Mrs. Dalloway (1998)
| Theatrical Performance | ||
| Domestic Box Office | $3,263,672 | Details |
| OpusData ID: 51320100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $90,127 (2.8% of total gross) |
| Legs: | 12.46 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 8 opening theaters/91 max. theaters, 11.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $8,322,713 |
Movie Details
| Domestic Releases: | February 20th, 1998 (Wide) by First Look |
| MPA Rating: | PG-13 for emotional elements and brief nudity |
| Running Time: | 97 minutes |
| Cast, crew, or production detail: | Ensemble, F-Rated, F-Rated, Triple |
| Plot point: | Dysfunctional Family, Non-Chronological, PTSD, Romance, Suicide |
| Social setting: | World War I |
| Subgenre: | Historical Drama |
| Time period setting: | 1920s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production Countries: | United States |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 20, 1998 | 47 | $90,127 | 8 | $11,266 | $90,127 | 1 | |
| Feb 27, 1998 | 44 | $96,909 | +8% | 19 | $5,100 | $224,312 | 2 |
| Mar 6, 1998 | 23 | $253,722 | +162% | 68 | $3,731 | $522,858 | 3 |
| Mar 13, 1998 | 29 | $235,100 | -7% | 62 | $3,792 | $865,521 | 4 |
| Mar 20, 1998 | 26 | $261,879 | +11% | 90 | $2,910 | $1,227,317 | 5 |
| Mar 27, 1998 | 23 | $255,019 | -3% | 91 | $2,802 | $1,581,850 | 6 |
| Apr 3, 1998 | 24 | $258,111 | +1% | 89 | $2,900 | $1,941,968 | 7 |
| Apr 10, 1998 | 31 | $167,772 | -35% | 87 | $1,928 | $2,210,112 | 8 |
| Apr 17, 1998 | 31 | $179,516 | +7% | 90 | $1,995 | $2,455,061 | 9 |
| Apr 24, 1998 | 37 | $112,633 | -37% | 83 | $1,357 | $2,632,939 | 10 |
| May 1, 1998 | 43 | $84,394 | -25% | 76 | $1,110 | $2,759,908 | 11 |
| May 8, 1998 | 38 | $86,071 | +2% | 71 | $1,212 | $2,878,910 | 12 |
| May 15, 1998 | 38 | $81,346 | -5% | 68 | $1,196 | $2,990,667 | 13 |
| May 22, 1998 | 46 | $59,728 | -27% | 45 | $1,327 | $3,101,536 | 14 |
| May 29, 1998 | 47 | $36,772 | -38% | 30 | $1,226 | $3,150,343 | 15 |
| Jun 5, 1998 | 46 | $31,994 | -13% | 33 | $970 | $3,195,045 | 16 |
| Jun 12, 1998 | 56 | $27,778 | -13% | 28 | $992 | $3,234,820 | 17 |
| Jun 19, 1998 | 57 | $21,908 | -21% | 22 | $996 | $3,263,672 | 18 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 20, 1998 | 46 | $127,403 | 8 | $15,925 | $127,403 | 1 | |
| Feb 27, 1998 | 43 | $141,733 | +11% | 19 | $7,460 | $269,136 | 2 |
| Mar 6, 1998 | 23 | $361,285 | +155% | 68 | $5,313 | $630,421 | 3 |
| Mar 13, 1998 | 28 | $335,017 | -7% | 62 | $5,404 | $965,438 | 4 |
| Mar 20, 1998 | 24 | $361,393 | +8% | 90 | $4,015 | $1,326,831 | 5 |
| Mar 27, 1998 | 23 | $357,026 | -1% | 91 | $3,923 | $1,683,857 | 6 |
| Apr 3, 1998 | 24 | $358,483 | n/c | 89 | $4,028 | $2,042,340 | 7 |
| Apr 10, 1998 | 33 | $233,205 | -35% | 87 | $2,681 | $2,275,545 | 8 |
| Apr 17, 1998 | 32 | $244,761 | +5% | 90 | $2,720 | $2,520,306 | 9 |
| Apr 24, 1998 | 38 | $155,208 | -37% | 83 | $1,870 | $2,675,514 | 10 |
| May 1, 1998 | 40 | $117,325 | -24% | 76 | $1,544 | $2,792,839 | 11 |
| May 8, 1998 | 37 | $116,482 | -1% | 71 | $1,641 | $2,909,321 | 12 |
| May 15, 1998 | 37 | $132,487 | +14% | 68 | $1,948 | $3,041,808 | 13 |
| May 22, 1998 | 44 | $71,763 | -46% | 45 | $1,595 | $3,113,571 | 14 |
| May 29, 1998 | 49 | $49,480 | -31% | 30 | $1,649 | $3,163,051 | 15 |
| Jun 5, 1998 | 48 | $43,991 | -11% | 33 | $1,333 | $3,207,042 | 16 |
| Jun 12, 1998 | 54 | $34,722 | -21% | 28 | $1,240 | $3,241,764 | 17 |
| Vanessa Redgrave | Clarissa Dalloway | |
| Lena Headey | Young Sally | |
| Natascha McElhone | Young Clarissa | |
| Oliver Ford Davies | Hugh Whitbread | |
| Robert Hardy | Sir William Bradshaw |
Production and Technical Credits
| Marleen Gorris | Director | |
| Eileen Atkins | Screenwriter | |
| Virginia Woolf | Story Creator | |
| Stephen Bayly | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $90,127 (2.8% of total gross) |
| Legs: | 12.46 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 8 opening theaters/91 max. theaters, 11.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $8,322,713 |
Movie Details
| Domestic Releases: | February 20th, 1998 (Wide) by First Look |
| MPA Rating: | PG-13 for emotional elements and brief nudity |
| Running Time: | 97 minutes |
| Cast, crew, or production detail: | Ensemble, F-Rated, F-Rated, Triple |
| Plot point: | Dysfunctional Family, Non-Chronological, PTSD, Romance, Suicide |
| Social setting: | World War I |
| Subgenre: | Historical Drama |
| Time period setting: | 1920s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production Countries: | United States |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 20, 1998 | 47 | $90,127 | 8 | $11,266 | $90,127 | 1 | |
| Feb 27, 1998 | 44 | $96,909 | +8% | 19 | $5,100 | $224,312 | 2 |
| Mar 6, 1998 | 23 | $253,722 | +162% | 68 | $3,731 | $522,858 | 3 |
| Mar 13, 1998 | 29 | $235,100 | -7% | 62 | $3,792 | $865,521 | 4 |
| Mar 20, 1998 | 26 | $261,879 | +11% | 90 | $2,910 | $1,227,317 | 5 |
| Mar 27, 1998 | 23 | $255,019 | -3% | 91 | $2,802 | $1,581,850 | 6 |
| Apr 3, 1998 | 24 | $258,111 | +1% | 89 | $2,900 | $1,941,968 | 7 |
| Apr 10, 1998 | 31 | $167,772 | -35% | 87 | $1,928 | $2,210,112 | 8 |
| Apr 17, 1998 | 31 | $179,516 | +7% | 90 | $1,995 | $2,455,061 | 9 |
| Apr 24, 1998 | 37 | $112,633 | -37% | 83 | $1,357 | $2,632,939 | 10 |
| May 1, 1998 | 43 | $84,394 | -25% | 76 | $1,110 | $2,759,908 | 11 |
| May 8, 1998 | 38 | $86,071 | +2% | 71 | $1,212 | $2,878,910 | 12 |
| May 15, 1998 | 38 | $81,346 | -5% | 68 | $1,196 | $2,990,667 | 13 |
| May 22, 1998 | 46 | $59,728 | -27% | 45 | $1,327 | $3,101,536 | 14 |
| May 29, 1998 | 47 | $36,772 | -38% | 30 | $1,226 | $3,150,343 | 15 |
| Jun 5, 1998 | 46 | $31,994 | -13% | 33 | $970 | $3,195,045 | 16 |
| Jun 12, 1998 | 56 | $27,778 | -13% | 28 | $992 | $3,234,820 | 17 |
| Jun 19, 1998 | 57 | $21,908 | -21% | 22 | $996 | $3,263,672 | 18 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 20, 1998 | 46 | $127,403 | 8 | $15,925 | $127,403 | 1 | |
| Feb 27, 1998 | 43 | $141,733 | +11% | 19 | $7,460 | $269,136 | 2 |
| Mar 6, 1998 | 23 | $361,285 | +155% | 68 | $5,313 | $630,421 | 3 |
| Mar 13, 1998 | 28 | $335,017 | -7% | 62 | $5,404 | $965,438 | 4 |
| Mar 20, 1998 | 24 | $361,393 | +8% | 90 | $4,015 | $1,326,831 | 5 |
| Mar 27, 1998 | 23 | $357,026 | -1% | 91 | $3,923 | $1,683,857 | 6 |
| Apr 3, 1998 | 24 | $358,483 | n/c | 89 | $4,028 | $2,042,340 | 7 |
| Apr 10, 1998 | 33 | $233,205 | -35% | 87 | $2,681 | $2,275,545 | 8 |
| Apr 17, 1998 | 32 | $244,761 | +5% | 90 | $2,720 | $2,520,306 | 9 |
| Apr 24, 1998 | 38 | $155,208 | -37% | 83 | $1,870 | $2,675,514 | 10 |
| May 1, 1998 | 40 | $117,325 | -24% | 76 | $1,544 | $2,792,839 | 11 |
| May 8, 1998 | 37 | $116,482 | -1% | 71 | $1,641 | $2,909,321 | 12 |
| May 15, 1998 | 37 | $132,487 | +14% | 68 | $1,948 | $3,041,808 | 13 |
| May 22, 1998 | 44 | $71,763 | -46% | 45 | $1,595 | $3,113,571 | 14 |
| May 29, 1998 | 49 | $49,480 | -31% | 30 | $1,649 | $3,163,051 | 15 |
| Jun 5, 1998 | 48 | $43,991 | -11% | 33 | $1,333 | $3,207,042 | 16 |
| Jun 12, 1998 | 54 | $34,722 | -21% | 28 | $1,240 | $3,241,764 | 17 |
| Vanessa Redgrave | Clarissa Dalloway | |
| Lena Headey | Young Sally | |
| Natascha McElhone | Young Clarissa | |
| Oliver Ford Davies | Hugh Whitbread | |
| Robert Hardy | Sir William Bradshaw |
Production and Technical Credits
| Marleen Gorris | Director | |
| Eileen Atkins | Screenwriter | |
| Virginia Woolf | Story Creator | |
| Stephen Bayly | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.