Stand Up Guys (2013)
| Theatrical Performance | ||
| Domestic Box Office | $3,310,031 | Details |
| International Box Office | $2,808,766 | Details |
| Worldwide Box Office | $6,118,797 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $3,227,418 | |
| Blu-ray Sales (estimated) | $1,385,956 | |
| Total | $4,613,374 | |
| OpusData ID: 180520100 More info... | ||
| Further financial details... | ||
Synopsis
Val is released from prison after serving twenty-eight years for refusing to give up one of his close criminal associates. His best friend Doc is there to pick him up, and the two soon re-team with another old pal, Hirsch. Their bond is as strong as ever, and the three reflect on freedom lost and gained, loyalties ebbed and flowed, and days of glory gone by. And despite their age, their capacity for mayhem is still very much alive and well - bullets fly as they make a hilariously valiant effort to compensate for the decades of crime, drugs and sex they've missed. But one of the friends is keeping a dangerous secret - he's been put in an impossible quandary by a former mob boss, and his time to find an acceptable alternative is running out. As the sun rises on the guys' legendary reunion, their position becomes more and more desperate and they finally confront their past once and for all.
Metrics
| Opening Weekend: | $1,486,390 (44.9% of total gross) |
| Legs: | 2.23 (domestic box office/biggest weekend) |
| Domestic Share: | 54.1% (domestic box office/worldwide) |
| Theater counts: | 659 opening theaters/670 max. theaters, 2.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $4,869,370 |
Movie Details
| Domestic Releases: | December 14th, 2012 (Oscar Qualifying Run) by Roadside Attractions February 1st, 2013 (Wide) by Roadside Attractions |
| International Releases: | January 10th, 2013 (Wide) (Lebanon)
January 24th, 2013 (Wide) (Argentina) February 22nd, 2013 (Wide) (Latvia) March 7th, 2013 (Wide) (Chile) March 7th, 2013 (Wide) (Hungary) ... Show all releases |
| Video Release: | May 21st, 2013 by Lionsgate Home Entertainment |
| MPA Rating: | R for language, sexual content, violence and brief drug use. (Rating bulletin 2237, 8/22/2012) |
| Running Time: | 95 minutes |
| Cast, crew, or production detail: | Digital Cinematography, One Day |
| Plot point: | Autumn Years, Death of a Son or Daughter, Dysfunctional Family, Hitmen, Kidnap, Life on the Outside, Mafia, One Last Job, Prostitution, Revenge, Sex Crimes |
| Social setting: | Organized Crime, Retirement |
| Subgenre: | Black Comedy |
| Source: | Original Screenplay |
| Genre: | Black Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Lionsgate, Sidney Kimmel Entertainment, Lakeshore Entertainment |
| Production Countries: | United States |
| Languages: | English, Ukrainian, Korean |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 1, 2013 | 18 | $1,486,390 | 659 | $2,256 | $1,486,390 | 8 | |
| Feb 8, 2013 | 23 | $646,910 | -56% | 670 | $966 | $2,766,674 | 9 |
| Feb 15, 2013 | 34 | $106,550 | -84% | 119 | $895 | $3,161,607 | 10 |
| Feb 22, 2013 | 50 | $35,488 | -67% | 41 | $866 | $3,264,117 | 11 |
| Mar 1, 2013 | 63 | $17,362 | -51% | 17 | $1,021 | $3,301,046 | 12 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 1, 2013 | 14 | $528,853 | 659 | $803 | $528,853 | 50 | ||
| Feb 2, 2013 | 19 | $713,136 | +35% | 659 | $1,082 | $1,241,989 | 51 | |
| Feb 3, 2013 | 16 | $244,401 | -66% | 659 | $371 | $1,486,390 | 52 | |
| Feb 4, 2013 | 14 | $155,478 | -36% | 659 | $236 | $1,641,868 | 53 | |
| Feb 5, 2013 | 15 | $196,494 | +26% | 659 | $298 | $1,838,362 | 54 | |
| Feb 6, 2013 | 16 | $153,338 | -22% | 659 | $233 | $1,991,700 | 55 | |
| Feb 7, 2013 | 17 | $128,064 | -16% | 659 | $194 | $2,119,764 | 56 | |
| Feb 8, 2013 | - | $172,192 | +34% | -67% | 670 | $257 | $2,291,956 | 57 |
| Feb 9, 2013 | - | $283,829 | +65% | -60% | 670 | $424 | $2,575,785 | 58 |
| Feb 10, 2013 | - | $190,889 | -33% | -22% | 670 | $285 | $2,766,674 | 59 |
| Feb 11, 2013 | - | $72,688 | -62% | -53% | 670 | $108 | $2,839,362 | 60 |
| Feb 12, 2013 | - | $86,097 | +18% | -56% | 670 | $129 | $2,925,459 | 61 |
| Feb 13, 2013 | - | $67,584 | -22% | -56% | 670 | $101 | $2,993,043 | 62 |
| Feb 14, 2013 | - | $62,014 | -8% | -52% | 670 | $93 | $3,055,057 | 63 |
| Feb 15, 2013 | - | $28,060 | -55% | -84% | 119 | $236 | $3,083,117 | 64 |
| Feb 16, 2013 | - | $41,287 | +47% | -85% | 119 | $347 | $3,124,404 | 65 |
| Feb 17, 2013 | - | $37,203 | -10% | -81% | 119 | $313 | $3,161,607 | 66 |
| Feb 18, 2013 | - | $25,829 | -31% | -64% | 119 | $217 | $3,187,436 | 67 |
| Feb 19, 2013 | - | $14,921 | -42% | -83% | 119 | $125 | $3,202,357 | 68 |
| Feb 20, 2013 | - | $12,630 | -15% | -81% | 119 | $106 | $3,214,987 | 69 |
| Feb 21, 2013 | - | $13,642 | +8% | -78% | 119 | $115 | $3,228,629 | 70 |
| Feb 22, 2013 | - | $10,070 | -26% | -64% | 41 | $246 | $3,238,699 | 71 |
| Feb 23, 2013 | - | $16,944 | +68% | -59% | 41 | $413 | $3,255,643 | 72 |
| Feb 24, 2013 | - | $8,474 | -50% | -77% | 41 | $207 | $3,264,117 | 73 |
| Feb 25, 2013 | - | $4,303 | -49% | -83% | 41 | $105 | $3,268,420 | 74 |
| Feb 26, 2013 | - | $5,176 | +20% | -65% | 41 | $126 | $3,273,596 | 75 |
| Feb 27, 2013 | - | $5,347 | +3% | -58% | 41 | $130 | $3,278,943 | 76 |
| Feb 28, 2013 | - | $4,741 | -11% | -65% | 41 | $116 | $3,283,684 | 77 |
| Mar 1, 2013 | - | $4,481 | -5% | -56% | 17 | $264 | $3,288,165 | 78 |
| Mar 2, 2013 | - | $7,275 | +62% | -57% | 17 | $428 | $3,295,440 | 79 |
| Mar 3, 2013 | - | $5,606 | -23% | -34% | 17 | $330 | $3,301,046 | 80 |
| Mar 4, 2013 | - | $2,262 | -60% | -47% | 17 | $133 | $3,303,308 | 81 |
| Mar 5, 2013 | - | $1,882 | -17% | -64% | 17 | $111 | $3,305,190 | 82 |
| Mar 6, 2013 | - | $2,201 | +17% | -59% | 17 | $129 | $3,307,391 | 83 |
| Mar 7, 2013 | - | $2,640 | +20% | -44% | 17 | $155 | $3,310,031 | 84 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 1, 2013 | 16 | $2,119,764 | 659 | $3,217 | $2,119,764 | 8 | |
| Feb 8, 2013 | 26 | $935,293 | -56% | 670 | $1,396 | $3,055,057 | 9 |
| Feb 15, 2013 | 34 | $173,572 | -81% | 119 | $1,459 | $3,228,629 | 10 |
| Feb 22, 2013 | 48 | $55,055 | -68% | 41 | $1,343 | $3,283,684 | 11 |
| Mar 1, 2013 | 65 | $26,347 | -52% | 17 | $1,550 | $3,310,031 | 12 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 1/24/2013 | $86,354 | 29 | 29 | 73 | $166,222 | 12/30/2018 | |||
| Brazil | 3/8/2013 | $112,140 | 47 | 47 | 100 | $236,485 | 12/14/2015 | |||
| Chile | 3/7/2013 | $14,445 | 6 | 6 | 17 | $30,304 | 12/30/2018 | |||
| Croatia | 3/14/2013 | $9,659 | 7 | 7 | 29 | $30,446 | 12/30/2018 | |||
| Czech Republic | 4/4/2013 | $12,007 | 20 | 23 | 62 | $28,573 | 12/30/2018 | |||
| Estonia | 3/22/2013 | $14,542 | 6 | 6 | 7 | $23,574 | 12/14/2015 | |||
| Hungary | 3/7/2013 | $22,165 | 15 | 15 | 30 | $36,713 | 12/30/2018 | |||
| Latvia | 2/22/2013 | $8,636 | 3 | 3 | 6 | $17,838 | 12/30/2018 | |||
| Lebanon | 1/10/2013 | $41,224 | 12 | 12 | 17 | $79,414 | 12/30/2018 | |||
| Romania | 3/8/2013 | $37,278 | 28 | 28 | 92 | $87,905 | 12/30/2018 | |||
| Singapore | 3/7/2013 | $16,032 | 6 | 6 | 12 | $29,106 | 12/14/2015 | |||
| Slovakia | 4/4/2013 | $11,008 | 13 | 13 | 13 | $11,008 | 12/14/2015 | |||
| Spain | 4/12/2013 | $151,064 | 96 | 102 | 260 | $361,643 | 12/14/2015 | |||
| Uruguay | 3/8/2013 | $5,613 | 3 | 3 | 13 | $22,885 | 12/30/2018 | |||
| Rest of World | $1,646,650 | |||||||||
| International Total | $2,808,766 | 12/30/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Al Pacino | Val | |
| Christopher Walken | Doc | |
| Alan Arkin | Hirsch |
Supporting
| Julianna Margulies | Nina Hirsch | |
| Addison Timlin | Alex | |
| Vanessa Ferlito | Sylvia | |
| Lucy Punch | Wendy | |
| Mark Margolis | Claphands | |
| Katheryn Winnick | Oxana | |
| Bill Burr | Larry |
Production and Technical Credits
| Fisher Stevens | Director | |
| Sidney Kimmel | Producer | |
| Tom Rosenberg | Producer | |
| Gary Lucchesi | Producer | |
| Jim Tauber | Producer | |
| Noah Haidle | Screenwriter | |
| Michael Grady | Director of Photography | |
| Mark Livolsi | Editor | |
| Maher Ahmad | Production Designer | |
| Lindsay Ann McKay | Costume Designer | |
| Eric Reid | Executive Producer | |
| Ted Gidlow | Executive Producer | |
| Bruce Toll | Executive Producer | |
| Bingham Ray | Executive Producer | |
| Matt Berenson | Executive Producer | |
| Jon Bon Jovi | Song Writer | |
| Lyle Workman | Composer | |
| Brian McNelis | Music Supervisor | |
| Eric Craig | Music Supervisor | |
| Tom Taylor | Art Director | |
| Kathy Lucas | Set Decorator | |
| Steven A. Morrow | Sound | |
| Derek Vanderhorst | Supervising Sound Editor | |
| Mandell Winter | Supervising Sound Editor | |
| Leslie Shatz | Re-recording Mixer | |
| Derek Vanderhorst | Re-recording Mixer | |
| Bart Dion | Special Effects Coordinator | |
| David Danesi | Visual Effects | |
| Thomas Duval | Visual Effects Supervisor | |
| Scott Andrew Robertson | Assistant Director | |
| Jonas Spaccarotelli | Assistant Director | |
| Tricia Wood | Casting Director | |
| Deborah Aquila | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Val is released from prison after serving twenty-eight years for refusing to give up one of his close criminal associates. His best friend Doc is there to pick him up, and the two soon re-team with another old pal, Hirsch. Their bond is as strong as ever, and the three reflect on freedom lost and gained, loyalties ebbed and flowed, and days of glory gone by. And despite their age, their capacity for mayhem is still very much alive and well - bullets fly as they make a hilariously valiant effort to compensate for the decades of crime, drugs and sex they've missed. But one of the friends is keeping a dangerous secret - he's been put in an impossible quandary by a former mob boss, and his time to find an acceptable alternative is running out. As the sun rises on the guys' legendary reunion, their position becomes more and more desperate and they finally confront their past once and for all.
Metrics
| Opening Weekend: | $1,486,390 (44.9% of total gross) |
| Legs: | 2.23 (domestic box office/biggest weekend) |
| Domestic Share: | 54.1% (domestic box office/worldwide) |
| Theater counts: | 659 opening theaters/670 max. theaters, 2.2 weeks average run per theater |
| Infl. Adj. Dom. BO | $4,869,370 |
Movie Details
| Domestic Releases: | December 14th, 2012 (Oscar Qualifying Run) by Roadside Attractions February 1st, 2013 (Wide) by Roadside Attractions |
| International Releases: | January 10th, 2013 (Wide) (Lebanon)
January 24th, 2013 (Wide) (Argentina) February 22nd, 2013 (Wide) (Latvia) March 7th, 2013 (Wide) (Chile) March 7th, 2013 (Wide) (Hungary) ... Show all releases |
| Video Release: | May 21st, 2013 by Lionsgate Home Entertainment |
| MPA Rating: | R for language, sexual content, violence and brief drug use. (Rating bulletin 2237, 8/22/2012) |
| Running Time: | 95 minutes |
| Cast, crew, or production detail: | Digital Cinematography, One Day |
| Plot point: | Autumn Years, Death of a Son or Daughter, Dysfunctional Family, Hitmen, Kidnap, Life on the Outside, Mafia, One Last Job, Prostitution, Revenge, Sex Crimes |
| Social setting: | Organized Crime, Retirement |
| Subgenre: | Black Comedy |
| Source: | Original Screenplay |
| Genre: | Black Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Lionsgate, Sidney Kimmel Entertainment, Lakeshore Entertainment |
| Production Countries: | United States |
| Languages: | English, Ukrainian, Korean |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 1, 2013 | 18 | $1,486,390 | 659 | $2,256 | $1,486,390 | 8 | |
| Feb 8, 2013 | 23 | $646,910 | -56% | 670 | $966 | $2,766,674 | 9 |
| Feb 15, 2013 | 34 | $106,550 | -84% | 119 | $895 | $3,161,607 | 10 |
| Feb 22, 2013 | 50 | $35,488 | -67% | 41 | $866 | $3,264,117 | 11 |
| Mar 1, 2013 | 63 | $17,362 | -51% | 17 | $1,021 | $3,301,046 | 12 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 1, 2013 | 14 | $528,853 | 659 | $803 | $528,853 | 50 | ||
| Feb 2, 2013 | 19 | $713,136 | +35% | 659 | $1,082 | $1,241,989 | 51 | |
| Feb 3, 2013 | 16 | $244,401 | -66% | 659 | $371 | $1,486,390 | 52 | |
| Feb 4, 2013 | 14 | $155,478 | -36% | 659 | $236 | $1,641,868 | 53 | |
| Feb 5, 2013 | 15 | $196,494 | +26% | 659 | $298 | $1,838,362 | 54 | |
| Feb 6, 2013 | 16 | $153,338 | -22% | 659 | $233 | $1,991,700 | 55 | |
| Feb 7, 2013 | 17 | $128,064 | -16% | 659 | $194 | $2,119,764 | 56 | |
| Feb 8, 2013 | - | $172,192 | +34% | -67% | 670 | $257 | $2,291,956 | 57 |
| Feb 9, 2013 | - | $283,829 | +65% | -60% | 670 | $424 | $2,575,785 | 58 |
| Feb 10, 2013 | - | $190,889 | -33% | -22% | 670 | $285 | $2,766,674 | 59 |
| Feb 11, 2013 | - | $72,688 | -62% | -53% | 670 | $108 | $2,839,362 | 60 |
| Feb 12, 2013 | - | $86,097 | +18% | -56% | 670 | $129 | $2,925,459 | 61 |
| Feb 13, 2013 | - | $67,584 | -22% | -56% | 670 | $101 | $2,993,043 | 62 |
| Feb 14, 2013 | - | $62,014 | -8% | -52% | 670 | $93 | $3,055,057 | 63 |
| Feb 15, 2013 | - | $28,060 | -55% | -84% | 119 | $236 | $3,083,117 | 64 |
| Feb 16, 2013 | - | $41,287 | +47% | -85% | 119 | $347 | $3,124,404 | 65 |
| Feb 17, 2013 | - | $37,203 | -10% | -81% | 119 | $313 | $3,161,607 | 66 |
| Feb 18, 2013 | - | $25,829 | -31% | -64% | 119 | $217 | $3,187,436 | 67 |
| Feb 19, 2013 | - | $14,921 | -42% | -83% | 119 | $125 | $3,202,357 | 68 |
| Feb 20, 2013 | - | $12,630 | -15% | -81% | 119 | $106 | $3,214,987 | 69 |
| Feb 21, 2013 | - | $13,642 | +8% | -78% | 119 | $115 | $3,228,629 | 70 |
| Feb 22, 2013 | - | $10,070 | -26% | -64% | 41 | $246 | $3,238,699 | 71 |
| Feb 23, 2013 | - | $16,944 | +68% | -59% | 41 | $413 | $3,255,643 | 72 |
| Feb 24, 2013 | - | $8,474 | -50% | -77% | 41 | $207 | $3,264,117 | 73 |
| Feb 25, 2013 | - | $4,303 | -49% | -83% | 41 | $105 | $3,268,420 | 74 |
| Feb 26, 2013 | - | $5,176 | +20% | -65% | 41 | $126 | $3,273,596 | 75 |
| Feb 27, 2013 | - | $5,347 | +3% | -58% | 41 | $130 | $3,278,943 | 76 |
| Feb 28, 2013 | - | $4,741 | -11% | -65% | 41 | $116 | $3,283,684 | 77 |
| Mar 1, 2013 | - | $4,481 | -5% | -56% | 17 | $264 | $3,288,165 | 78 |
| Mar 2, 2013 | - | $7,275 | +62% | -57% | 17 | $428 | $3,295,440 | 79 |
| Mar 3, 2013 | - | $5,606 | -23% | -34% | 17 | $330 | $3,301,046 | 80 |
| Mar 4, 2013 | - | $2,262 | -60% | -47% | 17 | $133 | $3,303,308 | 81 |
| Mar 5, 2013 | - | $1,882 | -17% | -64% | 17 | $111 | $3,305,190 | 82 |
| Mar 6, 2013 | - | $2,201 | +17% | -59% | 17 | $129 | $3,307,391 | 83 |
| Mar 7, 2013 | - | $2,640 | +20% | -44% | 17 | $155 | $3,310,031 | 84 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Feb 1, 2013 | 16 | $2,119,764 | 659 | $3,217 | $2,119,764 | 8 | |
| Feb 8, 2013 | 26 | $935,293 | -56% | 670 | $1,396 | $3,055,057 | 9 |
| Feb 15, 2013 | 34 | $173,572 | -81% | 119 | $1,459 | $3,228,629 | 10 |
| Feb 22, 2013 | 48 | $55,055 | -68% | 41 | $1,343 | $3,283,684 | 11 |
| Mar 1, 2013 | 65 | $26,347 | -52% | 17 | $1,550 | $3,310,031 | 12 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Argentina | 1/24/2013 | $86,354 | 29 | 29 | 73 | $166,222 | 12/30/2018 | |||
| Brazil | 3/8/2013 | $112,140 | 47 | 47 | 100 | $236,485 | 12/14/2015 | |||
| Chile | 3/7/2013 | $14,445 | 6 | 6 | 17 | $30,304 | 12/30/2018 | |||
| Croatia | 3/14/2013 | $9,659 | 7 | 7 | 29 | $30,446 | 12/30/2018 | |||
| Czech Republic | 4/4/2013 | $12,007 | 20 | 23 | 62 | $28,573 | 12/30/2018 | |||
| Estonia | 3/22/2013 | $14,542 | 6 | 6 | 7 | $23,574 | 12/14/2015 | |||
| Hungary | 3/7/2013 | $22,165 | 15 | 15 | 30 | $36,713 | 12/30/2018 | |||
| Latvia | 2/22/2013 | $8,636 | 3 | 3 | 6 | $17,838 | 12/30/2018 | |||
| Lebanon | 1/10/2013 | $41,224 | 12 | 12 | 17 | $79,414 | 12/30/2018 | |||
| Romania | 3/8/2013 | $37,278 | 28 | 28 | 92 | $87,905 | 12/30/2018 | |||
| Singapore | 3/7/2013 | $16,032 | 6 | 6 | 12 | $29,106 | 12/14/2015 | |||
| Slovakia | 4/4/2013 | $11,008 | 13 | 13 | 13 | $11,008 | 12/14/2015 | |||
| Spain | 4/12/2013 | $151,064 | 96 | 102 | 260 | $361,643 | 12/14/2015 | |||
| Uruguay | 3/8/2013 | $5,613 | 3 | 3 | 13 | $22,885 | 12/30/2018 | |||
| Rest of World | $1,646,650 | |||||||||
| International Total | $2,808,766 | 12/30/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Al Pacino | Val | |
| Christopher Walken | Doc | |
| Alan Arkin | Hirsch |
Supporting
| Julianna Margulies | Nina Hirsch | |
| Addison Timlin | Alex | |
| Vanessa Ferlito | Sylvia | |
| Lucy Punch | Wendy | |
| Mark Margolis | Claphands | |
| Katheryn Winnick | Oxana | |
| Bill Burr | Larry |
Production and Technical Credits
| Fisher Stevens | Director | |
| Sidney Kimmel | Producer | |
| Tom Rosenberg | Producer | |
| Gary Lucchesi | Producer | |
| Jim Tauber | Producer | |
| Noah Haidle | Screenwriter | |
| Michael Grady | Director of Photography | |
| Mark Livolsi | Editor | |
| Maher Ahmad | Production Designer | |
| Lindsay Ann McKay | Costume Designer | |
| Eric Reid | Executive Producer | |
| Ted Gidlow | Executive Producer | |
| Bruce Toll | Executive Producer | |
| Bingham Ray | Executive Producer | |
| Matt Berenson | Executive Producer | |
| Jon Bon Jovi | Song Writer | |
| Lyle Workman | Composer | |
| Brian McNelis | Music Supervisor | |
| Eric Craig | Music Supervisor | |
| Tom Taylor | Art Director | |
| Kathy Lucas | Set Decorator | |
| Steven A. Morrow | Sound | |
| Derek Vanderhorst | Supervising Sound Editor | |
| Mandell Winter | Supervising Sound Editor | |
| Leslie Shatz | Re-recording Mixer | |
| Derek Vanderhorst | Re-recording Mixer | |
| Bart Dion | Special Effects Coordinator | |
| David Danesi | Visual Effects | |
| Thomas Duval | Visual Effects Supervisor | |
| Scott Andrew Robertson | Assistant Director | |
| Jonas Spaccarotelli | Assistant Director | |
| Tricia Wood | Casting Director | |
| Deborah Aquila | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.