Rebel in the Rye (2017)
| Theatrical Performance | ||
| Domestic Box Office | $378,294 | Details |
| International Box Office | $484,683 | Details |
| Worldwide Box Office | $862,977 | |
| OpusData ID: 240150100 More info... | ||
| Further financial details... | ||
Synopsis
J.D. Salinger biopic
Metrics
| Opening Weekend: | $37,967 (10.0% of total gross) |
| Legs: | 4.15 (domestic box office/biggest weekend) |
| Domestic Share: | 43.8% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/82 max. theaters, 3.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $504,389 |
Movie Details
| Domestic Releases: | September 8th, 2017 (Limited) by IFC Films |
| International Releases: | October 6th, 2017 (Wide), released as Çavdar Tarlasındaki Asi (Turkey)
November 17th, 2017 (Wide), released as A Vida de Um Génio (Portugal) December 8th, 2017 (Wide) (Russia (CIS)) May 4th, 2018 (Wide), released as Rebelde entre el centeno (Spain) October 18th, 2018 (Wide) (South Korea) ... Show all releases |
| MPA Rating: | PG-13 for thematic elements, language including sexual references, some violence, and smoking throughout. (Rating bulletin 2463 (Cert #50911), 2/15/2017) |
| Running Time: | 106 minutes |
| Cast, crew, or production detail: | Actors Making Their Directorial Debut |
| Plot point: | Biography, Coming of Age, Writing and Writers |
| Social setting: | World War II |
| Time period setting: | 1940s |
| Source: | Based on Factual Book/Article |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Bruce Cohen Productions, Black Label Media |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 8, 2017 | 50 | $37,967 | 4 | $9,492 | $37,967 | 1 | |
| Sep 15, 2017 | 30 | $91,169 | +140% | 49 | $1,861 | $144,377 | 2 |
| Sep 22, 2017 | 33 | $72,507 | -20% | 82 | $884 | $255,732 | 3 |
| Sep 29, 2017 | 42 | $34,591 | -52% | 71 | $487 | $325,808 | 4 |
| Oct 6, 2017 | 62 | $8,424 | -76% | 29 | $290 | $354,375 | 5 |
| Oct 13, 2017 | 69 | $3,252 | -61% | 14 | $232 | $367,488 | 6 |
| Oct 20, 2017 | 89 | $1,777 | -45% | 8 | $222 | $372,997 | 7 |
| Oct 27, 2017 | 106 | $326 | -82% | 2 | $163 | $376,734 | 8 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 8, 2017 | 48 | $53,208 | 4 | $13,302 | $53,208 | 1 | |
| Sep 15, 2017 | 31 | $130,017 | +144% | 49 | $2,653 | $183,225 | 2 |
| Sep 22, 2017 | 35 | $107,992 | -17% | 82 | $1,317 | $291,217 | 3 |
| Sep 29, 2017 | 43 | $54,734 | -49% | 71 | $771 | $345,951 | 4 |
| Oct 6, 2017 | 60 | $18,285 | -67% | 30 | $610 | $364,236 | 5 |
| Oct 13, 2017 | 70 | $7,056 | -61% | 14 | $504 | $371,292 | 6 |
| Oct 20, 2017 | 83 | $5,116 | -27% | 8 | $640 | $376,408 | 7 |
| Oct 27, 2017 | 96 | $1,886 | -63% | 5 | $377 | $378,294 | 8 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Portugal | 11/17/2017 | $4,335 | 6 | 6 | 13 | $10,534 | 12/6/2017 | |||
| Russia (CIS) | 12/8/2017 | $132,537 | 309 | 2,230 | 2,778 | $259,868 | 1/1/2019 | |||
| South Korea | 10/18/2018 | $39,642 | 68 | 68 | 196 | $147,221 | 8/28/2024 | |||
| Spain | 5/4/2018 | $38,332 | 38 | 38 | 38 | $38,332 | 5/11/2018 | |||
| Turkey | 10/6/2017 | $9,211 | 20 | 20 | 36 | $28,728 | 2/26/2019 | |||
| International Total | $484,683 | 8/28/2024 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Nicholas Hoult | J.D. Salanger |
Production and Technical Credits
| Danny Strong | Director | |
| Danny Strong | Screenwriter | |
| Kenneth Slawenski | Based on the biography by | |
| Danny Strong | Producer | |
| Molly Smith | Producer | |
| Trent Luckinbill | Producer | |
| Thad Luckinbill | Producer | |
| Bruce Cohen | Producer | |
| Jason Shuman | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
J.D. Salinger biopic
Metrics
| Opening Weekend: | $37,967 (10.0% of total gross) |
| Legs: | 4.15 (domestic box office/biggest weekend) |
| Domestic Share: | 43.8% (domestic box office/worldwide) |
| Theater counts: | 4 opening theaters/82 max. theaters, 3.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $504,389 |
Movie Details
| Domestic Releases: | September 8th, 2017 (Limited) by IFC Films |
| International Releases: | October 6th, 2017 (Wide), released as Çavdar Tarlasındaki Asi (Turkey)
November 17th, 2017 (Wide), released as A Vida de Um Génio (Portugal) December 8th, 2017 (Wide) (Russia (CIS)) May 4th, 2018 (Wide), released as Rebelde entre el centeno (Spain) October 18th, 2018 (Wide) (South Korea) ... Show all releases |
| MPA Rating: | PG-13 for thematic elements, language including sexual references, some violence, and smoking throughout. (Rating bulletin 2463 (Cert #50911), 2/15/2017) |
| Running Time: | 106 minutes |
| Cast, crew, or production detail: | Actors Making Their Directorial Debut |
| Plot point: | Biography, Coming of Age, Writing and Writers |
| Social setting: | World War II |
| Time period setting: | 1940s |
| Source: | Based on Factual Book/Article |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Bruce Cohen Productions, Black Label Media |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 8, 2017 | 50 | $37,967 | 4 | $9,492 | $37,967 | 1 | |
| Sep 15, 2017 | 30 | $91,169 | +140% | 49 | $1,861 | $144,377 | 2 |
| Sep 22, 2017 | 33 | $72,507 | -20% | 82 | $884 | $255,732 | 3 |
| Sep 29, 2017 | 42 | $34,591 | -52% | 71 | $487 | $325,808 | 4 |
| Oct 6, 2017 | 62 | $8,424 | -76% | 29 | $290 | $354,375 | 5 |
| Oct 13, 2017 | 69 | $3,252 | -61% | 14 | $232 | $367,488 | 6 |
| Oct 20, 2017 | 89 | $1,777 | -45% | 8 | $222 | $372,997 | 7 |
| Oct 27, 2017 | 106 | $326 | -82% | 2 | $163 | $376,734 | 8 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 8, 2017 | 48 | $53,208 | 4 | $13,302 | $53,208 | 1 | |
| Sep 15, 2017 | 31 | $130,017 | +144% | 49 | $2,653 | $183,225 | 2 |
| Sep 22, 2017 | 35 | $107,992 | -17% | 82 | $1,317 | $291,217 | 3 |
| Sep 29, 2017 | 43 | $54,734 | -49% | 71 | $771 | $345,951 | 4 |
| Oct 6, 2017 | 60 | $18,285 | -67% | 30 | $610 | $364,236 | 5 |
| Oct 13, 2017 | 70 | $7,056 | -61% | 14 | $504 | $371,292 | 6 |
| Oct 20, 2017 | 83 | $5,116 | -27% | 8 | $640 | $376,408 | 7 |
| Oct 27, 2017 | 96 | $1,886 | -63% | 5 | $377 | $378,294 | 8 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Portugal | 11/17/2017 | $4,335 | 6 | 6 | 13 | $10,534 | 12/6/2017 | |||
| Russia (CIS) | 12/8/2017 | $132,537 | 309 | 2,230 | 2,778 | $259,868 | 1/1/2019 | |||
| South Korea | 10/18/2018 | $39,642 | 68 | 68 | 196 | $147,221 | 8/28/2024 | |||
| Spain | 5/4/2018 | $38,332 | 38 | 38 | 38 | $38,332 | 5/11/2018 | |||
| Turkey | 10/6/2017 | $9,211 | 20 | 20 | 36 | $28,728 | 2/26/2019 | |||
| International Total | $484,683 | 8/28/2024 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Nicholas Hoult | J.D. Salanger |
Production and Technical Credits
| Danny Strong | Director | |
| Danny Strong | Screenwriter | |
| Kenneth Slawenski | Based on the biography by | |
| Danny Strong | Producer | |
| Molly Smith | Producer | |
| Trent Luckinbill | Producer | |
| Thad Luckinbill | Producer | |
| Bruce Cohen | Producer | |
| Jason Shuman | Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.