So B. It (2017)
| Theatrical Performance | ||
| Domestic Box Office | $46,006 | Details |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $72,239 | |
| Total | $72,239 | |
| OpusData ID: 274020100 More info... | ||
| Further financial details... | ||
Synopsis
Heidi is a twelve-year-old girl with a mentally disabled mother, but who is otherwise extremely lucky. She is taken care of by her agoraphobic next-door neighbor, Bernadette, at whose door the two appeared when Heidi was about a week old. Before stumbling upon an old disposable camera, Heidi has no information of her family or origin other than that her mother´s 23-word vocabulary includes the word “soof,” which she assumes holds some meaning she longs to uncover. She travels alone by bus from Reno, Nevada to Liberty, New York to visit the group home in the photographs and probe its tight-lipped manager for answers. She is assisted by strangers she meets on the way, and all the while she ponders the nature of truth, whether it is always knowable, and whether it is always worth knowing.
Metrics
| Opening Weekend: | $7,455 (16.2% of total gross) |
| Legs: | 2.99 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/22 max. theaters, 1.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $61,343 |
Movie Details
| Domestic Releases: | October 6th, 2017 (Limited) by Good Deed Entertainment |
| Video Release: | January 9th, 2018 by Cinedigm |
| MPA Rating: | PG-13 for some thematic elements. (Rating bulletin 2449 (Cert #50769), 11/2/2016) |
| Running Time: | 98 minutes |
| Plot point: | Agoraphobia, Coming of Age, Dysfunctional Family, Learning Disabilities, Road Trip |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Good Deed Entertainment, Outside The Box, Branded Pictures Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 6, 2017 | 64 | $7,455 | 2 | $3,728 | $7,455 | 1 | |
| Oct 13, 2017 | 56 | $15,388 | +106% | 22 | $699 | $23,863 | 2 |
| Oct 20, 2017 | 76 | $5,598 | -64% | 13 | $431 | $39,496 | 3 |
| Oct 27, 2017 | 86 | $2,554 | -54% | 3 | $851 | $46,006 | 4 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 6, 2017 | 72 | $8,475 | 2 | $4,238 | $8,475 | 1 | |
| Oct 13, 2017 | 54 | $25,423 | +200% | 22 | $1,156 | $33,898 | 2 |
| Oct 20, 2017 | 75 | $9,554 | -62% | 13 | $735 | $43,452 | 3 |
Leading
| Alfre Woodard | Bernadette |
Supporting
| John Heard | Thurman Hil |
Leading
| Jessica Collins | Sophia Lynne DeMuth |
Supporting
| Jacinda Barrett | Ruby Franklin | |
| Dash Mihok | Roy |
Leading
| Cloris Leachman | Alice Wilinsky | |
| Talitha Bateman | Heidi DeMuth |
Supporting
| Michael Arden | Elliot | |
| Mataeo Mingo | Zander | |
| Luis Moncada | Zander's dad |
Production and Technical Credits
| Stephen Gyllenhaal | Director | |
| Garry Williams | Screenwriter | |
| Sarah Weeks | story based on a novel by | |
| J. Todd Harris | Producer | |
| Orien Richman | Producer | |
| Adam Tenenbaum | Executive Producer | |
| Michael Nelson | Executive Producer | |
| Scott Donley | Executive Producer | |
| Patrick Murguia | Cinematographer | |
| Maya Sigel | Production Designer | |
| Denise Wingate | Costume Designer | |
| Suzanne Spangler | Editor | |
| Nick Urata | Music Director | |
| Richard Hicks | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Heidi is a twelve-year-old girl with a mentally disabled mother, but who is otherwise extremely lucky. She is taken care of by her agoraphobic next-door neighbor, Bernadette, at whose door the two appeared when Heidi was about a week old. Before stumbling upon an old disposable camera, Heidi has no information of her family or origin other than that her mother´s 23-word vocabulary includes the word “soof,” which she assumes holds some meaning she longs to uncover. She travels alone by bus from Reno, Nevada to Liberty, New York to visit the group home in the photographs and probe its tight-lipped manager for answers. She is assisted by strangers she meets on the way, and all the while she ponders the nature of truth, whether it is always knowable, and whether it is always worth knowing.
Metrics
| Opening Weekend: | $7,455 (16.2% of total gross) |
| Legs: | 2.99 (domestic box office/biggest weekend) |
| Domestic Share: | 100.0% (domestic box office/worldwide) |
| Theater counts: | 2 opening theaters/22 max. theaters, 1.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $61,343 |
Movie Details
| Domestic Releases: | October 6th, 2017 (Limited) by Good Deed Entertainment |
| Video Release: | January 9th, 2018 by Cinedigm |
| MPA Rating: | PG-13 for some thematic elements. (Rating bulletin 2449 (Cert #50769), 11/2/2016) |
| Running Time: | 98 minutes |
| Plot point: | Agoraphobia, Coming of Age, Dysfunctional Family, Learning Disabilities, Road Trip |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Good Deed Entertainment, Outside The Box, Branded Pictures Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 6, 2017 | 64 | $7,455 | 2 | $3,728 | $7,455 | 1 | |
| Oct 13, 2017 | 56 | $15,388 | +106% | 22 | $699 | $23,863 | 2 |
| Oct 20, 2017 | 76 | $5,598 | -64% | 13 | $431 | $39,496 | 3 |
| Oct 27, 2017 | 86 | $2,554 | -54% | 3 | $851 | $46,006 | 4 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 6, 2017 | 72 | $8,475 | 2 | $4,238 | $8,475 | 1 | |
| Oct 13, 2017 | 54 | $25,423 | +200% | 22 | $1,156 | $33,898 | 2 |
| Oct 20, 2017 | 75 | $9,554 | -62% | 13 | $735 | $43,452 | 3 |
Leading
| Alfre Woodard | Bernadette |
Supporting
| John Heard | Thurman Hil |
Leading
| Jessica Collins | Sophia Lynne DeMuth |
Supporting
| Jacinda Barrett | Ruby Franklin | |
| Dash Mihok | Roy |
Leading
| Cloris Leachman | Alice Wilinsky | |
| Talitha Bateman | Heidi DeMuth |
Supporting
| Michael Arden | Elliot | |
| Mataeo Mingo | Zander | |
| Luis Moncada | Zander's dad |
Production and Technical Credits
| Stephen Gyllenhaal | Director | |
| Garry Williams | Screenwriter | |
| Sarah Weeks | story based on a novel by | |
| J. Todd Harris | Producer | |
| Orien Richman | Producer | |
| Adam Tenenbaum | Executive Producer | |
| Michael Nelson | Executive Producer | |
| Scott Donley | Executive Producer | |
| Patrick Murguia | Cinematographer | |
| Maya Sigel | Production Designer | |
| Denise Wingate | Costume Designer | |
| Suzanne Spangler | Editor | |
| Nick Urata | Music Director | |
| Richard Hicks | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.