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Loving Vincent (2017)

Loving Vincent
Theatrical Performance
Domestic Box Office $6,647,957Details
International Box Office $22,780,830Details
Worldwide Box Office $29,428,787
Home Market Performance
Est. Domestic DVD Sales $727,830 Details
Est. Domestic Blu-ray Sales $512,796 Details
Total Est. Domestic Video Sales $1,240,626
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Metrics

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 5,501-5,600) 5,563 $6,647,957
All Time International Box Office (Rank 2,501-2,600) 2,561 $22,780,830
All Time Worldwide Box Office (Rank 3,601-3,700) 3,665 $29,428,787
All Time Domestic Highest Grossing Limited Release Movies (Rank 401-500) 429 $6,647,957

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Domestic Releases: September 22nd, 2017 (Limited) by Good Deed Entertainment
International Releases: July 30th, 2017 (Wide) (South Korea)
October 6th, 2017 (Wide) (Poland)
October 13th, 2017 (Wide) (United Kingdom)
October 16th, 2017 (Wide) (Italy)
October 20th, 2017 (Wide), released as A Paixão de Van Gogh (Portugal)
... Show all releases
Video Release: January 16th, 2018 by Cinedigm
MPAA Rating: PG-13 for mature thematic elements, some violence, sexual material and smoking.
(Rating bulletin 2484 (Cert #51135), 7/12/2017)
Running Time: 95 minutes
Comparisons: vs. Veronica Mars
Create your own comparison chart…
Keywords: Mental Hospital, Crowdfunding, Artists, Mental Illness, Suicide, Non-Chronological, Biography, Epilogue, 1890s
Source:Based on Real Life Events
Genre:Drama
Production Method:Animation/Live Action
Creative Type:Dramatization
Production Companies: Breakthru Films, Trademark Films
Production Countries: United Kingdom

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Biggest 8th Weekend Limited Release 100 $975,744 Nov 10, 2017 52
Top 2017 Theater Average 49 $23,180 Sep 22, 2017 3

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

   Director
   Director
Dorota Kobiela    Screenwriter
Hugh Welchman    Screenwriter
Hugh Welchman    Producer
Ivan Mactaggart    Producer
David Parfitt    Executive Producer
Sean Bobbitt    Executive Producer
Claudia Bluemhuber    Executive Producer
Ian Hutchinson    Executive Producer

2017 Awards Season: Oscars: And the Winner is... The Shape of Water for Best Picture

March 4th, 2018

The Shape of Water

It’s Oscar night and we will be live blogging the show. We will announce the winners and have our reactions as they happen, while keeping track of how our readers did in predicting the outcomes. More...

2017 Awards Season: Oscars Nominations: Final Look

March 4th, 2018

The Shape of Water

It’s Oscar night and we will be live blogging the show. Before that, let’s take a last look at the nominations with a few annotations. Nominees in Italics are those that have received the most votes from our readers so far in our Oscar contest (which is open to new entries until noon, Pacific, today—enter now!). Bold films are those films I think will win. Meanwhile, those that are Underlined are those I want to win. Not all categories have underlined nominees, because not all categories have someone I’m cheering for, or because there are two nominees I couldn’t pick between. For example, I will be happy no matter who wins Best Supporting Actress. One last note: The contest is still going and the leading for Best Picture Switched from The Shape of Water to Three Billboards Outside Ebbing, Missouri to tied over the time I was writing this story. This is the closest I’ve ever seen it. Guessing the best picture correctly will go a long way to winning. More...

Home Market Releases for February 20th, 2018

February 19th, 2018

The Florida Project

It’s another slow week; however, I prefer to think of it as the calm before the storm, as there are several blockbusters and Oscar contenders coming out over the next few weeks. That’s not to say there are no big hits or Oscar contenders on this week’s list. The Florida Project and Loving Vincent are both up for an Oscar, while there are some massive hits coming out on VOD, like Thor: Ragnarok. As for the Pick of the Week, it was an easy choice: The Florida Project on Blu-ray. More...

2017 Awards Season: BAFTA Winners

February 18th, 2018

Three Billboards Outside Ebbing, Missouri

The BAFTAs were handed out on Sunday night, with Three Billboards Outside Ebbing, Missouri winning the most awards at five. This is not too surprising, as it was technically a British film, despite its setting, and that gave it a leg up on the competition. More...

2017 Awards Season: Oscar Highlight: Best Feature-Length Animated Film

February 15th, 2018

Coco

With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try to figure out who the favorites are and which films should just feel honored to be nominated. A lot of people call this Oscar the Pixar Award, and look at that, there’s a Pixar film on this list. Is Coco the overwhelming favorite? Or does another film have what it takes? More...

2017 Awards Season: Oscars Nominations

January 23rd, 2018

The Shape of Water

The Oscar nominations were announced starting at just after 5 am Pacific time. They do this every year and no one has been able to adequately explain why to me. At least there were some interesting results this year. The Shape of Water led the way with 13 nominations, which is one below the current record and nearly as many as the next two films combined. Overall, there were seventeen films that earned two or more nominations. More...

Home Market Releases for January 16th, 2018

January 15th, 2018

I, Daniel Blake

It’s not a particularly good week on the home market with no one film that is a must have dominating the rest of the pack. However, this is actually a good thing, as there are several smaller releases that get a chance to shine and there are several Pick of the Week contenders as a result. This includes the biggest release of the week, Blade Runner 2049, as well as a limited release, Loving Vincent, and a forgotten film, Matinee. In the end, I went with I, Daniel Blake: The Criterion Collection as the best of the week. More...

2017 Awards Season: BAFTA Nominations

January 11th, 2018

The Shape of Water

The BAFTA nominations were announced and this time The Shape of Water led the way with 12 nominations. The same films appear on many of the lists of nominees, but so far no one film has come to dominate the list. This makes it interesting, to say the least. There’s a good chance no one film will win the majority of prestige awards and that multiple films will have lots of reason to celebrate on February 18th when the awards are handed out. More...

2017 Awards Season: PGA Nominations

January 5th, 2018

Wonder Woman

The Producers Guild of America finally finished announcing their nominations. (They spread out their announcements for reasons I’ve never quite understood.) It is a strange year for the PGAs, as there was a tie resulting in 11 films being nominated for the top prize. More...

2017 - Awards Season: Golden Globes - Nominations

December 11th, 2017

The Shape of Water

The Golden Globes nominations are the second major Awards Season set to come out. Sort of. (WGA announced the nominations for TV, radio, etc., but not their theatrical nods.) It is still very early in the year, so it is hard to say if there are any real snubs, or if there are any real favorites. The Shape of Water led the way with seven nominations, while The Post and Three Billboards Outside Ebbing, Missouri were right behind with six a piece. More...

Theater Averages: Name Finds its Calling with $103,233

November 28th, 2017

Call Me by Your Name

Call Me by Your Name dominated the theater average chart with an average of $103,233 in four theaters. It is the first film of the year to reach the $100,000 mark on the per theater chart. Lady Bird was the previous yearly champion with an average of $91,109, also in four theaters. The second-best average of the week was earned by Darkest Hour at $43,752 in four theaters. Bombshell: The Hedy Lamarr Story earned $18,742 in one theater; that’s amazing for a documentary. The overall number one film, Coco, earned an average of $12,742. The only holdover in the $10,000 club was Justice League, as it pulled in $10,143. More...

Theater Averages: Justice League tops Chart with $23,165, Three Billboards Grabs Second

November 21st, 2017

Justice League

Justice League topped the theater average chart with $23,165 in just over 4,000 theaters. This is in the top ten best theater averages for any wide release that has come out this year, but it is about 25% lower than it needed to be. Last week’s winner, Three Billboards Outside Ebbing Missouri was pushed into second place with an average of $20,796 in 53 theaters. Its strong hold plus its early success during Awards Season should help it stick around in theaters for a long time. Roman J. Israel, Esq was next with an average of $15,500 in four theaters. This would be a good start for a limited release, but it is scheduled to expand wide on Wednesday, so I’m not sure it is good enough. Finally, Lady Bird rounded out the $10,000 club with an average of $10,573 in 238 theaters. It has already earned a significant measure of mainstream success and it still has room to grow. More...

Theater Averages: The Square Squirreled Away $18,558

November 1st, 2017

The Square

The Square was the only film in the $10,000 club this past weekend. The latest from Ruben Ostlund earned an average of $18,558 in four theaters. This is a better opening than his last film, Force Majeure, which earned more than $1 million domestically. Hopefully this one will do the same. More...

Theater Averages: Sacred Deer makes a Killing with an Average of $28,780

October 25th, 2017

Wonderstruck

It was a good weekend with three films earning more than $10,000 on the theater chart, led by The Killing of a Sacred Deer, with an average of $28,780 in four theaters. Its Tomatometer Score is merely good, but its average is even better at 8 out of 10. An average score of 8 out of 10 is close to award-worthy. Meanwhile, Jane did even better with an average of $19,449 in three theaters, which is amazing for a documentary. Its reviews remain 100% positive and the average critic simply loves the movie and it could be an Oscar winner. Wonderstruck rounded out the $10,000 club with an average of $16,471 in four theaters. Its reviews are merely good, so its might have trouble growing. That said, it is more accessible and mainstream than most other limited releases, so that could help. More...

Limited and VOD Releases: Battle of the Early Award Season Contenders

September 22nd, 2017

Battle of the Sexes

There are a trio of films on this week’s list that are Awards Season adjacent: Battle of the Sexes, Stronger, and Victoria and Abdul. All three earned some pre-release Awards Season buzz, but I’m not sure any of them will be serious contenders. Hopefully at least one of them will be a box office success. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records


Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2017/09/22 48 $23,180   1 $23,180   $23,180 1
2017/09/29 35 $55,477 +139% 4 $13,869   $92,283 2
2017/10/06 26 $167,647 +202% 28 $5,987   $287,969 3
2017/10/13 17 $331,602 +98% 55 $6,029   $750,674 4
2017/10/20 20 $429,447 +30% 114 $3,767   $1,354,696 5
2017/10/27 22 $472,047 +10% 161 $2,932   $2,130,594 6
2017/11/03 21 $601,290 +27% 205 $2,933   $3,044,420 7
2017/11/10 12 $975,744 +62% 212 $4,603   $3,418,874 8
2017/11/17 14 $403,603 -59% 212 $1,904   $4,641,218 9
2017/11/24 16 $272,370 -33% 147 $1,853   $5,157,116 10
2017/12/01 19 $213,066 -22% 161 $1,323   $5,503,561 11
2017/12/08 22 $151,694 -29% 145 $1,046   $5,784,242 12
2017/12/15 25 $79,540 -48% 82 $970   $5,969,959 13
2017/12/22 28 $53,237 -33% 55 $968   $6,098,195 14
2017/12/29 32 $85,331 +60% 59 $1,446   $6,269,689 15
2018/01/12 37 $42,594   40 $1,065   $6,478,819 17
2018/01/19 43 $29,372 -31% 35 $839   $6,532,388 18
2018/01/26 44 $23,647 -19% 21 $1,126   $6,580,924 19
2018/02/02 47 $20,125 -15% 24 $839   $6,612,298 20
2018/02/09 46 $23,226 +15% 26 $893   $6,647,957 21

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2017/09/22 48 $36,806   1 $36,806   $36,806 1
2017/09/29 37 $83,516 +127% 4 $20,879   $120,322 2
2017/10/06 25 $298,750 +258% 28 $10,670   $419,072 3
2017/10/13 17 $506,177 +69% 55 $9,203   $925,249 4
2017/10/20 19 $733,298 +45% 114 $6,432   $1,658,547 5
2017/10/27 22 $784,583 +7% 161 $4,873   $2,443,130 6
2017/11/03 19 $975,744 +24% 205 $4,760   $3,418,874 7
2017/11/10 17 $818,741 -16% 218 $3,756   $4,237,615 8
2017/11/17 15 $647,131 -21% 212 $3,053   $4,884,746 9
2017/11/24 16 $405,749 -37% 147 $2,760   $5,290,495 10
2017/12/01 18 $342,053 -16% 161 $2,125   $5,632,548 11
2017/12/08 21 $257,871 -25% 145 $1,778   $5,890,419 12
2017/12/15 25 $154,539 -40% 82 $1,885   $6,044,958 13
2017/12/22 31 $139,400 -10% 55 $2,535   $6,184,358 14
2017/12/29 32 $132,017 -5% 55 $2,400   $6,316,375 15
2018/01/05 31 $119,850 -9% 58 $2,066   $6,436,225 16
2018/01/12 37 $66,791 -44% 40 $1,670   $6,503,016 17
2018/01/19 41 $54,261 -19% 35 $1,550   $6,557,277 18
2018/01/26 44 $34,896 -36% 21 $1,662   $6,592,173 19
2018/02/02 48 $32,558 -7% 24 $1,357   $6,624,731 20

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Theaters
Maximum
Theaters
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 10/27/2017 $0 0 0 0 $307,461 6/15/2018
Australia 11/3/2017 $132,003 44 60 478 $882,609 4/16/2018
Bulgaria 12/1/2017 $5,930 0 0 0 $47,809 2/2/2018
China 12/8/2017 $4,330,000 21293 21293 29937 $10,689,210 6/19/2018
Czech Republic 1/26/2018 $23,291 42 42 120 $199,230 4/18/2018
Italy 10/16/2017 $87,175 0 0 0 $1,530,342 11/1/2017
Mexico 11/24/2017 $74,514 0 0 0 $215,897 12/5/2017
Netherlands 10/27/2017 $164,788 52 80 632 $1,636,001 1/29/2018
New Zealand 1/26/2018 $173 1 36 256 $176,564 6/18/2018
Poland 10/6/2017 $192,597 0 0 0 $1,043,148 6/3/2018
Portugal 10/20/2017 $21,569 12 18 87 $151,221 2/28/2018
Russia (CIS) 11/10/2017 $137,831 235 235 575 $675,452 6/15/2018
Slovakia 1/26/2018 $22,168 44 44 92 $73,771 2/28/2018
South Korea 7/30/2017 $1,382 1 271 1338 $2,932,064 6/22/2018
Spain 1/12/2018 $106,826 48 50 192 $437,917 2/8/2018
Turkey 12/29/2017 $32,463 27 28 159 $358,014 6/5/2018
United Kingdom 10/13/2017 $364,555 101 101 418 $1,424,120 4/4/2018
 
International Total$22,780,830 6/22/2018

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits this Week% ChangeTotal UnitsSpending this WeekTotal SpendingWeeks in Release
1/21/20181314,442 14,442$216,486$216,4861

Weekly US Blu-ray Sales

DateRankUnits this Week% ChangeTotal UnitsSpending this WeekTotal SpendingWeeks in Release
1/21/20181212,074 12,074$194,876$194,8761

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Home Media Magazine.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.


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