The Seven Five (2015)
| Theatrical Performance | ||
| Domestic Box Office | $40,674 | Details |
| International Box Office | $33,502 | Details |
| Worldwide Box Office | $74,176 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $566,411 | |
| Total | $566,411 | |
| OpusData ID: 222120100 More info... | ||
| Further financial details... | ||
Synopsis
For Michael Dowd, being a police officer wasn’t a calling, it was just a job— and, assigned to the 75th Precinct in crime-ridden East New York, not an easy or lucrative one. Seizing the opportunity to profit, he stole money from drug dealers, eventually recruiting his partner into an expanding criminal ring. Their 1992 arrest exposed widespread corruption in the NYPD. Weaving together Dowd’s revelatory testimony from the investigation, dramatic surveillance footage and interviews with the primary players, The Seven Five tells his incendiary tale.
Metrics
| Opening Weekend: | $14,785 (36.4% of total gross) |
| Legs: | 2.75 (domestic box office/biggest weekend) |
| Domestic Share: | 54.8% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/5 max. theaters, 2.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $57,707 |
Movie Details
| Domestic Releases: | May 8th, 2015 (Limited) by IFC Films |
| International Releases: | August 14th, 2015 (Wide), released as Precinct Seven Five (United Kingdom) |
| Video Release: | September 15th, 2015 by Mpi Home Video |
| MPA Rating: | R for pervasive language, some grisly crime scene images, and drug content. (Rating bulletin 2365, 3/18/2015) |
| Running Time: | 104 minutes |
| Geographical setting: | New York |
| Plot point: | Corrupt Cops, Narcotics |
| Social setting: | Organized Crime |
| Time period setting: | 1980s |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | All3Media |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 8, 2015 | 56 | $14,785 | 2 | $7,393 | $14,785 | 1 | |
| May 15, 2015 | 61 | $8,520 | -42% | 5 | $1,704 | $29,568 | 2 |
| May 22, 2015 | 70 | $3,327 | -61% | 4 | $832 | $38,598 | 3 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 8, 2015 | 52 | $21,048 | 2 | $10,524 | $21,048 | 1 | |
| May 15, 2015 | 61 | $14,223 | -32% | 5 | $2,845 | $35,271 | 2 |
| May 22, 2015 | 80 | $5,403 | -62% | 4 | $1,351 | $40,674 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| United Kingdom | 8/14/2015 | $33,502 | 31 | 31 | 31 | $33,502 | 9/28/2015 | |||
| International Total | $33,502 | 9/28/2015 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Documentary Subject
| Michael Dowd | Himself | |
| Ken Eurell | Himself | |
| Walter Yurkiw | Himself | |
| Chickie | Himself | |
| Dori Eurell | Herself |
Production and Technical Credits
| Tiller Russell | Director | |
| Eli Holzman | Producer | |
| Aaron Saidman | Producer | |
| Sheldon Yellen | Producer | |
| Stephen Lambert | Executive Producer | |
| Chad Beck | Editor | |
| James Carroll | Editor | |
| Igor Martinovic | Director of Photography | |
| Dana Boratenski | Line Producer | |
| Justin Medeiros | Line Producer | |
| James Carroll | Co-Producer | |
| Amy Hussey | Co-Producer | |
| Rusty Amarante | Associate Producer | |
| Trevor Davidoski | Associate Producer | |
| David Holthouse | Associate Producer | |
| Wally Parks | Executive in Charge of Production | |
| Amy Marie Beauchamp | Composer | |
| Jose Cancela | Composer | |
| Joseph Pistono | Art Director | |
| Regina Sobel | Art Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
For Michael Dowd, being a police officer wasn’t a calling, it was just a job— and, assigned to the 75th Precinct in crime-ridden East New York, not an easy or lucrative one. Seizing the opportunity to profit, he stole money from drug dealers, eventually recruiting his partner into an expanding criminal ring. Their 1992 arrest exposed widespread corruption in the NYPD. Weaving together Dowd’s revelatory testimony from the investigation, dramatic surveillance footage and interviews with the primary players, The Seven Five tells his incendiary tale.
Metrics
| Opening Weekend: | $14,785 (36.4% of total gross) |
| Legs: | 2.75 (domestic box office/biggest weekend) |
| Domestic Share: | 54.8% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/5 max. theaters, 2.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $57,707 |
Movie Details
| Domestic Releases: | May 8th, 2015 (Limited) by IFC Films |
| International Releases: | August 14th, 2015 (Wide), released as Precinct Seven Five (United Kingdom) |
| Video Release: | September 15th, 2015 by Mpi Home Video |
| MPA Rating: | R for pervasive language, some grisly crime scene images, and drug content. (Rating bulletin 2365, 3/18/2015) |
| Running Time: | 104 minutes |
| Geographical setting: | New York |
| Plot point: | Corrupt Cops, Narcotics |
| Social setting: | Organized Crime |
| Time period setting: | 1980s |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | All3Media |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 8, 2015 | 56 | $14,785 | 2 | $7,393 | $14,785 | 1 | |
| May 15, 2015 | 61 | $8,520 | -42% | 5 | $1,704 | $29,568 | 2 |
| May 22, 2015 | 70 | $3,327 | -61% | 4 | $832 | $38,598 | 3 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| May 8, 2015 | 52 | $21,048 | 2 | $10,524 | $21,048 | 1 | |
| May 15, 2015 | 61 | $14,223 | -32% | 5 | $2,845 | $35,271 | 2 |
| May 22, 2015 | 80 | $5,403 | -62% | 4 | $1,351 | $40,674 | 3 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| United Kingdom | 8/14/2015 | $33,502 | 31 | 31 | 31 | $33,502 | 9/28/2015 | |||
| International Total | $33,502 | 9/28/2015 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Documentary Subject
| Michael Dowd | Himself | |
| Ken Eurell | Himself | |
| Walter Yurkiw | Himself | |
| Chickie | Himself | |
| Dori Eurell | Herself |
Production and Technical Credits
| Tiller Russell | Director | |
| Eli Holzman | Producer | |
| Aaron Saidman | Producer | |
| Sheldon Yellen | Producer | |
| Stephen Lambert | Executive Producer | |
| Chad Beck | Editor | |
| James Carroll | Editor | |
| Igor Martinovic | Director of Photography | |
| Dana Boratenski | Line Producer | |
| Justin Medeiros | Line Producer | |
| James Carroll | Co-Producer | |
| Amy Hussey | Co-Producer | |
| Rusty Amarante | Associate Producer | |
| Trevor Davidoski | Associate Producer | |
| David Holthouse | Associate Producer | |
| Wally Parks | Executive in Charge of Production | |
| Amy Marie Beauchamp | Composer | |
| Jose Cancela | Composer | |
| Joseph Pistono | Art Director | |
| Regina Sobel | Art Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.