The Girl (2013)
| Theatrical Performance | ||
| Domestic Box Office | $35,048 | Details |
| OpusData ID: 184370100 More info... | ||
| Further financial details... | ||
Synopsis
For two years Ashley Colton, a rough, ragged beauty in her mid-twenties, has walked a tightrope, trying to prove that she is fit to be a mother and regain custody of her son. She has survived on a series of minimum wage jobs and endured the probing scrutiny of home visits from Social Services. Cynical and embittered, she is convinced her son was taken because she is poor, and she carries a class rage that is difficult to control. But while Ashley sees herself as a victim, we see a woman who has lost her child because she is not ready to be a mother. A surprise visit from her father, a truck driver living in Mexico, brings Ashley back into a turbulent and unresolved relationship. On a trip to Nuevo Laredo, she discovers that her father is smuggling immigrants across the border. Suddenly, in the vast, unforgiving landscape of south Texas, Ashley glimpses a solution to her problems and is lured by the prospect of easy money into the role of a coyote. Her improvised plan quickly goes awry, and Ashley finds herself stranded with a young girl whose mother disappeared in the late night river crossing. Failing in her attempts to abandon the girl, she begins a journey in search of the girl’s missing mother. Together with the girl, Ashley travels through the borderlands of Nuevo Laredo and along the banks of the Rio Grande, retracing the steps of the immigrant journey. When she finally learns that the girl’s mother drowned, Ashley decides to bring the girl back to her village in southern Mexico. Along the way, she discovers something unexpected, something she didn’t even know she had – her own mothering instinct.
Metrics
| Opening Weekend: | $11,165 (31.9% of total gross) |
| Legs: | 3.14 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/7 max. theaters, 3.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $51,560 |
Movie Details
| Domestic Releases: | March 8th, 2013 (Limited) by Brainstorm Media |
| Video Release: | July 2nd, 2013 by Virgil Films and Entertainment |
| MPA Rating: | PG-13 for thematic material including violence/disturbing images, and for language and smoking. (Rating bulletin 2253, 12/19/2012) |
| Running Time: | 94 minutes |
| Plot point: | Child Neglect, Coming of Age, Dysfunctional Family, Immigration, Poverty, Single Parent |
| Social setting: | Foster Family, Human-Trafficking |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Goldcrest Films, Cinereach Films, Lulu Producciones, Journeyman Pictures, Axiom Films, Bonita Films, Sin Sentido Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 8, 2013 | 71 | $11,165 | 2 | $5,583 | $11,165 | 1 | |
| Mar 15, 2013 | 75 | $6,871 | -38% | 7 | $982 | $21,595 | 2 |
| Mar 22, 2013 | 95 | $2,745 | -60% | 7 | $392 | $27,130 | 3 |
| Mar 29, 2013 | 99 | $2,604 | -5% | 4 | $651 | $31,634 | 4 |
| Apr 5, 2013 | 101 | $1,487 | -43% | 3 | $496 | $34,192 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 25, 2013 | - | $655 | 7 | $94 | $27,022 | 18 | ||
| Mar 26, 2013 | - | $722 | +10% | 7 | $103 | $27,744 | 19 | |
| Mar 27, 2013 | - | $343 | -52% | 7 | $49 | $28,087 | 20 | |
| Mar 28, 2013 | - | $180 | -48% | 7 | $26 | $28,267 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 8, 2013 | 75 | $14,724 | 2 | $7,362 | $14,724 | 1 | |
| Mar 15, 2013 | 76 | $9,661 | -34% | 7 | $1,380 | $24,385 | 2 |
| Mar 22, 2013 | 96 | $4,645 | -52% | 7 | $664 | $29,030 | 3 |
| Mar 29, 2013 | 99 | $3,675 | -21% | 4 | $919 | $32,705 | 4 |
| Apr 5, 2013 | 101 | $2,343 | -36% | 3 | $781 | $35,048 | 5 |
Leading
| Abbie Cornish | Ashley |
Supporting
| Will Patton | Tommy |
Leading
| Maritza Santiago Hernandez | Rosa |
Supporting
| Geoffrey Rivas | Manager | |
| Austin Wayne West | Georgie | |
| Annalee Jefferies | Gloria | |
| Giovanna Zacarias | Enriqueta | |
| Luci Christian | Sally | |
| Harold Torres | Isidro | |
| Javier Zaragoza | Felix | |
| Abel Lopez Marroquin | Pancho | |
| Angeles Cruz | Rosa’s Mother | |
| Raul Castillo | Border Agent | |
| Hanne Jimenez Turcott | Waitress | |
| Heber Garnica | Car Wash Man | |
| Joaquin Maldonado Bolaños | Cheko | |
| Palemon Olmedo | Jesus Antonio | |
| Magdalena Heredia | Migrant Mother | |
| Angel Alonso | Prayer Man | |
| Luis Fernando Pena | Beto | |
| Octavio Manuel Corres Pombo | Paco | |
| Wagive Turcott Fiat | Caretaker | |
| Isabel Cruz Daza | Edith | |
| Ivonne Cruz Daza | Cecilia | |
| Jose Carlos Rodriguez Gutierrez | Police Official | |
| Liliana Alberto | Ofelia | |
| Isabel Sanchez Lara | Grandmother |
Production and Technical Credits
| David Riker | Director | |
| David Riker | Screenwriter | |
| Paul Mezey | Producer | |
| Philipp Engelhorn | Executive Producer | |
| Nick Quested | Executive Producer | |
| Becky Glupczynski | Line Producer | |
| Rafael Cuervo | Line Producer | |
| Douglas Cummins | Co-Producer | |
| Christian Valdelievre | Co-Producer | |
| Tania Zarak | Co-Producer | |
| Martin Boege | Director of Photography | |
| Salvador Parra | Production Designer | |
| Mariestela Fernandez | Costume Designer | |
| Malcolm Jamieson | Editor | |
| Stephanie Ahn | Editor | |
| Jacobo Lieberman | Composer | |
| Leonardo Heiblum | Composer | |
| Cindy Tolan | Casting | |
| Vicky Boone | Casting | |
| Alejandro Reza | Casting | |
| Hanne Jimenez Turcott | Casting |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
For two years Ashley Colton, a rough, ragged beauty in her mid-twenties, has walked a tightrope, trying to prove that she is fit to be a mother and regain custody of her son. She has survived on a series of minimum wage jobs and endured the probing scrutiny of home visits from Social Services. Cynical and embittered, she is convinced her son was taken because she is poor, and she carries a class rage that is difficult to control. But while Ashley sees herself as a victim, we see a woman who has lost her child because she is not ready to be a mother. A surprise visit from her father, a truck driver living in Mexico, brings Ashley back into a turbulent and unresolved relationship. On a trip to Nuevo Laredo, she discovers that her father is smuggling immigrants across the border. Suddenly, in the vast, unforgiving landscape of south Texas, Ashley glimpses a solution to her problems and is lured by the prospect of easy money into the role of a coyote. Her improvised plan quickly goes awry, and Ashley finds herself stranded with a young girl whose mother disappeared in the late night river crossing. Failing in her attempts to abandon the girl, she begins a journey in search of the girl’s missing mother. Together with the girl, Ashley travels through the borderlands of Nuevo Laredo and along the banks of the Rio Grande, retracing the steps of the immigrant journey. When she finally learns that the girl’s mother drowned, Ashley decides to bring the girl back to her village in southern Mexico. Along the way, she discovers something unexpected, something she didn’t even know she had – her own mothering instinct.
Metrics
| Opening Weekend: | $11,165 (31.9% of total gross) |
| Legs: | 3.14 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/7 max. theaters, 3.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $51,560 |
Movie Details
| Domestic Releases: | March 8th, 2013 (Limited) by Brainstorm Media |
| Video Release: | July 2nd, 2013 by Virgil Films and Entertainment |
| MPA Rating: | PG-13 for thematic material including violence/disturbing images, and for language and smoking. (Rating bulletin 2253, 12/19/2012) |
| Running Time: | 94 minutes |
| Plot point: | Child Neglect, Coming of Age, Dysfunctional Family, Immigration, Poverty, Single Parent |
| Social setting: | Foster Family, Human-Trafficking |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Goldcrest Films, Cinereach Films, Lulu Producciones, Journeyman Pictures, Axiom Films, Bonita Films, Sin Sentido Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 8, 2013 | 71 | $11,165 | 2 | $5,583 | $11,165 | 1 | |
| Mar 15, 2013 | 75 | $6,871 | -38% | 7 | $982 | $21,595 | 2 |
| Mar 22, 2013 | 95 | $2,745 | -60% | 7 | $392 | $27,130 | 3 |
| Mar 29, 2013 | 99 | $2,604 | -5% | 4 | $651 | $31,634 | 4 |
| Apr 5, 2013 | 101 | $1,487 | -43% | 3 | $496 | $34,192 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 25, 2013 | - | $655 | 7 | $94 | $27,022 | 18 | ||
| Mar 26, 2013 | - | $722 | +10% | 7 | $103 | $27,744 | 19 | |
| Mar 27, 2013 | - | $343 | -52% | 7 | $49 | $28,087 | 20 | |
| Mar 28, 2013 | - | $180 | -48% | 7 | $26 | $28,267 | 21 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 8, 2013 | 75 | $14,724 | 2 | $7,362 | $14,724 | 1 | |
| Mar 15, 2013 | 76 | $9,661 | -34% | 7 | $1,380 | $24,385 | 2 |
| Mar 22, 2013 | 96 | $4,645 | -52% | 7 | $664 | $29,030 | 3 |
| Mar 29, 2013 | 99 | $3,675 | -21% | 4 | $919 | $32,705 | 4 |
| Apr 5, 2013 | 101 | $2,343 | -36% | 3 | $781 | $35,048 | 5 |
Leading
| Abbie Cornish | Ashley |
Supporting
| Will Patton | Tommy |
Leading
| Maritza Santiago Hernandez | Rosa |
Supporting
| Geoffrey Rivas | Manager | |
| Austin Wayne West | Georgie | |
| Annalee Jefferies | Gloria | |
| Giovanna Zacarias | Enriqueta | |
| Luci Christian | Sally | |
| Harold Torres | Isidro | |
| Javier Zaragoza | Felix | |
| Abel Lopez Marroquin | Pancho | |
| Angeles Cruz | Rosa’s Mother | |
| Raul Castillo | Border Agent | |
| Hanne Jimenez Turcott | Waitress | |
| Heber Garnica | Car Wash Man | |
| Joaquin Maldonado Bolaños | Cheko | |
| Palemon Olmedo | Jesus Antonio | |
| Magdalena Heredia | Migrant Mother | |
| Angel Alonso | Prayer Man | |
| Luis Fernando Pena | Beto | |
| Octavio Manuel Corres Pombo | Paco | |
| Wagive Turcott Fiat | Caretaker | |
| Isabel Cruz Daza | Edith | |
| Ivonne Cruz Daza | Cecilia | |
| Jose Carlos Rodriguez Gutierrez | Police Official | |
| Liliana Alberto | Ofelia | |
| Isabel Sanchez Lara | Grandmother |
Production and Technical Credits
| David Riker | Director | |
| David Riker | Screenwriter | |
| Paul Mezey | Producer | |
| Philipp Engelhorn | Executive Producer | |
| Nick Quested | Executive Producer | |
| Becky Glupczynski | Line Producer | |
| Rafael Cuervo | Line Producer | |
| Douglas Cummins | Co-Producer | |
| Christian Valdelievre | Co-Producer | |
| Tania Zarak | Co-Producer | |
| Martin Boege | Director of Photography | |
| Salvador Parra | Production Designer | |
| Mariestela Fernandez | Costume Designer | |
| Malcolm Jamieson | Editor | |
| Stephanie Ahn | Editor | |
| Jacobo Lieberman | Composer | |
| Leonardo Heiblum | Composer | |
| Cindy Tolan | Casting | |
| Vicky Boone | Casting | |
| Alejandro Reza | Casting | |
| Hanne Jimenez Turcott | Casting |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.