Polina danser sa vie (2016)
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| Theatrical Performance | ||
| Domestic Box Office | $165,203 | Details |
| International Box Office | $788,111 | Details |
| Worldwide Box Office | $953,314 | |
| OpusData ID: 291970100 More info... | ||
| Further financial details... | ||
Synopsis
Rigorously trained from an early age by a perfectionist instructor, Polina is a promising classical ballet dancer. She is just about to join the prestigious Bolshoi Ballet when she discovers contemporary dance, a revelation that throws everything into question on a profound level. Diverting from her plan, she leaves all her exacting preparation behind and moves to France to work with famous choreographer Liria Elsaj. But once there she is quickly forced to grapple with the realization that determination and hard work don't always lead to success.
Metrics
| Opening Weekend: | $12,588 (7.6% of total gross) |
| Legs: | 5.51 (domestic box office/biggest weekend) |
| Domestic Share: | 17.3% (domestic box office/worldwide) |
| Production Budget: | $4,000,000 (worldwide box office is 0.2 times production budget) |
| Theater counts: | 2 opening theaters/31 max. theaters, 2.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $220,267 |
Movie Details
| Domestic Releases: | August 25th, 2017 (Limited) by Oscilloscope Pictures, released as Polina |
| International Releases: | November 18th, 2016 (Wide) (France)
March 31st, 2017 (Wide) (Argentina) May 26th, 2017 (Wide), released as Polina (Czech Republic) May 26th, 2017 (Wide) (Slovakia) July 7th, 2017 (Wide), released as Polina (New Zealand) ... Show all releases |
| MPA Rating: | Not Rated |
| Running Time: | 112 minutes |
| Geographical setting: | France |
| Plot point: | Dancing, Homeless, Hunting, Young Child Dealing with the Death of a Parent |
| Social setting: | Ballet, Nightclub |
| Time period setting: | 1990s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Everybody on Deck, TF1 Droits Audiovisuels, UGC Images |
| Production Countries: | France |
| Languages: | French, Russian |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 25, 2017 | 64 | $12,588 | 2 | $6,294 | $12,588 | 1 | |
| Sep 1, 2017 | 62 | $20,837 | +66% | 4 | $5,209 | $42,463 | 2 |
| Sep 8, 2017 | 55 | $21,149 | +1% | 15 | $1,410 | $73,812 | 3 |
| Sep 15, 2017 | 45 | $30,000 | +42% | 30 | $1,000 | $117,908 | 4 |
| Sep 22, 2017 | 54 | $15,000 | -50% | 19 | $789 | $148,189 | 5 |
| Sep 29, 2017 | 76 | $3,689 | -75% | 10 | $369 | $158,256 | 6 |
| Oct 6, 2017 | 97 | $1,048 | -72% | 2 | $524 | $161,531 | 7 |
| Oct 13, 2017 | 91 | $889 | -15% | 2 | $445 | $163,802 | 8 |
| Oct 20, 2017 | 95 | $1,147 | +29% | 1 | $1,147 | $165,203 | 9 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 25, 2017 | 61 | $21,626 | 2 | $10,813 | $21,626 | 1 | |
| Sep 1, 2017 | 62 | $31,037 | +44% | 4 | $7,759 | $52,663 | 2 |
| Sep 8, 2017 | 54 | $35,245 | +14% | 16 | $2,203 | $87,908 | 3 |
| Sep 15, 2017 | 47 | $45,281 | +28% | 31 | $1,461 | $133,189 | 4 |
| Sep 22, 2017 | 55 | $21,378 | -53% | 20 | $1,069 | $154,567 | 5 |
| Sep 29, 2017 | 78 | $5,916 | -72% | 10 | $592 | $160,483 | 6 |
| Oct 6, 2017 | 98 | $2,430 | -59% | 4 | $608 | $162,913 | 7 |
| Oct 13, 2017 | 101 | $1,143 | -53% | 2 | $572 | $164,056 | 8 |
| Oct 20, 2017 | 103 | $1,147 | n/c | 1 | $1,147 | $165,203 | 9 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 3/31/2017 | $0 | 0 | 0 | 0 | $34,659 | 4/4/2026 | |||
| Czech Republic | 5/26/2017 | $1,274 | 23 | 23 | 32 | $5,895 | 1/1/2019 | |||
| France | 11/18/2016 | $222,418 | 0 | 0 | 0 | $697,876 | 8/17/2018 | |||
| New Zealand | 7/7/2017 | $6,664 | 14 | 18 | 83 | $32,982 | 8/21/2017 | |||
| Portugal | 7/28/2017 | $2,191 | 1 | 1 | 3 | $7,689 | 8/17/2017 | |||
| Slovakia | 5/26/2017 | $981 | 20 | 20 | 20 | $981 | 6/1/2017 | |||
| United Kingdom | 12/21/2018 | $4,063 | 9 | 9 | 9 | $4,063 | 4/4/2026 | |||
| Rest of World | $3,966 | |||||||||
| International Total | $788,111 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Anastasia Shevtsova | Polina |
Supporting
| Juliette Binoche | Liria Elsaj | |
| Veronika Zhovnytska | Young Polina | |
| Niels Schneider | Adrien | |
| Jeremie Belingard | Karl | |
| Aleksei Guskov | Bojinski | |
| Sergio Diaz | Sergio | |
| Miglen Mirtchev | Anton | |
| Kseniya Kutepova | Natalia | |
| Ambroise Divaret | Alex | |
| Oriana Jimenez | Svetlana |
Production and Technical Credits
| Valérie Müller | Director | |
| Angelin Preljocaj | Director | |
| Valérie Müller | Screenwriter | |
| Bastien Vives | Story based on the graphic novel by | |
| Didier Creste | Producer | |
| Gaelle Bayssiere | Producer | |
| Georges Lechaptois | Director of Photography | |
| Dana Farzanehpour | Sound Designer | |
| Toma Baqueni | Production Designer | |
| Laure Villemer | Costume Designer | |
| Amandine Escoffier | Assistant Director | |
| Sebastien Louis | Script Supervisor | |
| Fabrice Rouaud | Editor | |
| Guillaume Saignol | Editor | |
| Daniel Sobrino | Sound Editor | |
| Daniel Sobrino | Sound Mixer | |
| Camille de Chevigny | Production Manager | |
| Mathieu Verhaeghe | Production Manager | |
| Clara Vincienne | Post Production Manager |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Rigorously trained from an early age by a perfectionist instructor, Polina is a promising classical ballet dancer. She is just about to join the prestigious Bolshoi Ballet when she discovers contemporary dance, a revelation that throws everything into question on a profound level. Diverting from her plan, she leaves all her exacting preparation behind and moves to France to work with famous choreographer Liria Elsaj. But once there she is quickly forced to grapple with the realization that determination and hard work don't always lead to success.
Metrics
| Opening Weekend: | $12,588 (7.6% of total gross) |
| Legs: | 5.51 (domestic box office/biggest weekend) |
| Domestic Share: | 17.3% (domestic box office/worldwide) |
| Production Budget: | $4,000,000 (worldwide box office is 0.2 times production budget) |
| Theater counts: | 2 opening theaters/31 max. theaters, 2.7 weeks average run per theater |
| Infl. Adj. Dom. BO | $220,267 |
Movie Details
| Domestic Releases: | August 25th, 2017 (Limited) by Oscilloscope Pictures, released as Polina |
| International Releases: | November 18th, 2016 (Wide) (France)
March 31st, 2017 (Wide) (Argentina) May 26th, 2017 (Wide), released as Polina (Czech Republic) May 26th, 2017 (Wide) (Slovakia) July 7th, 2017 (Wide), released as Polina (New Zealand) ... Show all releases |
| MPA Rating: | Not Rated |
| Running Time: | 112 minutes |
| Geographical setting: | France |
| Plot point: | Dancing, Homeless, Hunting, Young Child Dealing with the Death of a Parent |
| Social setting: | Ballet, Nightclub |
| Time period setting: | 1990s |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Everybody on Deck, TF1 Droits Audiovisuels, UGC Images |
| Production Countries: | France |
| Languages: | French, Russian |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 25, 2017 | 64 | $12,588 | 2 | $6,294 | $12,588 | 1 | |
| Sep 1, 2017 | 62 | $20,837 | +66% | 4 | $5,209 | $42,463 | 2 |
| Sep 8, 2017 | 55 | $21,149 | +1% | 15 | $1,410 | $73,812 | 3 |
| Sep 15, 2017 | 45 | $30,000 | +42% | 30 | $1,000 | $117,908 | 4 |
| Sep 22, 2017 | 54 | $15,000 | -50% | 19 | $789 | $148,189 | 5 |
| Sep 29, 2017 | 76 | $3,689 | -75% | 10 | $369 | $158,256 | 6 |
| Oct 6, 2017 | 97 | $1,048 | -72% | 2 | $524 | $161,531 | 7 |
| Oct 13, 2017 | 91 | $889 | -15% | 2 | $445 | $163,802 | 8 |
| Oct 20, 2017 | 95 | $1,147 | +29% | 1 | $1,147 | $165,203 | 9 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Aug 25, 2017 | 61 | $21,626 | 2 | $10,813 | $21,626 | 1 | |
| Sep 1, 2017 | 62 | $31,037 | +44% | 4 | $7,759 | $52,663 | 2 |
| Sep 8, 2017 | 54 | $35,245 | +14% | 16 | $2,203 | $87,908 | 3 |
| Sep 15, 2017 | 47 | $45,281 | +28% | 31 | $1,461 | $133,189 | 4 |
| Sep 22, 2017 | 55 | $21,378 | -53% | 20 | $1,069 | $154,567 | 5 |
| Sep 29, 2017 | 78 | $5,916 | -72% | 10 | $592 | $160,483 | 6 |
| Oct 6, 2017 | 98 | $2,430 | -59% | 4 | $608 | $162,913 | 7 |
| Oct 13, 2017 | 101 | $1,143 | -53% | 2 | $572 | $164,056 | 8 |
| Oct 20, 2017 | 103 | $1,147 | n/c | 1 | $1,147 | $165,203 | 9 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 3/31/2017 | $0 | 0 | 0 | 0 | $34,659 | 4/4/2026 | |||
| Czech Republic | 5/26/2017 | $1,274 | 23 | 23 | 32 | $5,895 | 1/1/2019 | |||
| France | 11/18/2016 | $222,418 | 0 | 0 | 0 | $697,876 | 8/17/2018 | |||
| New Zealand | 7/7/2017 | $6,664 | 14 | 18 | 83 | $32,982 | 8/21/2017 | |||
| Portugal | 7/28/2017 | $2,191 | 1 | 1 | 3 | $7,689 | 8/17/2017 | |||
| Slovakia | 5/26/2017 | $981 | 20 | 20 | 20 | $981 | 6/1/2017 | |||
| United Kingdom | 12/21/2018 | $4,063 | 9 | 9 | 9 | $4,063 | 4/4/2026 | |||
| Rest of World | $3,966 | |||||||||
| International Total | $788,111 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Anastasia Shevtsova | Polina |
Supporting
| Juliette Binoche | Liria Elsaj | |
| Veronika Zhovnytska | Young Polina | |
| Niels Schneider | Adrien | |
| Jeremie Belingard | Karl | |
| Aleksei Guskov | Bojinski | |
| Sergio Diaz | Sergio | |
| Miglen Mirtchev | Anton | |
| Kseniya Kutepova | Natalia | |
| Ambroise Divaret | Alex | |
| Oriana Jimenez | Svetlana |
Production and Technical Credits
| Valérie Müller | Director | |
| Angelin Preljocaj | Director | |
| Valérie Müller | Screenwriter | |
| Bastien Vives | Story based on the graphic novel by | |
| Didier Creste | Producer | |
| Gaelle Bayssiere | Producer | |
| Georges Lechaptois | Director of Photography | |
| Dana Farzanehpour | Sound Designer | |
| Toma Baqueni | Production Designer | |
| Laure Villemer | Costume Designer | |
| Amandine Escoffier | Assistant Director | |
| Sebastien Louis | Script Supervisor | |
| Fabrice Rouaud | Editor | |
| Guillaume Saignol | Editor | |
| Daniel Sobrino | Sound Editor | |
| Daniel Sobrino | Sound Mixer | |
| Camille de Chevigny | Production Manager | |
| Mathieu Verhaeghe | Production Manager | |
| Clara Vincienne | Post Production Manager |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.