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Lady Bird (2017)

Lady Bird
Theatrical Performance
Domestic Box Office $23,531,261Details
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Metrics

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 3,001-3,100) 3,081 $23,531,261
All Time Worldwide Box Office (Rank 4,001-4,100) 4,076 $23,531,261
All Time Domestic Highest Grossing Limited Release Movies (Rank 101-200) 102 $23,531,261
All Time Domestic Box Office for R Movies (Rank 901-1,000) 985 $23,531,261
All Time Worldwide Box Office for R Movies (Rank 1,201-1,300) 1,261 $23,531,261

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Domestic Releases: November 3rd, 2017 (Limited) by A24
November 22nd, 2017 (Expands Wide) by A24
MPAA Rating: R for language, sexual content, brief graphic nudity and teen partying.
(Rating bulletin 2499 (Cert #51180), 10/25/2017)
Running Time: 93 minutes
Comparisons: vs. Blade Runner 2049
Create your own comparison chart…
Keywords: California
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production Companies: IAC Films, A24
Production Countries: United States

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Biggest 6th Weekend Limited Release 22 $3,451,822 Dec 8, 2017 38
Biggest 5th Weekend Limited Release 25 $4,291,590 Dec 1, 2017 31
Biggest 4th Weekend Limited Release 30 $4,057,559 Nov 24, 2017 24
Thanksgiving (All Movies, 5-Day) 238 $5,395,991 Nov 24, 2017 24
Thanksgiving (All Movies, 5-Day, Inflation Adjusted) 263 $9,475,165 Nov 24, 2017 24
Thanksgiving (Opening, 3-Day) 86 $4,057,559 Nov 24, 2017 24
Thanksgiving (Opening, 3-Day, Inflation Adjusted) 97 $4,085,099 Nov 24, 2017 24
Thanksgiving (Opening, 5-Day) 86 $5,395,991 Nov 24, 2017 24
Thanksgiving (Opening, 5-Day, Inflation Adjusted) 87 $9,475,165 Nov 24, 2017 24
Biggest 3rd Weekend Limited Release 69 $2,516,399 Nov 17, 2017 17
Theater Average 2nd Weekend 74 $32,426 Nov 10, 2017 10
Theater Average Opening Weekend 35 $91,109 Nov 3, 2017 3
Theater Average 44 $91,109 Nov 3, 2017 3
Top 2017 Theater Average 2 $91,109 Nov 3, 2017 3
Widest Expansion Limited Release 24 1,553 Nov 3, 2017 0

Cast

   Lady Bird McPherson
   Marion McPherson
   Larry McPherson
   Danny O’Neill
   Kyle Scheible
   Julie Steffans
   Father Leviatch
   Sister Sarah Joan
Odeya Rush    Jenna Walton
Jordan Rodrigues    Miguel McPherson
Marielle Scott    Shelly Yuhan
Jake McDorman    Mr. Bruno
John Karna    Greg Anrue
Bayne Gibby    Casey Kelly
Laura Marano    Diana Greenway

Production and Technical Credits

Director   
Screenwriter    Greta Gerwig
Producer    Evelyn O'Neill
Producer    Eli Bush
Producer    Scott Rudin
Executive Producer    Lila Yacoub
Director of Photography    Sam Levy
Production Designer    Chris Jones
Editor    Nick Houy
Costume Designer    April Napier
Music By    Jon Brion
Casting Director    Heidi Griffiths
Casting Director    Jordan Thaler
Casting By    Allison Jones
Co-Producer    Alex G Scott
Co-Producer    Jason Sack
Music Supervisor    Brian Ross
Music Supervisor    Michael Hill

2017 - Awards Season: SAG - Nominations

December 13th, 2017

Three Billboards Outside Ebbing, Missouri

The Screen Actors Guild were the third group to announce their nominations for this awards season. So far there have been three different films earning the most nominations. Three Billboards Outside Ebbing, Missouri picked up four nominations, which is extra impressive, as there are only six theatrical categories. More...

Theater Averages: Tonya Skates its Way to $66,039

December 12th, 2017

I, Tonya

There was another Oscar contender on top of the theater average chart this weekend, as I, Tonya earned an average of $66,039 in four theaters. Call Me by Your Name was the next best film with an average of $31,761 in nine theaters. The film isn’t expanding as fast as one would expect, given its theater average, but this could be because the studio doesn’t think it has mainstream appeal. The Shape of Water was close behind with an average of $27,843 in 41 theaters and it has already earned some measure of mainstream success. The final film in the $10,000 club was Darkest Hour with an average of $13,989 in 53 theaters. More...

2017 - Awards Season: Golden Globes - Nominations

December 11th, 2017

The Shape of Water

The Golden Globes nominations are the second major Awards Season set to come out. Sort of. (WGA announced the nominations for TV, radio, etc., but not their theatrical nods.) It is still very early in the year, so it is hard to say if there are any real snubs, or if there are any real favorites. The Shape of Water led the way with seven nominations, while The Post and Three Billboards Outside Ebbing, Missouri were right behind with six a piece. More...

Weekend Estimates: Disaster Artist Hits, Just Getting Started Misses

December 10th, 2017

Coco

Coco remains the number one movie at the box office this weekend by a considerable margin, mainly due to a lack of serious competition from new releases. Disney’s animated adventure will gross about $18.3 million this weekend, for a domestic total of $135.5 million. The film will also pile up another $55.3 million internationally, taking its worldwide cume to $389.5 million. It still has some big openings to come, including Brazil, Korea, the UK, and Japan in January, so it has some way to go, although its progress will be eclipsed by The Last Jedi for the next few weeks. More...

Theater Averages: Awards Season is Shaping Up

December 6th, 2017

The Shape of Water

It was another stellar weekend at the box office, at least as far as the theater average chart was concerned. The Shape of Water earned an average of $83,282 in two theaters. This is the fourth best of the year so far. Call Me by Your Name was right behind with an average of $73,890 in four theaters. This is by far the best result of the year for a holdover, more than doubling Lady Bird’s sophomore stint. However, Lady Bird expanded its theater count during its second weekend of release, while Call Me by Your Name did not. The Disaster Artist was close behind with an average of $63,755 in 19 theaters. You could argue this was the best result of the week, because the film was playing in many more theaters than the two films above it. Wonder Wheel was well back with an average of $28,111 in five theaters. Normally this would be an amazing start, but this week it won’t make an impact and it could fade away by the end of the year. Finally, Darkest Hour was the final film in the $10,000 club earning an average of $27,093 in four theaters during its second weekend of release. More...

Weekend Estimates: Coco Wins, Limited Releases on Fire

December 3rd, 2017

Coco

The weekend after Thanksgiving is usually when the studios take a breather before the big Christmas season, and this year is no different, with no new wide releases, and relatively minor shuffles on screen use at the theaters. It’s therefore little surprise that Coco holds on at the top of the chart, and its strong reviews and season-friendly nature help it to extend its lead over Justice League. Coco is headed towards $26.114 million this weekend, according to Disney, for $109 million or so to date. That’s down 49% from last weekend. Justice League, meanwhile, drops a more troubling 60% to $16.58 million, for $197 million after three weekends.

More exciting action lies among the limited and expanding releases, however… More...

Theater Averages: Name Finds its Calling with $103,233

November 28th, 2017

Call Me by Your Name

Call Me by Your Name dominated the theater average chart with an average of $103,233 in four theaters. It is the first film of the year to reach the $100,000 mark on the per theater chart. Lady Bird was the previous yearly champion with an average of $91,109, also in four theaters. The second-best average of the week was earned by Darkest Hour at $43,752 in four theaters. Bombshell: The Hedy Lamarr Story earned $18,742 in one theater; that’s amazing for a documentary. The overall number one film, Coco, earned an average of $12,742. The only holdover in the $10,000 club was Justice League, as it pulled in $10,143. More...

2017 - Awards Season: Independent Spirit Awards - Nominations

November 22nd, 2017

Call Me by Your Name

The Independent Spirit Awards nominations were announced yesterday and thus the 2017 Awards Season begins. The movie with the most nominations is Call Me by Your Name, which opens on Friday. This is amazingly good timing. It’s not the only film that should get a financial boost. More...

Theater Averages: Justice League tops Chart with $23,165, Three Billboards Grabs Second

November 21st, 2017

Justice League

Justice League topped the theater average chart with $23,165 in just over 4,000 theaters. This is in the top ten best theater averages for any wide release that has come out this year, but it is about 25% lower than it needed to be. Last week’s winner, Three Billboards Outside Ebbing Missouri was pushed into second place with an average of $20,796 in 53 theaters. Its strong hold plus its early success during Awards Season should help it stick around in theaters for a long time. Roman J. Israel, Esq was next with an average of $15,500 in four theaters. This would be a good start for a limited release, but it is scheduled to expand wide on Wednesday, so I’m not sure it is good enough. Finally, Lady Bird rounded out the $10,000 club with an average of $10,573 in 238 theaters. It has already earned a significant measure of mainstream success and it still has room to grow. More...

Weekend Wrap-Up: Justice is Leagues ahead of Competition, but Misses Expectations with $93.84 million

November 21st, 2017

Justice League

Justice League easily won the race for first place on the weekend box office chart. However, it only managed $93.84 million, which is substantially lower than it was expected to open with. In fact, it’s the first film in the DCEU to not open with more than $100 million. (To be fair, it is doing better internationally.) Wonder was a surprising hit in second place and it helped the box office rise 32% from last weekend to $199 million. More importantly, this weekend was 26% higher than the same weekend last year. 2017 ended its most recent slump, but it is still 4.5% or $430 million behind last year’s pace at $9.21 billion to $9.65 billion. More...

Weekend Estimates: How Much Trouble Does a $96 Million Opening Spell for the DCEU?

November 19th, 2017

Justice League

Justice League was meant to the be the big pay-off for the first phase of the DC Extended Universe, bringing together the characters introduced in Man of Steel, Batman v Superman: Dawn of Justice, and Wonder Woman, and setting the stage for next year’s Aquaman. The huge success of Wonder Woman this Summer seemed to be just the kick the franchise needed, and, given the history of the Marvel Cinematic Universe, which enjoyed steadily building success leading up to the gigantic opening of The Avengers, an opening north of $150 million, and maybe even approaching $200 million seemed a possibility a couple of months ago. In that context, the $96 million projected weekend announced by Warner Bros. this morning looks like a huge disappointment. What does it mean for the franchise? More...

Friday Estimates: Justice Prevails on Friday with $38.8 Million, but the DCEU in Peril

November 18th, 2017

Justice League

As predicted, Justice League dominated the Friday box office chart, earning four times its nearest competitor. However, it only managed $38.8 million on Friday, which is well below expectations. In fact, tracking has been dropping and the film is now widely expected to open with less than $100 million over the weekend, making it the only film in the DCEU to fail to reach the century mark during its opening weekend. There are a number of reasons why this film is struggling. Firstly, except for Wonder Woman, no film in the franchise has earned good reviews and mainstream audiences may have given up on the franchise. Secondly, the troubled production meant a lot of people who were part of the target audience, but not hardcore D.C. Comics fans, are taking a wait-and-see approach here. Since its reviews are bad, these people are staying home. Its CinemaScore is just a B plus, so it won’t have great legs going forward. Finally, there’s Thor: Ragnarok. That film is proving to be stronger than expected competition, as it started faster and is holding up better than most similar films. I think Warner Bros. is going to have to rethink the entire DCEU before going forward. Aquaman is already in post-production and Wonder Woman 2 is definitely going forward. After that, I’m not sure what films will or will not be made. More...

Theater Averages: Three Billboards Earns 1st for the Weekend and 3rd for the Year with $80,542

November 14th, 2017

Lady Bird

This week’s winner on the theater average chart was Three Billboards Outside Ebbing Missouri, opening with an average of $80,542 in four theaters. This puts it in third place for the year, behind Lady Bird ($91,109) and The Big Sick ($84,315). Speaking of Lady Bird, the film earned an average $32,426 in 37 theaters, putting it in the top ten over the weekend. Bill Nye Science Guy is traveling the country and this week it was playing in one theater in Los Angeles earning $14,350. Thor: Ragnarok was right behind with an average of $13,990. The final film in the $10,000 club was Thelma, which earned $10,841 in one theater. More...

Weekend Wrap-Up: Thor Rocks On with $57.08 million, but Weekend Box Office still Suffers

November 14th, 2017

Thor: Ragnarok

Thor: Ragnarok led the weekend chart and actually beat our prediction by a small degree with $57.08 million. The two new releases, Daddy’s Home 2 and Murder on the Orient Express, also beat expectations. Unfortunately, that wasn’t enough to help the overall box office, as it fell 16% from last weekend to $151 million over the weekend. This is 4.9% lower than the same weekend last year. 2017 has fallen further behind 2016 at $8.98 billion to $9.46 billion. 2017 is 5.1% or $480 million behind last year’s pace and I’ll be happy if we can cut that deficit in half by the end of the year. More...

Weekend Estimates: Daddies Sneak into Second Place; Thor Solid in Second Week

November 12th, 2017

Daddy’s Home 2

Thor: Ragnarok maintains a firm hold on top spot at the domestic and international box office this weekend, with a respectable decline of 54% at home taking it to $56.6 million for the weekend and $211.6 million to date. With another $75.9 million internationally, for a total of $438.5 million overseas, Ragnarok will pass $650 million worldwide today. That makes it the most successful Thor film already, and it seems like it should retain decent traction into the holidays, even with Justice League coming out next weekend. More...

Friday Estimates: Thor Tops Chart with $18.28 million, Race for Second Place Demands Attention

November 11th, 2017

Thor: Ragnarok

As predicted, Thor: Ragnarok easily won on Friday with $18.28 million. This is 61% lower than its opening Friday, which is better than most blockbusters manage. It also puts it on pace for $56 million during its sophomore stint, which is exactly on track with my prediction. Meanwhile, Disney’s share of the film’s worldwide box office is already above the film’s $180 million production budget, so profitability is all but guaranteed. More...

Theater Averages: Lady Bird is the Picture of Health earning $91,109

November 8th, 2017

Lady Bird

A yearly record was broken this past weekend, as Lady Bird had the best theater average of the year so far with an average of $91,109 in four theaters. This tops the previous yearly record of $84,315 by The Big Sick. It wasn’t the only monster hit on the theater average chart this week. Thor: Ragnarok earned an average of $30,085 in just over 4,000 theaters. There were also two other films that just managed to earn a spot in the $10,000 club, 1945 and Last Flag Flying, which earned averages of $10,317 in two theaters and $10,140 in four theaters respectively.

More...

Weekend Estimates: Thor Ragna-roks the Box Office

November 5th, 2017

Thor: Ragnarok

Thor: Ragnarok continues a remarkable record for the Marvel Cinematic Universe this weekend by posting a $121 million opening weekend, according to Disney’s Sunday morning estimate. That’s a significant increase from the $85.7 million of Thor: Dark World, and means that each sub-franchise based on an individual character has had increasing open box office from film to film: Iron Man’s openings went from $102 million, to $128 million, to $174 million; Captain America went $65 million, $95 million, $179 million; and now Thor has gone $65 million, $86 million, and $121 million. More...

Friday Estimates: Thor Earns $46.82 million Opening Friday

November 4th, 2017

Thor: Ragnarok

It looks like Thor: Ragnarok will top predictions and our increased predictions based on its Thursday previews. The film earned $46.82 million on Friday, which is the fifth-biggest opening day in 2017. Additionally, while its reviews are off their peak, its Tomatometer Score is still 93% positive, and it earned an A from CinemaScore. Both of these results suggest long legs, meaning it should hit $115 million during its opening weekend, more or less. If it can reach that over the weekend, then it will only need average legs to get to $300 million domestically. Granted, Justice League does open in just two weeks and that will hurt this film’s legs, but this is still a start worth celebrating. More...

Limited and VOD Releases: Will Princess Cyd be Visited by Lady Luck?

November 3rd, 2017

Princess Cyd

A few films on this week’s list were earning some pre-release buzz. Sadly, LBJ and Last Flag Flying missed expectations with critics, so they could struggle at the box office. On the other hand, Lady Bird is earning 100% positive reviews, while Princess Cyd’s reviews are not that far behind, so perhaps they will succeed where the others fail. More...

Lady Bird Trailer

October 30th, 2017

Drama starring Saoirse Ronan, written and directed by Greta Gerwig, opens November 3 ... Full Movie Details. More...

Domestic Cumulative Box Office Records


Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2017/11/03 26 $364,437   4 $91,109   $364,437 1
2017/11/10 10 $1,199,748 +229% 37 $32,426   $1,731,828 2
2017/11/17 8 $2,516,399 +110% 238 $10,573   $4,688,874 3
2017/11/24 11 $4,057,559 +61% 791 $5,130   $10,726,097 4
2017/12/01 8 $4,291,590 +6% 1,194 $3,594   $16,837,041 5
2017/12/08 9 $3,451,822 -20% 1,557 $2,217   $22,235,491 6

Daily Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2017/11/03 - $108,269   4 $27,067   $108,269 1
2017/11/04 - $146,892 +36% 4 $36,723   $255,161 2
2017/11/05 - $109,276 -26% 4 $27,319   $364,437 3
2017/11/06 - $41,138 -62% 4 $10,285   $405,575 4
2017/11/07 - $40,368 -2% 4 $10,092   $445,943 5
2017/11/08 - $47,472 +18% 4 $11,868   $493,415 6
2017/11/09 - $38,665 -19% 4 $9,666   $532,080 7
2017/11/10 10 $389,824 +908% 37 $10,536   $921,904 8
2017/11/11 10 $477,519 +22% 37 $12,906   $1,399,423 9
2017/11/12 9 $332,405 -30% 37 $8,984   $1,731,828 10
2017/11/13 8 $110,713 -67% 37 $2,992   $1,842,541 11
2017/11/14 10 $115,229 +4% 37 $3,114   $1,957,770 12
2017/11/15 8 $113,967 -1% 37 $3,080   $2,071,737 13
2017/11/16 6 $100,738 -12% 37 $2,723   $2,172,475 14
2017/11/17 8 $727,582 +622% 238 $3,057   $2,900,057 15
2017/11/18 8 $1,055,662 +45% 238 $4,436   $3,955,719 16
2017/11/19 8 $733,155 -31% 238 $3,080   $4,688,874 17
2017/11/20 8 $311,303 -58% 238 $1,308   $5,000,177 18
2017/11/21 8 $329,929 +6% 238 $1,386   $5,330,106 19
2017/11/22 10 $757,663 +130% 741 $1,022   $6,087,769 20
2017/11/23 11 $580,769 -23% 741 $784   $6,668,538 21
2017/11/24 11 $1,518,290 +161% 791 $1,919   $8,186,828 22
2017/11/25 11 $1,543,179 +2% 791 $1,951   $9,730,007 23
2017/11/26 10 $996,090 -35% 791 $1,259   $10,726,097 24
2017/11/27 8 $339,461 -66% 791 $429   $11,065,558 25
2017/11/28 8 $500,357 +47% 791 $633   $11,565,915 26
2017/11/29 7 $474,548 -5% 791 $600   $12,040,463 27
2017/11/30 7 $504,988 +6% 791 $638   $12,545,451 28
2017/12/01 8 $1,243,932 +146% 1,194 $1,042   $13,789,383 29
2017/12/02 9 $1,836,610 +48% 1,194 $1,538   $15,625,993 30
2017/12/03 8 $1,211,048 -34% 1,194 $1,014   $16,837,041 31
2017/12/04 8 $430,153 -64% 1,194 $360   $17,267,194 32
2017/12/05 8 $559,199 +30% 1,194 $468   $17,826,393 33
2017/12/06 7 $490,911 -12% 1,194 $411   $18,317,304 34
2017/12/07 7 $466,365 -5% 1,194 $391   $18,783,669 35
2017/12/08 9 $1,017,957 +118% 1,557 $654   $19,801,626 36
2017/12/09 9 $1,440,535 +42% 1,557 $925   $21,242,161 37
2017/12/10 9 $993,330 -31% 1,557 $638   $22,235,491 38
2017/12/11 8 $380,621 -62% 1,557 $244   $22,616,112 39
2017/12/12 8 $502,798 +32% 1,557 $323   $23,118,910 40
2017/12/13 8 $412,351 -18% 1,557 $265   $23,531,261 41

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2017/11/03 27 $532,080   4 $133,020   $532,080 1
2017/11/10 9 $1,640,395 +208% 37 $44,335   $2,172,475 2
2017/11/17 9 $4,496,063 +174% 741 $6,068   $6,668,538 3
2017/11/24 10 $5,876,913 +31% 791 $7,430   $12,545,451 4
2017/12/01 8 $6,238,218 +6% 1,194 $5,225   $18,783,669 5

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.


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