Shika No Ou (2021)
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| Theatrical Performance | ||
| Domestic Box Office | $296,210 | Details |
| International Box Office | $91,693 | Details |
| Worldwide Box Office | $387,903 | |
| OpusData ID: 507830100 More info... | ||
| Further financial details... | ||
Synopsis
In the years following a vicious war, the Empire of Zol now controls the land and citizens of rival Aquafa—except for Aquafa’s Fire Horse Territory, where wild dogs that once carried the deadly Black Wolf Fever continue to roam free. When a pack of dogs race through a Zol-controlled mine, Van, an enslaved former soldier, and a young girl named Yuna are both bitten, but manage to escape as the sole survivors of the attack. Finally free, Van and Yuna seek out a simple, peaceful existence in the countryside. But as the deadly disease once again runs rampant, they find themselves at the crossroads of a struggle much larger than any one nation.
Metrics
| Opening Weekend: | $251,169 (84.8% of total gross) |
| Legs: | 1.18 (domestic box office/biggest weekend) |
| Domestic Share: | 76.4% (domestic box office/worldwide) |
| Theater counts: | 120 opening theaters/683 max. theaters, 0.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $336,435 |
Movie Details
| Domestic Releases: | July 13th, 2022 (Special Engagement) by Fathom Events, released as The Deer King July 15th, 2022 (Limited) by GKIDS, released as The Deer King |
| International Releases: | September 10th, 2021 (Wide) (Japan)
May 20th, 2022 (Limited), released as The Deer King (El rey ciervo) (Spain) June 27th, 2022 (Wide), released as The Deer King - Il re dei cervi (Italy) July 29th, 2022 (Limited), released as The Deer King (United Kingdom) September 15th, 2022 (Limited), released as The Deer King (Germany) ... Show all releases |
| Video Release: | October 18th, 2022 by Shout Factory, released as The Deer King |
| MPA Rating: | R for some violence. (Rating bulletin 2734 (cert #53824), 6/1/2022) |
| Running Time: | 113 minutes |
| Subgenre: | Action Adventure |
| Source: | Original Screenplay |
| Genre: | Adventure |
| Production Method: | Digital Animation |
| Creative Type: | Fantasy |
| Production Countries: | Japan |
| Languages: | Japanese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 15, 2022 | - | $251,169 | 120 | $2,093 | $251,169 | 1 | |
| Jul 22, 2022 | - | $4,993 | -98% | 15 | $333 | $291,056 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jul 13, 2022 | 8 | $109,349 | 683 | $160 | $109,349 | 1 | ||
| Jul 14, 2022 | 8 | $92,170 | -16% | 683 | $135 | $201,519 | 2 | |
| Jul 15, 2022 | - | $15,593 | -83% | 120 | $130 | $217,112 | 1 | |
| Jul 16, 2022 | - | $17,016 | +9% | 120 | $142 | $234,128 | 2 | |
| Jul 17, 2022 | - | $17,041 | n/c | 120 | $142 | $251,169 | 3 | |
| Jul 18, 2022 | - | $10,510 | -38% | 120 | $88 | $261,679 | 4 | |
| Jul 19, 2022 | - | $9,300 | -12% | 120 | $78 | $270,979 | 5 | |
| Jul 20, 2022 | - | $9,793 | +5% | 120 | $82 | $280,772 | 6 | |
| Jul 21, 2022 | - | $5,291 | -46% | 120 | $44 | $286,063 | 7 | |
| Jul 22, 2022 | - | $1,072 | -80% | -93% | 15 | $71 | $287,135 | 8 |
| Jul 23, 2022 | - | $1,166 | +9% | -93% | 15 | $78 | $288,301 | 9 |
| Jul 24, 2022 | - | $2,755 | +136% | -84% | 15 | $184 | $291,056 | 10 |
| Jul 25, 2022 | - | $1,645 | -40% | -84% | 15 | $110 | $292,701 | 11 |
| Jul 26, 2022 | - | $1,145 | -30% | -88% | 15 | $76 | $293,846 | 12 |
| Jul 27, 2022 | - | $937 | -18% | -90% | 15 | $62 | $294,783 | 13 |
| Jul 28, 2022 | - | $1,427 | +52% | -73% | 15 | $95 | $296,210 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 8, 2022 | 14 | $201,519 | 683 | $295 | $201,519 | 1 | |
| Jul 15, 2022 | - | $84,544 | -58% | 120 | $705 | $286,063 | 1 |
| Jul 22, 2022 | - | $10,147 | -88% | 15 | $676 | $296,210 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| South Korea | 5/25/2023 | $20,340 | 107 | 107 | 117 | $49,542 | 6/14/2023 | |||
| Spain | 5/20/2022 | $0 | 0 | 108 | 108 | $11,051 | 6/20/2022 | |||
| United Kingdom | 7/29/2022 | $31,100 | 13 | 13 | 13 | $31,100 | 8/9/2022 | |||
| International Total | $91,693 | 6/14/2023 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Production and Technical Credits
| Masashi Ando | Director | |
| Masayuki Miyaji | Director | |
| Taku Kishimoto | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
In the years following a vicious war, the Empire of Zol now controls the land and citizens of rival Aquafa—except for Aquafa’s Fire Horse Territory, where wild dogs that once carried the deadly Black Wolf Fever continue to roam free. When a pack of dogs race through a Zol-controlled mine, Van, an enslaved former soldier, and a young girl named Yuna are both bitten, but manage to escape as the sole survivors of the attack. Finally free, Van and Yuna seek out a simple, peaceful existence in the countryside. But as the deadly disease once again runs rampant, they find themselves at the crossroads of a struggle much larger than any one nation.
Metrics
| Opening Weekend: | $251,169 (84.8% of total gross) |
| Legs: | 1.18 (domestic box office/biggest weekend) |
| Domestic Share: | 76.4% (domestic box office/worldwide) |
| Theater counts: | 120 opening theaters/683 max. theaters, 0.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $336,435 |
Movie Details
| Domestic Releases: | July 13th, 2022 (Special Engagement) by Fathom Events, released as The Deer King July 15th, 2022 (Limited) by GKIDS, released as The Deer King |
| International Releases: | September 10th, 2021 (Wide) (Japan)
May 20th, 2022 (Limited), released as The Deer King (El rey ciervo) (Spain) June 27th, 2022 (Wide), released as The Deer King - Il re dei cervi (Italy) July 29th, 2022 (Limited), released as The Deer King (United Kingdom) September 15th, 2022 (Limited), released as The Deer King (Germany) ... Show all releases |
| Video Release: | October 18th, 2022 by Shout Factory, released as The Deer King |
| MPA Rating: | R for some violence. (Rating bulletin 2734 (cert #53824), 6/1/2022) |
| Running Time: | 113 minutes |
| Subgenre: | Action Adventure |
| Source: | Original Screenplay |
| Genre: | Adventure |
| Production Method: | Digital Animation |
| Creative Type: | Fantasy |
| Production Countries: | Japan |
| Languages: | Japanese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 15, 2022 | - | $251,169 | 120 | $2,093 | $251,169 | 1 | |
| Jul 22, 2022 | - | $4,993 | -98% | 15 | $333 | $291,056 | 2 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Jul 13, 2022 | 8 | $109,349 | 683 | $160 | $109,349 | 1 | ||
| Jul 14, 2022 | 8 | $92,170 | -16% | 683 | $135 | $201,519 | 2 | |
| Jul 15, 2022 | - | $15,593 | -83% | 120 | $130 | $217,112 | 1 | |
| Jul 16, 2022 | - | $17,016 | +9% | 120 | $142 | $234,128 | 2 | |
| Jul 17, 2022 | - | $17,041 | n/c | 120 | $142 | $251,169 | 3 | |
| Jul 18, 2022 | - | $10,510 | -38% | 120 | $88 | $261,679 | 4 | |
| Jul 19, 2022 | - | $9,300 | -12% | 120 | $78 | $270,979 | 5 | |
| Jul 20, 2022 | - | $9,793 | +5% | 120 | $82 | $280,772 | 6 | |
| Jul 21, 2022 | - | $5,291 | -46% | 120 | $44 | $286,063 | 7 | |
| Jul 22, 2022 | - | $1,072 | -80% | -93% | 15 | $71 | $287,135 | 8 |
| Jul 23, 2022 | - | $1,166 | +9% | -93% | 15 | $78 | $288,301 | 9 |
| Jul 24, 2022 | - | $2,755 | +136% | -84% | 15 | $184 | $291,056 | 10 |
| Jul 25, 2022 | - | $1,645 | -40% | -84% | 15 | $110 | $292,701 | 11 |
| Jul 26, 2022 | - | $1,145 | -30% | -88% | 15 | $76 | $293,846 | 12 |
| Jul 27, 2022 | - | $937 | -18% | -90% | 15 | $62 | $294,783 | 13 |
| Jul 28, 2022 | - | $1,427 | +52% | -73% | 15 | $95 | $296,210 | 14 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Jul 8, 2022 | 14 | $201,519 | 683 | $295 | $201,519 | 1 | |
| Jul 15, 2022 | - | $84,544 | -58% | 120 | $705 | $286,063 | 1 |
| Jul 22, 2022 | - | $10,147 | -88% | 15 | $676 | $296,210 | 2 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| South Korea | 5/25/2023 | $20,340 | 107 | 107 | 117 | $49,542 | 6/14/2023 | |||
| Spain | 5/20/2022 | $0 | 0 | 108 | 108 | $11,051 | 6/20/2022 | |||
| United Kingdom | 7/29/2022 | $31,100 | 13 | 13 | 13 | $31,100 | 8/9/2022 | |||
| International Total | $91,693 | 6/14/2023 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Production and Technical Credits
| Masashi Ando | Director | |
| Masayuki Miyaji | Director | |
| Taku Kishimoto | Screenwriter |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.