In Our Nature (2012)
| Theatrical Performance | ||
| Domestic Box Office | $6,543 | Details |
| OpusData ID: 181920100 More info... | ||
| Further financial details... | ||
Synopsis
When Brooklynite Seth takes his girlfriend Andie to his family's weekend house in upstate New York for a romantic getaway, they are unexpectedly joined by his estranged father, and his much-younger new girlfriend, Vicky. The women carefully negotiate emotional minefields as they persuade father and son to share the house for the first time since the summer vacations of Seth's childhood. This unexpected family reunion in the great outdoors, fraught with tensions old and new, pushes them all to realize the bonds of family are always stronger and stranger than expected.
Metrics
| Opening Weekend: | $4,378 (66.9% of total gross) |
| Legs: | 1.49 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/1 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $9,831 |
Movie Details
| Domestic Releases: | December 7th, 2012 (Limited) by Cinedigm |
| MPA Rating: | Not Rated |
| Running Time: | 103 minutes |
| Plot point: | Dysfunctional Family, Interracial Romance, May / December Romance, Romance |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 7, 2012 | 79 | $4,378 | 1 | $4,378 | $4,378 | 1 | |
| Dec 14, 2012 | 94 | $893 | -80% | 1 | $893 | $6,175 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 7, 2012 | 88 | $5,282 | 1 | $5,282 | $5,282 | 1 | |
| Dec 14, 2012 | 101 | $1,261 | -76% | 1 | $1,261 | $6,543 | 2 |
Leading
| Zach Gilford | Seth | |
| Jena Malone | Andie | |
| John Slattery | Gil | |
| Gabrielle Union | Vicky |
Production and Technical Credits
| Brian Savelson | Director | |
| Brian Savelson | Screenwriter | |
| Anish Savjani | Producer | |
| Vincent Savino | Producer | |
| Brian Savelson | Producer | |
| Susan Bianchi | Executive Producer | |
| Robert Savelson | Executive Producer | |
| Rajen Savjani | Executive Producer | |
| James Black | Executive Producer | |
| Mark Dalton | Executive Producer | |
| Kurt Dalton | Executive Producer | |
| Todd Kessler | Executive Producer | |
| James Marciano | Executive Producer | |
| Jeremy Mindich | Executive Producer | |
| Jessica Kelly | Casting Director | |
| Jeremy Saulnier | Cinematographer | |
| Kate Abernathy | Editor | |
| Annette Davey | Editor | |
| Russell Barnes | Production Designer | |
| Anney Perrine | Costume Designer | |
| Jeff Grace | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
When Brooklynite Seth takes his girlfriend Andie to his family's weekend house in upstate New York for a romantic getaway, they are unexpectedly joined by his estranged father, and his much-younger new girlfriend, Vicky. The women carefully negotiate emotional minefields as they persuade father and son to share the house for the first time since the summer vacations of Seth's childhood. This unexpected family reunion in the great outdoors, fraught with tensions old and new, pushes them all to realize the bonds of family are always stronger and stranger than expected.
Metrics
| Opening Weekend: | $4,378 (66.9% of total gross) |
| Legs: | 1.49 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/1 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $9,831 |
Movie Details
| Domestic Releases: | December 7th, 2012 (Limited) by Cinedigm |
| MPA Rating: | Not Rated |
| Running Time: | 103 minutes |
| Plot point: | Dysfunctional Family, Interracial Romance, May / December Romance, Romance |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 7, 2012 | 79 | $4,378 | 1 | $4,378 | $4,378 | 1 | |
| Dec 14, 2012 | 94 | $893 | -80% | 1 | $893 | $6,175 | 2 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 7, 2012 | 88 | $5,282 | 1 | $5,282 | $5,282 | 1 | |
| Dec 14, 2012 | 101 | $1,261 | -76% | 1 | $1,261 | $6,543 | 2 |
Leading
| Zach Gilford | Seth | |
| Jena Malone | Andie | |
| John Slattery | Gil | |
| Gabrielle Union | Vicky |
Production and Technical Credits
| Brian Savelson | Director | |
| Brian Savelson | Screenwriter | |
| Anish Savjani | Producer | |
| Vincent Savino | Producer | |
| Brian Savelson | Producer | |
| Susan Bianchi | Executive Producer | |
| Robert Savelson | Executive Producer | |
| Rajen Savjani | Executive Producer | |
| James Black | Executive Producer | |
| Mark Dalton | Executive Producer | |
| Kurt Dalton | Executive Producer | |
| Todd Kessler | Executive Producer | |
| James Marciano | Executive Producer | |
| Jeremy Mindich | Executive Producer | |
| Jessica Kelly | Casting Director | |
| Jeremy Saulnier | Cinematographer | |
| Kate Abernathy | Editor | |
| Annette Davey | Editor | |
| Russell Barnes | Production Designer | |
| Anney Perrine | Costume Designer | |
| Jeff Grace | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.