| Theatrical Performance (US$) | ||
| Australia Box Office | $2,303,783 | Details |
| Worldwide Box Office | $411,348,924 | Details |
| Further financial details... | ||
| Production Budget: | $35,000,000 |
| Australia Releases: | August 25th, 1989 (Wide) |
| Video Release: | October 7th, 1997 by Warner Home Video |
| MPAA Rating: | PG-13 |
| Running Time: | 121 minutes |
| Franchise: | Batman |
| Keywords: | Visual Effects, D.C. Comics, Film Noir |
| Source: | Based on Comic/Graphic Novel |
| Genre: | Action |
| Production Method: | Live Action |
| Creative Type: | Super Hero |
| Production/Financing Companies: | Guber-Peters, Warner Bros. |
| Production Countries: | United States |
| Languages: | English |
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2020/08/21 | - | $4,508 | 28 | $161 | $2,303,783 | 1,618 | |
| 2020/10/23 | - | $268 | 1 | $268 | $5,972 | 1,627 |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 8/25/1989 | $0 | 0 | 28 | 29 | $2,303,783 | 10/26/2020 |
| North America | 6/23/1989 | $40,489,746 | 2,194 | 2,201 | 29,339 | $251,188,924 | |
| South Korea | 7/7/1990 | $0 | 0 | 72 | 72 | $20,100 | 12/20/2023 |
| United Kingdom | 5/17/2019 | $48,489 | 221 | 327 | 548 | $82,219 | 9/21/2023 |
| Rest of World | $157,753,898 | ||||||
| Worldwide Total | $411,348,924 | 12/20/2023 | |||||
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
| Tim Burton | Director | |
| Jon Peters | Producer | |
| Peter Guber | Producer | |
| Sam Hamm | Screenwriter | |
| Warren Skaaren | Screenwriter | |
| Sam Hamm | Story Creator | |
| Bob Kane | Character Creator | |
| Chris Kenny | Co-Producer | |
| Benjamin Melniker | Executive Producer | |
| Michael E. Uslan | Executive Producer | |
| Danny Elfman | Composer | |
| Prince | Song Writer | |
| Anton Furst | Production Designer | |
| Ray Lovejoy | Editor | |
| Barbara Kalish | Associate Producer | |
| Derek Cracknell | Assistant Director | |
| Peter McDonald | Second Unit Director | |
| Les Tomkins | Supervising Art Director | |
| Terry Ackland-Snow | Art Director | |
| Nigel Phelps | Art Director | |
| Peter Young | Set Decorator | |
| Roger Pratt | Cinematographer | |
| Peter McDonald | Second Unit Camera | |
| Derek Meddings | Visual Effects Designer | |
| Bob Ringwood | Costume Designer | |
| Annie Crawford | Costume Supervisor | |
| Tony Dawe | Sound Mixer | |
| Bill Rowe | Re-recording Mixer | |
| Don Sharpe | Supervising Sound Editor | |
| Lenny Green | Sound Editor | |
| Eddy Joseph | Sound Editor | |
| Derek Trigg | Sound Editor | |
| David Sharpe | Sound Editor | |
| Paula Connor | Sound Editor | |
| Pat Gilbert | Sound Editor | |
| Paul Smith | Dialogue Editor | |
| Bob Badami | Music Editor | |
| Robin Clarke | Music Editor | |
| Paul Engelen | Make up | |
| Colin Jamison | Hairstylist | |
| Nick Dudman | Special Make-up Effects | |
| Suzanne Reynolds | Special Make-up Effects | |
| Reza Karim | Special Make-up Effects | |
| Michael Dilbeck | Music Supervisor | |
| John L. Nelson | Song Writer | |
| Marion Dougherty | Casting Director | |
| Eddie Stacey | Stunt Coordinator |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.
