Lucky (2017)
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| Theatrical Performance | ||
| Domestic Box Office | $955,925 | Details |
| International Box Office | $1,644,107 | Details |
| Worldwide Box Office | $2,600,032 | |
| OpusData ID: 293170100 More info... | ||
| Further financial details... | ||
Synopsis
The spiritual journey of a 90-year-old atheist and the quirky characters that inhabit his off the map desert town. Having out lived and out smoked all of his contemporaries, the fiercely independent Lucky finds himself at the precipice of life, thrust into a journey of self exploration, leading towards that which is so often unattainable: enlightenment.
Metrics
| Opening Weekend: | $43,293 (4.5% of total gross) |
| Legs: | 7.32 (domestic box office/biggest weekend) |
| Domestic Share: | 36.8% (domestic box office/worldwide) |
| Theater counts: | 5 opening theaters/111 max. theaters, 4.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,274,565 |
Movie Details
| Domestic Releases: | September 29th, 2017 (Limited) by Magnolia Pictures |
| International Releases: | November 17th, 2017 (Wide) (Australia)
December 1st, 2017 (Wide) (Portugal) December 15th, 2017 (Wide) (France) May 4th, 2018 (Wide) (Spain) August 29th, 2018 (Wide) (Italy) ... Show all releases |
| Video Release: | January 2nd, 2018 by Magnolia Home Entertainment |
| MPA Rating: | Not Rated |
| Running Time: | 88 minutes |
| Cast, crew, or production detail: | Actors Making Their Directorial Debut, Posthumous Release |
| Plot point: | Atheism, Autumn Years, Missing Pet, Spiritualism |
| Social setting: | Birthday Party |
| Target audience: | Hispanic |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Superlative Productions, The Lagralane Group, Divide/Conquer |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 29, 2017 | 41 | $43,293 | 5 | $8,659 | $43,293 | 1 | |
| Oct 6, 2017 | 32 | $95,434 | +120% | 34 | $2,807 | $176,013 | 2 |
| Oct 13, 2017 | 30 | $114,838 | +20% | 60 | $1,914 | $361,909 | 3 |
| Oct 20, 2017 | 30 | $130,577 | +14% | 111 | $1,176 | $548,348 | 4 |
| Oct 27, 2017 | 35 | $88,990 | -32% | 103 | $864 | $706,651 | 5 |
| Nov 3, 2017 | 39 | $58,742 | -34% | 63 | $932 | $823,843 | 6 |
| Nov 10, 2017 | 48 | $30,716 | -48% | 48 | $640 | $888,039 | 7 |
| Nov 17, 2017 | 49 | $18,040 | -41% | 28 | $644 | $925,118 | 8 |
| Nov 24, 2017 | 59 | $7,965 | -56% | 12 | $664 | $938,192 | 9 |
| Dec 1, 2017 | 67 | $4,361 | -45% | 9 | $485 | $947,992 | 10 |
| Dec 8, 2017 | 67 | $2,619 | -40% | 7 | $374 | $953,336 | 11 |
| Dec 15, 2017 | 68 | $663 | -75% | 3 | $221 | $955,672 | 12 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 29, 2017 | 41 | $61,435 | 5 | $12,287 | $61,435 | 1 | |
| Oct 6, 2017 | 31 | $166,492 | +171% | 34 | $4,897 | $247,071 | 2 |
| Oct 13, 2017 | 27 | $170,700 | +3% | 65 | $2,626 | $417,771 | 3 |
| Oct 20, 2017 | 28 | $199,890 | +17% | 111 | $1,801 | $617,661 | 4 |
| Oct 27, 2017 | 33 | $147,440 | -26% | 105 | $1,404 | $765,101 | 5 |
| Nov 3, 2017 | 38 | $92,222 | -37% | 67 | $1,376 | $857,323 | 6 |
| Nov 10, 2017 | 46 | $49,755 | -46% | 48 | $1,037 | $907,078 | 7 |
| Nov 17, 2017 | 53 | $23,149 | -53% | 29 | $798 | $930,227 | 8 |
| Nov 24, 2017 | 56 | $13,404 | -42% | 16 | $838 | $943,631 | 9 |
| Dec 1, 2017 | 69 | $7,086 | -47% | 10 | $709 | $950,717 | 10 |
| Dec 8, 2017 | 68 | $4,292 | -39% | 8 | $537 | $955,009 | 11 |
| Dec 15, 2017 | 70 | $916 | -79% | 3 | $305 | $955,925 | 12 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 9/28/2018 | $12,156 | 0 | 0 | 0 | $37,187 | 1/4/2019 | |||
| Australia | 11/17/2017 | $9,807 | 7 | 11 | 57 | $91,612 | 1/2/2018 | |||
| France | 12/15/2017 | $93,934 | 0 | 200 | 585 | $960,615 | 3/20/2020 | |||
| Italy | 8/29/2018 | $42,718 | 0 | 0 | 0 | $103,930 | 9/11/2018 | |||
| Portugal | 12/1/2017 | $4,057 | 4 | 7 | 24 | $26,556 | 2/21/2018 | |||
| Spain | 5/4/2018 | $71,100 | 32 | 51 | 222 | $377,191 | 6/14/2018 | |||
| United Kingdom | 9/14/2018 | $47,016 | 0 | 0 | 0 | $47,016 | 4/4/2026 | |||
| International Total | $1,644,107 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Harry Dean Stanton | Lucky |
Supporting
| David Lynch | Howard | |
| Ron Livingston | Bobby Lawrence | |
| Ed Begley, Jr. | Dr. Kneedler | |
| Tom Skerritt | Fred | |
| James Darren | Paulie | |
| Barry Shabaka Henley | Joe | |
| Yvonne Huff Lee* | Loretta | |
| Hugo Armstrong | Vincent | |
| Beth Grant | Elaine | |
| Bertila Damas | Bibi |
Production and Technical Credits
| John Carroll Lynch | Director | |
| Logan Sparks | Screenwriter | |
| Drago Sumonja | Screenwriter | |
| Greg Gilreath | Producer | |
| Adam Hendricks | Producer | |
| John Lang | Producer | |
| Logan Sparks | Producer | |
| Drago Sumonja | Producer | |
| Danielle Renfrew Behrens | Producer | |
| Ira Steven Behr | Producer | |
| Richard Kahan | Producer | |
| Jason Delane | Executive Producer | |
| Lee Bill Harnisch | Executive Producer | |
| Ruth Ann Harnisch | Executive Producer | |
| Charles Duffy | Executive Producer | |
| Joe Sparks | Co-Executive Producer | |
| Darara Dibabu | Co-Executive Producer | |
| John Boccardo | Associate Producer | |
| Robert A. Compton | Associate Producer | |
| Joshua A.H. Harris | Associate Producer | |
| Jeff Rodman | Associate Producer | |
| Tim Suhrstedt | Director of Photography | |
| Almitra Corey | Production Designer | |
| Slobodan Gajic | Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
The spiritual journey of a 90-year-old atheist and the quirky characters that inhabit his off the map desert town. Having out lived and out smoked all of his contemporaries, the fiercely independent Lucky finds himself at the precipice of life, thrust into a journey of self exploration, leading towards that which is so often unattainable: enlightenment.
Metrics
| Opening Weekend: | $43,293 (4.5% of total gross) |
| Legs: | 7.32 (domestic box office/biggest weekend) |
| Domestic Share: | 36.8% (domestic box office/worldwide) |
| Theater counts: | 5 opening theaters/111 max. theaters, 4.4 weeks average run per theater |
| Infl. Adj. Dom. BO | $1,274,565 |
Movie Details
| Domestic Releases: | September 29th, 2017 (Limited) by Magnolia Pictures |
| International Releases: | November 17th, 2017 (Wide) (Australia)
December 1st, 2017 (Wide) (Portugal) December 15th, 2017 (Wide) (France) May 4th, 2018 (Wide) (Spain) August 29th, 2018 (Wide) (Italy) ... Show all releases |
| Video Release: | January 2nd, 2018 by Magnolia Home Entertainment |
| MPA Rating: | Not Rated |
| Running Time: | 88 minutes |
| Cast, crew, or production detail: | Actors Making Their Directorial Debut, Posthumous Release |
| Plot point: | Atheism, Autumn Years, Missing Pet, Spiritualism |
| Social setting: | Birthday Party |
| Target audience: | Hispanic |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Superlative Productions, The Lagralane Group, Divide/Conquer |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 29, 2017 | 41 | $43,293 | 5 | $8,659 | $43,293 | 1 | |
| Oct 6, 2017 | 32 | $95,434 | +120% | 34 | $2,807 | $176,013 | 2 |
| Oct 13, 2017 | 30 | $114,838 | +20% | 60 | $1,914 | $361,909 | 3 |
| Oct 20, 2017 | 30 | $130,577 | +14% | 111 | $1,176 | $548,348 | 4 |
| Oct 27, 2017 | 35 | $88,990 | -32% | 103 | $864 | $706,651 | 5 |
| Nov 3, 2017 | 39 | $58,742 | -34% | 63 | $932 | $823,843 | 6 |
| Nov 10, 2017 | 48 | $30,716 | -48% | 48 | $640 | $888,039 | 7 |
| Nov 17, 2017 | 49 | $18,040 | -41% | 28 | $644 | $925,118 | 8 |
| Nov 24, 2017 | 59 | $7,965 | -56% | 12 | $664 | $938,192 | 9 |
| Dec 1, 2017 | 67 | $4,361 | -45% | 9 | $485 | $947,992 | 10 |
| Dec 8, 2017 | 67 | $2,619 | -40% | 7 | $374 | $953,336 | 11 |
| Dec 15, 2017 | 68 | $663 | -75% | 3 | $221 | $955,672 | 12 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 29, 2017 | 41 | $61,435 | 5 | $12,287 | $61,435 | 1 | |
| Oct 6, 2017 | 31 | $166,492 | +171% | 34 | $4,897 | $247,071 | 2 |
| Oct 13, 2017 | 27 | $170,700 | +3% | 65 | $2,626 | $417,771 | 3 |
| Oct 20, 2017 | 28 | $199,890 | +17% | 111 | $1,801 | $617,661 | 4 |
| Oct 27, 2017 | 33 | $147,440 | -26% | 105 | $1,404 | $765,101 | 5 |
| Nov 3, 2017 | 38 | $92,222 | -37% | 67 | $1,376 | $857,323 | 6 |
| Nov 10, 2017 | 46 | $49,755 | -46% | 48 | $1,037 | $907,078 | 7 |
| Nov 17, 2017 | 53 | $23,149 | -53% | 29 | $798 | $930,227 | 8 |
| Nov 24, 2017 | 56 | $13,404 | -42% | 16 | $838 | $943,631 | 9 |
| Dec 1, 2017 | 69 | $7,086 | -47% | 10 | $709 | $950,717 | 10 |
| Dec 8, 2017 | 68 | $4,292 | -39% | 8 | $537 | $955,009 | 11 |
| Dec 15, 2017 | 70 | $916 | -79% | 3 | $305 | $955,925 | 12 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 9/28/2018 | $12,156 | 0 | 0 | 0 | $37,187 | 1/4/2019 | |||
| Australia | 11/17/2017 | $9,807 | 7 | 11 | 57 | $91,612 | 1/2/2018 | |||
| France | 12/15/2017 | $93,934 | 0 | 200 | 585 | $960,615 | 3/20/2020 | |||
| Italy | 8/29/2018 | $42,718 | 0 | 0 | 0 | $103,930 | 9/11/2018 | |||
| Portugal | 12/1/2017 | $4,057 | 4 | 7 | 24 | $26,556 | 2/21/2018 | |||
| Spain | 5/4/2018 | $71,100 | 32 | 51 | 222 | $377,191 | 6/14/2018 | |||
| United Kingdom | 9/14/2018 | $47,016 | 0 | 0 | 0 | $47,016 | 4/4/2026 | |||
| International Total | $1,644,107 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Harry Dean Stanton | Lucky |
Supporting
| David Lynch | Howard | |
| Ron Livingston | Bobby Lawrence | |
| Ed Begley, Jr. | Dr. Kneedler | |
| Tom Skerritt | Fred | |
| James Darren | Paulie | |
| Barry Shabaka Henley | Joe | |
| Yvonne Huff Lee* | Loretta | |
| Hugo Armstrong | Vincent | |
| Beth Grant | Elaine | |
| Bertila Damas | Bibi |
Production and Technical Credits
| John Carroll Lynch | Director | |
| Logan Sparks | Screenwriter | |
| Drago Sumonja | Screenwriter | |
| Greg Gilreath | Producer | |
| Adam Hendricks | Producer | |
| John Lang | Producer | |
| Logan Sparks | Producer | |
| Drago Sumonja | Producer | |
| Danielle Renfrew Behrens | Producer | |
| Ira Steven Behr | Producer | |
| Richard Kahan | Producer | |
| Jason Delane | Executive Producer | |
| Lee Bill Harnisch | Executive Producer | |
| Ruth Ann Harnisch | Executive Producer | |
| Charles Duffy | Executive Producer | |
| Joe Sparks | Co-Executive Producer | |
| Darara Dibabu | Co-Executive Producer | |
| John Boccardo | Associate Producer | |
| Robert A. Compton | Associate Producer | |
| Joshua A.H. Harris | Associate Producer | |
| Jeff Rodman | Associate Producer | |
| Tim Suhrstedt | Director of Photography | |
| Almitra Corey | Production Designer | |
| Slobodan Gajic | Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.