Rob Roy (1995)
| Theatrical Performance | ||
| Domestic Box Office | $31,390,587 | Details |
| OpusData ID: 18130100 More info... | ||
| Further financial details... | ||
Metrics
| Opening Weekend: | $2,023,272 (6.4% of total gross) |
| Legs: | 4.37 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Production Budget: | $28,000,000 (worldwide box office is 1.1 times production budget) |
| Theater counts: | 133 opening theaters/1,885 max. theaters, 5.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $81,615,516 |
Movie Details
| Domestic Releases: | April 7th, 1995 (Wide) by MGM |
| Video Release: | 1995 by MGM Video |
| MPA Rating: | R for violence and sexuality |
| Running Time: | 139 minutes |
| Geographical setting: | Scotland |
| Plot point: | Biography, Sex Crimes |
| Subgenre: | Historical Drama |
| Time period setting: | 1700s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | United Artists |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 7, 1995 | 9 | $2,023,272 | 133 | $15,213 | $2,023,272 | 1 | |
| Apr 14, 1995 | 2 | $7,190,047 | +255% | 1,521 | $4,727 | $11,193,191 | 2 |
| Apr 21, 1995 | 4 | $5,021,901 | -30% | 1,885 | $2,664 | $18,825,192 | 3 |
| Apr 28, 1995 | 4 | $3,362,373 | -33% | 1,885 | $1,784 | $23,596,208 | 4 |
| May 5, 1995 | 7 | $2,123,655 | -37% | 1,821 | $1,166 | $26,756,585 | 5 |
| May 12, 1995 | 10 | $1,199,671 | -44% | 1,451 | $827 | $28,759,638 | 6 |
| May 19, 1995 | 14 | $628,976 | -48% | 946 | $665 | $29,871,056 | 7 |
| May 26, 1995 | 22 | $307,322 | -51% | 354 | $868 | $30,414,304 | 8 |
| Jun 2, 1995 | 24 | $171,093 | -44% | 286 | $598 | $30,666,928 | 9 |
| Jun 9, 1995 | 26 | $147,058 | -14% | 263 | $559 | $30,893,405 | 10 |
| Jun 16, 1995 | 34 | $95,125 | -35% | 234 | $407 | $31,060,351 | 11 |
| Jun 23, 1995 | 32 | $102,722 | +8% | 209 | $491 | $31,221,625 | 12 |
| Jun 30, 1995 | 41 | $54,211 | -47% | 119 | $456 | $31,341,940 | 13 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 7, 1995 | 8 | $4,003,144 | 133 | $30,099 | $4,003,144 | 1 | |
| Apr 14, 1995 | 2 | $9,800,147 | +145% | 1,521 | $6,443 | $13,803,291 | 2 |
| Apr 21, 1995 | 4 | $6,430,544 | -34% | 1,885 | $3,411 | $20,233,835 | 3 |
| Apr 28, 1995 | 4 | $4,399,095 | -32% | 1,885 | $2,334 | $24,632,930 | 4 |
| May 5, 1995 | 7 | $2,927,037 | -33% | 1,821 | $1,607 | $27,559,967 | 5 |
| May 12, 1995 | 9 | $1,682,113 | -43% | 1,451 | $1,159 | $29,242,080 | 6 |
| May 19, 1995 | 13 | $864,902 | -49% | 946 | $914 | $30,106,982 | 7 |
| May 26, 1995 | 22 | $388,853 | -55% | 354 | $1,098 | $30,495,835 | 8 |
| Jun 2, 1995 | 25 | $250,512 | -36% | 286 | $876 | $30,746,347 | 9 |
| Jun 9, 1995 | 27 | $218,879 | -13% | 263 | $832 | $30,965,226 | 10 |
| Jun 16, 1995 | 32 | $153,677 | -30% | 234 | $657 | $31,118,903 | 11 |
| Jun 23, 1995 | 31 | $168,826 | +10% | 209 | $808 | $31,287,729 | 12 |
Leading
| Liam Neeson | Rob Roy | |
| Jessica Lange | Mary |
Supporting
| John Hurt | Marquis of Montrose | |
| Tim Roth | Cunningham | |
| Eric Stoltz | Alan McDonald | |
| Brian Cox | Killearn | |
| Andrew Keir | Argyll | |
| Brian McCardie | Alasdair | |
| Gilbert Martin | Guthrie | |
| Vicki Masson | Betty | |
| Gilly Gilchrist | Iain | |
| Jason Flemyng | Gregor | |
| Ewan Stewart | Coll | |
| David Hayman | Sibbald | |
| Brian McArthur | Ranald | |
| David S. Palmer | Duncan | |
| Myra McFadyen | Tinker Woman | |
| Karen Matheson | Ceilidh Singer | |
| Shirley Henderson | Morag | |
| John Murtagh | Referee | |
| Bill Gardiner | Tavern Lad | |
| Valentine Nwanze | Servant Boy | |
| Richard Bonehill | Gutherie's Opponent |
Production and Technical Credits
| Michael Caton-Jones | Director | |
| Peter Broughan | Producer | |
| Richard Jackson | Producer | |
| Alan Sharp | Screenwriter | |
| Michael Caton-Jones | Executive Producer | |
| Karl Walter Lindenlaub | Director of Photography | |
| Assheton Gorton | Production Designer | |
| Peter Honess | Editor | |
| Sandy Powell | Costume Designer | |
| Larry DeWaay | Co-Producer | |
| Carter Burwell | Composer | |
| Bill Westley | Assistant Director | |
| Vic Armstrong | Second Unit Director | |
| John Ralph | Art Director | |
| Alan Tomkins | Art Director | |
| Ann Mollo | Set Decorator | |
| Jim Devis | Second Unit Camera | |
| Clare Spragge | Costume Supervisor | |
| David John | Sound Mixer | |
| Chris Jenkins | Re-recording Mixer | |
| Mark Smith | Re-recording Mixer | |
| Adam Jenkins | Re-recording Mixer | |
| Richard King | Supervising Sound Editor | |
| Patricio Libenson | Sound Effects Editor | |
| David F. Van Slyke | Sound Effects Editor | |
| Jim Matheny | Dialogue Editor | |
| Sukey Fontelieu | Dialogue Editor | |
| Adam Smalley | Music Editor | |
| Morag Ross | Make up | |
| Jan Archibald | Hairstylist | |
| Angus Grant | Song Writer | |
| Karen Matheson | Song Writer | |
| Donald Shaw | Song Writer | |
| Manus Lunny | Song Writer | |
| John Saic | Song Writer | |
| Marc Duff | Song Writer | |
| Charlie McKerron | Song Writer | |
| Susie Figgis | Casting Director | |
| Vic Armstrong | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Metrics
| Opening Weekend: | $2,023,272 (6.4% of total gross) |
| Legs: | 4.37 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Production Budget: | $28,000,000 (worldwide box office is 1.1 times production budget) |
| Theater counts: | 133 opening theaters/1,885 max. theaters, 5.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $81,615,516 |
Movie Details
| Domestic Releases: | April 7th, 1995 (Wide) by MGM |
| Video Release: | 1995 by MGM Video |
| MPA Rating: | R for violence and sexuality |
| Running Time: | 139 minutes |
| Geographical setting: | Scotland |
| Plot point: | Biography, Sex Crimes |
| Subgenre: | Historical Drama |
| Time period setting: | 1700s |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | United Artists |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 7, 1995 | 9 | $2,023,272 | 133 | $15,213 | $2,023,272 | 1 | |
| Apr 14, 1995 | 2 | $7,190,047 | +255% | 1,521 | $4,727 | $11,193,191 | 2 |
| Apr 21, 1995 | 4 | $5,021,901 | -30% | 1,885 | $2,664 | $18,825,192 | 3 |
| Apr 28, 1995 | 4 | $3,362,373 | -33% | 1,885 | $1,784 | $23,596,208 | 4 |
| May 5, 1995 | 7 | $2,123,655 | -37% | 1,821 | $1,166 | $26,756,585 | 5 |
| May 12, 1995 | 10 | $1,199,671 | -44% | 1,451 | $827 | $28,759,638 | 6 |
| May 19, 1995 | 14 | $628,976 | -48% | 946 | $665 | $29,871,056 | 7 |
| May 26, 1995 | 22 | $307,322 | -51% | 354 | $868 | $30,414,304 | 8 |
| Jun 2, 1995 | 24 | $171,093 | -44% | 286 | $598 | $30,666,928 | 9 |
| Jun 9, 1995 | 26 | $147,058 | -14% | 263 | $559 | $30,893,405 | 10 |
| Jun 16, 1995 | 34 | $95,125 | -35% | 234 | $407 | $31,060,351 | 11 |
| Jun 23, 1995 | 32 | $102,722 | +8% | 209 | $491 | $31,221,625 | 12 |
| Jun 30, 1995 | 41 | $54,211 | -47% | 119 | $456 | $31,341,940 | 13 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Apr 7, 1995 | 8 | $4,003,144 | 133 | $30,099 | $4,003,144 | 1 | |
| Apr 14, 1995 | 2 | $9,800,147 | +145% | 1,521 | $6,443 | $13,803,291 | 2 |
| Apr 21, 1995 | 4 | $6,430,544 | -34% | 1,885 | $3,411 | $20,233,835 | 3 |
| Apr 28, 1995 | 4 | $4,399,095 | -32% | 1,885 | $2,334 | $24,632,930 | 4 |
| May 5, 1995 | 7 | $2,927,037 | -33% | 1,821 | $1,607 | $27,559,967 | 5 |
| May 12, 1995 | 9 | $1,682,113 | -43% | 1,451 | $1,159 | $29,242,080 | 6 |
| May 19, 1995 | 13 | $864,902 | -49% | 946 | $914 | $30,106,982 | 7 |
| May 26, 1995 | 22 | $388,853 | -55% | 354 | $1,098 | $30,495,835 | 8 |
| Jun 2, 1995 | 25 | $250,512 | -36% | 286 | $876 | $30,746,347 | 9 |
| Jun 9, 1995 | 27 | $218,879 | -13% | 263 | $832 | $30,965,226 | 10 |
| Jun 16, 1995 | 32 | $153,677 | -30% | 234 | $657 | $31,118,903 | 11 |
| Jun 23, 1995 | 31 | $168,826 | +10% | 209 | $808 | $31,287,729 | 12 |
Leading
| Liam Neeson | Rob Roy | |
| Jessica Lange | Mary |
Supporting
| John Hurt | Marquis of Montrose | |
| Tim Roth | Cunningham | |
| Eric Stoltz | Alan McDonald | |
| Brian Cox | Killearn | |
| Andrew Keir | Argyll | |
| Brian McCardie | Alasdair | |
| Gilbert Martin | Guthrie | |
| Vicki Masson | Betty | |
| Gilly Gilchrist | Iain | |
| Jason Flemyng | Gregor | |
| Ewan Stewart | Coll | |
| David Hayman | Sibbald | |
| Brian McArthur | Ranald | |
| David S. Palmer | Duncan | |
| Myra McFadyen | Tinker Woman | |
| Karen Matheson | Ceilidh Singer | |
| Shirley Henderson | Morag | |
| John Murtagh | Referee | |
| Bill Gardiner | Tavern Lad | |
| Valentine Nwanze | Servant Boy | |
| Richard Bonehill | Gutherie's Opponent |
Production and Technical Credits
| Michael Caton-Jones | Director | |
| Peter Broughan | Producer | |
| Richard Jackson | Producer | |
| Alan Sharp | Screenwriter | |
| Michael Caton-Jones | Executive Producer | |
| Karl Walter Lindenlaub | Director of Photography | |
| Assheton Gorton | Production Designer | |
| Peter Honess | Editor | |
| Sandy Powell | Costume Designer | |
| Larry DeWaay | Co-Producer | |
| Carter Burwell | Composer | |
| Bill Westley | Assistant Director | |
| Vic Armstrong | Second Unit Director | |
| John Ralph | Art Director | |
| Alan Tomkins | Art Director | |
| Ann Mollo | Set Decorator | |
| Jim Devis | Second Unit Camera | |
| Clare Spragge | Costume Supervisor | |
| David John | Sound Mixer | |
| Chris Jenkins | Re-recording Mixer | |
| Mark Smith | Re-recording Mixer | |
| Adam Jenkins | Re-recording Mixer | |
| Richard King | Supervising Sound Editor | |
| Patricio Libenson | Sound Effects Editor | |
| David F. Van Slyke | Sound Effects Editor | |
| Jim Matheny | Dialogue Editor | |
| Sukey Fontelieu | Dialogue Editor | |
| Adam Smalley | Music Editor | |
| Morag Ross | Make up | |
| Jan Archibald | Hairstylist | |
| Angus Grant | Song Writer | |
| Karen Matheson | Song Writer | |
| Donald Shaw | Song Writer | |
| Manus Lunny | Song Writer | |
| John Saic | Song Writer | |
| Marc Duff | Song Writer | |
| Charlie McKerron | Song Writer | |
| Susie Figgis | Casting Director | |
| Vic Armstrong | Stunt Coordinator |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.