The Matrix Resurrections (2021)
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| Theatrical Performance | ||
| Domestic Box Office | $40,463,197 | Details |
| International Box Office | $119,700,000 | Details |
| Worldwide Box Office | $160,163,197 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $2,466,851 | |
| Blu-ray Sales (estimated) | $6,337,642 | |
| Total | $8,804,493 | |
| OpusData ID: 423610100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $10,749,011 (26.6% of total gross) |
| Legs: | 3.76 (domestic box office/biggest weekend) |
| Domestic Share: | 25.3% (domestic box office/worldwide) |
| Production Budget: | $190,000,000 (worldwide box office is 0.8 times production budget) |
| Theater counts: | 3,552 opening theaters/3,552 max. theaters, 4.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $43,935,933 |
Movie Details
| Domestic Releases: | December 22nd, 2021 (Wide) by Warner Bros. December 22nd, 2021 (IMAX) by Warner Bros. |
| International Releases: | December 16th, 2021 (Wide), released as Матрица: Воскрешение (Russia (CIS))
December 16th, 2021 (Wide) (Kazakhstan) December 17th, 2021 (Wide), released as マトリックス レザレクションズ (Japan) December 17th, 2021 (Wide) (Thailand) December 22nd, 2021 (Wide) (United Kingdom) ... Show all releases |
| Video Release: | December 22nd, 2021 by Max |
| MPA Rating: | R for violence and some language. (Rating bulletin 2703 (cert #53296), 10/20/2021) |
| Running Time: | 148 minutes |
| Franchise: | Matrix |
| Cast, crew, or production detail: | Legacy Sequel |
| Plot point: | Artificial Intelligence, Virtual Reality |
| Subgenre: | Action Adventure |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Village Roadshow Productions, Warner Bros., Venus Castina Productions |
| Production Countries: | United States, Australia |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 24, 2021 | 3 | $10,749,011 | 3,552 | $3,026 | $21,198,376 | 1 | |
| Dec 31, 2021 | 5 | $3,827,445 | -64% | 3,552 | $1,078 | $30,911,026 | 2 |
| Jan 7, 2022 | 6 | $1,843,306 | -52% | 2,875 | $641 | $34,300,409 | 3 |
| Jan 14, 2022 | 10 | $803,606 | -56% | 1,725 | $466 | $35,804,132 | 4 |
| Jan 21, 2022 | 14 | $440,031 | -45% | 1,009 | $436 | $36,605,105 | 5 |
| Jan 28, 2022 | - | $318,843 | -28% | 879 | $363 | $37,100,591 | 6 |
| Feb 4, 2022 | - | $150,439 | -53% | 449 | $335 | $37,388,078 | 7 |
| Feb 11, 2022 | - | $89,536 | -40% | 182 | $492 | $37,571,006 | 8 |
| Feb 18, 2022 | - | $28,966 | -68% | 80 | $362 | $37,646,813 | 9 |
| Feb 25, 2022 | - | $17,017 | -41% | 52 | $327 | $37,677,881 | 10 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Dec 22, 2021 | 3 | $6,371,768 | 3,552 | $1,794 | $6,371,768 | 1 | ||
| Dec 23, 2021 | 3 | $4,077,597 | -36% | 3,552 | $1,148 | $10,449,365 | 2 | |
| Dec 24, 2021 | 3 | $2,673,056 | -34% | 3,552 | $753 | $13,122,421 | 3 | |
| Dec 25, 2021 | 3 | $4,550,727 | +70% | 3,552 | $1,281 | $17,673,148 | 4 | |
| Dec 26, 2021 | 3 | $3,525,228 | -23% | 3,552 | $992 | $21,198,376 | 5 | |
| Dec 27, 2021 | - | $1,702,044 | -52% | 3,552 | $479 | $22,900,420 | 6 | |
| Dec 28, 2021 | - | $1,579,197 | -7% | 3,552 | $445 | $24,479,617 | 7 | |
| Dec 29, 2021 | - | $1,276,618 | -19% | -80% | 3,552 | $359 | $25,756,235 | 8 |
| Dec 30, 2021 | - | $1,327,346 | +4% | -67% | 3,552 | $374 | $27,083,581 | 9 |
| Dec 31, 2021 | 5 | $1,051,053 | -21% | -61% | 3,552 | $296 | $28,134,634 | 10 |
| Jan 1, 2022 | 5 | $1,635,057 | +56% | -64% | 3,552 | $460 | $29,769,691 | 11 |
| Jan 2, 2022 | 4 | $1,141,335 | -30% | -68% | 3,552 | $321 | $30,911,026 | 12 |
| Jan 3, 2022 | 4 | $489,067 | -57% | -71% | 3,552 | $138 | $31,400,093 | 13 |
| Jan 4, 2022 | 5 | $452,536 | -7% | -71% | 3,552 | $127 | $31,852,629 | 14 |
| Jan 5, 2022 | 4 | $318,278 | -30% | -75% | 3,552 | $90 | $32,170,907 | 15 |
| Jan 6, 2022 | 5 | $286,196 | -10% | -78% | 3,552 | $81 | $32,457,103 | 16 |
| Jan 7, 2022 | 6 | $497,760 | +74% | -53% | 2,875 | $173 | $32,954,863 | 17 |
| Jan 8, 2022 | 6 | $822,398 | +65% | -50% | 2,875 | $286 | $33,777,261 | 18 |
| Jan 9, 2022 | 6 | $523,148 | -36% | -54% | 2,875 | $182 | $34,300,409 | 19 |
| Jan 10, 2022 | 5 | $165,018 | -68% | -66% | 2,875 | $57 | $34,465,427 | 20 |
| Jan 11, 2022 | 6 | $214,136 | +30% | -53% | 2,875 | $74 | $34,679,563 | 21 |
| Jan 12, 2022 | 7 | $172,141 | -20% | -46% | 2,875 | $60 | $34,851,704 | 22 |
| Jan 13, 2022 | 7 | $148,822 | -14% | -48% | 2,875 | $52 | $35,000,526 | 23 |
| Jan 14, 2022 | 10 | $222,132 | +49% | -55% | 1,725 | $129 | $35,222,658 | 24 |
| Jan 15, 2022 | 11 | $338,271 | +52% | -59% | 1,725 | $196 | $35,560,929 | 25 |
| Jan 16, 2022 | 10 | $243,203 | -28% | -54% | 1,725 | $141 | $35,804,132 | 26 |
| Jan 17, 2022 | 12 | $126,853 | -48% | -23% | 1,725 | $74 | $35,930,985 | 27 |
| Jan 18, 2022 | 11 | $89,587 | -29% | -58% | 1,725 | $52 | $36,020,572 | 28 |
| Jan 19, 2022 | 11 | $79,624 | -11% | -54% | 1,725 | $46 | $36,100,196 | 29 |
| Jan 20, 2022 | 11 | $64,878 | -19% | -56% | 1,725 | $38 | $36,165,074 | 30 |
| Jan 21, 2022 | 14 | $115,179 | +78% | -48% | 1,009 | $114 | $36,280,253 | 31 |
| Jan 22, 2022 | 14 | $195,488 | +70% | -42% | 1,009 | $194 | $36,475,741 | 32 |
| Jan 23, 2022 | 14 | $129,364 | -34% | -47% | 1,009 | $128 | $36,605,105 | 33 |
| Jan 24, 2022 | 13 | $40,812 | -68% | -68% | 1,009 | $40 | $36,645,917 | 34 |
| Jan 25, 2022 | 14 | $51,537 | +26% | -42% | 1,009 | $51 | $36,697,454 | 35 |
| Jan 26, 2022 | 13 | $42,213 | -18% | -47% | 1,009 | $42 | $36,739,667 | 36 |
| Jan 27, 2022 | - | $42,081 | n/c | -35% | 1,009 | $42 | $36,781,748 | 37 |
| Jan 28, 2022 | 14 | $86,779 | +106% | -25% | 879 | $99 | $36,868,527 | 38 |
| Jan 29, 2022 | - | $147,159 | +70% | -25% | 879 | $167 | $37,015,686 | 39 |
| Jan 30, 2022 | - | $84,905 | -42% | -34% | 879 | $97 | $37,100,591 | 40 |
| Jan 31, 2022 | - | $34,807 | -59% | -15% | 879 | $40 | $37,135,398 | 41 |
| Feb 1, 2022 | - | $44,455 | +28% | -14% | 879 | $51 | $37,179,853 | 42 |
| Feb 2, 2022 | - | $30,672 | -31% | -27% | 879 | $35 | $37,210,525 | 43 |
| Feb 3, 2022 | - | $27,114 | -12% | -36% | 879 | $31 | $37,237,639 | 44 |
| Feb 4, 2022 | - | $36,077 | +33% | -58% | 449 | $80 | $37,273,716 | 45 |
| Feb 5, 2022 | - | $70,628 | +96% | -52% | 449 | $157 | $37,344,344 | 46 |
| Feb 6, 2022 | - | $43,734 | -38% | -48% | 449 | $97 | $37,388,078 | 47 |
| Feb 7, 2022 | - | $19,635 | -55% | -44% | 449 | $44 | $37,407,713 | 48 |
| Feb 8, 2022 | - | $31,841 | +62% | -28% | 449 | $71 | $37,439,554 | 49 |
| Feb 9, 2022 | - | $22,340 | -30% | -27% | 449 | $50 | $37,461,894 | 50 |
| Feb 10, 2022 | - | $19,576 | -12% | -28% | 449 | $44 | $37,481,470 | 51 |
| Feb 11, 2022 | - | $25,018 | +28% | -31% | 182 | $137 | $37,506,488 | 52 |
| Feb 12, 2022 | - | $44,516 | +78% | -37% | 182 | $245 | $37,551,004 | 53 |
| Feb 13, 2022 | - | $20,002 | -55% | -54% | 182 | $110 | $37,571,006 | 54 |
| Feb 14, 2022 | - | $13,841 | -31% | -30% | 182 | $76 | $37,584,847 | 55 |
| Feb 15, 2022 | - | $12,824 | -7% | -60% | 182 | $70 | $37,597,671 | 56 |
| Feb 16, 2022 | - | $11,421 | -11% | -49% | 182 | $63 | $37,609,092 | 57 |
| Feb 17, 2022 | - | $8,755 | -23% | -55% | 182 | $48 | $37,617,847 | 58 |
| Feb 18, 2022 | - | $7,656 | -13% | -69% | 80 | $96 | $37,625,503 | 59 |
| Feb 19, 2022 | - | $12,275 | +60% | -72% | 80 | $153 | $37,637,778 | 60 |
| Feb 20, 2022 | - | $9,035 | -26% | -55% | 80 | $113 | $37,646,813 | 61 |
| Feb 21, 2022 | - | $4,208 | -53% | -70% | 80 | $53 | $37,651,021 | 62 |
| Feb 22, 2022 | - | $3,781 | -10% | -71% | 80 | $47 | $37,654,802 | 63 |
| Feb 23, 2022 | - | $3,101 | -18% | -73% | 80 | $39 | $37,657,903 | 64 |
| Feb 24, 2022 | - | $2,961 | -5% | -66% | 80 | $37 | $37,660,864 | 65 |
| Feb 25, 2022 | - | $3,884 | +31% | -49% | 52 | $75 | $37,664,748 | 66 |
| Feb 26, 2022 | - | $8,267 | +113% | -33% | 52 | $159 | $37,673,015 | 67 |
| Feb 27, 2022 | - | $4,866 | -41% | -46% | 52 | $94 | $37,677,881 | 68 |
| Feb 28, 2022 | - | $2,073 | -57% | -51% | 52 | $40 | $37,679,954 | 69 |
| Mar 1, 2022 | - | $3,012 | +45% | -20% | 52 | $58 | $37,682,966 | 70 |
| Mar 2, 2022 | - | $2,391 | -21% | -23% | 52 | $46 | $37,685,357 | 71 |
| Mar 3, 2022 | - | $1,448 | -39% | -51% | 52 | $28 | $37,686,805 | 72 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 17, 2021 | 4 | $10,449,365 | 3,552 | $2,942 | $10,449,365 | 1 | |
| Dec 24, 2021 | 3 | $16,634,216 | +59% | 3,552 | $4,683 | $27,083,581 | 2 |
| Dec 31, 2021 | 5 | $5,373,522 | -68% | 3,552 | $1,513 | $32,457,103 | 3 |
| Jan 7, 2022 | 6 | $2,543,423 | -53% | 2,875 | $885 | $35,000,526 | 4 |
| Jan 14, 2022 | 11 | $1,164,548 | -54% | 1,725 | $675 | $36,165,074 | 5 |
| Jan 21, 2022 | 14 | $616,674 | -47% | 1,009 | $611 | $36,781,748 | 6 |
| Jan 28, 2022 | - | $455,891 | -26% | 879 | $519 | $37,237,639 | 7 |
| Feb 4, 2022 | - | $243,831 | -47% | 449 | $543 | $37,481,470 | 8 |
| Feb 11, 2022 | - | $136,377 | -44% | 182 | $749 | $37,617,847 | 9 |
| Feb 18, 2022 | - | $43,017 | -68% | 80 | $538 | $37,660,864 | 10 |
| Feb 25, 2022 | - | $25,941 | -40% | 52 | $499 | $37,686,805 | 11 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 12/22/2021 | $977,508 | 277 | 382 | 1,374 | $5,630,825 | 10/20/2022 | |||
| Brazil | 12/22/2021 | $1,200,000 | 974 | 974 | 974 | $1,200,000 | 12/28/2021 | |||
| China | 1/14/2022 | $7,520,000 | 82,346 | 82,346 | 148,075 | $13,550,000 | 2/18/2022 | |||
| Czech Republic | 12/24/2021 | $119,228 | 140 | 140 | 473 | $554,765 | 10/20/2022 | |||
| Finland | 12/24/2021 | $115,157 | 83 | 84 | 424 | $515,615 | 4/4/2026 | |||
| France | 12/22/2021 | $3,000,000 | 707 | 707 | 1,963 | $6,800,000 | 10/20/2022 | |||
| Germany | 12/22/2021 | $1,700,000 | 824 | 824 | 2,269 | $5,200,000 | 10/20/2022 | |||
| Hong Kong | 12/23/2021 | $1,400,000 | 159 | 159 | 159 | $1,400,000 | 12/28/2021 | |||
| Italy | 1/1/2022 | $877,308 | 603 | 603 | 603 | $2,994,537 | 10/20/2022 | |||
| Japan | 12/17/2021 | $3,900,000 | 822 | 822 | 3,130 | $11,200,000 | 10/20/2022 | |||
| Kazakhstan | 12/16/2021 | $306,000 | 0 | 0 | 0 | $306,000 | 10/20/2022 | |||
| Lithuania | 12/24/2021 | $31,508 | 18 | 18 | 54 | $220,132 | 2/9/2022 | |||
| Mexico | 12/22/2021 | $1,714,452 | 0 | 0 | 0 | $5,012,703 | 10/20/2022 | |||
| Netherlands | 1/27/2022 | $228,635 | 146 | 146 | 585 | $846,385 | 3/9/2022 | |||
| New Zealand | 12/26/2021 | $138,752 | 93 | 95 | 438 | $946,832 | 10/20/2022 | |||
| Portugal | 12/22/2021 | $155,960 | 99 | 99 | 455 | $376,545 | 10/20/2022 | |||
| Romania | 12/24/2021 | $147,292 | 90 | 90 | 453 | $528,432 | 10/20/2022 | |||
| Russia (CIS) | 12/16/2021 | $3,874,832 | 1,546 | 1,567 | 5,881 | $7,602,451 | 4/4/2026 | |||
| Slovakia | 1/27/2022 | $23,517 | 75 | 75 | 113 | $47,039 | 3/1/2022 | |||
| South Korea | 12/22/2021 | $865,943 | 832 | 832 | 1,331 | $1,777,680 | 2/23/2022 | |||
| Spain | 12/22/2021 | $776,134 | 345 | 359 | 1,852 | $3,884,543 | 2/16/2022 | |||
| Thailand | 12/17/2021 | $795,000 | 568 | 568 | 568 | $795,000 | 10/20/2022 | |||
| Turkey | 12/24/2021 | $565,113 | 632 | 632 | 1,739 | $1,076,351 | 4/4/2026 | |||
| United Kingdom | 12/22/2021 | $3,603,037 | 595 | 638 | 2,990 | $10,272,989 | 2/23/2022 | |||
| Rest of World | $36,961,176 | |||||||||
| International Total | $119,700,000 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Keanu Reeves | Neo / Thomas Anderson |
Supporting
| Carrie Anne Moss | Trinity / Tiffany | |
| Yahya Abdul-Mateen II | Morpheus / Agent Smith | |
| Jonathan Groff | Smith | |
| Jessica Henwick | Bugs | |
| Neil Patrick Harris | The Analyst | |
| Jada Pinkett Smith | Niobe | |
| Priyanka Chopra | Sati | |
| Christina Ricci | Gwyn de Vere | |
| Lambert Wilson | The Merovingian | |
| Andrew Lewis Caldwell* | Jude | |
| Toby Onwumere | Sequoia | |
| Max Riemelt | Sheperd | |
| Daniel Bernhardt | Agent Johnson | |
| Joshua Grothe | FunktIøn | |
| Brian J. Smith | Berg | |
| Erendira Ibarra | Lexy | |
| Michael X Sommers | Skroce | |
| L. Trey Wilson | Hanno | |
| Mumbi Maina | Ellster | |
| Max Mauff | Quillion | |
| Purab Kohli | Zen | |
| Freema Agyeman | Astra | |
| Sabrina Strehl | Fiona | |
| Andrew Rothney | Scott | |
| Cooper Rivers | GJ | |
| Esther Silex | Brainstormer #1 | |
| Frank Isom | Brainstormer #2 | |
| Leo Sheng | Bobbi | |
| Telma Hopkins | Freya | |
| John Gaeta | Deus Machina Employee #1 | |
| Donald Mustard | Deus Machina Employee #2 | |
| Kimberley Sean Libreri* | Deus Machina Employee #3 | |
| Joe Mazza | Cop | |
| Chad Stahelski | Chad | |
| Julian Grey | Brandon | |
| Gaige Chat* | Donnie | |
| Tiger Chen Hu* | M.O.T.C. | |
| Volkhart Buff | Kush | |
| Amadei Weiland | Agent White | |
| Stephen Dunlevy | Agent Jones | |
| Ellen Hollman | Echo | |
| Ian Pirie | Lieutenant | |
| Nicolas De Pruyssenaere | Lead SWAT | |
| Felix Quinton | SWAT | |
| Aaron Pina | FBI | |
| Dani Swan | Woman in Red | |
| London Breed | Calliope | |
| Steven Roy | Thomas’s Reflection | |
| Mercy* | Wife | |
| Juval Dieziger | Utrix Driver | |
| James McTeigue | Innocuous Man | |
| Sarah McTeigue | Sarah Seyfried McTeigue |
Production and Technical Credits
| Lana Wachowski | Director | |
| Lana Wachowski | Screenwriter | |
| David Mitchell | Screenwriter | |
| Aleksandar Hemon | Screenwriter | |
| David Robert Mitchell | Screenwriter | |
| Grant Hill | Producer | |
| Lana Wachowski | Producer | |
| James McTeigue | Producer | |
| Daniele Massaccesi | Director of Photography | |
| John Toll | Director of Photography | |
| Hugh Bateup | Production Designer | |
| Peter Walpole | Production Designer | |
| Joseph Jett Sally | Editor | |
| Johnny Klimek | Composer | |
| Tom Tykwer | Composer | |
| Scott Rogers | Stunt Coordinator | |
| Jonathan Eusebio | Martial Arts Stunt Coordinator | |
| Joshua Grothe | Fight Choreographer | |
| Dan Glass | Visual Effects Supervisor | |
| Lindsay Pugh | Costume Designer | |
| Carmen Cuba | Casting Director | |
| Garrett Grant | Unit Production Manager | |
| Toby Pease | Unit Production Manager | |
| Miki Emmrich | Unit Production Manager | |
| Michael Salven | First Assistant Director | |
| Aimee Allegretti | Executive Producer | |
| Henning Molfenter | Co-Producer | |
| Charlie Woebcken | Co-Producer | |
| Christoph Fisser | Co-Producer | |
| Miki Emmrich | Co-Producer | |
| Matt Bilski | Associate Producer | |
| Loranne Turgeon | Associate Producer | |
| Dane A. Davis | Sound Designer | |
| Dane A. Davis | Supervising Sound Editor | |
| Stephan Gessler | Supervising Art Director | |
| Anja Müller | Art Director | |
| Wolfgang Metschan | Art Director | |
| Esther Schreiner | Art Director | |
| Tarnia Nicol | Art Director | |
| Josef Brandl | Assistant Art Director | |
| Marc Bitz | Assistant Art Director | |
| Stephanie Rass | Assistant Art Director | |
| Stefanie Übelhör | Set Designer | |
| Serban Rotariu | Set Designer | |
| Mariana Vasconcellos | Set Designer | |
| Claudia Granucci | Set Designer | |
| Alice Wong | Set Designer | |
| Celina Hollaender | Set Designer | |
| Lisa Brennan | Set Decorator | |
| Julie Brown | Script Supervisor | |
| Barry O'Sullivan | Production Sound Mixer | |
| Caroline Kiera Hill | Costume Supervisor | |
| Alanna Reynolds | Assistant Costume Designer | |
| Anna Munro | Assistant Costume Designer | |
| Flora Moody | Hair Designer/ Hair Department Head | |
| Shunika Terry | Hair Department Head | |
| Heike Merker | Makeup Department Head | |
| Katharina Gapski | Production Supervisor | |
| François Doge | Stunt Department Coordinators | |
| Lena Mary Plass* | Stunt Department Coordinators | |
| Angie Uhl | Stunt Department Coordinators | |
| Marco Giacalone | Location Manager | |
| J.D. Schwalm | Special Effects Supervisor | |
| Brendon O'Dell | Special Effects Supervisor | |
| Carlos Lagunas | Special Effects Designer | |
| Tina Mersmann | Post-Production Supervisor | |
| Katharina Gapski | Post-Production Supervisor | |
| Toska Hartmann | First Assistant Editor | |
| Stephanie Flack | Supervising Sound Editor | |
| Matthias Lempert | Re-recording Mixer | |
| Lars Ginzel | Re-recording Mixer | |
| Bryan Watkins | Sound Effects Editor | |
| Jeremy Peirson | Sound Effects Editor | |
| Markus Stemler | Sound Effects Editor | |
| Michael Schapiro | Sound Effects Editor | |
| Eric Lindemann | Sound Effects Editor | |
| Albert Gasser | Sound Effects Editor | |
| Laurent Kossayan | Sound Effects Editor | |
| Caron Weidner | Sound Effects Editor | |
| Immo Trümpelmann | Dialogue Editor | |
| Dominik Schleier | Dialogue Editor | |
| Benjamin Hörbe | Dialogue Editor | |
| Marek Forreiter | Dialogue Editor | |
| Frank Kruse | Foley Supervisor | |
| Hanse Warns | Foley Mixer | |
| Kuen-Il Song | Foley Editor | |
| Nina Fallon | Visual Effects Producer | |
| Muriel Gérard | Visual Effects Coordinator | |
| Elena Pagliei | Visual Effects Coordinator | |
| José Velásquez | Visual Effects Coordinator | |
| Marcel Wehe | Visual Effects Coordinator | |
| Gareth James Daley* | Visual Effects Coordinator | |
| Michael Brazelton | Visual Effects Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Metrics
| Opening Weekend: | $10,749,011 (26.6% of total gross) |
| Legs: | 3.76 (domestic box office/biggest weekend) |
| Domestic Share: | 25.3% (domestic box office/worldwide) |
| Production Budget: | $190,000,000 (worldwide box office is 0.8 times production budget) |
| Theater counts: | 3,552 opening theaters/3,552 max. theaters, 4.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $43,935,933 |
Movie Details
| Domestic Releases: | December 22nd, 2021 (Wide) by Warner Bros. December 22nd, 2021 (IMAX) by Warner Bros. |
| International Releases: | December 16th, 2021 (Wide), released as Матрица: Воскрешение (Russia (CIS))
December 16th, 2021 (Wide) (Kazakhstan) December 17th, 2021 (Wide), released as マトリックス レザレクションズ (Japan) December 17th, 2021 (Wide) (Thailand) December 22nd, 2021 (Wide) (United Kingdom) ... Show all releases |
| Video Release: | December 22nd, 2021 by Max |
| MPA Rating: | R for violence and some language. (Rating bulletin 2703 (cert #53296), 10/20/2021) |
| Running Time: | 148 minutes |
| Franchise: | Matrix |
| Cast, crew, or production detail: | Legacy Sequel |
| Plot point: | Artificial Intelligence, Virtual Reality |
| Subgenre: | Action Adventure |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Village Roadshow Productions, Warner Bros., Venus Castina Productions |
| Production Countries: | United States, Australia |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 24, 2021 | 3 | $10,749,011 | 3,552 | $3,026 | $21,198,376 | 1 | |
| Dec 31, 2021 | 5 | $3,827,445 | -64% | 3,552 | $1,078 | $30,911,026 | 2 |
| Jan 7, 2022 | 6 | $1,843,306 | -52% | 2,875 | $641 | $34,300,409 | 3 |
| Jan 14, 2022 | 10 | $803,606 | -56% | 1,725 | $466 | $35,804,132 | 4 |
| Jan 21, 2022 | 14 | $440,031 | -45% | 1,009 | $436 | $36,605,105 | 5 |
| Jan 28, 2022 | - | $318,843 | -28% | 879 | $363 | $37,100,591 | 6 |
| Feb 4, 2022 | - | $150,439 | -53% | 449 | $335 | $37,388,078 | 7 |
| Feb 11, 2022 | - | $89,536 | -40% | 182 | $492 | $37,571,006 | 8 |
| Feb 18, 2022 | - | $28,966 | -68% | 80 | $362 | $37,646,813 | 9 |
| Feb 25, 2022 | - | $17,017 | -41% | 52 | $327 | $37,677,881 | 10 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Dec 22, 2021 | 3 | $6,371,768 | 3,552 | $1,794 | $6,371,768 | 1 | ||
| Dec 23, 2021 | 3 | $4,077,597 | -36% | 3,552 | $1,148 | $10,449,365 | 2 | |
| Dec 24, 2021 | 3 | $2,673,056 | -34% | 3,552 | $753 | $13,122,421 | 3 | |
| Dec 25, 2021 | 3 | $4,550,727 | +70% | 3,552 | $1,281 | $17,673,148 | 4 | |
| Dec 26, 2021 | 3 | $3,525,228 | -23% | 3,552 | $992 | $21,198,376 | 5 | |
| Dec 27, 2021 | - | $1,702,044 | -52% | 3,552 | $479 | $22,900,420 | 6 | |
| Dec 28, 2021 | - | $1,579,197 | -7% | 3,552 | $445 | $24,479,617 | 7 | |
| Dec 29, 2021 | - | $1,276,618 | -19% | -80% | 3,552 | $359 | $25,756,235 | 8 |
| Dec 30, 2021 | - | $1,327,346 | +4% | -67% | 3,552 | $374 | $27,083,581 | 9 |
| Dec 31, 2021 | 5 | $1,051,053 | -21% | -61% | 3,552 | $296 | $28,134,634 | 10 |
| Jan 1, 2022 | 5 | $1,635,057 | +56% | -64% | 3,552 | $460 | $29,769,691 | 11 |
| Jan 2, 2022 | 4 | $1,141,335 | -30% | -68% | 3,552 | $321 | $30,911,026 | 12 |
| Jan 3, 2022 | 4 | $489,067 | -57% | -71% | 3,552 | $138 | $31,400,093 | 13 |
| Jan 4, 2022 | 5 | $452,536 | -7% | -71% | 3,552 | $127 | $31,852,629 | 14 |
| Jan 5, 2022 | 4 | $318,278 | -30% | -75% | 3,552 | $90 | $32,170,907 | 15 |
| Jan 6, 2022 | 5 | $286,196 | -10% | -78% | 3,552 | $81 | $32,457,103 | 16 |
| Jan 7, 2022 | 6 | $497,760 | +74% | -53% | 2,875 | $173 | $32,954,863 | 17 |
| Jan 8, 2022 | 6 | $822,398 | +65% | -50% | 2,875 | $286 | $33,777,261 | 18 |
| Jan 9, 2022 | 6 | $523,148 | -36% | -54% | 2,875 | $182 | $34,300,409 | 19 |
| Jan 10, 2022 | 5 | $165,018 | -68% | -66% | 2,875 | $57 | $34,465,427 | 20 |
| Jan 11, 2022 | 6 | $214,136 | +30% | -53% | 2,875 | $74 | $34,679,563 | 21 |
| Jan 12, 2022 | 7 | $172,141 | -20% | -46% | 2,875 | $60 | $34,851,704 | 22 |
| Jan 13, 2022 | 7 | $148,822 | -14% | -48% | 2,875 | $52 | $35,000,526 | 23 |
| Jan 14, 2022 | 10 | $222,132 | +49% | -55% | 1,725 | $129 | $35,222,658 | 24 |
| Jan 15, 2022 | 11 | $338,271 | +52% | -59% | 1,725 | $196 | $35,560,929 | 25 |
| Jan 16, 2022 | 10 | $243,203 | -28% | -54% | 1,725 | $141 | $35,804,132 | 26 |
| Jan 17, 2022 | 12 | $126,853 | -48% | -23% | 1,725 | $74 | $35,930,985 | 27 |
| Jan 18, 2022 | 11 | $89,587 | -29% | -58% | 1,725 | $52 | $36,020,572 | 28 |
| Jan 19, 2022 | 11 | $79,624 | -11% | -54% | 1,725 | $46 | $36,100,196 | 29 |
| Jan 20, 2022 | 11 | $64,878 | -19% | -56% | 1,725 | $38 | $36,165,074 | 30 |
| Jan 21, 2022 | 14 | $115,179 | +78% | -48% | 1,009 | $114 | $36,280,253 | 31 |
| Jan 22, 2022 | 14 | $195,488 | +70% | -42% | 1,009 | $194 | $36,475,741 | 32 |
| Jan 23, 2022 | 14 | $129,364 | -34% | -47% | 1,009 | $128 | $36,605,105 | 33 |
| Jan 24, 2022 | 13 | $40,812 | -68% | -68% | 1,009 | $40 | $36,645,917 | 34 |
| Jan 25, 2022 | 14 | $51,537 | +26% | -42% | 1,009 | $51 | $36,697,454 | 35 |
| Jan 26, 2022 | 13 | $42,213 | -18% | -47% | 1,009 | $42 | $36,739,667 | 36 |
| Jan 27, 2022 | - | $42,081 | n/c | -35% | 1,009 | $42 | $36,781,748 | 37 |
| Jan 28, 2022 | 14 | $86,779 | +106% | -25% | 879 | $99 | $36,868,527 | 38 |
| Jan 29, 2022 | - | $147,159 | +70% | -25% | 879 | $167 | $37,015,686 | 39 |
| Jan 30, 2022 | - | $84,905 | -42% | -34% | 879 | $97 | $37,100,591 | 40 |
| Jan 31, 2022 | - | $34,807 | -59% | -15% | 879 | $40 | $37,135,398 | 41 |
| Feb 1, 2022 | - | $44,455 | +28% | -14% | 879 | $51 | $37,179,853 | 42 |
| Feb 2, 2022 | - | $30,672 | -31% | -27% | 879 | $35 | $37,210,525 | 43 |
| Feb 3, 2022 | - | $27,114 | -12% | -36% | 879 | $31 | $37,237,639 | 44 |
| Feb 4, 2022 | - | $36,077 | +33% | -58% | 449 | $80 | $37,273,716 | 45 |
| Feb 5, 2022 | - | $70,628 | +96% | -52% | 449 | $157 | $37,344,344 | 46 |
| Feb 6, 2022 | - | $43,734 | -38% | -48% | 449 | $97 | $37,388,078 | 47 |
| Feb 7, 2022 | - | $19,635 | -55% | -44% | 449 | $44 | $37,407,713 | 48 |
| Feb 8, 2022 | - | $31,841 | +62% | -28% | 449 | $71 | $37,439,554 | 49 |
| Feb 9, 2022 | - | $22,340 | -30% | -27% | 449 | $50 | $37,461,894 | 50 |
| Feb 10, 2022 | - | $19,576 | -12% | -28% | 449 | $44 | $37,481,470 | 51 |
| Feb 11, 2022 | - | $25,018 | +28% | -31% | 182 | $137 | $37,506,488 | 52 |
| Feb 12, 2022 | - | $44,516 | +78% | -37% | 182 | $245 | $37,551,004 | 53 |
| Feb 13, 2022 | - | $20,002 | -55% | -54% | 182 | $110 | $37,571,006 | 54 |
| Feb 14, 2022 | - | $13,841 | -31% | -30% | 182 | $76 | $37,584,847 | 55 |
| Feb 15, 2022 | - | $12,824 | -7% | -60% | 182 | $70 | $37,597,671 | 56 |
| Feb 16, 2022 | - | $11,421 | -11% | -49% | 182 | $63 | $37,609,092 | 57 |
| Feb 17, 2022 | - | $8,755 | -23% | -55% | 182 | $48 | $37,617,847 | 58 |
| Feb 18, 2022 | - | $7,656 | -13% | -69% | 80 | $96 | $37,625,503 | 59 |
| Feb 19, 2022 | - | $12,275 | +60% | -72% | 80 | $153 | $37,637,778 | 60 |
| Feb 20, 2022 | - | $9,035 | -26% | -55% | 80 | $113 | $37,646,813 | 61 |
| Feb 21, 2022 | - | $4,208 | -53% | -70% | 80 | $53 | $37,651,021 | 62 |
| Feb 22, 2022 | - | $3,781 | -10% | -71% | 80 | $47 | $37,654,802 | 63 |
| Feb 23, 2022 | - | $3,101 | -18% | -73% | 80 | $39 | $37,657,903 | 64 |
| Feb 24, 2022 | - | $2,961 | -5% | -66% | 80 | $37 | $37,660,864 | 65 |
| Feb 25, 2022 | - | $3,884 | +31% | -49% | 52 | $75 | $37,664,748 | 66 |
| Feb 26, 2022 | - | $8,267 | +113% | -33% | 52 | $159 | $37,673,015 | 67 |
| Feb 27, 2022 | - | $4,866 | -41% | -46% | 52 | $94 | $37,677,881 | 68 |
| Feb 28, 2022 | - | $2,073 | -57% | -51% | 52 | $40 | $37,679,954 | 69 |
| Mar 1, 2022 | - | $3,012 | +45% | -20% | 52 | $58 | $37,682,966 | 70 |
| Mar 2, 2022 | - | $2,391 | -21% | -23% | 52 | $46 | $37,685,357 | 71 |
| Mar 3, 2022 | - | $1,448 | -39% | -51% | 52 | $28 | $37,686,805 | 72 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 17, 2021 | 4 | $10,449,365 | 3,552 | $2,942 | $10,449,365 | 1 | |
| Dec 24, 2021 | 3 | $16,634,216 | +59% | 3,552 | $4,683 | $27,083,581 | 2 |
| Dec 31, 2021 | 5 | $5,373,522 | -68% | 3,552 | $1,513 | $32,457,103 | 3 |
| Jan 7, 2022 | 6 | $2,543,423 | -53% | 2,875 | $885 | $35,000,526 | 4 |
| Jan 14, 2022 | 11 | $1,164,548 | -54% | 1,725 | $675 | $36,165,074 | 5 |
| Jan 21, 2022 | 14 | $616,674 | -47% | 1,009 | $611 | $36,781,748 | 6 |
| Jan 28, 2022 | - | $455,891 | -26% | 879 | $519 | $37,237,639 | 7 |
| Feb 4, 2022 | - | $243,831 | -47% | 449 | $543 | $37,481,470 | 8 |
| Feb 11, 2022 | - | $136,377 | -44% | 182 | $749 | $37,617,847 | 9 |
| Feb 18, 2022 | - | $43,017 | -68% | 80 | $538 | $37,660,864 | 10 |
| Feb 25, 2022 | - | $25,941 | -40% | 52 | $499 | $37,686,805 | 11 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 12/22/2021 | $977,508 | 277 | 382 | 1,374 | $5,630,825 | 10/20/2022 | |||
| Brazil | 12/22/2021 | $1,200,000 | 974 | 974 | 974 | $1,200,000 | 12/28/2021 | |||
| China | 1/14/2022 | $7,520,000 | 82,346 | 82,346 | 148,075 | $13,550,000 | 2/18/2022 | |||
| Czech Republic | 12/24/2021 | $119,228 | 140 | 140 | 473 | $554,765 | 10/20/2022 | |||
| Finland | 12/24/2021 | $115,157 | 83 | 84 | 424 | $515,615 | 4/4/2026 | |||
| France | 12/22/2021 | $3,000,000 | 707 | 707 | 1,963 | $6,800,000 | 10/20/2022 | |||
| Germany | 12/22/2021 | $1,700,000 | 824 | 824 | 2,269 | $5,200,000 | 10/20/2022 | |||
| Hong Kong | 12/23/2021 | $1,400,000 | 159 | 159 | 159 | $1,400,000 | 12/28/2021 | |||
| Italy | 1/1/2022 | $877,308 | 603 | 603 | 603 | $2,994,537 | 10/20/2022 | |||
| Japan | 12/17/2021 | $3,900,000 | 822 | 822 | 3,130 | $11,200,000 | 10/20/2022 | |||
| Kazakhstan | 12/16/2021 | $306,000 | 0 | 0 | 0 | $306,000 | 10/20/2022 | |||
| Lithuania | 12/24/2021 | $31,508 | 18 | 18 | 54 | $220,132 | 2/9/2022 | |||
| Mexico | 12/22/2021 | $1,714,452 | 0 | 0 | 0 | $5,012,703 | 10/20/2022 | |||
| Netherlands | 1/27/2022 | $228,635 | 146 | 146 | 585 | $846,385 | 3/9/2022 | |||
| New Zealand | 12/26/2021 | $138,752 | 93 | 95 | 438 | $946,832 | 10/20/2022 | |||
| Portugal | 12/22/2021 | $155,960 | 99 | 99 | 455 | $376,545 | 10/20/2022 | |||
| Romania | 12/24/2021 | $147,292 | 90 | 90 | 453 | $528,432 | 10/20/2022 | |||
| Russia (CIS) | 12/16/2021 | $3,874,832 | 1,546 | 1,567 | 5,881 | $7,602,451 | 4/4/2026 | |||
| Slovakia | 1/27/2022 | $23,517 | 75 | 75 | 113 | $47,039 | 3/1/2022 | |||
| South Korea | 12/22/2021 | $865,943 | 832 | 832 | 1,331 | $1,777,680 | 2/23/2022 | |||
| Spain | 12/22/2021 | $776,134 | 345 | 359 | 1,852 | $3,884,543 | 2/16/2022 | |||
| Thailand | 12/17/2021 | $795,000 | 568 | 568 | 568 | $795,000 | 10/20/2022 | |||
| Turkey | 12/24/2021 | $565,113 | 632 | 632 | 1,739 | $1,076,351 | 4/4/2026 | |||
| United Kingdom | 12/22/2021 | $3,603,037 | 595 | 638 | 2,990 | $10,272,989 | 2/23/2022 | |||
| Rest of World | $36,961,176 | |||||||||
| International Total | $119,700,000 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Keanu Reeves | Neo / Thomas Anderson |
Supporting
| Carrie Anne Moss | Trinity / Tiffany | |
| Yahya Abdul-Mateen II | Morpheus / Agent Smith | |
| Jonathan Groff | Smith | |
| Jessica Henwick | Bugs | |
| Neil Patrick Harris | The Analyst | |
| Jada Pinkett Smith | Niobe | |
| Priyanka Chopra | Sati | |
| Christina Ricci | Gwyn de Vere | |
| Lambert Wilson | The Merovingian | |
| Andrew Lewis Caldwell* | Jude | |
| Toby Onwumere | Sequoia | |
| Max Riemelt | Sheperd | |
| Daniel Bernhardt | Agent Johnson | |
| Joshua Grothe | FunktIøn | |
| Brian J. Smith | Berg | |
| Erendira Ibarra | Lexy | |
| Michael X Sommers | Skroce | |
| L. Trey Wilson | Hanno | |
| Mumbi Maina | Ellster | |
| Max Mauff | Quillion | |
| Purab Kohli | Zen | |
| Freema Agyeman | Astra | |
| Sabrina Strehl | Fiona | |
| Andrew Rothney | Scott | |
| Cooper Rivers | GJ | |
| Esther Silex | Brainstormer #1 | |
| Frank Isom | Brainstormer #2 | |
| Leo Sheng | Bobbi | |
| Telma Hopkins | Freya | |
| John Gaeta | Deus Machina Employee #1 | |
| Donald Mustard | Deus Machina Employee #2 | |
| Kimberley Sean Libreri* | Deus Machina Employee #3 | |
| Joe Mazza | Cop | |
| Chad Stahelski | Chad | |
| Julian Grey | Brandon | |
| Gaige Chat* | Donnie | |
| Tiger Chen Hu* | M.O.T.C. | |
| Volkhart Buff | Kush | |
| Amadei Weiland | Agent White | |
| Stephen Dunlevy | Agent Jones | |
| Ellen Hollman | Echo | |
| Ian Pirie | Lieutenant | |
| Nicolas De Pruyssenaere | Lead SWAT | |
| Felix Quinton | SWAT | |
| Aaron Pina | FBI | |
| Dani Swan | Woman in Red | |
| London Breed | Calliope | |
| Steven Roy | Thomas’s Reflection | |
| Mercy* | Wife | |
| Juval Dieziger | Utrix Driver | |
| James McTeigue | Innocuous Man | |
| Sarah McTeigue | Sarah Seyfried McTeigue |
Production and Technical Credits
| Lana Wachowski | Director | |
| Lana Wachowski | Screenwriter | |
| David Mitchell | Screenwriter | |
| Aleksandar Hemon | Screenwriter | |
| David Robert Mitchell | Screenwriter | |
| Grant Hill | Producer | |
| Lana Wachowski | Producer | |
| James McTeigue | Producer | |
| Daniele Massaccesi | Director of Photography | |
| John Toll | Director of Photography | |
| Hugh Bateup | Production Designer | |
| Peter Walpole | Production Designer | |
| Joseph Jett Sally | Editor | |
| Johnny Klimek | Composer | |
| Tom Tykwer | Composer | |
| Scott Rogers | Stunt Coordinator | |
| Jonathan Eusebio | Martial Arts Stunt Coordinator | |
| Joshua Grothe | Fight Choreographer | |
| Dan Glass | Visual Effects Supervisor | |
| Lindsay Pugh | Costume Designer | |
| Carmen Cuba | Casting Director | |
| Garrett Grant | Unit Production Manager | |
| Toby Pease | Unit Production Manager | |
| Miki Emmrich | Unit Production Manager | |
| Michael Salven | First Assistant Director | |
| Aimee Allegretti | Executive Producer | |
| Henning Molfenter | Co-Producer | |
| Charlie Woebcken | Co-Producer | |
| Christoph Fisser | Co-Producer | |
| Miki Emmrich | Co-Producer | |
| Matt Bilski | Associate Producer | |
| Loranne Turgeon | Associate Producer | |
| Dane A. Davis | Sound Designer | |
| Dane A. Davis | Supervising Sound Editor | |
| Stephan Gessler | Supervising Art Director | |
| Anja Müller | Art Director | |
| Wolfgang Metschan | Art Director | |
| Esther Schreiner | Art Director | |
| Tarnia Nicol | Art Director | |
| Josef Brandl | Assistant Art Director | |
| Marc Bitz | Assistant Art Director | |
| Stephanie Rass | Assistant Art Director | |
| Stefanie Übelhör | Set Designer | |
| Serban Rotariu | Set Designer | |
| Mariana Vasconcellos | Set Designer | |
| Claudia Granucci | Set Designer | |
| Alice Wong | Set Designer | |
| Celina Hollaender | Set Designer | |
| Lisa Brennan | Set Decorator | |
| Julie Brown | Script Supervisor | |
| Barry O'Sullivan | Production Sound Mixer | |
| Caroline Kiera Hill | Costume Supervisor | |
| Alanna Reynolds | Assistant Costume Designer | |
| Anna Munro | Assistant Costume Designer | |
| Flora Moody | Hair Designer/ Hair Department Head | |
| Shunika Terry | Hair Department Head | |
| Heike Merker | Makeup Department Head | |
| Katharina Gapski | Production Supervisor | |
| François Doge | Stunt Department Coordinators | |
| Lena Mary Plass* | Stunt Department Coordinators | |
| Angie Uhl | Stunt Department Coordinators | |
| Marco Giacalone | Location Manager | |
| J.D. Schwalm | Special Effects Supervisor | |
| Brendon O'Dell | Special Effects Supervisor | |
| Carlos Lagunas | Special Effects Designer | |
| Tina Mersmann | Post-Production Supervisor | |
| Katharina Gapski | Post-Production Supervisor | |
| Toska Hartmann | First Assistant Editor | |
| Stephanie Flack | Supervising Sound Editor | |
| Matthias Lempert | Re-recording Mixer | |
| Lars Ginzel | Re-recording Mixer | |
| Bryan Watkins | Sound Effects Editor | |
| Jeremy Peirson | Sound Effects Editor | |
| Markus Stemler | Sound Effects Editor | |
| Michael Schapiro | Sound Effects Editor | |
| Eric Lindemann | Sound Effects Editor | |
| Albert Gasser | Sound Effects Editor | |
| Laurent Kossayan | Sound Effects Editor | |
| Caron Weidner | Sound Effects Editor | |
| Immo Trümpelmann | Dialogue Editor | |
| Dominik Schleier | Dialogue Editor | |
| Benjamin Hörbe | Dialogue Editor | |
| Marek Forreiter | Dialogue Editor | |
| Frank Kruse | Foley Supervisor | |
| Hanse Warns | Foley Mixer | |
| Kuen-Il Song | Foley Editor | |
| Nina Fallon | Visual Effects Producer | |
| Muriel Gérard | Visual Effects Coordinator | |
| Elena Pagliei | Visual Effects Coordinator | |
| José Velásquez | Visual Effects Coordinator | |
| Marcel Wehe | Visual Effects Coordinator | |
| Gareth James Daley* | Visual Effects Coordinator | |
| Michael Brazelton | Visual Effects Supervisor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.