A famous writer broods over his three lost loves.
Latest Ranking on Cumulative Box Office Lists
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For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
March 18th, 2015
It Follows was one of five new releases to reach the $10,000 club, based on theater averages this weekend. It opened with an average of $40,022 in four theaters, which is the second-best for a film opening in 2015, just behind What We Do in the Shadows. The overall box office leader, Cinderella, was well back in second place with an average of $17,653. Seymour: An Introduction opened with an average of $13,294 in two theaters. 3 Hearts earned $11,794 in its lone theater. Tales of Hoffmann was right behind with an average of $11,670 in two theaters.
March 15th, 2015
Disney’s live action remake of Cinderella dominates this weekend’s box office chart with an opening that the studio is projecting will hit $70 million. That’s probably a little on the high side, based on the numbers we’re seeing, but the film will certainly be in the high 60s, which will comfortably put it in the top 10 weekends in March. By way of comparison, it’s a long way short of the $116 million opening enjoying by Alice in Wonderland during 3D’s heyday back in 2010; it’s a bit back from Oz the Great and Powerful’s $79 million start in 2013; and almost exactly on par with the $69 million pulled in by Maleficent last year. Maleficent opened in late May last year, while the other two opened in March, during school Spring Break season. The numbers suggest that Disney will continue to recycle old material in new ways in years to come. Indeed, Spring 2016 will see not one, but two more franchise recycles, with The Jungle Book and Through the Looking Glass already slated for release.
March 13th, 2015
We have a mixed bag of limited releases this weekend. There are some good films, like It Follows, which has good reviews, but is the wrong genre for a limited release. However, there are a couple of limited releases could find an audience, like The Wrecking Crew and Seymour: An Introduction, but neither is expected to expand wide enough to find much mainstream success.