Luca (2021)
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| Theatrical Performance | ||
| Domestic Box Office | $1,324,302 | Details |
| International Box Office | $49,787,534 | Details |
| Worldwide Box Office | $51,111,836 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $3,143,530 | |
| Blu-ray Sales (estimated) | $3,710,786 | |
| Total | $6,854,316 | |
| OpusData ID: 288620100 More info... | ||
| Further financial details... | ||
Synopsis
Set in a beautiful seaside town on the Italian Riviera, Disney, “Luca” is a coming-of-age story about one young boy experiencing an unforgettable summer filled with gelato, pasta and endless scooter rides. Luca shares these adventures with his newfound best friend, but all the fun is threatened by a deeply-held secret: they are sea monsters from another world just below the water’s surface.
Metrics
| Legs: | 2.37 (domestic box office/biggest weekend) |
| Domestic Share: | 2.6% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $1,400,408 |
Movie Details
| Domestic Releases: | June 18th, 2021 (Canceled) by Walt Disney March 22nd, 2024 (Wide) by Walt Disney |
| International Releases: | June 17th, 2021 (Wide) (South Korea)
June 17th, 2021 (Wide), released as Лука (Russia (CIS)) June 17th, 2021 (Wide) (Israel) June 17th, 2021 (Canceled) (Australia) June 18th, 2021 (Canceled) (United Kingdom) ... Show all releases |
| Video Release: | June 18th, 2021 by Disney+ |
| MPA Rating: | PG for rude humor, language, some thematic elements and brief violence. (Rating bulletin 2680 (cert #53150), 5/12/2021) |
| Running Time: | 95 minutes |
| Geographical setting: | Italy |
| Plot point: | Coming of Age, Underwater |
| Release detail: | Disrupted by 2020 COVID-19 pandemic |
| Subgenre: | Family Adventure |
| Source: | Original Screenplay |
| Genre: | Adventure |
| Production Method: | Digital Animation |
| Creative Type: | Kids Fiction |
| Production/Financing Companies: | Disney-Pixar |
| Production Countries: | United States |
| Languages: | English, Italian |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 22, 2024 | - | $558,396 | 1,390 | $402 | $558,396 | 1 | |
| Mar 29, 2024 | - | $211,727 | -62% | 1,390 | $152 | $1,107,598 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 22, 2024 | - | $151,235 | 1,390 | $109 | $151,235 | 1 | ||
| Mar 23, 2024 | - | $239,690 | +58% | 1,390 | $172 | $390,925 | 2 | |
| Mar 24, 2024 | - | $167,471 | -30% | 1,390 | $120 | $558,396 | 3 | |
| Mar 25, 2024 | - | $76,255 | -54% | 1,390 | $55 | $634,651 | 4 | |
| Mar 26, 2024 | - | $111,353 | +46% | 1,390 | $80 | $746,004 | 5 | |
| Mar 27, 2024 | - | $82,742 | -26% | 1,390 | $60 | $828,746 | 6 | |
| Mar 28, 2024 | 15 | $67,125 | -19% | 1,390 | $48 | $895,871 | 7 | |
| Mar 29, 2024 | - | $83,427 | +24% | -45% | 1,390 | $60 | $979,298 | 8 |
| Mar 30, 2024 | - | $76,850 | -8% | -68% | 1,390 | $55 | $1,056,148 | 9 |
| Mar 31, 2024 | - | $51,450 | -33% | -69% | 1,390 | $37 | $1,107,598 | 10 |
| Apr 1, 2024 | - | $63,582 | +24% | -17% | 1,390 | $46 | $1,171,180 | 11 |
| Apr 2, 2024 | - | $60,709 | -5% | -45% | 1,390 | $44 | $1,231,889 | 12 |
| Apr 3, 2024 | - | $51,645 | -15% | -38% | 1,390 | $37 | $1,283,534 | 13 |
| Apr 4, 2024 | - | $40,768 | -21% | -39% | 1,390 | $29 | $1,324,302 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 22, 2024 | 12 | $895,871 | 1,390 | $645 | $895,871 | 1 | |
| Mar 29, 2024 | 16 | $428,431 | -52% | 1,390 | $308 | $1,324,302 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 6/17/2021 | $0 | 0 | 1 | 241 | $65,397 | 4/4/2026 | |||
| China | 8/20/2021 | $5,110,000 | 60,415 | 60,415 | 113,661 | $13,720,000 | 9/24/2021 | |||
| Czech Republic | 6/18/2021 | $28,904 | 114 | 114 | 565 | $476,619 | 10/20/2022 | |||
| Finland | 5/10/2024 | $4,895 | 35 | 35 | 35 | $4,895 | 5/13/2024 | |||
| Hong Kong | 6/18/2021 | $0 | 0 | 0 | 0 | $3,254,845 | 9/14/2021 | |||
| Israel | 6/17/2021 | $0 | 0 | 0 | 0 | $1,400,000 | 10/20/2022 | |||
| Italy | 4/25/2024 | $216,128 | 0 | 0 | 0 | $216,233 | 4/29/2024 | |||
| Lithuania | 7/23/2021 | $31,586 | 19 | 19 | 132 | $264,186 | 10/20/2022 | |||
| Mexico | 3/21/2024 | $0 | 0 | 0 | 0 | $308,019 | 4/2/2024 | |||
| Netherlands | 4/11/2024 | $8,425 | 69 | 69 | 69 | $86,608 | 4/16/2024 | |||
| New Zealand | 6/19/2021 | $464 | 2 | 50 | 71 | $4,507 | 4/4/2026 | |||
| Poland | 6/18/2021 | $136,783 | 0 | 0 | 0 | $3,621,257 | 10/20/2022 | |||
| Russia (CIS) | 6/17/2021 | $1,854,947 | 1,960 | 1,960 | 10,707 | $8,246,587 | 4/4/2026 | |||
| Saudi Arabia | 6/18/2021 | $0 | 0 | 0 | 0 | $2,200,000 | 10/20/2022 | |||
| Slovakia | 6/18/2021 | $26,123 | 58 | 58 | 275 | $287,066 | 3/1/2022 | |||
| South Korea | 6/17/2021 | $939,298 | 854 | 854 | 2,773 | $2,999,777 | 8/20/2021 | |||
| Spain | 3/22/2024 | $32,932 | 198 | 198 | 331 | $77,229 | 4/4/2024 | |||
| Taiwan | 6/18/2021 | $0 | 0 | 0 | 0 | $367,723 | 4/28/2026 | |||
| Turkey | 9/3/2021 | $136,300 | 266 | 284 | 1,898 | $452,449 | 4/4/2026 | |||
| United Arab Emirates | 6/18/2021 | $0 | 0 | 0 | 0 | $1,600,000 | 7/12/2021 | |||
| United Kingdom | 6/18/2021 | $0 | 0 | 556 | 556 | $140,177 | 4/10/2024 | |||
| Rest of World | $9,993,960 | |||||||||
| International Total | $49,787,534 | 4/28/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Production and Technical Credits
| Enrico Casarosa | Director | |
| Andrea Warren | Producer | |
| Pete Docter | Executive Producer | |
| Peter Sohn | Executive Producer | |
| Kiri Hart | Executive Producer | |
| Catherine Apple | Editor | |
| Jason Hudak | Editor | |
| Jesse Andrews | Screenwriter | |
| Mike Jones | Screenwriter | |
| David Ryu | Visual Effects Supervisor | |
| Michael Venturini | Animation Supervisor | |
| David Juan Bianchi | Director of Photography | |
| Kim White | Director of Photography | |
| Daniela Strijleva | Production Designer | |
| Dan Romer | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Set in a beautiful seaside town on the Italian Riviera, Disney, “Luca” is a coming-of-age story about one young boy experiencing an unforgettable summer filled with gelato, pasta and endless scooter rides. Luca shares these adventures with his newfound best friend, but all the fun is threatened by a deeply-held secret: they are sea monsters from another world just below the water’s surface.
Metrics
| Legs: | 2.37 (domestic box office/biggest weekend) |
| Domestic Share: | 2.6% (domestic box office/worldwide) |
| Infl. Adj. Dom. BO | $1,400,408 |
Movie Details
| Domestic Releases: | June 18th, 2021 (Canceled) by Walt Disney March 22nd, 2024 (Wide) by Walt Disney |
| International Releases: | June 17th, 2021 (Wide) (South Korea)
June 17th, 2021 (Wide), released as Лука (Russia (CIS)) June 17th, 2021 (Wide) (Israel) June 17th, 2021 (Canceled) (Australia) June 18th, 2021 (Canceled) (United Kingdom) ... Show all releases |
| Video Release: | June 18th, 2021 by Disney+ |
| MPA Rating: | PG for rude humor, language, some thematic elements and brief violence. (Rating bulletin 2680 (cert #53150), 5/12/2021) |
| Running Time: | 95 minutes |
| Geographical setting: | Italy |
| Plot point: | Coming of Age, Underwater |
| Release detail: | Disrupted by 2020 COVID-19 pandemic |
| Subgenre: | Family Adventure |
| Source: | Original Screenplay |
| Genre: | Adventure |
| Production Method: | Digital Animation |
| Creative Type: | Kids Fiction |
| Production/Financing Companies: | Disney-Pixar |
| Production Countries: | United States |
| Languages: | English, Italian |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 22, 2024 | - | $558,396 | 1,390 | $402 | $558,396 | 1 | |
| Mar 29, 2024 | - | $211,727 | -62% | 1,390 | $152 | $1,107,598 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Mar 22, 2024 | - | $151,235 | 1,390 | $109 | $151,235 | 1 | ||
| Mar 23, 2024 | - | $239,690 | +58% | 1,390 | $172 | $390,925 | 2 | |
| Mar 24, 2024 | - | $167,471 | -30% | 1,390 | $120 | $558,396 | 3 | |
| Mar 25, 2024 | - | $76,255 | -54% | 1,390 | $55 | $634,651 | 4 | |
| Mar 26, 2024 | - | $111,353 | +46% | 1,390 | $80 | $746,004 | 5 | |
| Mar 27, 2024 | - | $82,742 | -26% | 1,390 | $60 | $828,746 | 6 | |
| Mar 28, 2024 | 15 | $67,125 | -19% | 1,390 | $48 | $895,871 | 7 | |
| Mar 29, 2024 | - | $83,427 | +24% | -45% | 1,390 | $60 | $979,298 | 8 |
| Mar 30, 2024 | - | $76,850 | -8% | -68% | 1,390 | $55 | $1,056,148 | 9 |
| Mar 31, 2024 | - | $51,450 | -33% | -69% | 1,390 | $37 | $1,107,598 | 10 |
| Apr 1, 2024 | - | $63,582 | +24% | -17% | 1,390 | $46 | $1,171,180 | 11 |
| Apr 2, 2024 | - | $60,709 | -5% | -45% | 1,390 | $44 | $1,231,889 | 12 |
| Apr 3, 2024 | - | $51,645 | -15% | -38% | 1,390 | $37 | $1,283,534 | 13 |
| Apr 4, 2024 | - | $40,768 | -21% | -39% | 1,390 | $29 | $1,324,302 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Mar 22, 2024 | 12 | $895,871 | 1,390 | $645 | $895,871 | 1 | |
| Mar 29, 2024 | 16 | $428,431 | -52% | 1,390 | $308 | $1,324,302 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 6/17/2021 | $0 | 0 | 1 | 241 | $65,397 | 4/4/2026 | |||
| China | 8/20/2021 | $5,110,000 | 60,415 | 60,415 | 113,661 | $13,720,000 | 9/24/2021 | |||
| Czech Republic | 6/18/2021 | $28,904 | 114 | 114 | 565 | $476,619 | 10/20/2022 | |||
| Finland | 5/10/2024 | $4,895 | 35 | 35 | 35 | $4,895 | 5/13/2024 | |||
| Hong Kong | 6/18/2021 | $0 | 0 | 0 | 0 | $3,254,845 | 9/14/2021 | |||
| Israel | 6/17/2021 | $0 | 0 | 0 | 0 | $1,400,000 | 10/20/2022 | |||
| Italy | 4/25/2024 | $216,128 | 0 | 0 | 0 | $216,233 | 4/29/2024 | |||
| Lithuania | 7/23/2021 | $31,586 | 19 | 19 | 132 | $264,186 | 10/20/2022 | |||
| Mexico | 3/21/2024 | $0 | 0 | 0 | 0 | $308,019 | 4/2/2024 | |||
| Netherlands | 4/11/2024 | $8,425 | 69 | 69 | 69 | $86,608 | 4/16/2024 | |||
| New Zealand | 6/19/2021 | $464 | 2 | 50 | 71 | $4,507 | 4/4/2026 | |||
| Poland | 6/18/2021 | $136,783 | 0 | 0 | 0 | $3,621,257 | 10/20/2022 | |||
| Russia (CIS) | 6/17/2021 | $1,854,947 | 1,960 | 1,960 | 10,707 | $8,246,587 | 4/4/2026 | |||
| Saudi Arabia | 6/18/2021 | $0 | 0 | 0 | 0 | $2,200,000 | 10/20/2022 | |||
| Slovakia | 6/18/2021 | $26,123 | 58 | 58 | 275 | $287,066 | 3/1/2022 | |||
| South Korea | 6/17/2021 | $939,298 | 854 | 854 | 2,773 | $2,999,777 | 8/20/2021 | |||
| Spain | 3/22/2024 | $32,932 | 198 | 198 | 331 | $77,229 | 4/4/2024 | |||
| Taiwan | 6/18/2021 | $0 | 0 | 0 | 0 | $367,723 | 4/28/2026 | |||
| Turkey | 9/3/2021 | $136,300 | 266 | 284 | 1,898 | $452,449 | 4/4/2026 | |||
| United Arab Emirates | 6/18/2021 | $0 | 0 | 0 | 0 | $1,600,000 | 7/12/2021 | |||
| United Kingdom | 6/18/2021 | $0 | 0 | 556 | 556 | $140,177 | 4/10/2024 | |||
| Rest of World | $9,993,960 | |||||||||
| International Total | $49,787,534 | 4/28/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Production and Technical Credits
| Enrico Casarosa | Director | |
| Andrea Warren | Producer | |
| Pete Docter | Executive Producer | |
| Peter Sohn | Executive Producer | |
| Kiri Hart | Executive Producer | |
| Catherine Apple | Editor | |
| Jason Hudak | Editor | |
| Jesse Andrews | Screenwriter | |
| Mike Jones | Screenwriter | |
| David Ryu | Visual Effects Supervisor | |
| Michael Venturini | Animation Supervisor | |
| David Juan Bianchi | Director of Photography | |
| Kim White | Director of Photography | |
| Daniela Strijleva | Production Designer | |
| Dan Romer | Composer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.