| Theatrical Performance (US$) | ||
| South Korea Box Office | $1,598,079 | Details |
| Worldwide Box Office | $1,777,470 | Details |
| Home Market Performance | ||
| North America Blu-ray Sales | $141,732 | Details |
| Total North America Video Sales | $141,732 | |
| Further financial details... | ||
| South Korea Releases: | July 28th, 2016 (Limited), released as Betty Blue |
| Video Release: | November 19th, 2019 by Criterion |
| MPAA Rating: | Not Rated |
| Running Time: | 120 minutes |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production Countries: | France |
| Languages: | French |
November 19th, 2019
It is not a prime week on the home market with Dora and the Lost City of Gold being the biggest first run release. It is worth picking up, but not a contender for Pick of the Week. There were a lot of contenders for that title, including Cold War: The Criterion Collection, Fruits Basket: Season One, Part One, and Rock ‘n’ Roll High School: 40th Anniversary Edition. In the end, I went with Rock ‘n’ Roll High School, but all three will end up in my Blu-ray collection before long.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2016/07/29 | 34 | $2,117 | 4 | $529 | $4,562 | 1 |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| North America | 6/12/2009 | $0 | 0 | 12 | 18 | $179,391 | |
| South Korea | 7/28/2016 | $2,117 | 4 | 4 | 4 | $1,598,079 | 9/16/2016 |
| Worldwide Total | $1,777,470 | 9/16/2016 | |||||
| Beatrice Dalle | Betty |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
| Jean-Jacques Beineix | Director |
