A meditative exploration of silence and the impact of noise on our
lives. The film takes us on a journey around the globe—from a traditional tea ceremony in Kyoto, to the streets of Mumbai, the loudest city on the planet—and inspires us to both experience silence and celebrate the wonders of our world.
Latest Ranking on Cumulative Box Office Lists
|All Time Domestic Box Office (Rank 12,801-12,900)
|All Time International Box Office (Rank 10,301-10,400)
|All Time Worldwide Box Office (Rank 16,501-16,600)
|All Time Domestic Highest Grossing Limited Release Movies (Rank 5,401-5,500)
See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.
||June 23rd, 2017 (Limited) by Cinema Guild|
||October 21st, 2016 (Wide) (United Kingdom)
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||Avant Garde, Segments|
|Source:||Based on Real Life Events|
|Production Method:||Live Action|
Taiwan, Province of China,
June 28th, 2017
Two limited releases that came out this past weekend topped the previous theater average record for 2017. The Big Sick earned an average of $84,315 in five theaters, which bodes well for its planned wide expansion in a couple of weeks. The Beguiled was next with an average of $57,323 in four theaters. Both of these are well ahead of the $41,508 average Beauty and the Beast earned during its opening weekend. The only other film in the $10,000 club was the overall number one film, Transformers: The Last Knight, which earned an average of $10,981.
June 23rd, 2017
Not many limited releases are earning any real buzz this week. The Beguiled has the best pedigree and its reviews might be good enough to help it thrive in theaters. The Bad Batch is the biggest in terms of theaters, but its box office potential is close to zero. This leaves The Big Sick as the best new release. That said, if you are not near one of the five theaters it is playing, you could always stay home and binge GLOW on Netflix. I reviewed it this week and it is worth the praise.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
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