Human Flow (2017)
| Theatrical Performance | ||
| Domestic Box Office | $527,845 | Details |
| International Box Office | $1,253,535 | Details |
| Worldwide Box Office | $1,781,380 | |
| OpusData ID: 282120100 More info... | ||
| Further financial details... | ||
Synopsis
Over 65 million people around the world have been forced from their homes to escape famine, climate change and war in the greatest human displacement since World War II. Human Flow, an epic film journey led by the internationally renowned artist Ai Weiwei, gives a powerful visual expression to this massive human migration. The documentary elucidates both the staggering scale of the refugee crisis and its profoundly personal human impact.
Metrics
| Opening Weekend: | $45,677 (8.7% of total gross) |
| Legs: | 6.14 (domestic box office/biggest weekend) |
| Domestic Share: | 29.6% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/36 max. theaters, 5.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $703,798 |
Movie Details
| Domestic Releases: | October 13th, 2017 (Limited) by Amazon Studios |
| International Releases: | October 6th, 2017 (Wide) (Italy)
November 17th, 2017 (Wide) (Brazil) November 17th, 2017 (Wide) (Germany) November 24th, 2017 (Wide) (Argentina) December 8th, 2017 (Wide) (United Kingdom) ... Show all releases |
| Video Release: | January 9th, 2018 by Amazon Original Pictures |
| MPA Rating: | PG-13 for thematic material including a disturbing image. (Rating bulletin 2493 (Cert #51232), 9/13/2017) |
| Running Time: | 145 minutes |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Amazon Studios, Participant Media, AC Films , Al Weiwei |
| Production Countries: | Germany |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 13, 2017 | 41 | $45,677 | 3 | $15,226 | $45,677 | 1 | |
| Oct 20, 2017 | 35 | $85,953 | +88% | 28 | $3,070 | $154,791 | 2 |
| Oct 27, 2017 | 40 | $58,879 | -31% | 34 | $1,732 | $269,943 | 3 |
| Nov 3, 2017 | 45 | $40,981 | -30% | 34 | $1,205 | $353,168 | 4 |
| Nov 10, 2017 | 49 | $26,108 | -36% | 23 | $1,135 | $409,283 | 5 |
| Nov 17, 2017 | 48 | $18,155 | -30% | 21 | $865 | $446,438 | 6 |
| Nov 24, 2017 | 58 | $11,558 | -36% | 11 | $1,051 | $469,584 | 7 |
| Dec 1, 2017 | 54 | $13,821 | +20% | 16 | $864 | $491,130 | 8 |
| Dec 8, 2017 | 61 | $5,018 | -64% | 8 | $627 | $508,251 | 9 |
| Dec 15, 2017 | 51 | $7,597 | +51% | 9 | $844 | $520,609 | 10 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 13, 2017 | 39 | $68,838 | 3 | $22,946 | $68,838 | 1 | |
| Oct 20, 2017 | 33 | $142,226 | +107% | 29 | $4,904 | $211,064 | 2 |
| Oct 27, 2017 | 39 | $101,123 | -29% | 36 | $2,809 | $312,187 | 3 |
| Nov 3, 2017 | 42 | $70,988 | -30% | 35 | $2,028 | $383,175 | 4 |
| Nov 10, 2017 | 49 | $45,108 | -36% | 23 | $1,961 | $428,283 | 5 |
| Nov 17, 2017 | 51 | $29,743 | -34% | 24 | $1,239 | $458,026 | 6 |
| Nov 24, 2017 | 54 | $19,283 | -35% | 14 | $1,377 | $477,309 | 7 |
| Dec 1, 2017 | 51 | $25,924 | +34% | 18 | $1,440 | $503,233 | 8 |
| Dec 8, 2017 | 59 | $9,779 | -62% | 12 | $815 | $513,012 | 9 |
| Dec 15, 2017 | 50 | $14,833 | +52% | 10 | $1,483 | $527,845 | 10 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 11/24/2017 | $5,644 | 0 | 0 | 0 | $8,494 | 1/1/2019 | |||
| Australia | 3/16/2018 | $44,377 | 19 | 19 | 97 | $150,517 | 7/29/2024 | |||
| Belgium | 1/24/2018 | $0 | 0 | 5 | 13 | $84,768 | 4/26/2018 | |||
| Brazil | 11/17/2017 | $8,391 | 0 | 0 | 0 | $19,454 | 6/26/2018 | |||
| Chile | 4/19/2018 | $4,137 | 0 | 1 | 1 | $1,766 | 4/4/2026 | |||
| Colombia | 6/21/2018 | $22,899 | 19 | 19 | 19 | $22,899 | 1/1/2019 | |||
| Czech Republic | 5/10/2018 | $410 | 0 | 1 | 3 | $1,941 | 1/1/2019 | |||
| France | 2/7/2018 | $68,728 | 0 | 41 | 199 | $230,139 | 6/13/2018 | |||
| Germany | 11/17/2017 | $74,684 | 0 | 0 | 0 | $153,927 | 6/29/2018 | |||
| Greece | 2/8/2018 | $0 | 0 | 0 | 0 | $2,834 | 4/19/2018 | |||
| Italy | 10/6/2017 | $0 | 0 | 2 | 3 | $27,245 | 10/25/2018 | |||
| Japan | 1/12/2019 | $4,938 | 2 | 2 | 2 | $8,888 | 1/24/2019 | |||
| Mexico | 3/22/2018 | $2,593 | 7 | 7 | 28 | $7,871 | 6/28/2018 | |||
| Netherlands | 12/14/2017 | $19,011 | 17 | 17 | 17 | $45,646 | 11/3/2018 | |||
| New Zealand | 3/15/2018 | $1,001 | 2 | 2 | 10 | $5,560 | 5/3/2018 | |||
| Poland | 5/11/2018 | $1,429 | 0 | 0 | 0 | $3,644 | 1/1/2019 | |||
| Portugal | 5/18/2018 | $1,063 | 8 | 8 | 15 | $4,278 | 6/20/2018 | |||
| Spain | 4/6/2018 | $4,093 | 10 | 10 | 19 | $9,374 | 5/3/2018 | |||
| Switzerland (French Speaking) | 3/21/2018 | $10,510 | 7 | 7 | 32 | $46,746 | 5/3/2018 | |||
| United Kingdom | 12/8/2017 | $126,881 | 17 | 17 | 17 | $263,452 | 3/30/2018 | |||
| Rest of World | $154,092 | |||||||||
| International Total | $1,253,535 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Production and Technical Credits
| Ai Weiwei | Director | |
| Ai Weiwei | Producer | |
| Chin-Chin Yap | Producer | |
| Heino Deckert | Producer | |
| Andrew Cohen | Executive Producer | |
| Jeff Skoll | Executive Producer | |
| Diane Weyermann | Executive Producer | |
| Ai Weiwei | Cinematographer | |
| Murat Bay | Cinematographer | |
| Christopher Doyle | Cinematographer | |
| Huang Wenhai | Cinematographer | |
| Konstantinos Koukoulis | Cinematographer | |
| Renaats Lambeets | Cinematographer | |
| Li Dongxu | Cinematographer | |
| Lv Hengzhong | Cinematographer | |
| Ma Yan | Cinematographer | |
| Johannes Waltermann | Cinematographer | |
| Xie Zhenwei | Cinematographer | |
| Zhang Zanbo | Cinematographer | |
| Niels Pagh Andersen | Editor | |
| Karsten Fundal | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Over 65 million people around the world have been forced from their homes to escape famine, climate change and war in the greatest human displacement since World War II. Human Flow, an epic film journey led by the internationally renowned artist Ai Weiwei, gives a powerful visual expression to this massive human migration. The documentary elucidates both the staggering scale of the refugee crisis and its profoundly personal human impact.
Metrics
| Opening Weekend: | $45,677 (8.7% of total gross) |
| Legs: | 6.14 (domestic box office/biggest weekend) |
| Domestic Share: | 29.6% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/36 max. theaters, 5.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $703,798 |
Movie Details
| Domestic Releases: | October 13th, 2017 (Limited) by Amazon Studios |
| International Releases: | October 6th, 2017 (Wide) (Italy)
November 17th, 2017 (Wide) (Brazil) November 17th, 2017 (Wide) (Germany) November 24th, 2017 (Wide) (Argentina) December 8th, 2017 (Wide) (United Kingdom) ... Show all releases |
| Video Release: | January 9th, 2018 by Amazon Original Pictures |
| MPA Rating: | PG-13 for thematic material including a disturbing image. (Rating bulletin 2493 (Cert #51232), 9/13/2017) |
| Running Time: | 145 minutes |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Amazon Studios, Participant Media, AC Films , Al Weiwei |
| Production Countries: | Germany |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 13, 2017 | 41 | $45,677 | 3 | $15,226 | $45,677 | 1 | |
| Oct 20, 2017 | 35 | $85,953 | +88% | 28 | $3,070 | $154,791 | 2 |
| Oct 27, 2017 | 40 | $58,879 | -31% | 34 | $1,732 | $269,943 | 3 |
| Nov 3, 2017 | 45 | $40,981 | -30% | 34 | $1,205 | $353,168 | 4 |
| Nov 10, 2017 | 49 | $26,108 | -36% | 23 | $1,135 | $409,283 | 5 |
| Nov 17, 2017 | 48 | $18,155 | -30% | 21 | $865 | $446,438 | 6 |
| Nov 24, 2017 | 58 | $11,558 | -36% | 11 | $1,051 | $469,584 | 7 |
| Dec 1, 2017 | 54 | $13,821 | +20% | 16 | $864 | $491,130 | 8 |
| Dec 8, 2017 | 61 | $5,018 | -64% | 8 | $627 | $508,251 | 9 |
| Dec 15, 2017 | 51 | $7,597 | +51% | 9 | $844 | $520,609 | 10 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 13, 2017 | 39 | $68,838 | 3 | $22,946 | $68,838 | 1 | |
| Oct 20, 2017 | 33 | $142,226 | +107% | 29 | $4,904 | $211,064 | 2 |
| Oct 27, 2017 | 39 | $101,123 | -29% | 36 | $2,809 | $312,187 | 3 |
| Nov 3, 2017 | 42 | $70,988 | -30% | 35 | $2,028 | $383,175 | 4 |
| Nov 10, 2017 | 49 | $45,108 | -36% | 23 | $1,961 | $428,283 | 5 |
| Nov 17, 2017 | 51 | $29,743 | -34% | 24 | $1,239 | $458,026 | 6 |
| Nov 24, 2017 | 54 | $19,283 | -35% | 14 | $1,377 | $477,309 | 7 |
| Dec 1, 2017 | 51 | $25,924 | +34% | 18 | $1,440 | $503,233 | 8 |
| Dec 8, 2017 | 59 | $9,779 | -62% | 12 | $815 | $513,012 | 9 |
| Dec 15, 2017 | 50 | $14,833 | +52% | 10 | $1,483 | $527,845 | 10 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 11/24/2017 | $5,644 | 0 | 0 | 0 | $8,494 | 1/1/2019 | |||
| Australia | 3/16/2018 | $44,377 | 19 | 19 | 97 | $150,517 | 7/29/2024 | |||
| Belgium | 1/24/2018 | $0 | 0 | 5 | 13 | $84,768 | 4/26/2018 | |||
| Brazil | 11/17/2017 | $8,391 | 0 | 0 | 0 | $19,454 | 6/26/2018 | |||
| Chile | 4/19/2018 | $4,137 | 0 | 1 | 1 | $1,766 | 4/4/2026 | |||
| Colombia | 6/21/2018 | $22,899 | 19 | 19 | 19 | $22,899 | 1/1/2019 | |||
| Czech Republic | 5/10/2018 | $410 | 0 | 1 | 3 | $1,941 | 1/1/2019 | |||
| France | 2/7/2018 | $68,728 | 0 | 41 | 199 | $230,139 | 6/13/2018 | |||
| Germany | 11/17/2017 | $74,684 | 0 | 0 | 0 | $153,927 | 6/29/2018 | |||
| Greece | 2/8/2018 | $0 | 0 | 0 | 0 | $2,834 | 4/19/2018 | |||
| Italy | 10/6/2017 | $0 | 0 | 2 | 3 | $27,245 | 10/25/2018 | |||
| Japan | 1/12/2019 | $4,938 | 2 | 2 | 2 | $8,888 | 1/24/2019 | |||
| Mexico | 3/22/2018 | $2,593 | 7 | 7 | 28 | $7,871 | 6/28/2018 | |||
| Netherlands | 12/14/2017 | $19,011 | 17 | 17 | 17 | $45,646 | 11/3/2018 | |||
| New Zealand | 3/15/2018 | $1,001 | 2 | 2 | 10 | $5,560 | 5/3/2018 | |||
| Poland | 5/11/2018 | $1,429 | 0 | 0 | 0 | $3,644 | 1/1/2019 | |||
| Portugal | 5/18/2018 | $1,063 | 8 | 8 | 15 | $4,278 | 6/20/2018 | |||
| Spain | 4/6/2018 | $4,093 | 10 | 10 | 19 | $9,374 | 5/3/2018 | |||
| Switzerland (French Speaking) | 3/21/2018 | $10,510 | 7 | 7 | 32 | $46,746 | 5/3/2018 | |||
| United Kingdom | 12/8/2017 | $126,881 | 17 | 17 | 17 | $263,452 | 3/30/2018 | |||
| Rest of World | $154,092 | |||||||||
| International Total | $1,253,535 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Production and Technical Credits
| Ai Weiwei | Director | |
| Ai Weiwei | Producer | |
| Chin-Chin Yap | Producer | |
| Heino Deckert | Producer | |
| Andrew Cohen | Executive Producer | |
| Jeff Skoll | Executive Producer | |
| Diane Weyermann | Executive Producer | |
| Ai Weiwei | Cinematographer | |
| Murat Bay | Cinematographer | |
| Christopher Doyle | Cinematographer | |
| Huang Wenhai | Cinematographer | |
| Konstantinos Koukoulis | Cinematographer | |
| Renaats Lambeets | Cinematographer | |
| Li Dongxu | Cinematographer | |
| Lv Hengzhong | Cinematographer | |
| Ma Yan | Cinematographer | |
| Johannes Waltermann | Cinematographer | |
| Xie Zhenwei | Cinematographer | |
| Zhang Zanbo | Cinematographer | |
| Niels Pagh Andersen | Editor | |
| Karsten Fundal | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.