Paris pieds nus (2017)
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| Theatrical Performance | ||
| Domestic Box Office | $691,597 | Details |
| International Box Office | $1,369,666 | Details |
| Worldwide Box Office | $2,061,263 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $48,898 | |
| Blu-ray Sales (estimated) | $28,439 | |
| Total | $77,337 | |
| OpusData ID: 268530100 More info... | ||
| Further financial details... | ||
Synopsis
When Fiona’s orderly life is disrupted by a letter of distress from her 88-year-old Aunt Martha who is living in Paris, Fiona hops on the first plane she can and arrives only to discover that Martha has disappeared. In an avalanche of spectacular disasters, she encounters Dom, the affable, but annoying tramp who just won’t leave her alone.
Metrics
| Opening Weekend: | $4,510 (0.7% of total gross) |
| Legs: | 8.61 (domestic box office/biggest weekend) |
| Domestic Share: | 33.6% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/48 max. theaters, 6.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $922,128 |
Movie Details
| Domestic Releases: | June 16th, 2017 (Limited) by Oscilloscope Pictures, released as Lost in Paris |
| International Releases: | March 10th, 2017 (Wide) (France)
May 4th, 2017 (Special Engagement), released as Lost in Paris (South Korea) May 18th, 2017 (Wide), released as Lost in Paris (South Korea) May 26th, 2017 (Wide) (Argentina) July 7th, 2017 (Wide) (Brazil) ... Show all releases |
| Video Release: | November 28th, 2017 by Oscilloscope Video, released as Lost in Paris |
| MPA Rating: | Not Rated |
| Running Time: | 84 minutes |
| Cast, crew, or production detail: | Directing Yourself, Screenplay Written By the Star |
| Geographical setting: | Canada, Paris |
| Plot point: | Dysfunctional Family, Homeless, Missing Person |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Courage Mon Amour, Moteur S'll Vous Plait, CG Cinema, Centre Du Cinema Et L'Audiovisuel De La Federation Wallonie Bruxelles, Canal Plus, Cine Plus, Cineimage 10, CNC, Media Programme of the European Union, Belgian Scope Invest, MK2 |
| Production Countries: | France |
| Languages: | French |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 16, 2017 | 65 | $4,510 | 1 | $4,510 | $4,510 | 1 | |
| Jun 23, 2017 | 68 | $3,092 | -31% | 1 | $3,092 | $9,644 | 2 |
| Jul 7, 2017 | 40 | $27,162 | 8 | $3,395 | $44,828 | 4 | |
| Jul 14, 2017 | 28 | $80,298 | +196% | 40 | $2,007 | $139,357 | 5 |
| Jul 21, 2017 | 31 | $58,346 | -27% | 43 | $1,357 | $239,022 | 6 |
| Jul 28, 2017 | 36 | $55,497 | -5% | 41 | $1,354 | $327,845 | 7 |
| Aug 4, 2017 | 40 | $50,486 | -9% | 35 | $1,442 | $410,522 | 8 |
| Aug 11, 2017 | 50 | $33,951 | -33% | 25 | $1,358 | $472,703 | 9 |
| Aug 18, 2017 | 58 | $16,237 | -52% | 18 | $902 | $507,515 | 10 |
| Aug 25, 2017 | 56 | $19,798 | +22% | 17 | $1,165 | $536,443 | 11 |
| Sep 1, 2017 | 57 | $28,057 | +42% | 19 | $1,477 | $575,173 | 12 |
| Sep 8, 2017 | 60 | $15,765 | -44% | 20 | $788 | $610,343 | 13 |
| Sep 15, 2017 | 57 | $13,500 | -14% | 15 | $900 | $631,050 | 14 |
| Sep 22, 2017 | 56 | $13,000 | -4% | 11 | $1,182 | $651,617 | 15 |
| Sep 29, 2017 | 64 | $7,783 | -40% | 13 | $599 | $667,412 | 16 |
| Oct 6, 2017 | 70 | $5,029 | -35% | 9 | $559 | $675,958 | 17 |
| Oct 20, 2017 | 83 | $3,362 | 2 | $1,681 | $683,401 | 19 | |
| Nov 10, 2017 | 89 | $1,224 | 1 | $1,224 | $686,458 | 22 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 16, 2017 | 66 | $6,552 | 1 | $6,552 | $6,552 | 1 | |
| Jun 23, 2017 | 69 | $5,076 | -23% | 1 | $5,076 | $11,628 | 2 |
| Jun 30, 2017 | 70 | $6,038 | +19% | 1 | $6,038 | $17,666 | 3 |
| Jul 7, 2017 | 40 | $41,393 | +586% | 8 | $5,174 | $59,059 | 4 |
| Jul 14, 2017 | 30 | $121,617 | +194% | 42 | $2,896 | $180,676 | 5 |
| Jul 21, 2017 | 31 | $91,672 | -25% | 48 | $1,910 | $272,348 | 6 |
| Jul 28, 2017 | 36 | $87,688 | -4% | 42 | $2,088 | $360,036 | 7 |
| Aug 4, 2017 | 39 | $78,726 | -10% | 36 | $2,187 | $438,762 | 8 |
| Aug 11, 2017 | 49 | $52,516 | -33% | 25 | $2,101 | $491,278 | 9 |
| Aug 18, 2017 | 59 | $25,367 | -52% | 21 | $1,208 | $516,645 | 10 |
| Aug 25, 2017 | 56 | $30,471 | +20% | 19 | $1,604 | $547,116 | 11 |
| Sep 1, 2017 | 56 | $47,462 | +56% | 19 | $2,498 | $594,578 | 12 |
| Sep 8, 2017 | 59 | $22,972 | -52% | 20 | $1,149 | $617,550 | 13 |
| Sep 15, 2017 | 60 | $21,067 | -8% | 20 | $1,053 | $638,617 | 14 |
| Sep 22, 2017 | 56 | $21,012 | n/c | 14 | $1,501 | $659,629 | 15 |
| Sep 29, 2017 | 64 | $11,300 | -46% | 15 | $753 | $670,929 | 16 |
| Oct 6, 2017 | 74 | $6,896 | -39% | 10 | $690 | $677,825 | 17 |
| Oct 13, 2017 | 91 | $2,214 | -68% | 6 | $369 | $680,039 | 18 |
| Oct 20, 2017 | 88 | $4,066 | +84% | 2 | $2,033 | $684,105 | 19 |
| Oct 27, 2017 | 103 | $1,133 | -72% | 5 | $227 | $685,238 | 20 |
| Nov 10, 2017 | 88 | $1,820 | 1 | $1,820 | $687,054 | 22 | |
| Nov 17, 2017 | 87 | $1,332 | -27% | 2 | $666 | $688,386 | 23 |
| Nov 24, 2017 | 76 | $3,211 | +141% | 4 | $803 | $691,597 | 24 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 5/26/2017 | $0 | 0 | 0 | 0 | $55,745 | 1/1/2019 | |||
| Australia | 5/25/2018 | $14,127 | 7 | 9 | 82 | $165,515 | 9/17/2018 | |||
| Brazil | 7/7/2017 | $46,780 | 0 | 0 | 0 | $108,701 | 6/26/2018 | |||
| Bulgaria | 10/6/2017 | $0 | 0 | 0 | 0 | $4,182 | 2/26/2019 | |||
| France | 3/10/2017 | $0 | 0 | 0 | 0 | $259,856 | 6/27/2018 | |||
| Italy | 5/17/2018 | $98,969 | 0 | 0 | 0 | $413,798 | 8/30/2018 | |||
| New Zealand | 4/6/2018 | $18,188 | 14 | 23 | 183 | $126,594 | 8/9/2018 | |||
| Russia (CIS) | 8/11/2017 | $13,675 | 60 | 60 | 60 | $42,352 | 1/1/2019 | |||
| South Korea | 5/4/2017 | $47,701 | 84 | 85 | 203 | $183,494 | 4/4/2026 | |||
| United Kingdom | 11/24/2017 | $9,429 | 3 | 3 | 3 | $9,429 | 11/30/2017 | |||
| International Total | $1,369,666 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Fiona Gordon | Fiona | |
| Dominique Abel | Dom | |
| Emmanuelle Riva | Martha |
Supporting
| Pierre Richard | Norman | |
| Philippe Martz | Mr. Martin | |
| Fred Meert | Bob the Mounty | |
| Roberta Casa Nova | Norman’s nurse | |
| Olivier Parenty | Canadian Embassy employee | |
| Celine Laurentie | The postman | |
| Guillaume Delvingt | The jogger | |
| Isabelle de Hertoghe | The laundromat couple | |
| Dominique Pozzetto | The laundromat couple | |
| Charlotte Dubery | The reader | |
| David Palatino | The Reader | |
| Fabrice Milich | The porter | |
| Jean Loison | The DJ | |
| Mike Romy-Cocollos | The Jumping Family | |
| Annabelle Cocollos | The Jumping Family | |
| Bruno Romy | The Jumping Family | |
| Yvan Legoff | The waiter | |
| Michel Vivier | The barman | |
| Alice Veret | The café patron | |
| Gagny Diop Balla | The cook | |
| Brigitte Lucas | The funeral parlor lady | |
| Grégory Legeai | Gaby | |
| Salifou Bangoura | Cyril, Martha’s agent | |
| Annick Le Perchec | A friend of Martha | |
| Dominique Prie | The man at the cemetery | |
| Marc Le Gall | The blind man | |
| Valérie Thoumire | The policewoman | |
| Niryis Pouscoulous | The taxi driver |
Production and Technical Credits
| Dominique Abel | Director | |
| Fiona Gordon | Director | |
| Dominique Abel | Screenwriter | |
| Fiona Gordon | Screenwriter | |
| Dominique Abel | Producer | |
| Fiona Gordon | Producer | |
| Christie Molia | Producer | |
| Charles Gillibert | Producer | |
| Geneviève Lamal | Co-Producer | |
| Philippe Logie | Co-Producer | |
| Tanguy Dekeyser | Co-Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
When Fiona’s orderly life is disrupted by a letter of distress from her 88-year-old Aunt Martha who is living in Paris, Fiona hops on the first plane she can and arrives only to discover that Martha has disappeared. In an avalanche of spectacular disasters, she encounters Dom, the affable, but annoying tramp who just won’t leave her alone.
Metrics
| Opening Weekend: | $4,510 (0.7% of total gross) |
| Legs: | 8.61 (domestic box office/biggest weekend) |
| Domestic Share: | 33.6% (domestic box office/worldwide) |
| Theater counts: | 1 opening theaters/48 max. theaters, 6.6 weeks average run per theater |
| Infl. Adj. Dom. BO | $922,128 |
Movie Details
| Domestic Releases: | June 16th, 2017 (Limited) by Oscilloscope Pictures, released as Lost in Paris |
| International Releases: | March 10th, 2017 (Wide) (France)
May 4th, 2017 (Special Engagement), released as Lost in Paris (South Korea) May 18th, 2017 (Wide), released as Lost in Paris (South Korea) May 26th, 2017 (Wide) (Argentina) July 7th, 2017 (Wide) (Brazil) ... Show all releases |
| Video Release: | November 28th, 2017 by Oscilloscope Video, released as Lost in Paris |
| MPA Rating: | Not Rated |
| Running Time: | 84 minutes |
| Cast, crew, or production detail: | Directing Yourself, Screenplay Written By the Star |
| Geographical setting: | Canada, Paris |
| Plot point: | Dysfunctional Family, Homeless, Missing Person |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Courage Mon Amour, Moteur S'll Vous Plait, CG Cinema, Centre Du Cinema Et L'Audiovisuel De La Federation Wallonie Bruxelles, Canal Plus, Cine Plus, Cineimage 10, CNC, Media Programme of the European Union, Belgian Scope Invest, MK2 |
| Production Countries: | France |
| Languages: | French |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 16, 2017 | 65 | $4,510 | 1 | $4,510 | $4,510 | 1 | |
| Jun 23, 2017 | 68 | $3,092 | -31% | 1 | $3,092 | $9,644 | 2 |
| Jul 7, 2017 | 40 | $27,162 | 8 | $3,395 | $44,828 | 4 | |
| Jul 14, 2017 | 28 | $80,298 | +196% | 40 | $2,007 | $139,357 | 5 |
| Jul 21, 2017 | 31 | $58,346 | -27% | 43 | $1,357 | $239,022 | 6 |
| Jul 28, 2017 | 36 | $55,497 | -5% | 41 | $1,354 | $327,845 | 7 |
| Aug 4, 2017 | 40 | $50,486 | -9% | 35 | $1,442 | $410,522 | 8 |
| Aug 11, 2017 | 50 | $33,951 | -33% | 25 | $1,358 | $472,703 | 9 |
| Aug 18, 2017 | 58 | $16,237 | -52% | 18 | $902 | $507,515 | 10 |
| Aug 25, 2017 | 56 | $19,798 | +22% | 17 | $1,165 | $536,443 | 11 |
| Sep 1, 2017 | 57 | $28,057 | +42% | 19 | $1,477 | $575,173 | 12 |
| Sep 8, 2017 | 60 | $15,765 | -44% | 20 | $788 | $610,343 | 13 |
| Sep 15, 2017 | 57 | $13,500 | -14% | 15 | $900 | $631,050 | 14 |
| Sep 22, 2017 | 56 | $13,000 | -4% | 11 | $1,182 | $651,617 | 15 |
| Sep 29, 2017 | 64 | $7,783 | -40% | 13 | $599 | $667,412 | 16 |
| Oct 6, 2017 | 70 | $5,029 | -35% | 9 | $559 | $675,958 | 17 |
| Oct 20, 2017 | 83 | $3,362 | 2 | $1,681 | $683,401 | 19 | |
| Nov 10, 2017 | 89 | $1,224 | 1 | $1,224 | $686,458 | 22 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jun 16, 2017 | 66 | $6,552 | 1 | $6,552 | $6,552 | 1 | |
| Jun 23, 2017 | 69 | $5,076 | -23% | 1 | $5,076 | $11,628 | 2 |
| Jun 30, 2017 | 70 | $6,038 | +19% | 1 | $6,038 | $17,666 | 3 |
| Jul 7, 2017 | 40 | $41,393 | +586% | 8 | $5,174 | $59,059 | 4 |
| Jul 14, 2017 | 30 | $121,617 | +194% | 42 | $2,896 | $180,676 | 5 |
| Jul 21, 2017 | 31 | $91,672 | -25% | 48 | $1,910 | $272,348 | 6 |
| Jul 28, 2017 | 36 | $87,688 | -4% | 42 | $2,088 | $360,036 | 7 |
| Aug 4, 2017 | 39 | $78,726 | -10% | 36 | $2,187 | $438,762 | 8 |
| Aug 11, 2017 | 49 | $52,516 | -33% | 25 | $2,101 | $491,278 | 9 |
| Aug 18, 2017 | 59 | $25,367 | -52% | 21 | $1,208 | $516,645 | 10 |
| Aug 25, 2017 | 56 | $30,471 | +20% | 19 | $1,604 | $547,116 | 11 |
| Sep 1, 2017 | 56 | $47,462 | +56% | 19 | $2,498 | $594,578 | 12 |
| Sep 8, 2017 | 59 | $22,972 | -52% | 20 | $1,149 | $617,550 | 13 |
| Sep 15, 2017 | 60 | $21,067 | -8% | 20 | $1,053 | $638,617 | 14 |
| Sep 22, 2017 | 56 | $21,012 | n/c | 14 | $1,501 | $659,629 | 15 |
| Sep 29, 2017 | 64 | $11,300 | -46% | 15 | $753 | $670,929 | 16 |
| Oct 6, 2017 | 74 | $6,896 | -39% | 10 | $690 | $677,825 | 17 |
| Oct 13, 2017 | 91 | $2,214 | -68% | 6 | $369 | $680,039 | 18 |
| Oct 20, 2017 | 88 | $4,066 | +84% | 2 | $2,033 | $684,105 | 19 |
| Oct 27, 2017 | 103 | $1,133 | -72% | 5 | $227 | $685,238 | 20 |
| Nov 10, 2017 | 88 | $1,820 | 1 | $1,820 | $687,054 | 22 | |
| Nov 17, 2017 | 87 | $1,332 | -27% | 2 | $666 | $688,386 | 23 |
| Nov 24, 2017 | 76 | $3,211 | +141% | 4 | $803 | $691,597 | 24 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 5/26/2017 | $0 | 0 | 0 | 0 | $55,745 | 1/1/2019 | |||
| Australia | 5/25/2018 | $14,127 | 7 | 9 | 82 | $165,515 | 9/17/2018 | |||
| Brazil | 7/7/2017 | $46,780 | 0 | 0 | 0 | $108,701 | 6/26/2018 | |||
| Bulgaria | 10/6/2017 | $0 | 0 | 0 | 0 | $4,182 | 2/26/2019 | |||
| France | 3/10/2017 | $0 | 0 | 0 | 0 | $259,856 | 6/27/2018 | |||
| Italy | 5/17/2018 | $98,969 | 0 | 0 | 0 | $413,798 | 8/30/2018 | |||
| New Zealand | 4/6/2018 | $18,188 | 14 | 23 | 183 | $126,594 | 8/9/2018 | |||
| Russia (CIS) | 8/11/2017 | $13,675 | 60 | 60 | 60 | $42,352 | 1/1/2019 | |||
| South Korea | 5/4/2017 | $47,701 | 84 | 85 | 203 | $183,494 | 4/4/2026 | |||
| United Kingdom | 11/24/2017 | $9,429 | 3 | 3 | 3 | $9,429 | 11/30/2017 | |||
| International Total | $1,369,666 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Fiona Gordon | Fiona | |
| Dominique Abel | Dom | |
| Emmanuelle Riva | Martha |
Supporting
| Pierre Richard | Norman | |
| Philippe Martz | Mr. Martin | |
| Fred Meert | Bob the Mounty | |
| Roberta Casa Nova | Norman’s nurse | |
| Olivier Parenty | Canadian Embassy employee | |
| Celine Laurentie | The postman | |
| Guillaume Delvingt | The jogger | |
| Isabelle de Hertoghe | The laundromat couple | |
| Dominique Pozzetto | The laundromat couple | |
| Charlotte Dubery | The reader | |
| David Palatino | The Reader | |
| Fabrice Milich | The porter | |
| Jean Loison | The DJ | |
| Mike Romy-Cocollos | The Jumping Family | |
| Annabelle Cocollos | The Jumping Family | |
| Bruno Romy | The Jumping Family | |
| Yvan Legoff | The waiter | |
| Michel Vivier | The barman | |
| Alice Veret | The café patron | |
| Gagny Diop Balla | The cook | |
| Brigitte Lucas | The funeral parlor lady | |
| Grégory Legeai | Gaby | |
| Salifou Bangoura | Cyril, Martha’s agent | |
| Annick Le Perchec | A friend of Martha | |
| Dominique Prie | The man at the cemetery | |
| Marc Le Gall | The blind man | |
| Valérie Thoumire | The policewoman | |
| Niryis Pouscoulous | The taxi driver |
Production and Technical Credits
| Dominique Abel | Director | |
| Fiona Gordon | Director | |
| Dominique Abel | Screenwriter | |
| Fiona Gordon | Screenwriter | |
| Dominique Abel | Producer | |
| Fiona Gordon | Producer | |
| Christie Molia | Producer | |
| Charles Gillibert | Producer | |
| Geneviève Lamal | Co-Producer | |
| Philippe Logie | Co-Producer | |
| Tanguy Dekeyser | Co-Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.