Wonder Woman 1984 (2020)
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| Theatrical Performance | ||
| Domestic Box Office | $46,801,036 | Details |
| International Box Office | $122,800,000 | Details |
| Worldwide Box Office | $169,601,036 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $16,240,433 | |
| Blu-ray Sales (estimated) | $23,025,319 | |
| Total | $39,265,752 | |
| OpusData ID: 299230100 More info... | ||
| Further financial details... | ||
Synopsis
Fast forward to the 1980s as Wonder Woman’s next big screen adventure finds her facing two all-new foes: Max Lord and The Cheetah.
Metrics
| Opening Weekend: | $16,701,957 (35.7% of total gross) |
| Legs: | 2.80 (domestic box office/biggest weekend) |
| Domestic Share: | 27.6% (domestic box office/worldwide) |
| Production Budget: | $200,000,000 (worldwide box office is 0.8 times production budget) |
| Theater counts: | 2,151 opening theaters/2,218 max. theaters, 13.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $57,956,534 |
Movie Details
| Domestic Releases: | December 25th, 2020 (Wide) by Warner Bros. December 25th, 2020 (IMAX) by Warner Bros. |
| International Releases: | December 16th, 2020 (Limited) (United Kingdom)
December 17th, 2020 (Wide), released as Mulher-Maravilha 1984 (Portugal) December 17th, 2020 (Wide) (China) December 17th, 2020 (Wide), released as Mujer Maravilla 1984 (Mexico) December 18th, 2020 (Wide) (Taiwan) ... Show all releases |
| Video Release: | December 25th, 2020 by Max |
| MPA Rating: | PG-13 for sequences of action and violence. (Rating bulletin 2626 (Cert #52443), 4/22/2020) |
| Running Time: | 151 minutes |
| Franchise: | Wonder Woman, DC Extended Universe |
| Character Appearance: | Wonder Woman |
| Film format: | 3-D, IMAX: DMR |
| Plot point: | Reincarnation |
| Source material: | D.C. Comics |
| Subgenre: | Action Adventure |
| Time period setting: | 1980s |
| Source: | Based on Comic/Graphic Novel |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Super Hero |
| Production/Financing Companies: | Atlas Entertainment, Stone Quarry, Warner Bros., DC Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 25, 2020 | 1 | $16,701,957 | 2,151 | $7,765 | $16,701,957 | 1 | |
| Jan 1, 2021 | 1 | $5,429,210 | -67% | 2,151 | $2,524 | $28,438,521 | 2 |
| Jan 8, 2021 | 1 | $2,960,015 | -45% | 2,218 | $1,335 | $32,561,233 | 3 |
| Jan 15, 2021 | 2 | $2,150,101 | -27% | 2,201 | $977 | $35,357,565 | 4 |
| Jan 22, 2021 | 3 | $1,571,074 | -27% | 2,013 | $780 | $37,614,054 | 5 |
| Jan 29, 2021 | 3 | $1,264,917 | -19% | 1,864 | $679 | $39,200,191 | 6 |
| Feb 5, 2021 | 4 | $918,278 | -27% | 1,864 | $493 | $40,350,654 | 7 |
| Feb 12, 2021 | 4 | $1,109,260 | +21% | 1,681 | $660 | $41,656,042 | 8 |
| Feb 19, 2021 | 4 | $800,641 | -28% | 1,644 | $487 | $42,729,029 | 9 |
| Feb 26, 2021 | 5 | $700,803 | -12% | 1,534 | $457 | $43,614,573 | 10 |
| Mar 5, 2021 | 7 | $500,091 | -29% | 1,534 | $326 | $44,435,419 | 11 |
| Mar 12, 2021 | 10 | $400,243 | -20% | 1,139 | $351 | $44,954,023 | 12 |
| Mar 19, 2021 | 8 | $401,020 | n/c | 1,158 | $346 | $45,501,088 | 13 |
| Mar 26, 2021 | 10 | $260,621 | -35% | 1,128 | $231 | $45,872,504 | 14 |
| Apr 2, 2021 | 11 | $173,672 | -33% | 1,011 | $172 | $46,145,740 | 15 |
| Apr 9, 2021 | - | $93,532 | -46% | 972 | $96 | $46,258,641 | 16 |
| Apr 16, 2021 | - | $93,742 | n/c | 952 | $98 | $46,370,364 | 17 |
| Apr 23, 2021 | - | $50,294 | -46% | 952 | $53 | $46,436,755 | 18 |
| Apr 30, 2021 | - | $44,134 | -12% | 952 | $46 | $46,542,819 | 19 |
| May 7, 2021 | - | $31,366 | -29% | 351 | $89 | $46,582,298 | 20 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 15, 2021 | - | $200,000 | 1,681 | $119 | $41,887,000 | 53 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 25, 2020 | 1 | $23,009,311 | 2,151 | $10,697 | $23,009,311 | 1 | |
| Jan 1, 2021 | 1 | $6,591,907 | -71% | 2,151 | $3,065 | $29,601,218 | 2 |
| Jan 8, 2021 | 1 | $3,606,246 | -45% | 2,218 | $1,626 | $33,207,464 | 3 |
| Jan 15, 2021 | 2 | $2,835,516 | -21% | 2,201 | $1,288 | $36,042,980 | 4 |
| Jan 22, 2021 | 3 | $1,892,294 | -33% | 2,013 | $940 | $37,935,274 | 5 |
| Jan 29, 2021 | - | $1,497,102 | -21% | 1,864 | $803 | $39,432,376 | 6 |
| Feb 5, 2021 | - | $1,114,406 | -26% | 1,818 | $613 | $40,546,782 | 7 |
| Feb 12, 2021 | - | $1,381,606 | +24% | 1,681 | $822 | $41,928,388 | 8 |
| Feb 19, 2021 | - | $985,382 | -29% | 1,644 | $599 | $42,913,770 | 9 |
| Feb 26, 2021 | - | $1,021,558 | +4% | 1,534 | $666 | $43,935,328 | 10 |
| Mar 5, 2021 | - | $618,452 | -39% | 1,217 | $508 | $44,553,780 | 11 |
| Mar 12, 2021 | - | $546,288 | -12% | 1,139 | $480 | $45,100,068 | 12 |
| Mar 19, 2021 | - | $511,815 | -6% | 1,158 | $442 | $45,611,883 | 13 |
| Mar 26, 2021 | - | $360,185 | -30% | 1,128 | $319 | $45,972,068 | 14 |
| Apr 2, 2021 | - | $193,041 | -46% | 1,011 | $191 | $46,165,109 | 15 |
| Apr 9, 2021 | - | $111,513 | -42% | 972 | $115 | $46,276,622 | 16 |
| Apr 16, 2021 | - | $109,839 | -2% | 952 | $115 | $46,386,461 | 17 |
| Apr 23, 2021 | - | $112,224 | +2% | 952 | $118 | $46,498,685 | 18 |
| Apr 30, 2021 | 22 | $52,247 | -53% | 500 | $104 | $46,550,932 | 19 |
| May 7, 2021 | 28 | $35,342 | -32% | 351 | $101 | $46,586,274 | 20 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 12/26/2020 | $4,000,000 | 312 | 805 | 3,170 | $19,204,043 | 10/20/2022 | |||
| Brazil | 12/18/2020 | $1,700,000 | 1,881 | 1,881 | 6,394 | $6,900,000 | 10/19/2022 | |||
| China | 12/17/2020 | $18,400,000 | 107,970 | 107,970 | 115,899 | $25,500,000 | 10/19/2022 | |||
| Germany | 12/23/2020 | $0 | 0 | 0 | 0 | $71,659 | 7/6/2021 | |||
| Hong Kong | 2/19/2021 | $520,000 | 75 | 217 | 292 | $877,000 | 10/19/2022 | |||
| Italy | 5/13/2021 | $17,994 | 0 | 4 | 4 | $38,160 | 10/20/2022 | |||
| Japan | 12/18/2020 | $1,600,000 | 743 | 743 | 743 | $5,300,000 | 10/19/2022 | |||
| Lithuania | 4/30/2021 | $2,698 | 10 | 10 | 24 | $6,314 | 10/20/2022 | |||
| Mexico | 12/17/2020 | $1,381,292 | 0 | 0 | 0 | $5,100,000 | 10/19/2022 | |||
| Netherlands | 3/5/2021 | $0 | 0 | 1 | 3 | $7,678 | 6/28/2021 | |||
| New Zealand | 12/26/2020 | $631,196 | 111 | 114 | 818 | $2,835,771 | 3/31/2021 | |||
| Portugal | 12/17/2020 | $104,422 | 142 | 142 | 488 | $437,292 | 5/12/2021 | |||
| Russia (CIS) | 1/8/2021 | $0 | 0 | 1,709 | 5,172 | $3,900,000 | 10/19/2022 | |||
| Saudi Arabia | 12/18/2020 | $1,000,000 | 115 | 115 | 115 | $3,400,000 | 10/19/2022 | |||
| Singapore | 12/18/2020 | $1,400,000 | 132 | 132 | 132 | $3,900,000 | 10/19/2022 | |||
| Slovakia | 12/18/2020 | $30,458 | 57 | 57 | 57 | $38,398 | 12/22/2020 | |||
| South Korea | 12/25/2020 | $1,788,399 | 2,260 | 2,260 | 6,458 | $4,500,000 | 10/19/2022 | |||
| Spain | 12/18/2020 | $1,100,000 | 813 | 813 | 2,753 | $4,319,800 | 4/8/2021 | |||
| Taiwan | 12/18/2020 | $3,500,000 | 411 | 411 | 1,037 | $8,900,000 | 10/19/2022 | |||
| Thailand | 12/18/2020 | $2,000,000 | 605 | 605 | 605 | $3,200,000 | 10/19/2022 | |||
| United Arab Emirates | 12/18/2020 | $1,100,000 | 277 | 277 | 277 | $3,000,000 | 1/19/2021 | |||
| United Kingdom | 12/16/2020 | $1,142,442 | 214 | 214 | 256 | $2,236,189 | 6/16/2021 | |||
| Vietnam | 12/18/2020 | $830,000 | 787 | 787 | 787 | $830,000 | 12/21/2020 | |||
| Rest of World | $18,297,696 | |||||||||
| International Total | $122,800,000 | 10/20/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Gal Gadot | Diana Prince / Wonder Woman | |
| Chris Pine | Steve Trevor | |
| Kristen Wiig | Barbara Ann Miverva / Cheetah | |
| Pedro Pascal | Maxwell Lord |
Supporting
| Robin Wright | Antiope | |
| Connie Nielsen | Queen Hippolyta | |
| Lilly Aspell | Young Diana | |
| Amr Waked | Emir Said Bin Abydos | |
| Kristoffer Polaha | Handsome Man | |
| Natasha Rothwell | Carol (Co-Worker) | |
| Ravi Patel | Babajide | |
| Oliver Cotton | Simon Stagg | |
| Lucian Perez | Alistair | |
| Gabriella Wilde | Raquel | |
| Kelvin Yu | Jake | |
| Stuart Milligan | POTUS | |
| Shane Attwooll | Dangerous Drunk | |
| David Al Fahmi | Mr. Khalaji | |
| Kevin Wallace | Televangelist | |
| Wai Wong | Lai Zhong | |
| Doutzen Kroes | Venelia | |
| Hari James | Herald (Trigona) | |
| Betty Adewole | Amazon | |
| Camilla Roholm | Amazon | |
| Jessie Graff | Competitor | |
| Bronte Lavine | Competitor | |
| Briony Scarlett | Competitor | |
| Jade Johnson | Competitor | |
| Miranda Chambers | Competitor | |
| Moe Sasegbon | Competitor | |
| Gwendolyn Smith | Competitor | |
| Hayley Warnes | Aella | |
| Said Taghmaoui | Sameer (Photograph) | |
| Ewen Bremner | Charlie (Photograph) | |
| Eugene Brave Rock | Chief (Photograph) | |
| Lucy Davis | Etta (Photograph) | |
| Lyon Beckwith | Buzz Cut | |
| Ryan Watson | Bad Skin | |
| James C. Burke | Flat Top | |
| Brandon Thane Wilson | Scowler | |
| Oakley Bull | Kelly (Girl Hostage) | |
| Andy Riddle | Donkey Kong Geek (Mall) | |
| Rey Rey Terry | Courtney | |
| Tina Edwards | Courtney’s Mom | |
| Bill DeBrason | Mall Cop (Exterior) | |
| Rick Kain | Mall Cop (Exterior) | |
| Vickie Warehime | Mall Security Guard | |
| Mike D. Anderson | Mall Security Guard | |
| Christopher Crutchfield Walker | Mall Security Guard | |
| Gina Grinkemeyer | Panicked Shopper | |
| Cassandra Newman | Panicked Shopper | |
| Valerie Leonard | Jewelry Sales Associate | |
| Susan Smythe | Jewelry Sales Associate | |
| Bob Cusack | News Reporter (Aftermath) | |
| John Bucy | Camaro Driver | |
| Patrick Gover | Camaro Passenger | |
| Tracy Tobin | Jogger | |
| Mitch Holson | Preppy Guy (Dupont Circle) | |
| Ashley Gladden | Preppy Girl (Dupont Circle) | |
| Spencer Trinwith | Georgetown Cafe Waiter | |
| Parker Damm | Commander Salamander Manager | |
| Caroline Coleman | Shoplifter | |
| Summer Snead | Shoplifter | |
| Tori Beverly | Shoplifter | |
| Raquel Merediz | Eager Saleswoman (Clothes) | |
| Vince Eisenson | Guy Hailing Cab (Georgetown) | |
| Asim Chaudhry | Roger (Co-Worker) | |
| Danny Morgan | Co-Worker 2 (Spare Coffee) | |
| Tessa Bonham Jones | Lucy (Co-Worker) | |
| Philip Philmar | Janitor | |
| Mensah Bediako | Leon | |
| Russell Barnett | FBI Agent (Stagg’s Office) | |
| Peter Brooke | FBI Agent (FBI Office) | |
| Jarren Dalmeda | FBI Agent (Stagg’s Lobby) | |
| Jasmine Clark | Black Gold Receptionist | |
| Jonathan Ajayi | Black Gold Young Man - Emerson | |
| Tomos Vaughan-Williams | Black Gold Young Man | |
| Avi Rothman | Black Gold Hotshot Aide | |
| Belinda Mayne | Stagg’s Secretary | |
| Orlando James | Party Goer | |
| Bruce MacKinnon | Party Goer | |
| Ed Birch | White House Carl | |
| Aykut Hilmi | Cab Driver (Egypt) | |
| Zaydun Khalaf | Emir’s Aide | |
| Nerea Palacios | Egyption Child 1 | |
| Altahay Ramos Martin | Egyption Child 2 | |
| Joanne Henry | White House Staffer | |
| Patrick Lyster | CJCS (Oval Office) | |
| Sam Sheridan | US Army Tech | |
| Paul Boyd | US Army Tech | |
| Vincent Jerome | US Army Tech | |
| Akie Kotabe | Air Traffic Controller | |
| Kenneth Jay | Air Traffic Controller | |
| Jasmine Hyde | British News Reporter | |
| Paul McQuaid | American Reporter | |
| Gabriel Constantin | Silo Technician | |
| Alex Delescu | Silo Technician | |
| Mish Boyko | Silo Technician | |
| Constantine Gregory | Russian General | |
| Michael Poole | Old Russian Grandfather | |
| Joe Palka | Neighbor / Cow Man | |
| Jean H. Miller | Dog Walker | |
| Mike Sengelow | Head Technician (Inner Chamber) | |
| Paul Connaughton | Irishman (Tea Shop) | |
| Wendy Albiston | Nasty Woman (Tea Shop) | |
| Rhonda Overby | Passing Reporter | |
| Lambro Demetriou | Max (8 Years Old) | |
| Jonny Barry | Max (15 Years Old) | |
| Luis Torrecilla | Max’s Father | |
| Sarah Barlondo | Max’s Mother | |
| Matt Costello | Max’s Driver | |
| Evan Bittner | Photographer | |
| Archie L. Harris, Jr. | Penn Avenue Watergate Cop | |
| Stephanie Waters | Penn Avenue Mother | |
| Thomas Clay Strickland | Wild Gunman | |
| Chi-Lin Nim | Wang (Chinese Kitchen) | |
| Michael Kaurene | Punk in Subway | |
| Michael Gabel | Apocalyptic Preacher | |
| Orlando Gonzalez | Convoy Driver | |
| Dan De Luca | Convoy Driver | |
| Ahmed Hussien | Convoy Driver | |
| Tony Zarouel | Convoy Driver | |
| Naithan Ariane | Convoy Driver | |
| Joel Morris | Security Guard | |
| Michael Salami | Security Guard | |
| Kosha Engler | US National News Anchor | |
| Asa Sheridan | Jace Valentine | |
| Alma Varsano | Snowball Girl | |
| Maya Varsano | Carousel Girl | |
| Jaron Varsano | Carousel Father | |
| Tilly Winford | Christmas Player | |
| Victoria Broom | Grateful Parent | |
| Hamza Siddique | Militant | |
| Colin Stinton | Norad Colonel | |
| Andy Cheung | Resident | |
| Katharine Pickering | Amazon Athlete | |
| Karis McCabe | Amazon Athlete | |
| Saskia Neville | Amazon Athlete | |
| Jenny Pacey | Amazon Athlete | |
| Mikayla-Jade Barber | Amazon Athlete | |
| Candice Carbine | Amazon Athlete | |
| Donna Forbes | Amazon Athlete | |
| Chantal Nell | Amazon Athlete |
Production and Technical Credits
| Patty Jenkins | Director | |
| Patty Jenkins | Screenwriter | |
| Geoff Johns | Screenwriter | |
| David Callaham | Screenwriter | |
| Patty Jenkins | Story by | |
| Geoff Johns | Story by | |
| Patty Jenkins | Producer | |
| Gal Gadot | Producer | |
| Stephen Jones | Producer | |
| Zack Snyder | Producer | |
| Deborah Snyder | Producer | |
| Charles Roven | Producer | |
| Rebecca Steel Roven | Executive Producer | |
| Richard Suckle | Executive Producer | |
| Marianne Jenkins | Executive Producer | |
| Geoff Johns | Executive Producer | |
| Walter Hamada | Executive Producer | |
| Chantal Nong | Executive Producer | |
| Wesley Coller | Executive Producer | |
| Aline Bonetto | Production Designer | |
| Richard Pearson | Editor | |
| Hans Zimmer | Composer | |
| Matthew Jensen | Director of Photography | |
| Lindy Hemming | Costume Designer | |
| Lucinda Syson | Casting Director | |
| Kristy Carlson | Casting Director | |
| John Moffatt | Visual Effects Supervisor | |
| Damian Anderson | Unit Production Manager | |
| Marianne Jenkins | Unit Production Manager | |
| Stephen Jones | Unit Production Manager | |
| Toby Hefferman | First Assistant Director | |
| Toby Hefferman | Associate Producer | |
| Andy Madden | Key Second Assistant Director | |
| Dan Bradley | Second Unit Director | |
| Dominic Sidoli | Visual Effects Producer | |
| Tim Grover | Post-Production Supervisor | |
| Elise Iglesias | Associate Producer | |
| Jason Crain | Associate Producer | |
| Anna Obropta | Associate Producer | |
| Peter Russell | Supervising Sound Editor | |
| Rod McLean | Art Director | |
| Simon Elsley | Art Director | |
| Georgia Warner | Art Director | |
| Richard Selway | Art Director | |
| Mark Scruton | Art Director | |
| Anita Gupta | Art Director | |
| Gavin Fitch | Art Director | |
| Arwel Evans | Art Director | |
| Darren Tubby | Art Director | |
| Peter J. Devlin | Sound Mixer | |
| Laura Miles | Script Supervisor | |
| Tom Harrison-Read | Additional Editor | |
| Richard King | Supervising Sound Editor | |
| Gary A. Rizzo | Re-recording Mixer | |
| Kevin Penney | Sound Effects Editor | |
| Rowan Watson | Sound Effects Editor | |
| Jeff Sawyer | Sound Effects Editor | |
| Iain Eyre | Dialogue Editor | |
| Dan Grace | Costume Supervisor | |
| Anna Lynch-Robinson | Set Decorator | |
| David Zealey | Production Supervisor | |
| Steve Mortimore | Supervising Location Manager | |
| Lynsey Cosford | Location Manager | |
| Mark Holt | Special Effects Supervisor | |
| Russell Lodge | Production Manager | |
| Sean Flanigan | Hairstylist | |
| Gary English | Hairstylist |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Fast forward to the 1980s as Wonder Woman’s next big screen adventure finds her facing two all-new foes: Max Lord and The Cheetah.
Metrics
| Opening Weekend: | $16,701,957 (35.7% of total gross) |
| Legs: | 2.80 (domestic box office/biggest weekend) |
| Domestic Share: | 27.6% (domestic box office/worldwide) |
| Production Budget: | $200,000,000 (worldwide box office is 0.8 times production budget) |
| Theater counts: | 2,151 opening theaters/2,218 max. theaters, 13.3 weeks average run per theater |
| Infl. Adj. Dom. BO | $57,956,534 |
Movie Details
| Domestic Releases: | December 25th, 2020 (Wide) by Warner Bros. December 25th, 2020 (IMAX) by Warner Bros. |
| International Releases: | December 16th, 2020 (Limited) (United Kingdom)
December 17th, 2020 (Wide), released as Mulher-Maravilha 1984 (Portugal) December 17th, 2020 (Wide) (China) December 17th, 2020 (Wide), released as Mujer Maravilla 1984 (Mexico) December 18th, 2020 (Wide) (Taiwan) ... Show all releases |
| Video Release: | December 25th, 2020 by Max |
| MPA Rating: | PG-13 for sequences of action and violence. (Rating bulletin 2626 (Cert #52443), 4/22/2020) |
| Running Time: | 151 minutes |
| Franchise: | Wonder Woman, DC Extended Universe |
| Character Appearance: | Wonder Woman |
| Film format: | 3-D, IMAX: DMR |
| Plot point: | Reincarnation |
| Source material: | D.C. Comics |
| Subgenre: | Action Adventure |
| Time period setting: | 1980s |
| Source: | Based on Comic/Graphic Novel |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Super Hero |
| Production/Financing Companies: | Atlas Entertainment, Stone Quarry, Warner Bros., DC Films |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 25, 2020 | 1 | $16,701,957 | 2,151 | $7,765 | $16,701,957 | 1 | |
| Jan 1, 2021 | 1 | $5,429,210 | -67% | 2,151 | $2,524 | $28,438,521 | 2 |
| Jan 8, 2021 | 1 | $2,960,015 | -45% | 2,218 | $1,335 | $32,561,233 | 3 |
| Jan 15, 2021 | 2 | $2,150,101 | -27% | 2,201 | $977 | $35,357,565 | 4 |
| Jan 22, 2021 | 3 | $1,571,074 | -27% | 2,013 | $780 | $37,614,054 | 5 |
| Jan 29, 2021 | 3 | $1,264,917 | -19% | 1,864 | $679 | $39,200,191 | 6 |
| Feb 5, 2021 | 4 | $918,278 | -27% | 1,864 | $493 | $40,350,654 | 7 |
| Feb 12, 2021 | 4 | $1,109,260 | +21% | 1,681 | $660 | $41,656,042 | 8 |
| Feb 19, 2021 | 4 | $800,641 | -28% | 1,644 | $487 | $42,729,029 | 9 |
| Feb 26, 2021 | 5 | $700,803 | -12% | 1,534 | $457 | $43,614,573 | 10 |
| Mar 5, 2021 | 7 | $500,091 | -29% | 1,534 | $326 | $44,435,419 | 11 |
| Mar 12, 2021 | 10 | $400,243 | -20% | 1,139 | $351 | $44,954,023 | 12 |
| Mar 19, 2021 | 8 | $401,020 | n/c | 1,158 | $346 | $45,501,088 | 13 |
| Mar 26, 2021 | 10 | $260,621 | -35% | 1,128 | $231 | $45,872,504 | 14 |
| Apr 2, 2021 | 11 | $173,672 | -33% | 1,011 | $172 | $46,145,740 | 15 |
| Apr 9, 2021 | - | $93,532 | -46% | 972 | $96 | $46,258,641 | 16 |
| Apr 16, 2021 | - | $93,742 | n/c | 952 | $98 | $46,370,364 | 17 |
| Apr 23, 2021 | - | $50,294 | -46% | 952 | $53 | $46,436,755 | 18 |
| Apr 30, 2021 | - | $44,134 | -12% | 952 | $46 | $46,542,819 | 19 |
| May 7, 2021 | - | $31,366 | -29% | 351 | $89 | $46,582,298 | 20 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Feb 15, 2021 | - | $200,000 | 1,681 | $119 | $41,887,000 | 53 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 25, 2020 | 1 | $23,009,311 | 2,151 | $10,697 | $23,009,311 | 1 | |
| Jan 1, 2021 | 1 | $6,591,907 | -71% | 2,151 | $3,065 | $29,601,218 | 2 |
| Jan 8, 2021 | 1 | $3,606,246 | -45% | 2,218 | $1,626 | $33,207,464 | 3 |
| Jan 15, 2021 | 2 | $2,835,516 | -21% | 2,201 | $1,288 | $36,042,980 | 4 |
| Jan 22, 2021 | 3 | $1,892,294 | -33% | 2,013 | $940 | $37,935,274 | 5 |
| Jan 29, 2021 | - | $1,497,102 | -21% | 1,864 | $803 | $39,432,376 | 6 |
| Feb 5, 2021 | - | $1,114,406 | -26% | 1,818 | $613 | $40,546,782 | 7 |
| Feb 12, 2021 | - | $1,381,606 | +24% | 1,681 | $822 | $41,928,388 | 8 |
| Feb 19, 2021 | - | $985,382 | -29% | 1,644 | $599 | $42,913,770 | 9 |
| Feb 26, 2021 | - | $1,021,558 | +4% | 1,534 | $666 | $43,935,328 | 10 |
| Mar 5, 2021 | - | $618,452 | -39% | 1,217 | $508 | $44,553,780 | 11 |
| Mar 12, 2021 | - | $546,288 | -12% | 1,139 | $480 | $45,100,068 | 12 |
| Mar 19, 2021 | - | $511,815 | -6% | 1,158 | $442 | $45,611,883 | 13 |
| Mar 26, 2021 | - | $360,185 | -30% | 1,128 | $319 | $45,972,068 | 14 |
| Apr 2, 2021 | - | $193,041 | -46% | 1,011 | $191 | $46,165,109 | 15 |
| Apr 9, 2021 | - | $111,513 | -42% | 972 | $115 | $46,276,622 | 16 |
| Apr 16, 2021 | - | $109,839 | -2% | 952 | $115 | $46,386,461 | 17 |
| Apr 23, 2021 | - | $112,224 | +2% | 952 | $118 | $46,498,685 | 18 |
| Apr 30, 2021 | 22 | $52,247 | -53% | 500 | $104 | $46,550,932 | 19 |
| May 7, 2021 | 28 | $35,342 | -32% | 351 | $101 | $46,586,274 | 20 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 12/26/2020 | $4,000,000 | 312 | 805 | 3,170 | $19,204,043 | 10/20/2022 | |||
| Brazil | 12/18/2020 | $1,700,000 | 1,881 | 1,881 | 6,394 | $6,900,000 | 10/19/2022 | |||
| China | 12/17/2020 | $18,400,000 | 107,970 | 107,970 | 115,899 | $25,500,000 | 10/19/2022 | |||
| Germany | 12/23/2020 | $0 | 0 | 0 | 0 | $71,659 | 7/6/2021 | |||
| Hong Kong | 2/19/2021 | $520,000 | 75 | 217 | 292 | $877,000 | 10/19/2022 | |||
| Italy | 5/13/2021 | $17,994 | 0 | 4 | 4 | $38,160 | 10/20/2022 | |||
| Japan | 12/18/2020 | $1,600,000 | 743 | 743 | 743 | $5,300,000 | 10/19/2022 | |||
| Lithuania | 4/30/2021 | $2,698 | 10 | 10 | 24 | $6,314 | 10/20/2022 | |||
| Mexico | 12/17/2020 | $1,381,292 | 0 | 0 | 0 | $5,100,000 | 10/19/2022 | |||
| Netherlands | 3/5/2021 | $0 | 0 | 1 | 3 | $7,678 | 6/28/2021 | |||
| New Zealand | 12/26/2020 | $631,196 | 111 | 114 | 818 | $2,835,771 | 3/31/2021 | |||
| Portugal | 12/17/2020 | $104,422 | 142 | 142 | 488 | $437,292 | 5/12/2021 | |||
| Russia (CIS) | 1/8/2021 | $0 | 0 | 1,709 | 5,172 | $3,900,000 | 10/19/2022 | |||
| Saudi Arabia | 12/18/2020 | $1,000,000 | 115 | 115 | 115 | $3,400,000 | 10/19/2022 | |||
| Singapore | 12/18/2020 | $1,400,000 | 132 | 132 | 132 | $3,900,000 | 10/19/2022 | |||
| Slovakia | 12/18/2020 | $30,458 | 57 | 57 | 57 | $38,398 | 12/22/2020 | |||
| South Korea | 12/25/2020 | $1,788,399 | 2,260 | 2,260 | 6,458 | $4,500,000 | 10/19/2022 | |||
| Spain | 12/18/2020 | $1,100,000 | 813 | 813 | 2,753 | $4,319,800 | 4/8/2021 | |||
| Taiwan | 12/18/2020 | $3,500,000 | 411 | 411 | 1,037 | $8,900,000 | 10/19/2022 | |||
| Thailand | 12/18/2020 | $2,000,000 | 605 | 605 | 605 | $3,200,000 | 10/19/2022 | |||
| United Arab Emirates | 12/18/2020 | $1,100,000 | 277 | 277 | 277 | $3,000,000 | 1/19/2021 | |||
| United Kingdom | 12/16/2020 | $1,142,442 | 214 | 214 | 256 | $2,236,189 | 6/16/2021 | |||
| Vietnam | 12/18/2020 | $830,000 | 787 | 787 | 787 | $830,000 | 12/21/2020 | |||
| Rest of World | $18,297,696 | |||||||||
| International Total | $122,800,000 | 10/20/2022 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Gal Gadot | Diana Prince / Wonder Woman | |
| Chris Pine | Steve Trevor | |
| Kristen Wiig | Barbara Ann Miverva / Cheetah | |
| Pedro Pascal | Maxwell Lord |
Supporting
| Robin Wright | Antiope | |
| Connie Nielsen | Queen Hippolyta | |
| Lilly Aspell | Young Diana | |
| Amr Waked | Emir Said Bin Abydos | |
| Kristoffer Polaha | Handsome Man | |
| Natasha Rothwell | Carol (Co-Worker) | |
| Ravi Patel | Babajide | |
| Oliver Cotton | Simon Stagg | |
| Lucian Perez | Alistair | |
| Gabriella Wilde | Raquel | |
| Kelvin Yu | Jake | |
| Stuart Milligan | POTUS | |
| Shane Attwooll | Dangerous Drunk | |
| David Al Fahmi | Mr. Khalaji | |
| Kevin Wallace | Televangelist | |
| Wai Wong | Lai Zhong | |
| Doutzen Kroes | Venelia | |
| Hari James | Herald (Trigona) | |
| Betty Adewole | Amazon | |
| Camilla Roholm | Amazon | |
| Jessie Graff | Competitor | |
| Bronte Lavine | Competitor | |
| Briony Scarlett | Competitor | |
| Jade Johnson | Competitor | |
| Miranda Chambers | Competitor | |
| Moe Sasegbon | Competitor | |
| Gwendolyn Smith | Competitor | |
| Hayley Warnes | Aella | |
| Said Taghmaoui | Sameer (Photograph) | |
| Ewen Bremner | Charlie (Photograph) | |
| Eugene Brave Rock | Chief (Photograph) | |
| Lucy Davis | Etta (Photograph) | |
| Lyon Beckwith | Buzz Cut | |
| Ryan Watson | Bad Skin | |
| James C. Burke | Flat Top | |
| Brandon Thane Wilson | Scowler | |
| Oakley Bull | Kelly (Girl Hostage) | |
| Andy Riddle | Donkey Kong Geek (Mall) | |
| Rey Rey Terry | Courtney | |
| Tina Edwards | Courtney’s Mom | |
| Bill DeBrason | Mall Cop (Exterior) | |
| Rick Kain | Mall Cop (Exterior) | |
| Vickie Warehime | Mall Security Guard | |
| Mike D. Anderson | Mall Security Guard | |
| Christopher Crutchfield Walker | Mall Security Guard | |
| Gina Grinkemeyer | Panicked Shopper | |
| Cassandra Newman | Panicked Shopper | |
| Valerie Leonard | Jewelry Sales Associate | |
| Susan Smythe | Jewelry Sales Associate | |
| Bob Cusack | News Reporter (Aftermath) | |
| John Bucy | Camaro Driver | |
| Patrick Gover | Camaro Passenger | |
| Tracy Tobin | Jogger | |
| Mitch Holson | Preppy Guy (Dupont Circle) | |
| Ashley Gladden | Preppy Girl (Dupont Circle) | |
| Spencer Trinwith | Georgetown Cafe Waiter | |
| Parker Damm | Commander Salamander Manager | |
| Caroline Coleman | Shoplifter | |
| Summer Snead | Shoplifter | |
| Tori Beverly | Shoplifter | |
| Raquel Merediz | Eager Saleswoman (Clothes) | |
| Vince Eisenson | Guy Hailing Cab (Georgetown) | |
| Asim Chaudhry | Roger (Co-Worker) | |
| Danny Morgan | Co-Worker 2 (Spare Coffee) | |
| Tessa Bonham Jones | Lucy (Co-Worker) | |
| Philip Philmar | Janitor | |
| Mensah Bediako | Leon | |
| Russell Barnett | FBI Agent (Stagg’s Office) | |
| Peter Brooke | FBI Agent (FBI Office) | |
| Jarren Dalmeda | FBI Agent (Stagg’s Lobby) | |
| Jasmine Clark | Black Gold Receptionist | |
| Jonathan Ajayi | Black Gold Young Man - Emerson | |
| Tomos Vaughan-Williams | Black Gold Young Man | |
| Avi Rothman | Black Gold Hotshot Aide | |
| Belinda Mayne | Stagg’s Secretary | |
| Orlando James | Party Goer | |
| Bruce MacKinnon | Party Goer | |
| Ed Birch | White House Carl | |
| Aykut Hilmi | Cab Driver (Egypt) | |
| Zaydun Khalaf | Emir’s Aide | |
| Nerea Palacios | Egyption Child 1 | |
| Altahay Ramos Martin | Egyption Child 2 | |
| Joanne Henry | White House Staffer | |
| Patrick Lyster | CJCS (Oval Office) | |
| Sam Sheridan | US Army Tech | |
| Paul Boyd | US Army Tech | |
| Vincent Jerome | US Army Tech | |
| Akie Kotabe | Air Traffic Controller | |
| Kenneth Jay | Air Traffic Controller | |
| Jasmine Hyde | British News Reporter | |
| Paul McQuaid | American Reporter | |
| Gabriel Constantin | Silo Technician | |
| Alex Delescu | Silo Technician | |
| Mish Boyko | Silo Technician | |
| Constantine Gregory | Russian General | |
| Michael Poole | Old Russian Grandfather | |
| Joe Palka | Neighbor / Cow Man | |
| Jean H. Miller | Dog Walker | |
| Mike Sengelow | Head Technician (Inner Chamber) | |
| Paul Connaughton | Irishman (Tea Shop) | |
| Wendy Albiston | Nasty Woman (Tea Shop) | |
| Rhonda Overby | Passing Reporter | |
| Lambro Demetriou | Max (8 Years Old) | |
| Jonny Barry | Max (15 Years Old) | |
| Luis Torrecilla | Max’s Father | |
| Sarah Barlondo | Max’s Mother | |
| Matt Costello | Max’s Driver | |
| Evan Bittner | Photographer | |
| Archie L. Harris, Jr. | Penn Avenue Watergate Cop | |
| Stephanie Waters | Penn Avenue Mother | |
| Thomas Clay Strickland | Wild Gunman | |
| Chi-Lin Nim | Wang (Chinese Kitchen) | |
| Michael Kaurene | Punk in Subway | |
| Michael Gabel | Apocalyptic Preacher | |
| Orlando Gonzalez | Convoy Driver | |
| Dan De Luca | Convoy Driver | |
| Ahmed Hussien | Convoy Driver | |
| Tony Zarouel | Convoy Driver | |
| Naithan Ariane | Convoy Driver | |
| Joel Morris | Security Guard | |
| Michael Salami | Security Guard | |
| Kosha Engler | US National News Anchor | |
| Asa Sheridan | Jace Valentine | |
| Alma Varsano | Snowball Girl | |
| Maya Varsano | Carousel Girl | |
| Jaron Varsano | Carousel Father | |
| Tilly Winford | Christmas Player | |
| Victoria Broom | Grateful Parent | |
| Hamza Siddique | Militant | |
| Colin Stinton | Norad Colonel | |
| Andy Cheung | Resident | |
| Katharine Pickering | Amazon Athlete | |
| Karis McCabe | Amazon Athlete | |
| Saskia Neville | Amazon Athlete | |
| Jenny Pacey | Amazon Athlete | |
| Mikayla-Jade Barber | Amazon Athlete | |
| Candice Carbine | Amazon Athlete | |
| Donna Forbes | Amazon Athlete | |
| Chantal Nell | Amazon Athlete |
Production and Technical Credits
| Patty Jenkins | Director | |
| Patty Jenkins | Screenwriter | |
| Geoff Johns | Screenwriter | |
| David Callaham | Screenwriter | |
| Patty Jenkins | Story by | |
| Geoff Johns | Story by | |
| Patty Jenkins | Producer | |
| Gal Gadot | Producer | |
| Stephen Jones | Producer | |
| Zack Snyder | Producer | |
| Deborah Snyder | Producer | |
| Charles Roven | Producer | |
| Rebecca Steel Roven | Executive Producer | |
| Richard Suckle | Executive Producer | |
| Marianne Jenkins | Executive Producer | |
| Geoff Johns | Executive Producer | |
| Walter Hamada | Executive Producer | |
| Chantal Nong | Executive Producer | |
| Wesley Coller | Executive Producer | |
| Aline Bonetto | Production Designer | |
| Richard Pearson | Editor | |
| Hans Zimmer | Composer | |
| Matthew Jensen | Director of Photography | |
| Lindy Hemming | Costume Designer | |
| Lucinda Syson | Casting Director | |
| Kristy Carlson | Casting Director | |
| John Moffatt | Visual Effects Supervisor | |
| Damian Anderson | Unit Production Manager | |
| Marianne Jenkins | Unit Production Manager | |
| Stephen Jones | Unit Production Manager | |
| Toby Hefferman | First Assistant Director | |
| Toby Hefferman | Associate Producer | |
| Andy Madden | Key Second Assistant Director | |
| Dan Bradley | Second Unit Director | |
| Dominic Sidoli | Visual Effects Producer | |
| Tim Grover | Post-Production Supervisor | |
| Elise Iglesias | Associate Producer | |
| Jason Crain | Associate Producer | |
| Anna Obropta | Associate Producer | |
| Peter Russell | Supervising Sound Editor | |
| Rod McLean | Art Director | |
| Simon Elsley | Art Director | |
| Georgia Warner | Art Director | |
| Richard Selway | Art Director | |
| Mark Scruton | Art Director | |
| Anita Gupta | Art Director | |
| Gavin Fitch | Art Director | |
| Arwel Evans | Art Director | |
| Darren Tubby | Art Director | |
| Peter J. Devlin | Sound Mixer | |
| Laura Miles | Script Supervisor | |
| Tom Harrison-Read | Additional Editor | |
| Richard King | Supervising Sound Editor | |
| Gary A. Rizzo | Re-recording Mixer | |
| Kevin Penney | Sound Effects Editor | |
| Rowan Watson | Sound Effects Editor | |
| Jeff Sawyer | Sound Effects Editor | |
| Iain Eyre | Dialogue Editor | |
| Dan Grace | Costume Supervisor | |
| Anna Lynch-Robinson | Set Decorator | |
| David Zealey | Production Supervisor | |
| Steve Mortimore | Supervising Location Manager | |
| Lynsey Cosford | Location Manager | |
| Mark Holt | Special Effects Supervisor | |
| Russell Lodge | Production Manager | |
| Sean Flanigan | Hairstylist | |
| Gary English | Hairstylist |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.