47 Ronin (2013)
| Theatrical Performance | ||
| Domestic Box Office | $38,362,475 | Details |
| International Box Office | $113,354,340 | Details |
| Worldwide Box Office | $151,716,815 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $7,926,585 | |
| Blu-ray Sales (estimated) | $10,261,479 | |
| Total | $18,188,064 | |
| OpusData ID: 140680100 More info... | ||
| Further financial details... | ||
Synopsis
After a treacherous warlord kills their master and banishes their kind, 47 leaderless samurai vow to seek vengeance and restore honor to their people. Driven from their homes and dispersed across the land, this band of Ronin must seek the help of Kai—a half-breed they once rejected—as they fight their way across a savage world of mythic beasts, shape-shifting witchcraft and wondrous terrors. As this exiled, enslaved outcast becomes their most deadly weapon, he will transform into the hero who inspires this band of outnumbered rebels to seize eternity
Metrics
| Opening Weekend: | $9,910,310 (25.8% of total gross) |
| Legs: | 3.87 (domestic box office/biggest weekend) |
| Domestic Share: | 25.3% (domestic box office/worldwide) |
| Production Budget: | $175,000,000 (worldwide box office is 0.9 times production budget) |
| Theater counts: | 2,689 opening theaters/2,690 max. theaters, 2.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $56,330,332 |
Movie Details
| Domestic Releases: | December 25th, 2013 (Wide) by Universal |
| International Releases: | December 6th, 2013 (Wide) (Japan)
December 19th, 2013 (Wide) (Malaysia) December 19th, 2013 (Wide) (Singapore) December 20th, 2013 (Wide) (Indonesia) December 24th, 2013 (Wide) (Vietnam) ... Show all releases |
| Video Release: | April 1st, 2014 by Universal Home Entertainment |
| MPA Rating: | PG-13 for intense sequences of violence and action, some disturbing images, and thematic elements. (Rating bulletin 2286, 8/21/2013) |
| Running Time: | 127 minutes |
| Franchise: | 47 Ronin |
| Film format: | 3-D, 3-D - Shot in 3-D |
| Plot point: | Interracial Child, Martial Arts, Orphan, Revenge, Shapeshifter, Witches |
| Social setting: | Wuxia |
| Source material: | Inspired by a True Story |
| Subgenre: | Action Adventure |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Relativity Media, Bluegrass Films |
| Production Countries: | United States |
| Languages: | English, Japanese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 27, 2013 | 9 | $9,910,310 | 2,689 | $3,686 | $20,612,530 | 1 | |
| Jan 3, 2014 | 11 | $5,057,215 | -49% | 2,690 | $1,880 | $32,687,680 | 2 |
| Jan 10, 2014 | 16 | $1,644,310 | -67% | 1,359 | $1,210 | $36,444,195 | 3 |
| Jan 17, 2014 | 25 | $449,345 | -73% | 343 | $1,310 | $37,600,220 | 4 |
| Jan 24, 2014 | 28 | $253,340 | -44% | 239 | $1,060 | $38,055,840 | 5 |
| Jan 31, 2014 | 35 | $137,515 | -46% | 174 | $790 | $38,297,305 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Dec 25, 2013 | - | $7,031,735 | 2,689 | $2,615 | $7,031,735 | 1 | ||
| Dec 26, 2013 | 6 | $3,670,485 | -48% | 2,689 | $1,365 | $10,702,220 | 2 | |
| Dec 27, 2013 | 8 | $3,470,155 | -5% | 2,689 | $1,291 | $14,172,375 | 3 | |
| Dec 28, 2013 | 7 | $3,630,150 | +5% | 2,689 | $1,350 | $17,802,525 | 4 | |
| Dec 29, 2013 | 7 | $2,810,005 | -23% | 2,689 | $1,045 | $20,612,530 | 5 | |
| Dec 30, 2013 | - | $1,801,630 | -36% | 2,689 | $670 | $22,414,160 | 6 | |
| Dec 31, 2013 | - | $1,438,615 | -20% | 2,689 | $535 | $23,852,775 | 7 | |
| Jan 1, 2014 | 9 | $2,567,995 | +79% | -63% | 2,689 | $955 | $26,420,770 | 8 |
| Jan 2, 2014 | 10 | $1,209,695 | -53% | -67% | 2,689 | $450 | $27,630,465 | 9 |
| Jan 3, 2014 | - | $1,627,450 | +35% | -53% | 2,690 | $605 | $29,257,915 | 10 |
| Jan 4, 2014 | - | $2,098,210 | +29% | -42% | 2,690 | $780 | $31,356,125 | 11 |
| Jan 5, 2014 | - | $1,331,555 | -37% | -53% | 2,690 | $495 | $32,687,680 | 12 |
| Jan 6, 2014 | 10 | $538,015 | -60% | -70% | 2,690 | $200 | $33,225,695 | 13 |
| Jan 7, 2014 | 9 | $685,950 | +27% | -52% | 2,690 | $255 | $33,911,645 | 14 |
| Jan 8, 2014 | 10 | $484,215 | -29% | -81% | 2,690 | $180 | $34,395,860 | 15 |
| Jan 9, 2014 | 10 | $404,025 | -17% | -67% | 2,690 | $150 | $34,799,885 | 16 |
| Jan 10, 2014 | 16 | $468,855 | +16% | -71% | 1,359 | $345 | $35,268,740 | 17 |
| Jan 11, 2014 | 16 | $706,680 | +51% | -66% | 1,359 | $520 | $35,975,420 | 18 |
| Jan 12, 2014 | 15 | $468,775 | -34% | -65% | 1,359 | $345 | $36,444,195 | 19 |
| Jan 13, 2014 | 14 | $169,875 | -64% | -68% | 1,359 | $125 | $36,614,070 | 20 |
| Jan 14, 2014 | 14 | $231,030 | +36% | -66% | 1,359 | $170 | $36,845,100 | 21 |
| Jan 15, 2014 | 16 | $163,080 | -29% | -66% | 1,359 | $120 | $37,008,180 | 22 |
| Jan 16, 2014 | 17 | $142,695 | -13% | -65% | 1,359 | $105 | $37,150,875 | 23 |
| Jan 17, 2014 | - | $137,215 | -4% | -71% | 343 | $400 | $37,288,090 | 24 |
| Jan 18, 2014 | - | $190,365 | +39% | -73% | 343 | $555 | $37,478,455 | 25 |
| Jan 19, 2014 | - | $121,765 | -36% | -74% | 343 | $355 | $37,600,220 | 26 |
| Jan 20, 2014 | - | $66,885 | -45% | -61% | 343 | $195 | $37,667,105 | 27 |
| Jan 21, 2014 | - | $60,025 | -10% | -74% | 343 | $175 | $37,727,130 | 28 |
| Jan 22, 2014 | - | $37,730 | -37% | -77% | 343 | $110 | $37,764,860 | 29 |
| Jan 23, 2014 | - | $37,640 | n/c | -74% | 343 | $110 | $37,802,500 | 30 |
| Jan 24, 2014 | - | $74,090 | +97% | -46% | 239 | $310 | $37,876,590 | 31 |
| Jan 25, 2014 | - | $113,525 | +53% | -40% | 239 | $475 | $37,990,115 | 32 |
| Jan 26, 2014 | - | $65,725 | -42% | -46% | 239 | $275 | $38,055,840 | 33 |
| Jan 27, 2014 | - | $23,905 | -64% | -64% | 239 | $100 | $38,079,745 | 34 |
| Jan 28, 2014 | - | $34,655 | +45% | -42% | 239 | $145 | $38,114,400 | 35 |
| Jan 29, 2014 | - | $22,705 | -34% | -40% | 239 | $95 | $38,137,105 | 36 |
| Jan 30, 2014 | - | $22,685 | n/c | -40% | 239 | $95 | $38,159,790 | 37 |
| Jan 31, 2014 | - | $43,555 | +92% | -41% | 174 | $250 | $38,203,345 | 38 |
| Feb 1, 2014 | - | $67,860 | +56% | -40% | 174 | $390 | $38,271,205 | 39 |
| Feb 2, 2014 | - | $26,100 | -62% | -60% | 174 | $150 | $38,297,305 | 40 |
| Feb 3, 2014 | - | $15,580 | -40% | -35% | 174 | $90 | $38,312,885 | 41 |
| Feb 4, 2014 | - | $20,880 | +34% | -40% | 174 | $120 | $38,333,765 | 42 |
| Feb 5, 2014 | - | $14,705 | -30% | -35% | 174 | $85 | $38,348,470 | 43 |
| Feb 6, 2014 | - | $14,005 | -5% | -38% | 174 | $80 | $38,362,475 | 44 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 20, 2013 | 11 | $10,702,220 | 2,689 | $3,980 | $10,702,220 | 1 | |
| Dec 27, 2013 | 9 | $16,928,245 | +58% | 2,689 | $6,295 | $27,630,465 | 2 |
| Jan 3, 2014 | 10 | $7,169,420 | -58% | 2,690 | $2,665 | $34,799,885 | 3 |
| Jan 10, 2014 | 16 | $2,350,990 | -67% | 1,359 | $1,730 | $37,150,875 | 4 |
| Jan 17, 2014 | 25 | $651,625 | -72% | 343 | $1,900 | $37,802,500 | 5 |
| Jan 24, 2014 | 27 | $357,290 | -45% | 239 | $1,495 | $38,159,790 | 6 |
| Jan 31, 2014 | 34 | $202,685 | -43% | 174 | $1,165 | $38,362,475 | 7 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Bulgaria | 12/27/2013 | $308,265 | 38 | 38 | 38 | $308,265 | 12/30/2018 | |||
| Croatia | 12/26/2013 | $56,501 | 26 | 26 | 26 | $56,501 | 12/30/2018 | |||
| Egypt | 12/25/2013 | $22,245 | 10 | 10 | 14 | $139,359 | 12/30/2018 | |||
| Greece | 12/25/2013 | $247,695 | 69 | 69 | 69 | $266,792 | 12/13/2015 | |||
| Hong Kong | 12/25/2013 | $263,422 | 47 | 47 | 47 | $335,901 | 12/13/2015 | |||
| Hungary | 12/26/2013 | $421,186 | 48 | 48 | 48 | $421,186 | 12/30/2018 | |||
| Indonesia | 12/20/2013 | $564,807 | 94 | 112 | 206 | $1,892,041 | 12/30/2018 | |||
| Japan | 12/6/2013 | $1,022,721 | 753 | 753 | 1,504 | $2,864,072 | 12/13/2015 | |||
| Jordan | 12/26/2013 | $22,292 | 5 | 5 | 5 | $22,292 | 12/30/2018 | |||
| Lebanon | 12/26/2013 | $93,024 | 17 | 17 | 17 | $93,024 | 12/30/2018 | |||
| Lithuania | 12/27/2013 | $45,836 | 11 | 11 | 11 | $76,993 | 12/13/2015 | |||
| Malaysia | 12/19/2013 | $1,110,093 | 99 | 106 | 205 | $2,479,710 | 12/13/2015 | |||
| Netherlands | 12/26/2013 | $431,988 | 67 | 67 | 67 | $786,556 | 12/13/2015 | |||
| Portugal | 12/26/2013 | $435,633 | 62 | 62 | 62 | $435,633 | 12/13/2015 | |||
| Romania | 12/27/2013 | $325,870 | 39 | 39 | 39 | $325,870 | 12/30/2018 | |||
| Singapore | 12/19/2013 | $983,262 | 49 | 49 | 98 | $1,981,936 | 12/13/2015 | |||
| Spain | 12/25/2013 | $1,088,221 | 326 | 326 | 326 | $1,844,140 | 12/13/2015 | |||
| Taiwan | 12/24/2013 | $633,029 | 72 | 72 | 72 | $1,531,790 | 12/13/2015 | |||
| Thailand | 12/24/2013 | $760,792 | 147 | 147 | 147 | $1,129,819 | 12/13/2015 | |||
| Turkey | 12/27/2013 | $638,928 | 180 | 180 | 180 | $638,928 | 12/30/2018 | |||
| Ukraine | 1/1/2014 | $256,625 | 91 | 91 | 91 | $256,625 | 12/30/2018 | |||
| United Arab Emirates | 12/26/2013 | $621,279 | 50 | 50 | 50 | $909,681 | 12/30/2018 | |||
| United Kingdom | 12/26/2013 | $2,332,760 | 377 | 377 | 377 | $2,332,760 | 12/13/2015 | |||
| Vietnam | 12/24/2013 | $184,879 | 62 | 62 | 62 | $393,247 | 12/30/2018 | |||
| Rest of World | $91,831,219 | |||||||||
| International Total | $113,354,340 | 12/30/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Keanu Reeves | Kai |
Supporting
| Hiroyuki Sanada | Oishi | |
| Ko Shibasaki | Mika | |
| Tadanobu Asano | Lord Kira | |
| Min Tanaka | Lord Asano | |
| Masayoshi Haneda | Yasuno | |
| Hiroshi Sogabe | Hazama | |
| Takato Yonemoto | Basho | |
| Hiroshi Yamada | Hara | |
| Shu Nakajima | Horibe | |
| Cary-Hiroyuki Tagawa | Shogun Tsunayoshi | |
| Neil Fingleton | Lovecraftian Samurai | |
| Rinko Kikuchi | Witch | |
| Natsuki Kunimoto | Riku | |
| Togo Igawa | Tengu Lord | |
| Tanroh Ishida | Shogun's Adjutant | |
| Eizo Tomita | Advisor | |
| Dai Tabuchi | Advisor | |
| Masayuki Deai | Isogai | |
| Yorick van Wageningen | Kapitan | |
| Junichi Kajioka | Guard | |
| Clyde Kusatsu | Drunk Official | |
| Haruka Abe | Mika's Handmaidens | |
| Tomoko Komura | Mika's Handmaidens | |
| Takako Akashi | Mika's Handmaidens | |
| Akira Koieyama | Kira's Spy | |
| Arisa Maekawa | Teen Mika | |
| Daniel Barber | Teen Kai | |
| Masashi Fujimoto | Lead Soldier | |
| Gedde Watanabe | Troupe Leader | |
| Manato Sekiguchi | Young Oishi | |
| Rick Genest | Foreman |
Narrator
| Ron Bottitta | Narrator |
Production and Technical Credits
| Carl Rinsch | Director | |
| Chris Morgan | Screenwriter | |
| Hossein Amini | Screenwriter | |
| Chris Morgan | Story Creator | |
| Walter Hamada | Story Creator | |
| Pamela Abdy | Producer | |
| Eric McLeod | Producer | |
| Scott Stuber | Executive Producer | |
| Chris Fenton | Executive Producer | |
| Walter Hamada | Executive Producer | |
| Jan Roelfs | Production Designer | |
| Stuart Baird | Editor | |
| Ilan Eshkeri | Composer | |
| John Mathieson | Director of Photography | |
| Penny Rose | Costume Designer | |
| Denise Chamian | Casting Director | |
| Priscilla John | Casting Director | |
| Yoko Narahashi | Casting Director | |
| Christian Manz | Visual Effects Supervisor | |
| Eric McLeod | Unit Production Manager | |
| Diane Sabatini | Unit Production Manager | |
| Simon Warnock | Assistant Director | |
| Sallie Hard | Assistant Director | |
| Phil Neilson | Second Unit Director | |
| Garv Thorp | Visual Effects Producer | |
| Sara Desmond | Production Supervisor | |
| Gary Freeman | Supervising Art Director | |
| David Allday | Senior Art Director | |
| Les Tomkins | Senior Art Director | |
| John Chichester | Art Director | |
| Robert Cowper | Art Director | |
| Faye Green | Art Director | |
| Guy Bradley | Assistant Art Director | |
| Gavin Fitch | Assistant Art Director | |
| Gae Buckley | Set Designer | |
| Oliver Carroll | Set Designer | |
| Kevin Cross | Set Designer | |
| Miranda Diamond | Set Designer | |
| David Doran | Set Designer | |
| Oliver Goodier | Set Designer | |
| A. Todd Holland | Set Designer | |
| Masako Masuda | Set Designer | |
| David Moreau | Set Designer | |
| Suzanna Smith | Set Designer | |
| John Warnke | Set Designer | |
| Anthony Leonardi, III | Creature Designer | |
| Nick Lloyd | Creature Designer | |
| Giles Asbury | Story Artist | |
| Richard Bennett | Story Artist | |
| Jim Cornish | Story Artist | |
| Michael Anthony Jackson | Story Artist | |
| Chandler Wood | Story Artist | |
| Elli Griff | Set Decorator | |
| Stephen Sharratt | Art Director | |
| Malcolm Stone | Art Director | |
| John Midgley | Sound Mixer | |
| Paul Corbould | Special Effects Supervisor | |
| Alicia Davies | Special Effects Coordinator | |
| Amanda Knight | Make up | |
| Amanda Burns | Make up | |
| Amanda Byrne | Make up | |
| Lisa Tomblin | Hairstylist | |
| Elisabetta de Leo* | Hairstylist | |
| Stephen Rose | Hairstylist | |
| Will Dodds | Second Assistant Director | |
| Bryn Lawrence | Assistant Director | |
| Ray Kenny | Assistant Director | |
| Megan Roberts | Assistant Director | |
| Frank A. Montano | Re-recording Mixer | |
| Jon Taylor | Re-recording Mixer | |
| Simon Morgan | Associate Editor | |
| Dylan Quirt | Associate Editor | |
| Tim Nielsen | Supervising Sound Editor | |
| Teri E. Dorman | Dialogue Editor | |
| Dan Laurie* | Dialogue Editor | |
| Kevin O'Connell | Additional Sound Re-recording Mixer | |
| James Ashwill | Foley Mixer | |
| Blake Collins | Foley Mixer | |
| Richard Duarte | Foley Mixer | |
| John Guentner | Foley Mixer | |
| Andrew Silver | Music Editor | |
| Tesse Gohl | Score Producer | |
| Steve McLaughlin | Score Producer | |
| Fraser Taggart | Second Unit Camera | |
| Kenneth Karman | Music Editor | |
| Chris Carreras | First Assistant Director | |
| Chris Carreras | Additional Photography | |
| Jacob Riehle | Assistant Sound Editor | |
| Nia Hansen | Foley Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
After a treacherous warlord kills their master and banishes their kind, 47 leaderless samurai vow to seek vengeance and restore honor to their people. Driven from their homes and dispersed across the land, this band of Ronin must seek the help of Kai—a half-breed they once rejected—as they fight their way across a savage world of mythic beasts, shape-shifting witchcraft and wondrous terrors. As this exiled, enslaved outcast becomes their most deadly weapon, he will transform into the hero who inspires this band of outnumbered rebels to seize eternity
Metrics
| Opening Weekend: | $9,910,310 (25.8% of total gross) |
| Legs: | 3.87 (domestic box office/biggest weekend) |
| Domestic Share: | 25.3% (domestic box office/worldwide) |
| Production Budget: | $175,000,000 (worldwide box office is 0.9 times production budget) |
| Theater counts: | 2,689 opening theaters/2,690 max. theaters, 2.8 weeks average run per theater |
| Infl. Adj. Dom. BO | $56,330,332 |
Movie Details
| Domestic Releases: | December 25th, 2013 (Wide) by Universal |
| International Releases: | December 6th, 2013 (Wide) (Japan)
December 19th, 2013 (Wide) (Malaysia) December 19th, 2013 (Wide) (Singapore) December 20th, 2013 (Wide) (Indonesia) December 24th, 2013 (Wide) (Vietnam) ... Show all releases |
| Video Release: | April 1st, 2014 by Universal Home Entertainment |
| MPA Rating: | PG-13 for intense sequences of violence and action, some disturbing images, and thematic elements. (Rating bulletin 2286, 8/21/2013) |
| Running Time: | 127 minutes |
| Franchise: | 47 Ronin |
| Film format: | 3-D, 3-D - Shot in 3-D |
| Plot point: | Interracial Child, Martial Arts, Orphan, Revenge, Shapeshifter, Witches |
| Social setting: | Wuxia |
| Source material: | Inspired by a True Story |
| Subgenre: | Action Adventure |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Relativity Media, Bluegrass Films |
| Production Countries: | United States |
| Languages: | English, Japanese |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 27, 2013 | 9 | $9,910,310 | 2,689 | $3,686 | $20,612,530 | 1 | |
| Jan 3, 2014 | 11 | $5,057,215 | -49% | 2,690 | $1,880 | $32,687,680 | 2 |
| Jan 10, 2014 | 16 | $1,644,310 | -67% | 1,359 | $1,210 | $36,444,195 | 3 |
| Jan 17, 2014 | 25 | $449,345 | -73% | 343 | $1,310 | $37,600,220 | 4 |
| Jan 24, 2014 | 28 | $253,340 | -44% | 239 | $1,060 | $38,055,840 | 5 |
| Jan 31, 2014 | 35 | $137,515 | -46% | 174 | $790 | $38,297,305 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Dec 25, 2013 | - | $7,031,735 | 2,689 | $2,615 | $7,031,735 | 1 | ||
| Dec 26, 2013 | 6 | $3,670,485 | -48% | 2,689 | $1,365 | $10,702,220 | 2 | |
| Dec 27, 2013 | 8 | $3,470,155 | -5% | 2,689 | $1,291 | $14,172,375 | 3 | |
| Dec 28, 2013 | 7 | $3,630,150 | +5% | 2,689 | $1,350 | $17,802,525 | 4 | |
| Dec 29, 2013 | 7 | $2,810,005 | -23% | 2,689 | $1,045 | $20,612,530 | 5 | |
| Dec 30, 2013 | - | $1,801,630 | -36% | 2,689 | $670 | $22,414,160 | 6 | |
| Dec 31, 2013 | - | $1,438,615 | -20% | 2,689 | $535 | $23,852,775 | 7 | |
| Jan 1, 2014 | 9 | $2,567,995 | +79% | -63% | 2,689 | $955 | $26,420,770 | 8 |
| Jan 2, 2014 | 10 | $1,209,695 | -53% | -67% | 2,689 | $450 | $27,630,465 | 9 |
| Jan 3, 2014 | - | $1,627,450 | +35% | -53% | 2,690 | $605 | $29,257,915 | 10 |
| Jan 4, 2014 | - | $2,098,210 | +29% | -42% | 2,690 | $780 | $31,356,125 | 11 |
| Jan 5, 2014 | - | $1,331,555 | -37% | -53% | 2,690 | $495 | $32,687,680 | 12 |
| Jan 6, 2014 | 10 | $538,015 | -60% | -70% | 2,690 | $200 | $33,225,695 | 13 |
| Jan 7, 2014 | 9 | $685,950 | +27% | -52% | 2,690 | $255 | $33,911,645 | 14 |
| Jan 8, 2014 | 10 | $484,215 | -29% | -81% | 2,690 | $180 | $34,395,860 | 15 |
| Jan 9, 2014 | 10 | $404,025 | -17% | -67% | 2,690 | $150 | $34,799,885 | 16 |
| Jan 10, 2014 | 16 | $468,855 | +16% | -71% | 1,359 | $345 | $35,268,740 | 17 |
| Jan 11, 2014 | 16 | $706,680 | +51% | -66% | 1,359 | $520 | $35,975,420 | 18 |
| Jan 12, 2014 | 15 | $468,775 | -34% | -65% | 1,359 | $345 | $36,444,195 | 19 |
| Jan 13, 2014 | 14 | $169,875 | -64% | -68% | 1,359 | $125 | $36,614,070 | 20 |
| Jan 14, 2014 | 14 | $231,030 | +36% | -66% | 1,359 | $170 | $36,845,100 | 21 |
| Jan 15, 2014 | 16 | $163,080 | -29% | -66% | 1,359 | $120 | $37,008,180 | 22 |
| Jan 16, 2014 | 17 | $142,695 | -13% | -65% | 1,359 | $105 | $37,150,875 | 23 |
| Jan 17, 2014 | - | $137,215 | -4% | -71% | 343 | $400 | $37,288,090 | 24 |
| Jan 18, 2014 | - | $190,365 | +39% | -73% | 343 | $555 | $37,478,455 | 25 |
| Jan 19, 2014 | - | $121,765 | -36% | -74% | 343 | $355 | $37,600,220 | 26 |
| Jan 20, 2014 | - | $66,885 | -45% | -61% | 343 | $195 | $37,667,105 | 27 |
| Jan 21, 2014 | - | $60,025 | -10% | -74% | 343 | $175 | $37,727,130 | 28 |
| Jan 22, 2014 | - | $37,730 | -37% | -77% | 343 | $110 | $37,764,860 | 29 |
| Jan 23, 2014 | - | $37,640 | n/c | -74% | 343 | $110 | $37,802,500 | 30 |
| Jan 24, 2014 | - | $74,090 | +97% | -46% | 239 | $310 | $37,876,590 | 31 |
| Jan 25, 2014 | - | $113,525 | +53% | -40% | 239 | $475 | $37,990,115 | 32 |
| Jan 26, 2014 | - | $65,725 | -42% | -46% | 239 | $275 | $38,055,840 | 33 |
| Jan 27, 2014 | - | $23,905 | -64% | -64% | 239 | $100 | $38,079,745 | 34 |
| Jan 28, 2014 | - | $34,655 | +45% | -42% | 239 | $145 | $38,114,400 | 35 |
| Jan 29, 2014 | - | $22,705 | -34% | -40% | 239 | $95 | $38,137,105 | 36 |
| Jan 30, 2014 | - | $22,685 | n/c | -40% | 239 | $95 | $38,159,790 | 37 |
| Jan 31, 2014 | - | $43,555 | +92% | -41% | 174 | $250 | $38,203,345 | 38 |
| Feb 1, 2014 | - | $67,860 | +56% | -40% | 174 | $390 | $38,271,205 | 39 |
| Feb 2, 2014 | - | $26,100 | -62% | -60% | 174 | $150 | $38,297,305 | 40 |
| Feb 3, 2014 | - | $15,580 | -40% | -35% | 174 | $90 | $38,312,885 | 41 |
| Feb 4, 2014 | - | $20,880 | +34% | -40% | 174 | $120 | $38,333,765 | 42 |
| Feb 5, 2014 | - | $14,705 | -30% | -35% | 174 | $85 | $38,348,470 | 43 |
| Feb 6, 2014 | - | $14,005 | -5% | -38% | 174 | $80 | $38,362,475 | 44 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 20, 2013 | 11 | $10,702,220 | 2,689 | $3,980 | $10,702,220 | 1 | |
| Dec 27, 2013 | 9 | $16,928,245 | +58% | 2,689 | $6,295 | $27,630,465 | 2 |
| Jan 3, 2014 | 10 | $7,169,420 | -58% | 2,690 | $2,665 | $34,799,885 | 3 |
| Jan 10, 2014 | 16 | $2,350,990 | -67% | 1,359 | $1,730 | $37,150,875 | 4 |
| Jan 17, 2014 | 25 | $651,625 | -72% | 343 | $1,900 | $37,802,500 | 5 |
| Jan 24, 2014 | 27 | $357,290 | -45% | 239 | $1,495 | $38,159,790 | 6 |
| Jan 31, 2014 | 34 | $202,685 | -43% | 174 | $1,165 | $38,362,475 | 7 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Bulgaria | 12/27/2013 | $308,265 | 38 | 38 | 38 | $308,265 | 12/30/2018 | |||
| Croatia | 12/26/2013 | $56,501 | 26 | 26 | 26 | $56,501 | 12/30/2018 | |||
| Egypt | 12/25/2013 | $22,245 | 10 | 10 | 14 | $139,359 | 12/30/2018 | |||
| Greece | 12/25/2013 | $247,695 | 69 | 69 | 69 | $266,792 | 12/13/2015 | |||
| Hong Kong | 12/25/2013 | $263,422 | 47 | 47 | 47 | $335,901 | 12/13/2015 | |||
| Hungary | 12/26/2013 | $421,186 | 48 | 48 | 48 | $421,186 | 12/30/2018 | |||
| Indonesia | 12/20/2013 | $564,807 | 94 | 112 | 206 | $1,892,041 | 12/30/2018 | |||
| Japan | 12/6/2013 | $1,022,721 | 753 | 753 | 1,504 | $2,864,072 | 12/13/2015 | |||
| Jordan | 12/26/2013 | $22,292 | 5 | 5 | 5 | $22,292 | 12/30/2018 | |||
| Lebanon | 12/26/2013 | $93,024 | 17 | 17 | 17 | $93,024 | 12/30/2018 | |||
| Lithuania | 12/27/2013 | $45,836 | 11 | 11 | 11 | $76,993 | 12/13/2015 | |||
| Malaysia | 12/19/2013 | $1,110,093 | 99 | 106 | 205 | $2,479,710 | 12/13/2015 | |||
| Netherlands | 12/26/2013 | $431,988 | 67 | 67 | 67 | $786,556 | 12/13/2015 | |||
| Portugal | 12/26/2013 | $435,633 | 62 | 62 | 62 | $435,633 | 12/13/2015 | |||
| Romania | 12/27/2013 | $325,870 | 39 | 39 | 39 | $325,870 | 12/30/2018 | |||
| Singapore | 12/19/2013 | $983,262 | 49 | 49 | 98 | $1,981,936 | 12/13/2015 | |||
| Spain | 12/25/2013 | $1,088,221 | 326 | 326 | 326 | $1,844,140 | 12/13/2015 | |||
| Taiwan | 12/24/2013 | $633,029 | 72 | 72 | 72 | $1,531,790 | 12/13/2015 | |||
| Thailand | 12/24/2013 | $760,792 | 147 | 147 | 147 | $1,129,819 | 12/13/2015 | |||
| Turkey | 12/27/2013 | $638,928 | 180 | 180 | 180 | $638,928 | 12/30/2018 | |||
| Ukraine | 1/1/2014 | $256,625 | 91 | 91 | 91 | $256,625 | 12/30/2018 | |||
| United Arab Emirates | 12/26/2013 | $621,279 | 50 | 50 | 50 | $909,681 | 12/30/2018 | |||
| United Kingdom | 12/26/2013 | $2,332,760 | 377 | 377 | 377 | $2,332,760 | 12/13/2015 | |||
| Vietnam | 12/24/2013 | $184,879 | 62 | 62 | 62 | $393,247 | 12/30/2018 | |||
| Rest of World | $91,831,219 | |||||||||
| International Total | $113,354,340 | 12/30/2018 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Keanu Reeves | Kai |
Supporting
| Hiroyuki Sanada | Oishi | |
| Ko Shibasaki | Mika | |
| Tadanobu Asano | Lord Kira | |
| Min Tanaka | Lord Asano | |
| Masayoshi Haneda | Yasuno | |
| Hiroshi Sogabe | Hazama | |
| Takato Yonemoto | Basho | |
| Hiroshi Yamada | Hara | |
| Shu Nakajima | Horibe | |
| Cary-Hiroyuki Tagawa | Shogun Tsunayoshi | |
| Neil Fingleton | Lovecraftian Samurai | |
| Rinko Kikuchi | Witch | |
| Natsuki Kunimoto | Riku | |
| Togo Igawa | Tengu Lord | |
| Tanroh Ishida | Shogun's Adjutant | |
| Eizo Tomita | Advisor | |
| Dai Tabuchi | Advisor | |
| Masayuki Deai | Isogai | |
| Yorick van Wageningen | Kapitan | |
| Junichi Kajioka | Guard | |
| Clyde Kusatsu | Drunk Official | |
| Haruka Abe | Mika's Handmaidens | |
| Tomoko Komura | Mika's Handmaidens | |
| Takako Akashi | Mika's Handmaidens | |
| Akira Koieyama | Kira's Spy | |
| Arisa Maekawa | Teen Mika | |
| Daniel Barber | Teen Kai | |
| Masashi Fujimoto | Lead Soldier | |
| Gedde Watanabe | Troupe Leader | |
| Manato Sekiguchi | Young Oishi | |
| Rick Genest | Foreman |
Narrator
| Ron Bottitta | Narrator |
Production and Technical Credits
| Carl Rinsch | Director | |
| Chris Morgan | Screenwriter | |
| Hossein Amini | Screenwriter | |
| Chris Morgan | Story Creator | |
| Walter Hamada | Story Creator | |
| Pamela Abdy | Producer | |
| Eric McLeod | Producer | |
| Scott Stuber | Executive Producer | |
| Chris Fenton | Executive Producer | |
| Walter Hamada | Executive Producer | |
| Jan Roelfs | Production Designer | |
| Stuart Baird | Editor | |
| Ilan Eshkeri | Composer | |
| John Mathieson | Director of Photography | |
| Penny Rose | Costume Designer | |
| Denise Chamian | Casting Director | |
| Priscilla John | Casting Director | |
| Yoko Narahashi | Casting Director | |
| Christian Manz | Visual Effects Supervisor | |
| Eric McLeod | Unit Production Manager | |
| Diane Sabatini | Unit Production Manager | |
| Simon Warnock | Assistant Director | |
| Sallie Hard | Assistant Director | |
| Phil Neilson | Second Unit Director | |
| Garv Thorp | Visual Effects Producer | |
| Sara Desmond | Production Supervisor | |
| Gary Freeman | Supervising Art Director | |
| David Allday | Senior Art Director | |
| Les Tomkins | Senior Art Director | |
| John Chichester | Art Director | |
| Robert Cowper | Art Director | |
| Faye Green | Art Director | |
| Guy Bradley | Assistant Art Director | |
| Gavin Fitch | Assistant Art Director | |
| Gae Buckley | Set Designer | |
| Oliver Carroll | Set Designer | |
| Kevin Cross | Set Designer | |
| Miranda Diamond | Set Designer | |
| David Doran | Set Designer | |
| Oliver Goodier | Set Designer | |
| A. Todd Holland | Set Designer | |
| Masako Masuda | Set Designer | |
| David Moreau | Set Designer | |
| Suzanna Smith | Set Designer | |
| John Warnke | Set Designer | |
| Anthony Leonardi, III | Creature Designer | |
| Nick Lloyd | Creature Designer | |
| Giles Asbury | Story Artist | |
| Richard Bennett | Story Artist | |
| Jim Cornish | Story Artist | |
| Michael Anthony Jackson | Story Artist | |
| Chandler Wood | Story Artist | |
| Elli Griff | Set Decorator | |
| Stephen Sharratt | Art Director | |
| Malcolm Stone | Art Director | |
| John Midgley | Sound Mixer | |
| Paul Corbould | Special Effects Supervisor | |
| Alicia Davies | Special Effects Coordinator | |
| Amanda Knight | Make up | |
| Amanda Burns | Make up | |
| Amanda Byrne | Make up | |
| Lisa Tomblin | Hairstylist | |
| Elisabetta de Leo* | Hairstylist | |
| Stephen Rose | Hairstylist | |
| Will Dodds | Second Assistant Director | |
| Bryn Lawrence | Assistant Director | |
| Ray Kenny | Assistant Director | |
| Megan Roberts | Assistant Director | |
| Frank A. Montano | Re-recording Mixer | |
| Jon Taylor | Re-recording Mixer | |
| Simon Morgan | Associate Editor | |
| Dylan Quirt | Associate Editor | |
| Tim Nielsen | Supervising Sound Editor | |
| Teri E. Dorman | Dialogue Editor | |
| Dan Laurie* | Dialogue Editor | |
| Kevin O'Connell | Additional Sound Re-recording Mixer | |
| James Ashwill | Foley Mixer | |
| Blake Collins | Foley Mixer | |
| Richard Duarte | Foley Mixer | |
| John Guentner | Foley Mixer | |
| Andrew Silver | Music Editor | |
| Tesse Gohl | Score Producer | |
| Steve McLaughlin | Score Producer | |
| Fraser Taggart | Second Unit Camera | |
| Kenneth Karman | Music Editor | |
| Chris Carreras | First Assistant Director | |
| Chris Carreras | Additional Photography | |
| Jacob Riehle | Assistant Sound Editor | |
| Nia Hansen | Foley Editor |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.