Paws of Fury: The Legend of Hank (2022)
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| Theatrical Performance | ||
| Domestic Box Office | $17,811,382 | Details |
| International Box Office | $22,354,756 | Details |
| Worldwide Box Office | $40,166,138 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $810,634 | |
| Blu-ray Sales (estimated) | $396,723 | |
| Total | $1,207,357 | |
| OpusData ID: 223590100 More info... | ||
| Further financial details... | ||
Synopsis
A hard-on-his-luck hound Hank finds himself in a town full of cats who need a hero to defend them from a ruthless villain’s evil plot to wipe their village off the map. With help from a reluctant teacher to train him, our underdog must assume the role of town samurai and team up with the villagers to save the day.
Metrics
| Opening Weekend: | $6,321,423 (35.5% of total gross) |
| Legs: | 2.82 (domestic box office/biggest weekend) |
| Domestic Share: | 44.3% (domestic box office/worldwide) |
| Production Budget: | $45,000,000 (worldwide box office is 0.9 times production budget) |
| Theater counts: | 3,475 opening theaters/3,481 max. theaters, 2.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $20,230,208 |
Movie Details
| Domestic Releases: | July 15th, 2022 (Wide) by Paramount Pictures |
| International Releases: | July 15th, 2022 (Wide), released as Paws of Fury: The Legend of Hank (Пёс-самурай и город кошек) (Russia (CIS))
July 20th, 2022 (Wide), released as De Legende van Samoerai Henk (Netherlands) August 5th, 2022 (Wide), released as Un héroe samurái: la leyenda de Hank (Spain) August 11th, 2022 (Wide), released as El perro samurái: La leyenda de Kakamucho (Mexico) August 12th, 2022 (Limited) (Romania) ... Show all releases |
| Video Release: | August 16th, 2022 by Paramount Home Video |
| MPA Rating: | PG for action, violence, rude and suggestive humor, and some language. (Rating bulletin 2722 (cert #53682), 3/9/2022) |
| Running Time: | 97 minutes |
| Cast, crew, or production detail: | Animal Lead, Development Hell, Remake, Remake with a Different Genre |
| Plot point: | Martial Arts, Talking Animals |
| Subgenre: | Family Adventure |
| Source: | Original Screenplay |
| Genre: | Adventure |
| Production Method: | Digital Animation |
| Creative Type: | Kids Fiction |
| Production/Financing Companies: | Flying Tigers Entertainment, Blazing Productions Ltd, Align Pictures, Aniventure, HB Wink Animation, GFM Animation, Cinesite, Paramount Pictures, Nickelodeon Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 15, 2022 | 6 | $6,321,423 | 3,475 | $1,819 | $6,321,423 | 1 | |
| Jul 22, 2022 | 7 | $3,872,603 | -39% | 3,481 | $1,112 | $13,755,252 | 2 |
| Jul 29, 2022 | 12 | $756,819 | -80% | 2,167 | $349 | $16,838,650 | 3 |
| Aug 5, 2022 | - | $156,689 | -79% | 497 | $315 | $17,572,201 | 4 |
| Aug 12, 2022 | - | $70,570 | -55% | 226 | $312 | $17,768,984 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jul 14, 2022 | P | $505,000 | 2,650 | $191 | $505,000 | |||
| Jul 15, 2022 | 5 | $2,446,696 | 3,475 | $704 | $2,446,696 | 1 | ||
| Jul 16, 2022 | 6 | $2,216,501 | -9% | 3,475 | $638 | $4,663,197 | 2 | |
| Jul 17, 2022 | 6 | $1,658,226 | -25% | 3,475 | $477 | $6,321,423 | 3 | |
| Jul 18, 2022 | 7 | $781,208 | -53% | 3,475 | $225 | $7,102,631 | 4 | |
| Jul 19, 2022 | 6 | $1,229,305 | +57% | 3,475 | $354 | $8,331,936 | 5 | |
| Jul 20, 2022 | 6 | $767,991 | -38% | 3,475 | $221 | $9,099,927 | 6 | |
| Jul 21, 2022 | 6 | $782,722 | +2% | 3,475 | $225 | $9,882,649 | 7 | |
| Jul 22, 2022 | 7 | $1,154,124 | +47% | -53% | 3,481 | $332 | $11,036,773 | 8 |
| Jul 23, 2022 | 7 | $1,540,798 | +34% | -30% | 3,481 | $443 | $12,577,571 | 9 |
| Jul 24, 2022 | 7 | $1,177,681 | -24% | -29% | 3,481 | $338 | $13,755,252 | 10 |
| Jul 25, 2022 | 7 | $536,572 | -54% | -31% | 3,481 | $154 | $14,291,824 | 11 |
| Jul 26, 2022 | 7 | $881,712 | +64% | -28% | 3,481 | $253 | $15,173,536 | 12 |
| Jul 27, 2022 | 7 | $571,180 | -35% | -26% | 3,481 | $164 | $15,744,716 | 13 |
| Jul 28, 2022 | 9 | $337,115 | -41% | -57% | 3,481 | $97 | $16,081,831 | 14 |
| Jul 29, 2022 | 12 | $230,245 | -32% | -80% | 2,167 | $106 | $16,312,076 | 15 |
| Jul 30, 2022 | 12 | $293,588 | +28% | -81% | 2,167 | $135 | $16,605,664 | 16 |
| Jul 31, 2022 | 12 | $232,986 | -21% | -80% | 2,167 | $108 | $16,838,650 | 17 |
| Aug 1, 2022 | 12 | $130,295 | -44% | -76% | 2,167 | $60 | $16,968,945 | 18 |
| Aug 2, 2022 | 12 | $190,316 | +46% | -78% | 2,167 | $88 | $17,159,261 | 19 |
| Aug 3, 2022 | 12 | $133,706 | -30% | -77% | 2,167 | $62 | $17,292,967 | 20 |
| Aug 4, 2022 | 12 | $122,545 | -8% | -64% | 2,167 | $57 | $17,415,512 | 21 |
| Aug 5, 2022 | - | $44,518 | -64% | -81% | 497 | $90 | $17,460,030 | 22 |
| Aug 6, 2022 | - | $62,015 | +39% | -79% | 497 | $125 | $17,522,045 | 23 |
| Aug 7, 2022 | - | $50,156 | -19% | -78% | 497 | $101 | $17,572,201 | 24 |
| Aug 8, 2022 | - | $29,295 | -42% | -78% | 497 | $59 | $17,601,496 | 25 |
| Aug 9, 2022 | - | $47,015 | +60% | -75% | 497 | $95 | $17,648,511 | 26 |
| Aug 10, 2022 | - | $25,445 | -46% | -81% | 497 | $51 | $17,673,956 | 27 |
| Aug 11, 2022 | - | $24,458 | -4% | -80% | 497 | $49 | $17,698,414 | 28 |
| Aug 12, 2022 | - | $21,960 | -10% | -51% | 226 | $97 | $17,720,374 | 29 |
| Aug 13, 2022 | - | $29,484 | +34% | -52% | 226 | $130 | $17,749,858 | 30 |
| Aug 14, 2022 | - | $19,126 | -35% | -62% | 226 | $85 | $17,768,984 | 31 |
| Aug 15, 2022 | - | $7,609 | -60% | -74% | 226 | $34 | $17,776,593 | 32 |
| Aug 16, 2022 | - | $10,813 | +42% | -77% | 226 | $48 | $17,787,406 | 33 |
| Aug 17, 2022 | - | $11,625 | +8% | -54% | 226 | $51 | $17,799,031 | 34 |
| Aug 18, 2022 | - | $12,351 | +6% | -50% | 226 | $55 | $17,811,382 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 15, 2022 | 6 | $9,882,649 | 3,475 | $2,844 | $9,882,649 | 1 | |
| Jul 22, 2022 | 7 | $6,199,182 | -37% | 3,481 | $1,781 | $16,081,831 | 2 |
| Jul 29, 2022 | 12 | $1,333,681 | -78% | 2,167 | $615 | $17,415,512 | 3 |
| Aug 5, 2022 | - | $282,902 | -79% | 497 | $569 | $17,698,414 | 4 |
| Aug 12, 2022 | - | $112,968 | -60% | 226 | $500 | $17,811,382 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 9/15/2022 | $0 | 0 | 304 | 1,682 | $2,816,640 | 1/23/2023 | |||
| China | 11/12/2022 | $270,000 | 11,425 | 11,425 | 16,839 | $540,000 | 12/13/2022 | |||
| Croatia | 2/3/2023 | $8,066 | 32 | 32 | 105 | $31,814 | 5/24/2024 | |||
| Finland | 12/30/2022 | $21,789 | 74 | 74 | 191 | $85,691 | 4/21/2026 | |||
| Netherlands | 7/20/2022 | $43,227 | 108 | 108 | 369 | $178,746 | 8/15/2022 | |||
| New Zealand | 9/29/2022 | $34,698 | 90 | 90 | 416 | $326,774 | 1/9/2023 | |||
| Portugal | 3/9/2023 | $37,783 | 59 | 69 | 262 | $164,368 | 5/3/2023 | |||
| Romania | 8/12/2022 | $37,688 | 74 | 74 | 629 | $285,481 | 12/28/2022 | |||
| Russia (CIS) | 7/15/2022 | $0 | 0 | 1,806 | 10,044 | $4,007,502 | 11/11/2022 | |||
| Slovakia | 8/26/2022 | $3,596 | 22 | 72 | 290 | $99,371 | 3/7/2023 | |||
| Spain | 8/5/2022 | $128,378 | 338 | 338 | 934 | $491,346 | 9/15/2022 | |||
| Rest of World | $13,327,023 | |||||||||
| International Total | $22,354,756 | 4/21/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Michael Cera | Hank | |
| Ricky Gervais | Ika Chu |
Supporting
| Mel Brooks | Shogun |
Lead Ensemble Member
| George Takei | Ohga | |
| Aasif Mandvi | Ichiro |
Supporting
| Gabriel Iglesias | Chuck |
Lead Ensemble Member
| Djimon Hounsou | Sumo | |
| Michelle Yeoh | Yuki | |
| Kylie Kuioka | Yuki | |
| Samuel L. Jackson | Jimbo |
Supporting
| Sandra Tsing Loh | Little Mama | |
| Heavenly Joy Jerkins | Emiko |
Cameo
| Mel B* | The Giraffe |
Production and Technical Credits
| Rob Minkoff | Director | |
| Mark Koetsier | Director | |
| Chris Bailey | Director | |
| Ed Stone | Screenwriter | |
| Nate Hopper | Screenwriter | |
| Mel Brooks | Story Creator | |
| Norman Steinberg | Story Creator | |
| Andrew Bergman | Story Creator | |
| Richard Pryor | Story Creator | |
| Alan Uger | Story Creator | |
| Rob Minkoff | Producer | |
| Adam Nagle | Producer | |
| Peter Nagle | Producer | |
| Guy Collins | Producer | |
| Yair Landau | Producer | |
| Susan Purcell | Producer | |
| Adrian Politowski | Executive Producer | |
| Alex Schwartz | Executive Producer | |
| Ben White | Executive Producer | |
| Reginald Hudlin | Executive Producer | |
| Wang Zhongjun | Executive Producer | |
| Wang Zhonglei | Executive Producer | |
| Mel Brooks | Executive Producer | |
| Ivan Bilancio | Editor | |
| Bear McCreary | Composer | |
| Chris Douridas | Music Supervisor | |
| Debra Zane | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
A hard-on-his-luck hound Hank finds himself in a town full of cats who need a hero to defend them from a ruthless villain’s evil plot to wipe their village off the map. With help from a reluctant teacher to train him, our underdog must assume the role of town samurai and team up with the villagers to save the day.
Metrics
| Opening Weekend: | $6,321,423 (35.5% of total gross) |
| Legs: | 2.82 (domestic box office/biggest weekend) |
| Domestic Share: | 44.3% (domestic box office/worldwide) |
| Production Budget: | $45,000,000 (worldwide box office is 0.9 times production budget) |
| Theater counts: | 3,475 opening theaters/3,481 max. theaters, 2.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $20,230,208 |
Movie Details
| Domestic Releases: | July 15th, 2022 (Wide) by Paramount Pictures |
| International Releases: | July 15th, 2022 (Wide), released as Paws of Fury: The Legend of Hank (Пёс-самурай и город кошек) (Russia (CIS))
July 20th, 2022 (Wide), released as De Legende van Samoerai Henk (Netherlands) August 5th, 2022 (Wide), released as Un héroe samurái: la leyenda de Hank (Spain) August 11th, 2022 (Wide), released as El perro samurái: La leyenda de Kakamucho (Mexico) August 12th, 2022 (Limited) (Romania) ... Show all releases |
| Video Release: | August 16th, 2022 by Paramount Home Video |
| MPA Rating: | PG for action, violence, rude and suggestive humor, and some language. (Rating bulletin 2722 (cert #53682), 3/9/2022) |
| Running Time: | 97 minutes |
| Cast, crew, or production detail: | Animal Lead, Development Hell, Remake, Remake with a Different Genre |
| Plot point: | Martial Arts, Talking Animals |
| Subgenre: | Family Adventure |
| Source: | Original Screenplay |
| Genre: | Adventure |
| Production Method: | Digital Animation |
| Creative Type: | Kids Fiction |
| Production/Financing Companies: | Flying Tigers Entertainment, Blazing Productions Ltd, Align Pictures, Aniventure, HB Wink Animation, GFM Animation, Cinesite, Paramount Pictures, Nickelodeon Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 15, 2022 | 6 | $6,321,423 | 3,475 | $1,819 | $6,321,423 | 1 | |
| Jul 22, 2022 | 7 | $3,872,603 | -39% | 3,481 | $1,112 | $13,755,252 | 2 |
| Jul 29, 2022 | 12 | $756,819 | -80% | 2,167 | $349 | $16,838,650 | 3 |
| Aug 5, 2022 | - | $156,689 | -79% | 497 | $315 | $17,572,201 | 4 |
| Aug 12, 2022 | - | $70,570 | -55% | 226 | $312 | $17,768,984 | 5 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jul 14, 2022 | P | $505,000 | 2,650 | $191 | $505,000 | |||
| Jul 15, 2022 | 5 | $2,446,696 | 3,475 | $704 | $2,446,696 | 1 | ||
| Jul 16, 2022 | 6 | $2,216,501 | -9% | 3,475 | $638 | $4,663,197 | 2 | |
| Jul 17, 2022 | 6 | $1,658,226 | -25% | 3,475 | $477 | $6,321,423 | 3 | |
| Jul 18, 2022 | 7 | $781,208 | -53% | 3,475 | $225 | $7,102,631 | 4 | |
| Jul 19, 2022 | 6 | $1,229,305 | +57% | 3,475 | $354 | $8,331,936 | 5 | |
| Jul 20, 2022 | 6 | $767,991 | -38% | 3,475 | $221 | $9,099,927 | 6 | |
| Jul 21, 2022 | 6 | $782,722 | +2% | 3,475 | $225 | $9,882,649 | 7 | |
| Jul 22, 2022 | 7 | $1,154,124 | +47% | -53% | 3,481 | $332 | $11,036,773 | 8 |
| Jul 23, 2022 | 7 | $1,540,798 | +34% | -30% | 3,481 | $443 | $12,577,571 | 9 |
| Jul 24, 2022 | 7 | $1,177,681 | -24% | -29% | 3,481 | $338 | $13,755,252 | 10 |
| Jul 25, 2022 | 7 | $536,572 | -54% | -31% | 3,481 | $154 | $14,291,824 | 11 |
| Jul 26, 2022 | 7 | $881,712 | +64% | -28% | 3,481 | $253 | $15,173,536 | 12 |
| Jul 27, 2022 | 7 | $571,180 | -35% | -26% | 3,481 | $164 | $15,744,716 | 13 |
| Jul 28, 2022 | 9 | $337,115 | -41% | -57% | 3,481 | $97 | $16,081,831 | 14 |
| Jul 29, 2022 | 12 | $230,245 | -32% | -80% | 2,167 | $106 | $16,312,076 | 15 |
| Jul 30, 2022 | 12 | $293,588 | +28% | -81% | 2,167 | $135 | $16,605,664 | 16 |
| Jul 31, 2022 | 12 | $232,986 | -21% | -80% | 2,167 | $108 | $16,838,650 | 17 |
| Aug 1, 2022 | 12 | $130,295 | -44% | -76% | 2,167 | $60 | $16,968,945 | 18 |
| Aug 2, 2022 | 12 | $190,316 | +46% | -78% | 2,167 | $88 | $17,159,261 | 19 |
| Aug 3, 2022 | 12 | $133,706 | -30% | -77% | 2,167 | $62 | $17,292,967 | 20 |
| Aug 4, 2022 | 12 | $122,545 | -8% | -64% | 2,167 | $57 | $17,415,512 | 21 |
| Aug 5, 2022 | - | $44,518 | -64% | -81% | 497 | $90 | $17,460,030 | 22 |
| Aug 6, 2022 | - | $62,015 | +39% | -79% | 497 | $125 | $17,522,045 | 23 |
| Aug 7, 2022 | - | $50,156 | -19% | -78% | 497 | $101 | $17,572,201 | 24 |
| Aug 8, 2022 | - | $29,295 | -42% | -78% | 497 | $59 | $17,601,496 | 25 |
| Aug 9, 2022 | - | $47,015 | +60% | -75% | 497 | $95 | $17,648,511 | 26 |
| Aug 10, 2022 | - | $25,445 | -46% | -81% | 497 | $51 | $17,673,956 | 27 |
| Aug 11, 2022 | - | $24,458 | -4% | -80% | 497 | $49 | $17,698,414 | 28 |
| Aug 12, 2022 | - | $21,960 | -10% | -51% | 226 | $97 | $17,720,374 | 29 |
| Aug 13, 2022 | - | $29,484 | +34% | -52% | 226 | $130 | $17,749,858 | 30 |
| Aug 14, 2022 | - | $19,126 | -35% | -62% | 226 | $85 | $17,768,984 | 31 |
| Aug 15, 2022 | - | $7,609 | -60% | -74% | 226 | $34 | $17,776,593 | 32 |
| Aug 16, 2022 | - | $10,813 | +42% | -77% | 226 | $48 | $17,787,406 | 33 |
| Aug 17, 2022 | - | $11,625 | +8% | -54% | 226 | $51 | $17,799,031 | 34 |
| Aug 18, 2022 | - | $12,351 | +6% | -50% | 226 | $55 | $17,811,382 | 35 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 15, 2022 | 6 | $9,882,649 | 3,475 | $2,844 | $9,882,649 | 1 | |
| Jul 22, 2022 | 7 | $6,199,182 | -37% | 3,481 | $1,781 | $16,081,831 | 2 |
| Jul 29, 2022 | 12 | $1,333,681 | -78% | 2,167 | $615 | $17,415,512 | 3 |
| Aug 5, 2022 | - | $282,902 | -79% | 497 | $569 | $17,698,414 | 4 |
| Aug 12, 2022 | - | $112,968 | -60% | 226 | $500 | $17,811,382 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 9/15/2022 | $0 | 0 | 304 | 1,682 | $2,816,640 | 1/23/2023 | |||
| China | 11/12/2022 | $270,000 | 11,425 | 11,425 | 16,839 | $540,000 | 12/13/2022 | |||
| Croatia | 2/3/2023 | $8,066 | 32 | 32 | 105 | $31,814 | 5/24/2024 | |||
| Finland | 12/30/2022 | $21,789 | 74 | 74 | 191 | $85,691 | 4/21/2026 | |||
| Netherlands | 7/20/2022 | $43,227 | 108 | 108 | 369 | $178,746 | 8/15/2022 | |||
| New Zealand | 9/29/2022 | $34,698 | 90 | 90 | 416 | $326,774 | 1/9/2023 | |||
| Portugal | 3/9/2023 | $37,783 | 59 | 69 | 262 | $164,368 | 5/3/2023 | |||
| Romania | 8/12/2022 | $37,688 | 74 | 74 | 629 | $285,481 | 12/28/2022 | |||
| Russia (CIS) | 7/15/2022 | $0 | 0 | 1,806 | 10,044 | $4,007,502 | 11/11/2022 | |||
| Slovakia | 8/26/2022 | $3,596 | 22 | 72 | 290 | $99,371 | 3/7/2023 | |||
| Spain | 8/5/2022 | $128,378 | 338 | 338 | 934 | $491,346 | 9/15/2022 | |||
| Rest of World | $13,327,023 | |||||||||
| International Total | $22,354,756 | 4/21/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Lead Ensemble Member
| Michael Cera | Hank | |
| Ricky Gervais | Ika Chu |
Supporting
| Mel Brooks | Shogun |
Lead Ensemble Member
| George Takei | Ohga | |
| Aasif Mandvi | Ichiro |
Supporting
| Gabriel Iglesias | Chuck |
Lead Ensemble Member
| Djimon Hounsou | Sumo | |
| Michelle Yeoh | Yuki | |
| Kylie Kuioka | Yuki | |
| Samuel L. Jackson | Jimbo |
Supporting
| Sandra Tsing Loh | Little Mama | |
| Heavenly Joy Jerkins | Emiko |
Cameo
| Mel B* | The Giraffe |
Production and Technical Credits
| Rob Minkoff | Director | |
| Mark Koetsier | Director | |
| Chris Bailey | Director | |
| Ed Stone | Screenwriter | |
| Nate Hopper | Screenwriter | |
| Mel Brooks | Story Creator | |
| Norman Steinberg | Story Creator | |
| Andrew Bergman | Story Creator | |
| Richard Pryor | Story Creator | |
| Alan Uger | Story Creator | |
| Rob Minkoff | Producer | |
| Adam Nagle | Producer | |
| Peter Nagle | Producer | |
| Guy Collins | Producer | |
| Yair Landau | Producer | |
| Susan Purcell | Producer | |
| Adrian Politowski | Executive Producer | |
| Alex Schwartz | Executive Producer | |
| Ben White | Executive Producer | |
| Reginald Hudlin | Executive Producer | |
| Wang Zhongjun | Executive Producer | |
| Wang Zhonglei | Executive Producer | |
| Mel Brooks | Executive Producer | |
| Ivan Bilancio | Editor | |
| Bear McCreary | Composer | |
| Chris Douridas | Music Supervisor | |
| Debra Zane | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.