Gett: The Trial of Viviane Amsalem (2015)
| Theatrical Performance | ||
| Domestic Box Office | $988,150 | Details |
| International Box Office | $160,469 | Details |
| Worldwide Box Office | $1,148,619 | |
| OpusData ID: 220680100 More info... | ||
| Further financial details... | ||
Synopsis
An Israeli woman seeking to finalize a divorce from her estranged husband finds herself effectively put on trial by her country’s religious marriage laws, in this courtroom drama. In Israel, there is neither civil marriage nor civil divorce; only Orthodox rabbis can legalize a union or its dissolution, which is only possible with the husband’s full consent. Trapped in a loveless marriage, Viviane Amsalem has been applying for a divorce for three years but her religiously devout husband Elisha, continually refuses. His cold intransigence, Viviane’s determination to fight for her freedom, and the ambiguous role of the rabbinical judges shape a procedure where tragedy vies with absurdity and everything is brought out into the open for judgment.
Metrics
| Opening Weekend: | $24,210 (2.5% of total gross) |
| Legs: | 7.46 (domestic box office/biggest weekend) |
| Domestic Share: | 86.0% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/74 max. theaters, 5.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,401,927 |
Movie Details
| Domestic Releases: | February 13th, 2015 (Limited) by Music Box Films |
| International Releases: | February 20th, 2015 (Wide) (Poland)
April 3rd, 2015 (Wide) (Spain) May 29th, 2015 (Wide) (Mexico) July 16th, 2015 (Limited), released as Gett: The Trail of Viviane Amsalem (Australia) ... Show all releases |
| MPA Rating: | Not Rated |
| Running Time: | 115 minutes |
| Geographical setting: | Israel |
| Plot point: | Jewish, Orthodox Religion, Relationships Gone Wrong |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Music Box Films, Deux Beaux Garcons Films, Elzevir & Compagnie, Riva Filmproduktion, Canal Plus, Israel Film Fund |
| Production Countries: | France, Israel, Germany |
| Languages: | Hebrew, French, Arabic |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 13, 2015 | 61 | $24,210 | 2 | $12,105 | $24,210 | 1 | |
| Feb 20, 2015 | 59 | $22,916 | -5% | 3 | $7,639 | $64,023 | 2 |
| Feb 27, 2015 | 45 | $64,655 | +182% | 16 | $4,041 | $144,773 | 3 |
| Mar 6, 2015 | 51 | $49,680 | -23% | 18 | $2,760 | $222,847 | 4 |
| Mar 13, 2015 | 37 | $85,824 | +73% | 39 | $2,201 | $355,475 | 5 |
| Mar 20, 2015 | 31 | $132,484 | +54% | 68 | $1,948 | $524,592 | 6 |
| Mar 27, 2015 | 29 | $120,611 | -9% | 73 | $1,652 | $704,565 | 7 |
| Apr 3, 2015 | 43 | $51,397 | -57% | 64 | $803 | $793,949 | 8 |
| Apr 10, 2015 | 47 | $39,693 | -23% | 64 | $620 | $868,817 | 9 |
| Apr 17, 2015 | 55 | $21,504 | -46% | 27 | $796 | $907,219 | 10 |
| Apr 24, 2015 | 64 | $13,273 | -38% | 22 | $603 | $932,384 | 11 |
| May 1, 2015 | 65 | $5,614 | -58% | 7 | $802 | $944,944 | 12 |
| May 8, 2015 | 66 | $7,390 | +32% | 12 | $616 | $957,768 | 13 |
| May 15, 2015 | 72 | $4,807 | -35% | 9 | $534 | $968,036 | 14 |
| May 22, 2015 | 75 | $3,018 | -37% | 4 | $755 | $979,761 | 15 |
| May 29, 2015 | 70 | $3,208 | +6% | 5 | $642 | $985,735 | 16 |
| Jun 5, 2015 | 89 | $287 | -91% | 1 | $287 | $987,830 | 17 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 13, 2015 | 59 | $41,107 | 2 | $20,554 | $41,107 | 1 | |
| Feb 20, 2015 | 61 | $39,011 | -5% | 3 | $13,004 | $80,118 | 2 |
| Feb 27, 2015 | 47 | $93,049 | +139% | 16 | $5,816 | $173,167 | 3 |
| Mar 6, 2015 | 44 | $96,484 | +4% | 18 | $5,360 | $269,651 | 4 |
| Mar 13, 2015 | 38 | $122,457 | +27% | 41 | $2,987 | $392,108 | 5 |
| Mar 20, 2015 | 30 | $191,846 | +57% | 69 | $2,780 | $583,954 | 6 |
| Mar 27, 2015 | 28 | $158,598 | -17% | 74 | $2,143 | $742,308 | 7 |
| Apr 3, 2015 | 42 | $86,572 | -45% | 64 | $1,353 | $829,124 | 8 |
| Apr 10, 2015 | 48 | $56,591 | -35% | 40 | $1,415 | $885,715 | 9 |
| Apr 17, 2015 | 54 | $33,624 | -41% | 31 | $1,085 | $919,111 | 10 |
| Apr 24, 2015 | 66 | $19,991 | -41% | 24 | $833 | $939,330 | 11 |
| May 1, 2015 | 63 | $10,368 | -48% | 12 | $864 | $950,378 | 12 |
| May 8, 2015 | 61 | $12,851 | +24% | 13 | $989 | $963,229 | 13 |
| May 15, 2015 | 68 | $8,707 | -32% | 9 | $967 | $976,743 | 14 |
| May 22, 2015 | 82 | $5,347 | -39% | 5 | $1,069 | $982,527 | 15 |
| May 29, 2015 | 72 | $5,016 | -6% | 5 | $1,003 | $987,543 | 16 |
| Jun 5, 2015 | 90 | $607 | -88% | 1 | $607 | $988,150 | 17 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 7/16/2015 | $1,933 | 3 | 6 | 20 | $15,947 | 8/17/2015 | |||
| Mexico | 5/29/2015 | $36,240 | 0 | 0 | 0 | $85,449 | 9/7/2018 | |||
| Poland | 2/20/2015 | $6,096 | 0 | 0 | 0 | $6,219 | 12/30/2018 | |||
| Spain | 4/3/2015 | $18,281 | 15 | 17 | 43 | $52,854 | 11/28/2018 | |||
| International Total | $160,469 | 12/30/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Ronit Elkabetz | Viviane |
Supporting
| Simon Abkarian | Elisha | |
| Menashe Noy | Carmel | |
| Sasson Gabai | Shimon | |
| Eli Gornstein | Main Judge | |
| Rami Danon | 1st Deputy | |
| Roberto Pollak | 2nd Deputy | |
| Dalia Begger | Donna | |
| Albert Illuz | Meir | |
| Avrahram Selektar | Shmuel |
Production and Technical Credits
| Ronit Elkabetz | Director | |
| Shlomi Elkabetz | Director | |
| Ronit Elkabetz | Screenwriter | |
| Shlomi Elkabetz | Screenwriter | |
| Marie Masmonteil | Producer | |
| Sandrine Brauer | Producer | |
| Shlomi Elkabetz | Producer | |
| Denis Carot | Co-Producer | |
| Michael Eckelt | Co-Producer | |
| Efrat Bigger | Production Manager | |
| Orna Libkind | Assistant Director | |
| Sivan Lavy | Script Supervisor | |
| Yuval Aharoni | Casting Director | |
| Jeanne Lapoirie | Director of Photography | |
| Tully Chen | Sound Mixer | |
| Oded Ringel | Sound Mixer | |
| Ehud Gutterman | Production Designer | |
| Hagai Galimidi | Production Designer | |
| Li Alembik | Costume Designer | |
| Naomi Bar Or | Costume Designer | |
| Maria Trifu | Make-up and Hair Designer | |
| Ziv Katanov | Make-up and Hair Designer | |
| Amit Berlowitz | Additional Photography-Set Photographer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
An Israeli woman seeking to finalize a divorce from her estranged husband finds herself effectively put on trial by her country’s religious marriage laws, in this courtroom drama. In Israel, there is neither civil marriage nor civil divorce; only Orthodox rabbis can legalize a union or its dissolution, which is only possible with the husband’s full consent. Trapped in a loveless marriage, Viviane Amsalem has been applying for a divorce for three years but her religiously devout husband Elisha, continually refuses. His cold intransigence, Viviane’s determination to fight for her freedom, and the ambiguous role of the rabbinical judges shape a procedure where tragedy vies with absurdity and everything is brought out into the open for judgment.
Metrics
| Opening Weekend: | $24,210 (2.5% of total gross) |
| Legs: | 7.46 (domestic box office/biggest weekend) |
| Domestic Share: | 86.0% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/74 max. theaters, 5.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,401,927 |
Movie Details
| Domestic Releases: | February 13th, 2015 (Limited) by Music Box Films |
| International Releases: | February 20th, 2015 (Wide) (Poland)
April 3rd, 2015 (Wide) (Spain) May 29th, 2015 (Wide) (Mexico) July 16th, 2015 (Limited), released as Gett: The Trail of Viviane Amsalem (Australia) ... Show all releases |
| MPA Rating: | Not Rated |
| Running Time: | 115 minutes |
| Geographical setting: | Israel |
| Plot point: | Jewish, Orthodox Religion, Relationships Gone Wrong |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Music Box Films, Deux Beaux Garcons Films, Elzevir & Compagnie, Riva Filmproduktion, Canal Plus, Israel Film Fund |
| Production Countries: | France, Israel, Germany |
| Languages: | Hebrew, French, Arabic |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 13, 2015 | 61 | $24,210 | 2 | $12,105 | $24,210 | 1 | |
| Feb 20, 2015 | 59 | $22,916 | -5% | 3 | $7,639 | $64,023 | 2 |
| Feb 27, 2015 | 45 | $64,655 | +182% | 16 | $4,041 | $144,773 | 3 |
| Mar 6, 2015 | 51 | $49,680 | -23% | 18 | $2,760 | $222,847 | 4 |
| Mar 13, 2015 | 37 | $85,824 | +73% | 39 | $2,201 | $355,475 | 5 |
| Mar 20, 2015 | 31 | $132,484 | +54% | 68 | $1,948 | $524,592 | 6 |
| Mar 27, 2015 | 29 | $120,611 | -9% | 73 | $1,652 | $704,565 | 7 |
| Apr 3, 2015 | 43 | $51,397 | -57% | 64 | $803 | $793,949 | 8 |
| Apr 10, 2015 | 47 | $39,693 | -23% | 64 | $620 | $868,817 | 9 |
| Apr 17, 2015 | 55 | $21,504 | -46% | 27 | $796 | $907,219 | 10 |
| Apr 24, 2015 | 64 | $13,273 | -38% | 22 | $603 | $932,384 | 11 |
| May 1, 2015 | 65 | $5,614 | -58% | 7 | $802 | $944,944 | 12 |
| May 8, 2015 | 66 | $7,390 | +32% | 12 | $616 | $957,768 | 13 |
| May 15, 2015 | 72 | $4,807 | -35% | 9 | $534 | $968,036 | 14 |
| May 22, 2015 | 75 | $3,018 | -37% | 4 | $755 | $979,761 | 15 |
| May 29, 2015 | 70 | $3,208 | +6% | 5 | $642 | $985,735 | 16 |
| Jun 5, 2015 | 89 | $287 | -91% | 1 | $287 | $987,830 | 17 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 13, 2015 | 59 | $41,107 | 2 | $20,554 | $41,107 | 1 | |
| Feb 20, 2015 | 61 | $39,011 | -5% | 3 | $13,004 | $80,118 | 2 |
| Feb 27, 2015 | 47 | $93,049 | +139% | 16 | $5,816 | $173,167 | 3 |
| Mar 6, 2015 | 44 | $96,484 | +4% | 18 | $5,360 | $269,651 | 4 |
| Mar 13, 2015 | 38 | $122,457 | +27% | 41 | $2,987 | $392,108 | 5 |
| Mar 20, 2015 | 30 | $191,846 | +57% | 69 | $2,780 | $583,954 | 6 |
| Mar 27, 2015 | 28 | $158,598 | -17% | 74 | $2,143 | $742,308 | 7 |
| Apr 3, 2015 | 42 | $86,572 | -45% | 64 | $1,353 | $829,124 | 8 |
| Apr 10, 2015 | 48 | $56,591 | -35% | 40 | $1,415 | $885,715 | 9 |
| Apr 17, 2015 | 54 | $33,624 | -41% | 31 | $1,085 | $919,111 | 10 |
| Apr 24, 2015 | 66 | $19,991 | -41% | 24 | $833 | $939,330 | 11 |
| May 1, 2015 | 63 | $10,368 | -48% | 12 | $864 | $950,378 | 12 |
| May 8, 2015 | 61 | $12,851 | +24% | 13 | $989 | $963,229 | 13 |
| May 15, 2015 | 68 | $8,707 | -32% | 9 | $967 | $976,743 | 14 |
| May 22, 2015 | 82 | $5,347 | -39% | 5 | $1,069 | $982,527 | 15 |
| May 29, 2015 | 72 | $5,016 | -6% | 5 | $1,003 | $987,543 | 16 |
| Jun 5, 2015 | 90 | $607 | -88% | 1 | $607 | $988,150 | 17 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 7/16/2015 | $1,933 | 3 | 6 | 20 | $15,947 | 8/17/2015 | |||
| Mexico | 5/29/2015 | $36,240 | 0 | 0 | 0 | $85,449 | 9/7/2018 | |||
| Poland | 2/20/2015 | $6,096 | 0 | 0 | 0 | $6,219 | 12/30/2018 | |||
| Spain | 4/3/2015 | $18,281 | 15 | 17 | 43 | $52,854 | 11/28/2018 | |||
| International Total | $160,469 | 12/30/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Ronit Elkabetz | Viviane |
Supporting
| Simon Abkarian | Elisha | |
| Menashe Noy | Carmel | |
| Sasson Gabai | Shimon | |
| Eli Gornstein | Main Judge | |
| Rami Danon | 1st Deputy | |
| Roberto Pollak | 2nd Deputy | |
| Dalia Begger | Donna | |
| Albert Illuz | Meir | |
| Avrahram Selektar | Shmuel |
Production and Technical Credits
| Ronit Elkabetz | Director | |
| Shlomi Elkabetz | Director | |
| Ronit Elkabetz | Screenwriter | |
| Shlomi Elkabetz | Screenwriter | |
| Marie Masmonteil | Producer | |
| Sandrine Brauer | Producer | |
| Shlomi Elkabetz | Producer | |
| Denis Carot | Co-Producer | |
| Michael Eckelt | Co-Producer | |
| Efrat Bigger | Production Manager | |
| Orna Libkind | Assistant Director | |
| Sivan Lavy | Script Supervisor | |
| Yuval Aharoni | Casting Director | |
| Jeanne Lapoirie | Director of Photography | |
| Tully Chen | Sound Mixer | |
| Oded Ringel | Sound Mixer | |
| Ehud Gutterman | Production Designer | |
| Hagai Galimidi | Production Designer | |
| Li Alembik | Costume Designer | |
| Naomi Bar Or | Costume Designer | |
| Maria Trifu | Make-up and Hair Designer | |
| Ziv Katanov | Make-up and Hair Designer | |
| Amit Berlowitz | Additional Photography-Set Photographer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.