialogue Editor
Dan Kenyon    Sound Designer
Roland Thai    Sound Effects Editor
Greg ten Bosch    Sound Effects Editor
D. Chris Smith    Sound Effects Editor
Mark Hailstone    Sound Effects Editor
James Gallavan    Sound Effects Editor
Csaba Wagner    Sound Effects Editor
Darrin Mann    Foley Mixer
Richard Ziegler    Music Editor
Sally Boldt    Music Editor
Del Spiva    Music Editor
Scott Francisco    Music Editor
Philip Tallman    Music Editor
Lorne Balfe    Score Producer
Steffen Thum    Score Producer
Daniel Kresco    Score Mixer
Jason LaRocca    Score Recordist

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for January 23rd, 2018

January 22nd, 2018

Jane

It’s a really slow week on the home market. There are only a few releases that went anywhere at the box office, led by Jigsaw, which is a bad movie. Meanwhile, Geostorm is so bad it’s good. It’s fun, if you are into B movies, but it’s not Pick of the Week material. The only real contenders are Jane, which is only coming out on Video on Demand, and Attack of the Killer Tomatoes, which is getting a Two-Disc Special Edition. In the end, I went with Attack of the Killer Tomatoes, mainly because Jane doesn’t come out on DVD / Blu-ray until next month. More...

Home Market Releases for January 2nd, 2018

January 2nd, 2018

Lucky

This is the first Tuesday of the year, so it should be no surprise that there are not a lot of top-tier releases on this week’s list. In fact, there were so few releases worth mentioning that I had to pad the list with some films that were not selling well enough to be worth mentioning during most weeks. As for the Pick of the Week contenders, there were only two: Lucky and Battle of the Sexes. It was a close race, but in the end, I gave that title to Lucky on DVD. More...

International Box Office: With $428.7 million, Ragnarok Races to Catch up to Thor

November 9th, 2017

Thor: Ragnarok

As expected, Thor: Ragnarok remained in first place on the international chart dominating the competition with $151.4 million in 55 markets during its second weekend of release for a two-week total of $306.0 million internationally and $428.7 million worldwide. After just two weeks of release, the film is within striking distance of the original Thor at the worldwide box office and by this time next week, it might surpass The Dark World. As for this past weekend’s highlights, the box office was led by China, where it earned first place with $53.42 million over the weekend for a total opening of $54.53 million. This is the biggest November opening in that market and the biggest total for a Thor film. It had to settle for second place in Mexico, but was still impressive with $7.34 million over the weekend for a total opening of $10.52 million. It also did well in Germany with $5.5 million over the weekend for a total opening of $8.9 million, which is 70% higher than Doctor Strange’s opening there last year. The best holdover came from South Korea, where it was down 47% to $6.39 million on 1,047 screens over the weekend for a two-week total of $25.88 million. The only market left to open in is Trinidad, but even with no major markets, the film will have no trouble getting to $500 million internationally and $800 million worldwide. More...

Weekend Wrap-Up: Thor Hammers Competition with $122.74 million

November 7th, 2017

Thor: Ragnarok

Thor: Ragnarok beat predictions by a substantial margin earning the fourth biggest opening weekend of the year. Its opening weekend haul of $122.74 million helped this weekend rise 135% compared to last weekend hitting $179 million. Unfortunately, while Thor: Ragnarok was a monster hit, the rest of the box office wasn’t able to make much of an impact, leaving the overall box office down 6.6% from this weekend last year. Year-to-date, 2017 has pulled in $8.77 billion, putting it behind 2016's pace at 4.9% or $450 million. More...

Weekend Predictions: Will Thor Rule, or is it the End of World for the Box Office?

November 2nd, 2017

Jigsaw

November begins with Thor: Ragnarok and A Bad Moms Christmas. Thor: Ragnarok is widely expected to be the sixth film of 2017 to open with $100 million. On the other hand, A Bad Moms Christmas opened yesterday and when I started writing this in the early hours of Thursday morning, there were still no reviews on Rotten Tomatoes. Oh boy. That’s not a good sign. Worse still, no other new release it going to come close to $10 million over the weekend. This weekend last year, there were three wide releases that earned more than $10 million, led by Doctor Strange with $85 million. Thor: Ragnarok will top that, but this year's depth is terrible compared to last year and we will very likely see yet another loss in the year-over-year comparison. More...

International Box Office: Thor Hits Century Mark with $107.6 million

November 2nd, 2017

Thor: Ragnarok

Thor: Ragnarok got its international start off with a bang dominating the market with $107.6 million in 36 markets during its opening weekend of release. The film’s biggest opening came in the U.K. where it dominated the market with $16.22 million in 611 theaters, which is 27% higher than Doctor Strange opened with in that market. This film also dominated South Korea earning $12.00 million on 1,639 screens over the weekend for a total opening of $15.87 million. This total is 12% lower than Doctor Strange, but that was an aberration, because overall, Thor: Ragnarok’s debut was 22% ahead of Doctor Strange’s debuts in the same market. If Thor can have similar legs, it will finish with more than $500 million internationally and possibly even $800 million worldwide. More...

Weekend Wrap-Up: Box Office is Cut to Pieces, Earning Just $75 million

October 31st, 2017

Jigsaw

It was a terrible weekend at the box office with only two films cracking $10 million, Jigsaw and Tyler Perry’s Boo 2: A Madea Halloween. Geostorm earned third place with just $5.90 million. Overall, the box office fell 21% from last weekend to just $75 million. More importantly, this is 15% lower than the same weekend last year. Year-to-date, 2017 continues to struggle with a running tally of $8.57 billion. This is $470 million or $5.2% below last year’s pace, meaning we fell behind last year’s pace by a further 0.2 percentage points. The box office really needed to be eating into the deficit during the month of October, but that hasn’t been the case. More...

Friday Estimates: Jigsaw Cuts Its Way to the Top with $7.17 million

October 28th, 2017

Jigsaw

As predicted, Jigsaw led the way on Friday. However, it didn’t do as well as previews suggested, as it earned $7.17 million during its opening day. I don’t expect its legs to improve during the rest of the weekend, as its reviews are just 37% positive, and it earned a B from CinemaScore. It will still do better than our $14 million prediction, but not by as much as we thought it would yesterday. Look for $17 million over the weekend, which is the second weakest opening in the franchise and the weakest in terms of ticket sales. I really think Lionsgate will end this franchise, at least for a while. Perhaps, in ten years or so, we will get a remake. More...

Weekend Predictions: Can Jigsaw Still Fit at the Box Office?

October 26th, 2017

Jigsaw

There are three wide releases coming out this week, although only Jigsaw is expected to make any real impact at the box office. The other two, Suburbicon and Thank You for Your Service, are opening in barely more than 2,000 theaters and neither of them are expected to do well at the box office. Meanwhile, Tyler Perry’s Boo 2: A Madea Halloween, has an actual shot at repeating in first place, mostly because of the weak competition. This is terrible news for the overall box office, as it means we are going to have a hard time matching last year’s box office, even though last year there was only one wide release, Inferno. More...

International Box Office: Kingsman Retakes Gold with $48.7 million

October 26th, 2017

Kingsman: The Golden Circle

Kingsman: The Golden Circle returned to top spot with $48.7 million in 61 markets for totals of $250.3 million internationally and $344.9 million worldwide. Nearly all of the film’s weekend haul came from China, where the movie earned $39.15 million over the weekend for a total opening of $39.83 million. This is almost double what the original opened with in this market, meaning Kingsman: The Golden Circle could top the original’s international numbers making a third film in the franchise almost a sure thing. More...

Weekend Wrap-Up: By earning $21.23 million, Boo 2 is the only Non-Disaster Film of the Weekend

October 24th, 2017

Tyler Perry’s Boo 2: A Madea Halloween

The weekend box office was weaker than expected with only one of the new releases topping predictions. Tyler Perry’s Boo 2: A Madea Halloween wasn’t that one film, but it still led the way with $21.23 million. The only other film to top $10 million was Geostorm with $13.71 million, but it lived up to its disaster genre due to its $100 million production budget. Overall, the box office fell 6.5% from last week to $95 million. That decline is positively glowing compared to the year-over-year comparison. Compared to this weekend last year, 2017 was down 25%. Year-to-date, 2017 is now behind last year’s pace by 5.0% or $440 million at $8.46 billion to $8.90 billion. Unless November and December are stellar, there’s no way 2017 is going to catch up to 2017. More...

Weekend Estimates: Boo Too Much for the Competition

October 22nd, 2017

Tyler Perry’s Boo 2: A Madea Halloween

Boo! 2 is arguably slightly under-performing this weekend, with Lionsgate projecting a weekend total of $21.6 million as of Sunday morning, a figure that is down about $7 million from the debut of Boo! A Madea Halloween. But, in the bigger picture, it represents the continuation of a remarkable run for the Madea franchise that stretches now to eight films, all but one of which have opened with more than $20 million, and which have all topped $50 million, so far. Boo! 2 will be helped by Halloween, which should be just enough to take it over $50 million, and put the franchise close to $500 million at the box office. The only other comedy franchises with close to this longevity at the box office are The Pink Panther, and The Muppets, although neither of those have relied on a single actor (take a bow, Tyler Perry) for the entirety of their run. More...

Friday Estimates: Boo 2 Scares Up $7.47 Million, Other New Releases are just Scared

October 21st, 2017

Tyler Perry’s Boo 2: A Madea Halloween

As expected, Tyler Perry’s Boo 2: A Madea Halloween led the way on Friday with $7.37 million. Granted, its reviews are terrible, as its Tomatometer Score has fallen into the single-digit range. On the other hand, it earned a A minus from CinemaScore, which is the same score its predecessor earned. If this film has the same legs as the original did, then it will earn $22.4 million during the opening weekend. However, it is a sequel, so it will likely miss that mark with about $22 million. That’s approximately 10% below our prediction, so I’m happy with that result. It is also likely more than the film cost to make, so Lionsgate should also be happy. More...

Thursday Night Previews: Boo 2 Misses Boo’s Debut with $760,000

October 20th, 2017

Tyler Perry’s Boo 2: A Madea Halloween

Tyler Perry’s Boo 2: A Madea Halloween earned $760,000 during its previews last night, which is lower than the $855,000 the first Boo! managed last year. Its early reviews are lower than the original’s reviews were, so that will also likely mean lower legs. This will make it difficult to match our $25 million prediction, but it should come relatively close. More...

Weekend Predictions: Will Moviegoers Want to View Boo 2?

October 20th, 2017

Tyler Perry’s Boo 2: A Madea Halloween

There are five films opening wide or semi-wide this week, but only one of them, Tyler Perry’s Boo 2: A Madea Halloween, has a real shot at top spot. The best-reviewed new release of the week is Only the Brave, while the Geostorm is the widest release. Then there are the two semi-wide releases, The Snowman and Same Kind of Different as Me. Because there are so many new releases coming out this week, one or two of them are practically guaranteed to slip between the cracks. This weekend last year, the box office was led by the original Boo! with $28.50 million, while the new releases made just over $70 million combined. That seems out of reach for this year’s crop, so 2017 will likely lose in the year-over-year comparison. More...

2017 Preview: October

October 1st, 2017

Blade Runner 2049

September destroyed the previous September monthly record for total box office take, with $800 million or so (we won’t know the exact figure until after the weekend), which tops 2016’s record of $616 million. Granted, this is almost entirely due to It’s record breaking run, and the rest of the month was merely average. Kingsman: The Golden Circle was the only other film to come close to $100 million. October doesn’t look any better, as far as depth is concerned. Blade Runner 2049 is widely expected to be the biggest hit of the month, but it is the only film expected to reach $100 million domestically. Boo 2 should be the second biggest hit of the month, while there are only a couple of other films that have a shot at $50 million. Part of the problem is the level of competition, as there are 16 films opening during the four October weekends. (Needless to say, some of the predictions below will be a little short, as there’s not much to say about a film that will barely open in the top ten and disappear two weeks later.) That’s way too many and most will be buried by the competition. Last October was a flop, as no film earned more than $100 million at the box office. There were a few films that came close, including the original Boo! movie. As long as Blade Runner 2049 matches expectations, 2017 should win the year-over-year comparison by a small margin. If we get one surprise hit, then 2017 has a real shot at closing the gap with 2016 by a significant margin. I choose to be cautiously optimistic. More...

Geostorm Trailer

August 29th, 2017

Disaster movie starring Gerard Butler, written and directed by Dean Devlin, opens October 20 ... Full Movie Details. More...

Domestic Cumulative Box Office Records


Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2017/10/20 2 $13,707,376   3,246 $4,223   $13,707,376 1
2017/10/27 3 $5,903,428 -57% 3,246 $1,819   $23,781,796 2
2017/11/03 5 $3,194,031 -46% 2,666 $1,198   $28,929,372 3
2017/11/10 7 $1,641,680 -49% 1,685 $974   $31,720,572 4
2017/11/17 13 $410,166 -75% 502 $817   $32,669,328 5
2017/11/24 23 $148,064 -64% 165 $897   $32,965,557 6
2017/12/01 33 $78,290 -47% 125 $626   $33,078,335 7
2017/12/08 24 $144,193 +84% 206 $700   $33,246,410 8
2017/12/15 24 $85,544 -41% 161 $531   $33,384,189 9
2017/12/22 29 $32,595 -62% 110 $296   $33,457,126 10
2017/12/29 34 $55,424 +70% 110 $504   $33,578,782 11
2018/01/05 36 $52,219 -6% 93 $561   $33,681,965 12

Daily Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2017/10/20 2 $4,304,551   3,246 $1,326   $4,304,551 1
2017/10/21 2 $5,564,285 +29% 3,246 $1,714   $9,868,836 2
2017/10/22 2 $3,838,540 -31% 3,246 $1,183   $13,707,376 3
2017/10/23 2 $1,052,644 -73% 3,246 $324   $14,760,020 4
2017/10/24 2 $1,527,285 +45% 3,246 $471   $16,287,305 5
2017/10/25 2 $843,911 -45% 3,246 $260   $17,131,216 6
2017/10/26 2 $747,152 -11% 3,246 $230   $17,878,368 7
2017/10/27 3 $1,557,854 +109% 3,246 $480   $19,436,222 8
2017/10/28 3 $2,501,367 +61% 3,246 $771   $21,937,589 9
2017/10/29 3 $1,844,207 -26% 3,246 $568   $23,781,796 10
2017/10/30 3 $501,634 -73% 3,246 $155   $24,283,430 11
2017/10/31 4 $657,191 +31% 3,246 $202   $24,940,621 12
2017/11/01 3 $428,492 -35% 3,246 $132   $25,369,113 13
2017/11/02 4 $366,228 -15% 3,246 $113   $25,735,341 14
2017/11/03 5 $826,341 +126% 2,666 $310   $26,561,682 15
2017/11/04 5 $1,426,135 +73% 2,666 $535   $27,987,817 16
2017/11/05 5 $941,555 -34% 2,666 $353   $28,929,372 17
2017/11/06 4 $255,687 -73% 2,666 $96   $29,185,059 18
2017/11/07 4 $417,326 +63% 2,666 $157   $29,602,385 19
2017/11/08 5 $248,388 -40% 2,666 $93   $29,850,773 20
2017/11/09 5 $228,119 -8% 2,666 $86   $30,078,892 21
2017/11/10 7 $485,474 +113% 1,685 $288   $30,564,366 22
2017/11/11 7 $707,271 +46% 1,685 $420   $31,271,637 23
2017/11/12 6 $448,935 -37% 1,685 $266   $31,720,572 24
2017/11/13 7 $135,560 -70% 1,685 $80   $31,856,132 25
2017/11/14 6 $192,208 +42% 1,685 $114   $32,048,340 26
2017/11/15 7 $126,735 -34% 1,685 $75   $32,175,075 27
2017/11/16 8 $84,087 -34% 1,685 $50   $32,259,162 28
2017/11/17 12 $119,528 +42% 502 $238   $32,378,690 29
2017/11/18 13 $182,053 +52% 502 $363   $32,560,743 30
2017/11/19 13 $108,585 -40% 502 $216   $32,669,328 31
2017/11/20 14 $52,083 -52% 502 $104   $32,721,411 32
2017/11/21 14 $51,986 n/c 502 $104   $32,773,397 33
2017/11/22 - $24,730 -52% 502 $49   $32,798,127 34
2017/11/23 - $19,366 -22% 502 $39   $32,817,493 35
2017/11/24 - $55,400 +186% 165 $336   $32,872,893 36
2017/11/25 - $63,853 +15% 165 $387   $32,936,746 37
2017/11/26 - $28,811 -55% 165 $175   $32,965,557 38
2017/11/27 - $9,095 -68% 165 $55   $32,974,652 39
2017/11/28 - $8,667 -5% 165 $53   $32,983,319 40
2017/11/29 - $8,073 -7% 165 $49   $32,991,392 41
2017/11/30 - $8,653 +7% 165 $52   $33,000,045 42
2017/12/01 - $21,625 +150% 125 $173   $33,021,670 43
2017/12/02 - $37,200 +72% 125 $298   $33,058,870 44
2017/12/03 - $19,465 -48% 125 $156   $33,078,335 45
2017/12/04 - $5,190 -73% 125 $42   $33,083,525 46
2017/12/05 - $7,421 +43% 125 $59   $33,090,946 47
2017/12/06 - $5,438 -27% 125 $44   $33,096,384 48
2017/12/07 - $5,833 +7% 125 $47   $33,102,217 49
2017/12/08 - $37,262 +539% 206 $181   $33,139,479 50
2017/12/09 - $64,481 +73% 206 $313   $33,203,960 51
2017/12/10 - $42,450 -34% 206 $206   $33,246,410 52
2017/12/11 - $13,194 -69% 206 $64   $33,259,604 53
2017/12/12 - $15,154 +15% 206 $74   $33,274,758 54
2017/12/13 - $12,522 -17% 206 $61   $33,287,280 55
2017/12/14 - $11,365 -9% 206 $55   $33,298,645 56
2017/12/15 - $20,990 +85% 161 $130   $33,319,635 57
2017/12/16 - $36,658 +75% 161 $228   $33,356,293 58
2017/12/17 - $27,896 -24% 161 $173   $33,384,189 59
2017/12/18 - $9,084 -67% 161 $56   $33,393,273 60
2017/12/19 - $11,145 +23% 161 $69   $33,404,418 61
2017/12/20 - $9,864 -11% 165 $60   $33,414,282 62
2017/12/21 - $10,249 +4% 165 $62   $33,424,531 63
2017/12/22 - $12,096 +18% 110 $110   $33,436,627 64
2017/12/23 - $14,538 +20% 110 $132   $33,451,165 65
2017/12/24 - $5,961 -59% 110 $54   $33,457,126 66
2017/12/25 - $16,062 +169% 110 $146   $33,473,188 67
2017/12/26 - $16,808 +5% 110 $153   $33,489,996 68
2017/12/27 - $15,242 -9% 110 $139   $33,505,238 69
2017/12/28 - $18,120 +19% 110 $165   $33,523,358 70
2017/12/29 - $19,889 +10% 110 $181   $33,543,247 71
2017/12/30 - $23,833 +20% 110 $217   $33,567,080 72
2017/12/31 - $11,702 -51% 110 $106   $33,578,782 73
2018/01/01 - $21,294 +82% 110 $194   $33,600,076 74
2018/01/02 - $11,057 -48% 110 $101   $33,611,133 75
2018/01/03 - $8,901 -19% 110 $81   $33,620,034 76
2018/01/04 - $9,712 +9% 110 $88   $33,629,746 77
2018/01/05 - $14,372 +48% 93 $155   $33,644,118 78
2018/01/06 - $21,308 +48% 93 $229   $33,665,426 79
2018/01/07 - $16,539 -22% 93 $178   $33,681,965 80
2018/01/08 - $4,300 -74% 93 $46   $33,686,265 81
2018/01/09 - $4,979 +16% 93 $54   $33,691,244 82
2018/01/10 - $4,528 -9% 93 $49   $33,695,772 83
2018/01/11 - $4,388 -3% 93 $47   $33,700,160 84

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2017/10/20 2 $17,878,368   3,246 $5,508   $17,878,368 1
2017/10/27 3 $7,856,973 -56% 3,246 $2,421   $25,735,341 2
2017/11/03 5 $4,343,551 -45% 2,666 $1,629   $30,078,892 3
2017/11/10 7 $2,180,270 -50% 1,685 $1,294   $32,259,162 4
2017/11/17 16 $558,331 -74% 502 $1,112   $32,817,493 5
2017/11/24 25 $182,552 -67% 165 $1,106   $33,000,045 6
2017/12/01 34 $102,172 -44% 125 $817   $33,102,217 7
2017/12/08 25 $196,428 +92% 206 $954   $33,298,645 8
2017/12/15 28 $125,886 -36% 165 $763   $33,424,531 9
2017/12/22 33 $98,827 -21% 110 $898   $33,523,358 10
2017/12/29 34 $106,388 +8% 110 $967   $33,629,746 11
2018/01/05 36 $70,414 -34% 93 $757   $33,700,160 12

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Theaters
Maximum
Theaters
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 10/20/2017 $1,202,390 324 324 967 $2,349,545 11/23/2017
Brazil 10/20/2017 $0 0 0 0 $4,500,000 2/6/2018
Bulgaria 10/20/2017 $96,226 0 0 0 $372,322 12/27/2017
China 10/26/2017 $33,740,000 93027 93027 135701 $65,300,000 2/5/2018
Czech Republic 10/20/2017 $108,643 99 99 157 $189,129 11/8/2017
France 11/3/2017 $1,700,000 303 303 598 $3,400,000 2/6/2018
Germany 10/20/2017 $1,218,245 440 440 440 $3,000,000 2/6/2018
Hong Kong 10/13/2017 $1,300,000 0 0 0 $2,700,000 11/7/2017
Indonesia 10/13/2017 $1,300,000 0 0 0 $2,900,000 11/13/2017
Italy 11/3/2017 $831,116 258 258 507 $1,846,197 11/22/2017
Japan 1/19/2018 $2,800,000 584 584 1164 $10,500,000 2/22/2018
Lithuania 10/20/2017 $0 0 61 132 $169,950 11/26/2017
Malaysia 10/13/2017 $1,400,000 400 400 400 $3,600,000 2/6/2018
Mexico 10/20/2017 $3,427,985 0 0 0 $8,800,000 2/6/2018
Netherlands 10/20/2017 $832,868 87 89 457 $1,970,688 11/27/2017
New Zealand 10/20/2017 $193,138 94 94 297 $402,433 11/13/2017
Philippines 10/13/2017 $1,200,000 0 0 0 $1,200,000 10/23/2017
Portugal 10/20/2017 $209,369 78 78 295 $628,134 12/6/2017
Russia (CIS) 10/20/2017 $5,208,076 1321 1368 4222 $10,100,000 1/23/2018
Slovakia 10/20/2017 $78,598 63 63 117 $169,404 11/15/2017
South Korea 10/16/2017 $4,639,249 854 854 1490 $7,500,000 12/4/2017
Spain 10/20/2017 $996,624 278 289 1148 $2,582,438 11/27/2017
Taiwan 10/13/2017 $2,100,000 190 190 190 $8,000,000 2/6/2018
Thailand 10/13/2017 $1,300,000 0 0 0 $1,300,000 10/23/2017
Turkey 10/20/2017 $294,194 314 314 663 $672,743 11/13/2017
United Arab Emirates 10/20/2017 $0 0 0 0 $3,300,000 12/4/2017
United Kingdom 10/20/2017 $2,142,719 477 494 1522 $5,700,000 2/6/2018
 
Rest of World $33,947,017
 
International Total$187,100,000 2/22/2018

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits this Week% ChangeTotal UnitsSpending this WeekTotal SpendingWeeks in Release
1/28/2018172,940 72,940$1,164,122$1,164,1224
2/4/2018450,498-31% 123,438$805,948$1,970,0705
2/11/20181720,598-59% 144,036$328,744$2,298,8156
2/18/20182216,848-18% 160,884$268,894$2,567,7097
2/25/20182614,008-17% 174,892$223,568$2,791,2768

Weekly US Blu-ray Sales

DateRankUnits this Week% ChangeTotal UnitsSpending this WeekTotal SpendingWeeks in Release
1/28/2018178,032 78,032$1,793,956$1,793,9564
2/4/2018450,083-36% 128,115$1,151,405$2,945,3615
2/11/2018822,250-56% 150,365$509,301$3,454,6626
2/18/20181216,633-25% 166,997$378,390$3,833,0527
2/25/20181911,646-30% 178,643$245,027$4,078,0798
3/4/2018207,438-36% 186,081$116,261$4,194,3409

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Home Media Magazine.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.


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