Mr. Malcolm’s List (2022)
.jpg)
| Theatrical Performance | ||
| Domestic Box Office | $1,885,720 | Details |
| International Box Office | $138,774 | Details |
| Worldwide Box Office | $2,024,494 | |
| OpusData ID: 463410100 More info... | ||
| Further financial details... | ||
Synopsis
When she fails to meet an item on his list of requirements for a bride, Julia Thistlewaite is jilted by London’s most eligible bachelor, Mr. Malcolm. Feeling humiliated and determined to exact revenge, she convinces her friend Selina Dalton to play the role of his ideal match. Soon, Mr. Malcolm wonders whether he’s found the perfect woman...or the perfect hoax.
Metrics
| Opening Weekend: | $810,742 (43.0% of total gross) |
| Legs: | 2.33 (domestic box office/biggest weekend) |
| Domestic Share: | 93.1% (domestic box office/worldwide) |
| Theater counts: | 1,384 opening theaters/1,384 max. theaters, 1.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $2,141,809 |
Movie Details
| Domestic Releases: | July 1st, 2022 (Wide) by Bleecker Street |
| International Releases: | August 26th, 2022 (Limited), released as Mr. Malcolm's List (United Kingdom) |
| Video Release: | July 21st, 2022 by Bleecker Street |
| MPA Rating: | PG for some smoking and mild language. (Rating bulletin 2728 (cert #53651), 4/20/2020) |
| Running Time: | 117 minutes |
| Filming location (country): | Ireland |
| Geographical setting: | England |
| Plot point: | Revenge |
| Subgenre: | Romantic Comedy |
| Time period setting: | 1800s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Bleecker Street , Ingenious Media, FIS Eireann, Screen Ireland, Refinery29, Untitled Entertainment, Rebelle Media, Blinder Films, Holly Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 1, 2022 | 7 | $810,742 | 1,384 | $586 | $810,742 | 1 | |
| Jul 8, 2022 | 9 | $255,116 | -69% | 1,057 | $241 | $1,648,679 | 2 |
| Jul 15, 2022 | - | $25,252 | -90% | 158 | $160 | $1,848,785 | 3 |
| Jul 22, 2022 | - | $7,774 | -69% | 42 | $185 | $1,874,443 | 4 |
| Jul 29, 2022 | - | $1,989 | -74% | 15 | $133 | $1,883,809 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jul 1, 2022 | 7 | $306,342 | 1,384 | $221 | $306,342 | 1 | ||
| Jul 2, 2022 | 7 | $279,561 | -9% | 1,384 | $202 | $585,903 | 2 | |
| Jul 3, 2022 | 7 | $224,839 | -20% | 1,384 | $162 | $810,742 | 3 | |
| Jul 4, 2022 | 7 | $189,564 | -16% | 1,384 | $137 | $1,000,306 | 4 | |
| Jul 5, 2022 | 7 | $184,228 | -3% | 1,384 | $133 | $1,184,534 | 5 | |
| Jul 6, 2022 | 7 | $124,205 | -33% | 1,384 | $90 | $1,308,739 | 6 | |
| Jul 7, 2022 | 7 | $84,824 | -32% | 1,384 | $61 | $1,393,563 | 7 | |
| Jul 8, 2022 | 11 | $71,177 | -16% | -77% | 1,057 | $67 | $1,464,740 | 8 |
| Jul 9, 2022 | 10 | $109,450 | +54% | -61% | 1,057 | $104 | $1,574,190 | 9 |
| Jul 10, 2022 | 10 | $74,489 | -32% | -67% | 1,057 | $70 | $1,648,679 | 10 |
| Jul 11, 2022 | 8 | $43,547 | -42% | -77% | 1,057 | $41 | $1,692,226 | 11 |
| Jul 12, 2022 | 8 | $60,433 | +39% | -67% | 1,057 | $57 | $1,752,659 | 12 |
| Jul 13, 2022 | 10 | $43,255 | -28% | -65% | 1,057 | $41 | $1,795,914 | 13 |
| Jul 14, 2022 | 11 | $27,619 | -36% | -67% | 1,057 | $26 | $1,823,533 | 14 |
| Jul 15, 2022 | - | $6,551 | -76% | -91% | 158 | $41 | $1,830,084 | 15 |
| Jul 16, 2022 | - | $10,440 | +59% | -90% | 158 | $66 | $1,840,524 | 16 |
| Jul 17, 2022 | - | $8,261 | -21% | -89% | 158 | $52 | $1,848,785 | 17 |
| Jul 18, 2022 | - | $4,291 | -48% | -90% | 158 | $27 | $1,853,076 | 18 |
| Jul 19, 2022 | - | $5,849 | +36% | -90% | 158 | $37 | $1,858,925 | 19 |
| Jul 20, 2022 | - | $4,459 | -24% | -90% | 158 | $28 | $1,863,384 | 20 |
| Jul 21, 2022 | - | $3,285 | -26% | -88% | 158 | $21 | $1,866,669 | 21 |
| Jul 22, 2022 | - | $2,926 | -11% | -55% | 42 | $70 | $1,869,595 | 22 |
| Jul 23, 2022 | - | $3,127 | +7% | -70% | 42 | $74 | $1,872,722 | 23 |
| Jul 24, 2022 | - | $1,721 | -45% | -79% | 42 | $41 | $1,874,443 | 24 |
| Jul 25, 2022 | - | $1,406 | -18% | -67% | 42 | $33 | $1,875,849 | 25 |
| Jul 26, 2022 | - | $2,273 | +62% | -61% | 42 | $54 | $1,878,122 | 26 |
| Jul 27, 2022 | - | $1,642 | -28% | -63% | 42 | $39 | $1,879,764 | 27 |
| Jul 28, 2022 | - | $2,056 | +25% | -37% | 42 | $49 | $1,881,820 | 28 |
| Jul 29, 2022 | - | $607 | -70% | -79% | 15 | $40 | $1,882,427 | 29 |
| Jul 30, 2022 | - | $747 | +23% | -76% | 15 | $50 | $1,883,174 | 30 |
| Jul 31, 2022 | - | $635 | -15% | -63% | 15 | $42 | $1,883,809 | 31 |
| Aug 1, 2022 | - | $278 | -56% | -80% | 15 | $19 | $1,884,087 | 32 |
| Aug 2, 2022 | - | $483 | +74% | -79% | 15 | $32 | $1,884,570 | 33 |
| Aug 3, 2022 | - | $667 | +38% | -59% | 15 | $44 | $1,885,237 | 34 |
| Aug 4, 2022 | - | $483 | -28% | -77% | 15 | $32 | $1,885,720 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 1, 2022 | 7 | $1,393,563 | 1,384 | $1,007 | $1,393,563 | 1 | |
| Jul 8, 2022 | 9 | $429,970 | -69% | 1,057 | $407 | $1,823,533 | 2 |
| Jul 15, 2022 | - | $43,136 | -90% | 158 | $273 | $1,866,669 | 3 |
| Jul 22, 2022 | - | $15,151 | -65% | 42 | $361 | $1,881,820 | 4 |
| Jul 29, 2022 | - | $3,900 | -74% | 15 | $260 | $1,885,720 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| United Kingdom | 8/26/2022 | $51,198 | 230 | 230 | 333 | $138,774 | 9/25/2022 | |||
| International Total | $138,774 | 9/25/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Freida Pinto | Selina Dalton | |
| Sope Dirisu | Mr. Jeremy Malcolm | |
| Oliver Jackson-Cohen | Lord Cassidy | |
| Ashley Park | Gertie Covington | |
| Zawe Ashton | Julia Thistlewaite | |
| Theo James | Captain Henry Ossory |
Supporting
| Divian Ladwa | John | |
| Sianad Gregory | Molly | |
| Naoko Mori | ||
| Sophie Vavasseur |
Production and Technical Credits
| Emma Holly Jones | Director | |
| Suzanne Allain | Screenwriter | |
| Suzanne Allain | Story based on the novel by | |
| Laura Rister | Producer | |
| Laura K. Lewis | Producer | |
| Katie Holly | Producer | |
| Emma Holly Jones | Producer | |
| Freida Pinto | Executive Producer | |
| Peter Touche | Executive Producer | |
| Christelle Conan | Executive Producer | |
| Andrew Karpen | Executive Producer | |
| Kent Sanderson | Executive Producer | |
| Dearbhla Regan | Executive Producer | |
| Shannon Gibson | Executive Producer | |
| Deborah Carstens | Co-Executive Producer | |
| Candy Straight | Co-Executive Producer | |
| Patrick O'Donoghue | Line Producer | |
| Tony Miller | Director of Photography | |
| Ray Ball | Production Designer | |
| Kate Hickey | Editor | |
| Pam Downe | Costume Designer | |
| Amelia Warner | Composer | |
| Tamara-Lee Notcutt | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
When she fails to meet an item on his list of requirements for a bride, Julia Thistlewaite is jilted by London’s most eligible bachelor, Mr. Malcolm. Feeling humiliated and determined to exact revenge, she convinces her friend Selina Dalton to play the role of his ideal match. Soon, Mr. Malcolm wonders whether he’s found the perfect woman...or the perfect hoax.
Metrics
| Opening Weekend: | $810,742 (43.0% of total gross) |
| Legs: | 2.33 (domestic box office/biggest weekend) |
| Domestic Share: | 93.1% (domestic box office/worldwide) |
| Theater counts: | 1,384 opening theaters/1,384 max. theaters, 1.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $2,141,809 |
Movie Details
| Domestic Releases: | July 1st, 2022 (Wide) by Bleecker Street |
| International Releases: | August 26th, 2022 (Limited), released as Mr. Malcolm's List (United Kingdom) |
| Video Release: | July 21st, 2022 by Bleecker Street |
| MPA Rating: | PG for some smoking and mild language. (Rating bulletin 2728 (cert #53651), 4/20/2020) |
| Running Time: | 117 minutes |
| Filming location (country): | Ireland |
| Geographical setting: | England |
| Plot point: | Revenge |
| Subgenre: | Romantic Comedy |
| Time period setting: | 1800s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Bleecker Street , Ingenious Media, FIS Eireann, Screen Ireland, Refinery29, Untitled Entertainment, Rebelle Media, Blinder Films, Holly Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 1, 2022 | 7 | $810,742 | 1,384 | $586 | $810,742 | 1 | |
| Jul 8, 2022 | 9 | $255,116 | -69% | 1,057 | $241 | $1,648,679 | 2 |
| Jul 15, 2022 | - | $25,252 | -90% | 158 | $160 | $1,848,785 | 3 |
| Jul 22, 2022 | - | $7,774 | -69% | 42 | $185 | $1,874,443 | 4 |
| Jul 29, 2022 | - | $1,989 | -74% | 15 | $133 | $1,883,809 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jul 1, 2022 | 7 | $306,342 | 1,384 | $221 | $306,342 | 1 | ||
| Jul 2, 2022 | 7 | $279,561 | -9% | 1,384 | $202 | $585,903 | 2 | |
| Jul 3, 2022 | 7 | $224,839 | -20% | 1,384 | $162 | $810,742 | 3 | |
| Jul 4, 2022 | 7 | $189,564 | -16% | 1,384 | $137 | $1,000,306 | 4 | |
| Jul 5, 2022 | 7 | $184,228 | -3% | 1,384 | $133 | $1,184,534 | 5 | |
| Jul 6, 2022 | 7 | $124,205 | -33% | 1,384 | $90 | $1,308,739 | 6 | |
| Jul 7, 2022 | 7 | $84,824 | -32% | 1,384 | $61 | $1,393,563 | 7 | |
| Jul 8, 2022 | 11 | $71,177 | -16% | -77% | 1,057 | $67 | $1,464,740 | 8 |
| Jul 9, 2022 | 10 | $109,450 | +54% | -61% | 1,057 | $104 | $1,574,190 | 9 |
| Jul 10, 2022 | 10 | $74,489 | -32% | -67% | 1,057 | $70 | $1,648,679 | 10 |
| Jul 11, 2022 | 8 | $43,547 | -42% | -77% | 1,057 | $41 | $1,692,226 | 11 |
| Jul 12, 2022 | 8 | $60,433 | +39% | -67% | 1,057 | $57 | $1,752,659 | 12 |
| Jul 13, 2022 | 10 | $43,255 | -28% | -65% | 1,057 | $41 | $1,795,914 | 13 |
| Jul 14, 2022 | 11 | $27,619 | -36% | -67% | 1,057 | $26 | $1,823,533 | 14 |
| Jul 15, 2022 | - | $6,551 | -76% | -91% | 158 | $41 | $1,830,084 | 15 |
| Jul 16, 2022 | - | $10,440 | +59% | -90% | 158 | $66 | $1,840,524 | 16 |
| Jul 17, 2022 | - | $8,261 | -21% | -89% | 158 | $52 | $1,848,785 | 17 |
| Jul 18, 2022 | - | $4,291 | -48% | -90% | 158 | $27 | $1,853,076 | 18 |
| Jul 19, 2022 | - | $5,849 | +36% | -90% | 158 | $37 | $1,858,925 | 19 |
| Jul 20, 2022 | - | $4,459 | -24% | -90% | 158 | $28 | $1,863,384 | 20 |
| Jul 21, 2022 | - | $3,285 | -26% | -88% | 158 | $21 | $1,866,669 | 21 |
| Jul 22, 2022 | - | $2,926 | -11% | -55% | 42 | $70 | $1,869,595 | 22 |
| Jul 23, 2022 | - | $3,127 | +7% | -70% | 42 | $74 | $1,872,722 | 23 |
| Jul 24, 2022 | - | $1,721 | -45% | -79% | 42 | $41 | $1,874,443 | 24 |
| Jul 25, 2022 | - | $1,406 | -18% | -67% | 42 | $33 | $1,875,849 | 25 |
| Jul 26, 2022 | - | $2,273 | +62% | -61% | 42 | $54 | $1,878,122 | 26 |
| Jul 27, 2022 | - | $1,642 | -28% | -63% | 42 | $39 | $1,879,764 | 27 |
| Jul 28, 2022 | - | $2,056 | +25% | -37% | 42 | $49 | $1,881,820 | 28 |
| Jul 29, 2022 | - | $607 | -70% | -79% | 15 | $40 | $1,882,427 | 29 |
| Jul 30, 2022 | - | $747 | +23% | -76% | 15 | $50 | $1,883,174 | 30 |
| Jul 31, 2022 | - | $635 | -15% | -63% | 15 | $42 | $1,883,809 | 31 |
| Aug 1, 2022 | - | $278 | -56% | -80% | 15 | $19 | $1,884,087 | 32 |
| Aug 2, 2022 | - | $483 | +74% | -79% | 15 | $32 | $1,884,570 | 33 |
| Aug 3, 2022 | - | $667 | +38% | -59% | 15 | $44 | $1,885,237 | 34 |
| Aug 4, 2022 | - | $483 | -28% | -77% | 15 | $32 | $1,885,720 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 1, 2022 | 7 | $1,393,563 | 1,384 | $1,007 | $1,393,563 | 1 | |
| Jul 8, 2022 | 9 | $429,970 | -69% | 1,057 | $407 | $1,823,533 | 2 |
| Jul 15, 2022 | - | $43,136 | -90% | 158 | $273 | $1,866,669 | 3 |
| Jul 22, 2022 | - | $15,151 | -65% | 42 | $361 | $1,881,820 | 4 |
| Jul 29, 2022 | - | $3,900 | -74% | 15 | $260 | $1,885,720 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| United Kingdom | 8/26/2022 | $51,198 | 230 | 230 | 333 | $138,774 | 9/25/2022 | |||
| International Total | $138,774 | 9/25/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Freida Pinto | Selina Dalton | |
| Sope Dirisu | Mr. Jeremy Malcolm | |
| Oliver Jackson-Cohen | Lord Cassidy | |
| Ashley Park | Gertie Covington | |
| Zawe Ashton | Julia Thistlewaite | |
| Theo James | Captain Henry Ossory |
Supporting
| Divian Ladwa | John | |
| Sianad Gregory | Molly | |
| Naoko Mori | ||
| Sophie Vavasseur |
Production and Technical Credits
| Emma Holly Jones | Director | |
| Suzanne Allain | Screenwriter | |
| Suzanne Allain | Story based on the novel by | |
| Laura Rister | Producer | |
| Laura K. Lewis | Producer | |
| Katie Holly | Producer | |
| Emma Holly Jones | Producer | |
| Freida Pinto | Executive Producer | |
| Peter Touche | Executive Producer | |
| Christelle Conan | Executive Producer | |
| Andrew Karpen | Executive Producer | |
| Kent Sanderson | Executive Producer | |
| Dearbhla Regan | Executive Producer | |
| Shannon Gibson | Executive Producer | |
| Deborah Carstens | Co-Executive Producer | |
| Candy Straight | Co-Executive Producer | |
| Patrick O'Donoghue | Line Producer | |
| Tony Miller | Director of Photography | |
| Ray Ball | Production Designer | |
| Kate Hickey | Editor | |
| Pam Downe | Costume Designer | |
| Amelia Warner | Composer | |
| Tamara-Lee Notcutt | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.