Manolo: The Boy Who Made Shoes for Lizards (2017)
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| Theatrical Performance | ||
| Domestic Box Office | $60,056 | Details |
| International Box Office | $4,831 | Details |
| Worldwide Box Office | $64,887 | |
| OpusData ID: 299320100 More info... | ||
| Further financial details... | ||
Synopsis
The portrait of legendary fashion designer Manolo Blahnik and how his extraordinary dedication to his craft led him to become the world’s most famous luxury shoemaker, revered by celebrities, stylists, and industry icons for generations. Growing up on a remote Spanish Canary island, Manolo made shoes out of sweet wrappers for lizards that he caught in his family’s garden. After opening his first store in London in 1973 and coming of age in fashion capitals such as Paris and New York, Manolo now has shops and department store concessions in over 20 countries and retains full control of the business, still creating every shoe, even hand-carving the wooden forms himself.
Metrics
| Opening Weekend: | $8,186 (13.6% of total gross) |
| Legs: | 5.38 (domestic box office/biggest weekend) |
| Domestic Share: | 92.6% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/11 max. theaters, 3.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $80,072 |
Movie Details
| Domestic Releases: | September 15th, 2017 (Limited) by Music Box Films |
| International Releases: | September 29th, 2017 (Limited) (United Kingdom) |
| MPA Rating: | Not Rated |
| Running Time: | 89 minutes |
| Cast, crew, or production detail: | Reenactments |
| Plot point: | Biography, Fashion |
| Time period setting: | 1970s |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Content Media Corporation, Nevision Studios, Heels on Fire Ltd. |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 15, 2017 | 69 | $8,186 | 3 | $2,729 | $8,186 | 1 | |
| Sep 22, 2017 | 59 | $11,169 | +36% | 11 | $1,015 | $25,145 | 2 |
| Sep 29, 2017 | 69 | $5,912 | -47% | 9 | $657 | $39,504 | 3 |
| Oct 6, 2017 | 73 | $4,644 | -21% | 10 | $464 | $47,943 | 4 |
| Oct 13, 2017 | 95 | $729 | -84% | 2 | $365 | $50,733 | 5 |
| Oct 20, 2017 | 82 | $3,602 | +394% | 2 | $1,801 | $55,402 | 6 |
| Oct 27, 2017 | 104 | $342 | -91% | 1 | $342 | $57,108 | 7 |
| Nov 3, 2017 | 105 | $171 | -50% | 1 | $171 | $57,279 | 8 |
| Nov 10, 2017 | 103 | $270 | +58% | 1 | $270 | $58,686 | 9 |
| Nov 24, 2017 | 80 | $469 | 2 | $235 | $59,378 | 11 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 15, 2017 | 71 | $13,976 | 3 | $4,659 | $13,976 | 1 | |
| Sep 22, 2017 | 58 | $19,616 | +40% | 11 | $1,783 | $33,592 | 2 |
| Sep 29, 2017 | 68 | $9,707 | -51% | 9 | $1,079 | $43,299 | 3 |
| Oct 6, 2017 | 75 | $6,705 | -31% | 10 | $671 | $50,004 | 4 |
| Oct 13, 2017 | 95 | $1,796 | -73% | 4 | $449 | $51,800 | 5 |
| Oct 20, 2017 | 84 | $4,966 | +177% | 2 | $2,483 | $56,766 | 6 |
| Oct 27, 2017 | 111 | $342 | -93% | 1 | $342 | $57,108 | 7 |
| Nov 3, 2017 | 95 | $1,308 | +282% | 1 | $1,308 | $58,416 | 8 |
| Nov 10, 2017 | 98 | $493 | -62% | 1 | $493 | $58,909 | 9 |
| Nov 24, 2017 | 82 | $1,147 | 3 | $382 | $60,056 | 11 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| United Kingdom | 9/29/2017 | $2,999 | 2 | 2 | 3 | $4,831 | 10/11/2017 | |||
| International Total | $4,831 | 10/11/2017 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Documentary Subject
| Manolo Blahnik | Himself |
Interviewee
| Anna Wintour | Herself | |
| André Leon Talley | Himself | |
| Paloma Picasso | Herself | |
| Charlotte Olympia | Herself | |
| Iman | Herself | |
| Rihanna | Herself | |
| Naomi Campbell | Herself | |
| David Bailey | Himself | |
| Isaac Mizrahi | Himself |
Production and Technical Credits
| Michael Roberts | Director | |
| Michael Roberts | Producer | |
| Bronwyn Cosgrave | Producer | |
| Gillan Mosely | Producer | |
| Neil Zeiger | Producer | |
| James Cabourne | Executive Producer | |
| Anne Morrison | Executive Producer | |
| Tiggy Maconochie | Executive Producer | |
| Louise Bray | Co-Producer | |
| Miles Osborn | Associate Producer | |
| Zoe Loizou | Line Producer | |
| Sergio Diaz | Line Producer | |
| Nicola Daley | Director of Photography | |
| Arturo Calvete | Editor | |
| Elena Machado Hernández | Art Director | |
| Oscar Troitiño | Art Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
The portrait of legendary fashion designer Manolo Blahnik and how his extraordinary dedication to his craft led him to become the world’s most famous luxury shoemaker, revered by celebrities, stylists, and industry icons for generations. Growing up on a remote Spanish Canary island, Manolo made shoes out of sweet wrappers for lizards that he caught in his family’s garden. After opening his first store in London in 1973 and coming of age in fashion capitals such as Paris and New York, Manolo now has shops and department store concessions in over 20 countries and retains full control of the business, still creating every shoe, even hand-carving the wooden forms himself.
Metrics
| Opening Weekend: | $8,186 (13.6% of total gross) |
| Legs: | 5.38 (domestic box office/biggest weekend) |
| Domestic Share: | 92.6% (domestic box office/worldwide) |
| Theater counts: | 3 opening theaters/11 max. theaters, 3.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $80,072 |
Movie Details
| Domestic Releases: | September 15th, 2017 (Limited) by Music Box Films |
| International Releases: | September 29th, 2017 (Limited) (United Kingdom) |
| MPA Rating: | Not Rated |
| Running Time: | 89 minutes |
| Cast, crew, or production detail: | Reenactments |
| Plot point: | Biography, Fashion |
| Time period setting: | 1970s |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Content Media Corporation, Nevision Studios, Heels on Fire Ltd. |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 15, 2017 | 69 | $8,186 | 3 | $2,729 | $8,186 | 1 | |
| Sep 22, 2017 | 59 | $11,169 | +36% | 11 | $1,015 | $25,145 | 2 |
| Sep 29, 2017 | 69 | $5,912 | -47% | 9 | $657 | $39,504 | 3 |
| Oct 6, 2017 | 73 | $4,644 | -21% | 10 | $464 | $47,943 | 4 |
| Oct 13, 2017 | 95 | $729 | -84% | 2 | $365 | $50,733 | 5 |
| Oct 20, 2017 | 82 | $3,602 | +394% | 2 | $1,801 | $55,402 | 6 |
| Oct 27, 2017 | 104 | $342 | -91% | 1 | $342 | $57,108 | 7 |
| Nov 3, 2017 | 105 | $171 | -50% | 1 | $171 | $57,279 | 8 |
| Nov 10, 2017 | 103 | $270 | +58% | 1 | $270 | $58,686 | 9 |
| Nov 24, 2017 | 80 | $469 | 2 | $235 | $59,378 | 11 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 15, 2017 | 71 | $13,976 | 3 | $4,659 | $13,976 | 1 | |
| Sep 22, 2017 | 58 | $19,616 | +40% | 11 | $1,783 | $33,592 | 2 |
| Sep 29, 2017 | 68 | $9,707 | -51% | 9 | $1,079 | $43,299 | 3 |
| Oct 6, 2017 | 75 | $6,705 | -31% | 10 | $671 | $50,004 | 4 |
| Oct 13, 2017 | 95 | $1,796 | -73% | 4 | $449 | $51,800 | 5 |
| Oct 20, 2017 | 84 | $4,966 | +177% | 2 | $2,483 | $56,766 | 6 |
| Oct 27, 2017 | 111 | $342 | -93% | 1 | $342 | $57,108 | 7 |
| Nov 3, 2017 | 95 | $1,308 | +282% | 1 | $1,308 | $58,416 | 8 |
| Nov 10, 2017 | 98 | $493 | -62% | 1 | $493 | $58,909 | 9 |
| Nov 24, 2017 | 82 | $1,147 | 3 | $382 | $60,056 | 11 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| United Kingdom | 9/29/2017 | $2,999 | 2 | 2 | 3 | $4,831 | 10/11/2017 | |||
| International Total | $4,831 | 10/11/2017 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Documentary Subject
| Manolo Blahnik | Himself |
Interviewee
| Anna Wintour | Herself | |
| André Leon Talley | Himself | |
| Paloma Picasso | Herself | |
| Charlotte Olympia | Herself | |
| Iman | Herself | |
| Rihanna | Herself | |
| Naomi Campbell | Herself | |
| David Bailey | Himself | |
| Isaac Mizrahi | Himself |
Production and Technical Credits
| Michael Roberts | Director | |
| Michael Roberts | Producer | |
| Bronwyn Cosgrave | Producer | |
| Gillan Mosely | Producer | |
| Neil Zeiger | Producer | |
| James Cabourne | Executive Producer | |
| Anne Morrison | Executive Producer | |
| Tiggy Maconochie | Executive Producer | |
| Louise Bray | Co-Producer | |
| Miles Osborn | Associate Producer | |
| Zoe Loizou | Line Producer | |
| Sergio Diaz | Line Producer | |
| Nicola Daley | Director of Photography | |
| Arturo Calvete | Editor | |
| Elena Machado Hernández | Art Director | |
| Oscar Troitiño | Art Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.