Marjorie Prime (2017)
| Theatrical Performance | ||
| Domestic Box Office | $180,608 | Details |
| International Box Office | $44,237 | Details |
| Worldwide Box Office | $224,845 | |
| OpusData ID: 285760100 More info... | ||
| Further financial details... | ||
Synopsis
In the near future, a time of artificial intelligence: 86-year-old Marjorie a jumble of disparate, fading memories- has a handsome new companion who looks like her deceased husband and is programmed to feed the story of her life back to her. What would we remember, and what would we forget, if given the chance?
Metrics
| Opening Weekend: | $20,668 (11.4% of total gross) |
| Legs: | 6.80 (domestic box office/biggest weekend) |
| Domestic Share: | 80.3% (domestic box office/worldwide) |
| Theater counts: | 6 opening theaters/12 max. theaters, 5.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $240,815 |
Movie Details
| Domestic Releases: | August 18th, 2017 (Limited) by FilmRise |
| International Releases: | October 11th, 2017 (Wide) (South Korea)
November 10th, 2017 (Wide) (United Kingdom) |
| MPA Rating: | Not Rated |
| Running Time: | 98 minutes |
| Plot point: | Artificial Intelligence, Death of a Spouse or Fiancée / Fiancé, Faulty Memory, Implanted Memory, Romance, Widow/Widower |
| Time period setting: | Near Future |
| Source: | Original Screenplay |
| Genre: | Multiple Genres |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | FilmRise, Passage Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 18, 2017 | 55 | $20,668 | 6 | $3,445 | $20,668 | 1 | |
| Aug 25, 2017 | 53 | $24,013 | +16% | 10 | $2,401 | $54,903 | 2 |
| Sep 1, 2017 | 59 | $26,546 | +11% | 12 | $2,212 | $91,328 | 3 |
| Sep 8, 2017 | 56 | $19,558 | -26% | 12 | $1,630 | $125,172 | 4 |
| Sep 15, 2017 | 60 | $11,454 | -41% | 10 | $1,145 | $142,821 | 5 |
| Sep 22, 2017 | 71 | $6,419 | -44% | 7 | $917 | $160,047 | 6 |
| Sep 29, 2017 | 72 | $4,968 | -23% | 5 | $994 | $168,703 | 7 |
| Oct 6, 2017 | 89 | $1,549 | -69% | 2 | $775 | $174,051 | 8 |
| Oct 20, 2017 | 98 | $944 | 1 | $944 | $177,696 | 10 | |
| Oct 27, 2017 | 95 | $1,135 | +20% | 1 | $1,135 | $179,165 | 11 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 18, 2017 | 55 | $30,890 | 6 | $5,148 | $30,890 | 1 | |
| Aug 25, 2017 | 53 | $33,892 | +10% | 10 | $3,389 | $64,782 | 2 |
| Sep 1, 2017 | 60 | $39,124 | +15% | 12 | $3,260 | $105,614 | 3 |
| Sep 8, 2017 | 55 | $29,794 | -24% | 12 | $2,483 | $135,408 | 4 |
| Sep 15, 2017 | 63 | $18,220 | -39% | 10 | $1,822 | $153,628 | 5 |
| Sep 22, 2017 | 74 | $10,107 | -45% | 7 | $1,444 | $163,735 | 6 |
| Sep 29, 2017 | 70 | $8,767 | -13% | 5 | $1,753 | $172,502 | 7 |
| Oct 6, 2017 | 90 | $3,442 | -61% | 2 | $1,721 | $175,944 | 8 |
| Oct 13, 2017 | 107 | $808 | -77% | 2 | $404 | $176,752 | 9 |
| Oct 20, 2017 | 102 | $1,278 | +58% | 1 | $1,278 | $178,030 | 10 |
| Oct 27, 2017 | 92 | $2,578 | +102% | 1 | $2,578 | $180,608 | 11 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| South Korea | 10/11/2017 | $0 | 0 | 27 | 38 | $38,016 | 4/4/2026 | |||
| United Kingdom | 11/10/2017 | $6,221 | 3 | 3 | 3 | $6,221 | 11/15/2017 | |||
| International Total | $44,237 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Jon Hamm | Walter |
Supporting
| Geena Davis | Tess | |
| Tim Robbins | Jon |
Leading
| Lois Smith | Marjorie |
Supporting
| Stephanie Andujar | Julie | |
| Hana May Colley | 2nd Generation Marjorie, age 10 | |
| Hannah Gross | young Marjorie | |
| India Kotis | young Tess | |
| Leslie Lyles | Mrs. Salverson | |
| Cashus Muse | Bartender |
Production and Technical Credits
| Michael Almereyda | Director | |
| Michael Almereyda | Screenwriter | |
| Jordan Harrison | Story based on the play by | |
| Michael Almereyda | Producer | |
| Uri Singer | Producer | |
| Isen Robbins | Executive Producer | |
| Rogerio Ferezin | Executive Producer | |
| Luis Fragali | Executive Producer | |
| Jon Hamm | Executive Producer | |
| Per Melita | Executive Producer | |
| Adam Mirels | Executive Producer | |
| Tim Robbins | Executive Producer | |
| Aimee Schoof | Executive Producer | |
| Daniel Turcan | Co-Producer | |
| Tal Vigderson | Co-Producer | |
| Virginia Tomasi | Associate Producer | |
| Brian David Cange | Line Producer | |
| Sean Williams* | Director of Photography | |
| Kathryn J. Schubert | Editor | |
| Javiera Varas | Production Designer | |
| Kama K. Royz* | Costume Designer | |
| Mica Levi | Composer | |
| Jonathan Finegold | Music Supervisor | |
| Lucy Bright | Music Supervisor | |
| Richard Reed Parry | Music Supervisor | |
| Billy Hopkins | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
In the near future, a time of artificial intelligence: 86-year-old Marjorie a jumble of disparate, fading memories- has a handsome new companion who looks like her deceased husband and is programmed to feed the story of her life back to her. What would we remember, and what would we forget, if given the chance?
Metrics
| Opening Weekend: | $20,668 (11.4% of total gross) |
| Legs: | 6.80 (domestic box office/biggest weekend) |
| Domestic Share: | 80.3% (domestic box office/worldwide) |
| Theater counts: | 6 opening theaters/12 max. theaters, 5.5 weeks average run per theater |
| Infl. Adj. Dom. BO | $240,815 |
Movie Details
| Domestic Releases: | August 18th, 2017 (Limited) by FilmRise |
| International Releases: | October 11th, 2017 (Wide) (South Korea)
November 10th, 2017 (Wide) (United Kingdom) |
| MPA Rating: | Not Rated |
| Running Time: | 98 minutes |
| Plot point: | Artificial Intelligence, Death of a Spouse or Fiancée / Fiancé, Faulty Memory, Implanted Memory, Romance, Widow/Widower |
| Time period setting: | Near Future |
| Source: | Original Screenplay |
| Genre: | Multiple Genres |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | FilmRise, Passage Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 18, 2017 | 55 | $20,668 | 6 | $3,445 | $20,668 | 1 | |
| Aug 25, 2017 | 53 | $24,013 | +16% | 10 | $2,401 | $54,903 | 2 |
| Sep 1, 2017 | 59 | $26,546 | +11% | 12 | $2,212 | $91,328 | 3 |
| Sep 8, 2017 | 56 | $19,558 | -26% | 12 | $1,630 | $125,172 | 4 |
| Sep 15, 2017 | 60 | $11,454 | -41% | 10 | $1,145 | $142,821 | 5 |
| Sep 22, 2017 | 71 | $6,419 | -44% | 7 | $917 | $160,047 | 6 |
| Sep 29, 2017 | 72 | $4,968 | -23% | 5 | $994 | $168,703 | 7 |
| Oct 6, 2017 | 89 | $1,549 | -69% | 2 | $775 | $174,051 | 8 |
| Oct 20, 2017 | 98 | $944 | 1 | $944 | $177,696 | 10 | |
| Oct 27, 2017 | 95 | $1,135 | +20% | 1 | $1,135 | $179,165 | 11 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 18, 2017 | 55 | $30,890 | 6 | $5,148 | $30,890 | 1 | |
| Aug 25, 2017 | 53 | $33,892 | +10% | 10 | $3,389 | $64,782 | 2 |
| Sep 1, 2017 | 60 | $39,124 | +15% | 12 | $3,260 | $105,614 | 3 |
| Sep 8, 2017 | 55 | $29,794 | -24% | 12 | $2,483 | $135,408 | 4 |
| Sep 15, 2017 | 63 | $18,220 | -39% | 10 | $1,822 | $153,628 | 5 |
| Sep 22, 2017 | 74 | $10,107 | -45% | 7 | $1,444 | $163,735 | 6 |
| Sep 29, 2017 | 70 | $8,767 | -13% | 5 | $1,753 | $172,502 | 7 |
| Oct 6, 2017 | 90 | $3,442 | -61% | 2 | $1,721 | $175,944 | 8 |
| Oct 13, 2017 | 107 | $808 | -77% | 2 | $404 | $176,752 | 9 |
| Oct 20, 2017 | 102 | $1,278 | +58% | 1 | $1,278 | $178,030 | 10 |
| Oct 27, 2017 | 92 | $2,578 | +102% | 1 | $2,578 | $180,608 | 11 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| South Korea | 10/11/2017 | $0 | 0 | 27 | 38 | $38,016 | 4/4/2026 | |||
| United Kingdom | 11/10/2017 | $6,221 | 3 | 3 | 3 | $6,221 | 11/15/2017 | |||
| International Total | $44,237 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Jon Hamm | Walter |
Supporting
| Geena Davis | Tess | |
| Tim Robbins | Jon |
Leading
| Lois Smith | Marjorie |
Supporting
| Stephanie Andujar | Julie | |
| Hana May Colley | 2nd Generation Marjorie, age 10 | |
| Hannah Gross | young Marjorie | |
| India Kotis | young Tess | |
| Leslie Lyles | Mrs. Salverson | |
| Cashus Muse | Bartender |
Production and Technical Credits
| Michael Almereyda | Director | |
| Michael Almereyda | Screenwriter | |
| Jordan Harrison | Story based on the play by | |
| Michael Almereyda | Producer | |
| Uri Singer | Producer | |
| Isen Robbins | Executive Producer | |
| Rogerio Ferezin | Executive Producer | |
| Luis Fragali | Executive Producer | |
| Jon Hamm | Executive Producer | |
| Per Melita | Executive Producer | |
| Adam Mirels | Executive Producer | |
| Tim Robbins | Executive Producer | |
| Aimee Schoof | Executive Producer | |
| Daniel Turcan | Co-Producer | |
| Tal Vigderson | Co-Producer | |
| Virginia Tomasi | Associate Producer | |
| Brian David Cange | Line Producer | |
| Sean Williams* | Director of Photography | |
| Kathryn J. Schubert | Editor | |
| Javiera Varas | Production Designer | |
| Kama K. Royz* | Costume Designer | |
| Mica Levi | Composer | |
| Jonathan Finegold | Music Supervisor | |
| Lucy Bright | Music Supervisor | |
| Richard Reed Parry | Music Supervisor | |
| Billy Hopkins | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.