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Collateral Beauty (2016)

Collateral Beauty
Theatrical Performance
Domestic Box Office $31,016,021Details
International Box Office $54,299,049Details
Worldwide Box Office $85,315,070
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

When a successful New York advertising executive suffers a great tragedy he retreats from life. While his concerned friends try desperately to reconnect with him, he seeks answers from the universe by writing letters to Love, Time and Death. But it’s not until his notes bring unexpected personal responses that he begins to understand how these constants interlock in a life fully lived, and how even the deepest loss can reveal moments of meaning and beauty.

Metrics

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office 2,518 $31,016,021
All Time International Box Office 1,356 $54,299,049
All Time Worldwide Box Office 1,623 $85,315,070
All Time Domestic Box Office for Warner Bros. Movies 401 $31,016,021
All Time International Box Office for Warner Bros. Movies 191 $54,299,049
All Time Worldwide Box Office for Warner Bros. Movies 244 $85,315,070

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Production Budget:$36,000,000
Domestic Releases: December 16th, 2016 (Wide) by Warner Bros.
International Releases: December 16th, 2016 (Wide), released as Косвена красота (Bulgaria)
December 16th, 2016 (Wide) (Mexico)
December 16th, 2016 (Wide) (Netherlands)
December 16th, 2016 (Wide) (Russia (CIS))
December 16th, 2016 (Wide) (Slovakia)
... Show all releases
Video Release: February 28th, 2017 by Warner Home Video
MPAA Rating: PG-13 for thematic elements and brief strong language.
(Rating bulletin 2446 (Cert #50724), 10/12/2016)
Running Time: 96 minutes
Comparisons: vs. Extremely Loud and Incredibly Close
Create your own comparison chart…
Keywords: New York City, Advertising and Marketing, Death of a Son or Daughter, Depression, Ensemble
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production Companies: PalmStar Media, Likely Story, New Line Cinema, Village Roadshow Productions, RatPac Entertainment, Dune Entertainment, Anonymous Content, Overbrook Entertainment
Production Countries: United States

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Biggest Domestic 8th Weekend 3,139 $70,107 Feb 3, 2017 52
Biggest Domestic 7th Weekend 2,994 $130,305 Jan 27, 2017 45
Biggest Domestic 6th Weekend 4,004 $80,749 Jan 20, 2017 38
Biggest Domestic 5th Weekend 3,754 $201,577 Jan 13, 2017 31
Biggest Domestic 4th Weekend 2,726 $1,291,048 Jan 6, 2017 24
Biggest Domestic 3rd Weekend 1,768 $4,161,129 Dec 30, 2016 17
Biggest Domestic 2nd Weekend 2,453 $4,286,187 Dec 23, 2016 10
Biggest Domestic Opening Weekend 2,367 $7,102,085 Dec 16, 2016 3
Leggiest Opening Weekend 857 2.97 Dec 16, 2016 3
Front-Loaded Opening Weekend 1,534 33.7% Dec 16, 2016 3
Widest Opening Weekend 307 3,528 Dec 16, 2016 3
Never No. 1 Domestic 1,308 $31,016,021 Dec 16, 2016 0

Cast

   Howard
   Whit
   Amy
   Simon
   Madeline
   Raffi
   Claire
   Brigitte
Ann Dowd    Sally Price
Liza Colon-Zayas    Trevor’s Mom
Natalie Gold    Adam’s Mom
Kylie Rogers    Allison
Shirley Rumierk    Simon’s Wife
Alyssa Cheatham    Olivia
Benjamin Snyder    Sally’s Grandson
Mary Beth Peil    Whit’s Mother
Andy Taylor    Father with Photo
Michael Cumpsty    Chairman of the Board
Jonathan Rivera Morales    Monster (Mexican Commercial)
Joseph Midyett    Teacher (Mexican Commercial)
Bryan Clark    Homeless A capella Singer
Marcus Paul James    Homeless A capella Singer
Mykal Kilgore    Homeless A capella Singer
Jimmy Palumbo    Super
Elia Monte Brown    Support Group Member
Crystal Anne Dickinson    Support Group Member
Suzy Jane Hunt    Support Group Member
Andres Munar    Support Group Member
Claire Glassford    Junior Executive
Harriett D. Foy    Board Member
Maureen Mueller    Board Member
Steven Hauck    Board Member
Robert Toshi Chan    Board Member
Willie C. Carpenter    Board Member

Production and Technical Credits

Director   
Screenwriter    Allan Loeb
Producer    Michael Sugar
Producer    Bard Dorros
Producer    Allan Loeb
Producer    Anthony Bergman
Producer    Kevin Frakes
Executive Producer    Toby Emmerich
Executive Producer    Richard Brener
Executive Producer    Michael Disco
Executive Producer    Steven Mnuchin
Executive Producer    Michael Bederman
Executive Producer    Ankur Rungta
Executive Producer    Peter Cron
Executive Producer    Steven Pearl
Executive Producer    Bruce Berman
Production Designer    Beth Mickle
Editor    Andrew Marcus
Composer    Theodore Shapiro
Director of Photography    Maryse Alberti
Music Supervisor    Julia Michels
Music Supervisor    Dana Sano
Costume Designer    Leah Katznelson
Casting Director    Jeanne McCarthy
Casting Director    Rori Bergman
Unit Production Manager    Michael Bederman
First Assistant Director    Stephen Lee Davis
Second Assistant Director    Deanna Kelly
Associate Producer    Josh Mack
Production Supervisor    Lindsay Feldman
Art Director    Scott Dougan
Set Decorator    Kara Zeigon
Sound Mixer    Danny Michael
Post-Production Supervisor    Jack Deutchman
Assistant Editor    Alec Styborski
Re-recording Mixer    Michael Barry
Re-recording Mixer    Paul Urmson
Supervising Sound Editor    Lidia Tamplenizza
Supervising Sound Editor    Paul Urmson
Music Editor    Nancy Allen
Sound Effects Editor    Wyatt Sprague
Foley Mixer    Matthew Haasch
Location Manager    Ronnie Kupferwasser
Script Supervisor    Jessica Lichtner
Costume Supervisor    Kate Edwards
Make up    Louise McCarthy
Make up    Joanna McCarthy
Hairstylist    Angel De Angelis
Special Effects Supervisor    Steve Kirshoff
Special Effects Coordinator    John Stifanich
Special Effects    Dustin Riedman
Special Effects    David Marulanda
Casting Associate    Leslie Woo
Casting Associate    Dana Katz
Casting Assistant    Hannah Caruso
Score Recordist    Chris Fogel
Score Mixer    Chris Fogel

Home Market Releases for March 14th, 2017

March 15th, 2017

The Love Witch

There are a few Oscar-nominated films on this week’s list. However, it was still hard to come up with a Pick of the Week release. Most of them were like Elle with great reviews and weak extras. The DVD for Drunk History: Season Four has more than two hours of extras, but I admit it is an acquired taste. Fortunately, we do have a clear winner: The Love Witch on Blu-ray. More...

Home Market Releases for February 28th, 2017

February 28th, 2017

Moonlight

It is not a particularly long list of new releases this week, but there are several that are must haves. This includes Doctor Strange, which was named Pick of the Week last week. Other contenders for that title include The Gate on Blu-ray, The Raid: Collection on Blu-ray, and Moonlight on Blu-ray. In the end, it wasn’t too hard to select Moonlight as Pick of the Week. However, The Gate does earn Puck of the Week for Best Canadian Release. More...

Weekend Wrap-Up: Rogue One has Apocalyptic Opening of $155.08 million

December 19th, 2016

Rogue One: A Star Wars Story

As expected, Rogue One: A Star Wars Story dominated the weekend box office chart with $155.08 million. This is well over twice as much as every other release combined. It is nearly twice as much as last weekend’s total box office. This helped the box office grow by 154%, reaching $211 million. Sadly, this was over $100 million or 32% lower than the same weekend last year when The Force Awakens dominated the chart. The year-over-year decline can be best summed up as within expectations. 2016 is still ahead of 2015 by a massive amount at $10.47 billion to $9.96 billion, but that will change as we see more numbers for Rogue One come in. On a more big picture look, Disney became the first studio ever to hit $7 billion worldwide in one year. They now have the record for biggest yearly domestic box office and biggest yearly worldwide box office, while it is just $160 million away from the international record as well. More...

Thursday Night Previews: Rogue’s Previews are One Half of Force Awakens at $29 million

December 16th, 2016

Rogue One: A Star Wars Story

Rogue One: A Star Wars Story earned a massive $29 million in previews on Thursday, easily topping the $25 million Civil War made earlier this year. It also topped Batman v Superman, which earned $27.7 million, which was the previous yearly record for preview. However, while it topped the yearly chart in that regard, it was barely more than half of the $57 million The Force Awakens managed this time last year. The film’s slightly weaker reviews could lead to shorter legs. However, I think the massive hype surrounding The Force Awakens made it more front-loaded than Rogue One will be, at least during its opening weekend. I’m still going with just over $140 million during its opening weekend, but maybe $141 million is more likely now. I am a little less bullish than most and an opening north of $150 million would not be shocking. More...

Weekend Predictions: Will Rogue Awaken the Box Office?

December 15th, 2016

Rogue One: A Star Wars Story

It is a deceptively busy weekend, as there are two wide releases, Rogue One: A Star Wars Story and Collateral Beauty, and two films that are “expanding wide”, Manchester by the Sea and La La Land. However, while that looks like a lot, in reality Rogue One: A Star Wars Story is the only film most people are talking about. In fact, it is going to dominate the box office to such a degree that its only real competition is The Force Awakens, which opened this weekend last year. Unfortunately for Rogue One, there’s almost no chance it will match The Force Awakens. In fact, there’s almost no chance the entire box office will match the $247.97 million The Force Awakens opened with. 2016 is going to get crushed in the year-over-year comparison. That said, 2016 has a nearly $460 million lead over 2015, so has long as Rogue One tops $100 million over the weekend, it should be enough to keep 2016 ahead in terms of raw box office numbers. More...

2016 Preview: December

December 1st, 2016

Rogue One: A Star Wars Story

November was good, but not great. Fortunately, 2016 had a large enough lead going into November that the month only needed to be good. In fact, it could have been mediocre and 2016 would have still had an excellent shot to end the year above 2015. As for December, it’s a race between Star Wars and Star Wars. Almost no one thinks Rogue One is going to match The Force Awakens, but if Rogue One earns just half of what The Force Awakens managed, then 2016 will come out on top in the year-over-year comparison. There are only two other films with a better than 50/50 chance of hitting $100 million, Passengers and Sing. Either one could earn second place for the month, but Passengers will likely start faster. Last December, the only other film to earn more than $100 million was Daddy’s Home, which earned just a hair over $150 million. There’s a chance both Passengers and Sing will earn more than $150 million, which would be a boon to the box office. However, Star Wars: The Force Awakens was just too strong last year and it would take a miracle for 2016 to have a stronger December. That said, it would take a complete collapse for 2016 not to top 2015 in raw dollars. The growth might not be enough to keep pace with ticket price inflation, on the other hand. More...

Domestic Cumulative Box Office Records


Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2016/12/16 4 $7,102,085   3,528 $2,013   $7,102,085 3
2016/12/23 10 $4,286,187 -40% 3,028 $1,416   $15,287,687 10
2016/12/30 10 $4,161,129 -3% 2,745 $1,516   $25,816,746 17
2017/01/06 15 $1,291,048 -69% 1,402 $921   $29,846,313 24
2017/01/13 29 $201,577 -84% 254 $794   $30,517,816 31
2017/01/20 35 $80,749 -60% 121 $667   $30,702,001 38
2017/01/27 36 $130,305 +61% 203 $642   $30,860,656 45
2017/02/03 41 $70,107 -46% 144 $487   $30,982,955 52

Daily Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2016/12/16 4 $2,394,692   3,528 $679   $2,394,692 1
2016/12/17 4 $2,703,178 +13% 3,528 $766   $5,097,870 2
2016/12/18 4 $2,004,215 -26% 3,528 $568   $7,102,085 3
2016/12/19 5 $921,107 -54% 3,528 $261   $8,023,192 4
2016/12/20 4 $1,218,478 +32% 3,528 $345   $9,241,670 5
2016/12/21 7 $854,192 -30% 3,028 $282   $10,095,862 6
2016/12/22 7 $905,638 +6% 3,028 $299   $11,001,500 7
2016/12/23 8 $1,248,483 +38% 3,028 $412   $12,249,983 8
2016/12/24 9 $815,011 -35% 3,028 $269   $13,064,994 9
2016/12/25 10 $2,222,693 +173% 3,028 $734   $15,287,687 10
2016/12/26 9 $2,101,031 -5% 3,028 $694   $17,388,718 11
2016/12/27 9 $1,630,041 -22% 3,028 $538   $19,018,759 12
2016/12/28 10 $1,327,224 -19% 3,028 $438   $20,345,983 13
2016/12/29 9 $1,309,634 -1% 3,028 $433   $21,655,617 14
2016/12/30 10 $1,404,711 +7% 2,745 $512   $23,060,328 15
2016/12/31 10 $1,282,150 -9% 2,745 $467   $24,342,478 16
2017/01/01 9 $1,474,268 +15% 2,745 $537   $25,816,746 17
2017/01/02 11 $1,245,310 -16% 2,745 $454   $27,062,056 18
2017/01/03 10 $672,129 -46% 2,745 $245   $27,734,185 19
2017/01/04 11 $457,285 -32% 2,745 $167   $28,191,470 20
2017/01/05 11 $363,795 -20% 2,745 $133   $28,555,265 21
2017/01/06 15 $404,355 +11% 1,402 $288   $28,959,620 22
2017/01/07 15 $565,251 +40% 1,402 $403   $29,524,871 23
2017/01/08 15 $321,442 -43% 1,402 $229   $29,846,313 24
2017/01/09 - $107,178 -67% 1,402 $76   $29,953,491 25
2017/01/10 - $164,145 +53% 1,402 $117   $30,117,636 26
2017/01/11 - $106,876 -35% 1,402 $76   $30,224,512 27
2017/01/12 - $91,727 -14% 1,402 $65   $30,316,239 28
2017/01/13 - $58,865 -36% 254 $232   $30,375,104 29
2017/01/14 - $86,392 +47% 254 $340   $30,461,496 30
2017/01/15 - $56,320 -35% 254 $222   $30,517,816 31
2017/01/16 - $42,813 -24% 254 $169   $30,560,629 32
2017/01/17 - $27,529 -36% 254 $108   $30,588,158 33
2017/01/18 - $18,034 -34% 254 $71   $30,606,192 34
2017/01/19 - $15,060 -16% 254 $59   $30,621,252 35
2017/01/20 - $24,403 +62% 121 $202   $30,645,655 36
2017/01/21 - $37,547 +54% 121 $310   $30,683,202 37
2017/01/22 - $18,799 -50% 121 $155   $30,702,001 38
2017/01/23 - $6,039 -68% 121 $50   $30,708,040 39
2017/01/24 - $9,258 +53% 121 $77   $30,717,298 40
2017/01/25 - $6,850 -26% 121 $57   $30,724,148 41
2017/01/26 - $6,203 -9% 121 $51   $30,730,351 42
2017/01/27 - $38,370 +519% 203 $189   $30,768,721 43
2017/01/28 - $55,745 +45% 203 $275   $30,824,466 44
2017/01/29 - $36,190 -35% 203 $178   $30,860,656 45
2017/01/30 - $12,304 -66% 203 $61   $30,872,960 46
2017/01/31 - $16,383 +33% 203 $81   $30,889,343 47
2017/02/01 - $11,431 -30% 203 $56   $30,900,774 48
2017/02/02 - $12,074 +6% 203 $59   $30,912,848 49
2017/02/03 - $22,894 +90% 144 $159   $30,935,742 50
2017/02/04 - $35,348 +54% 144 $245   $30,971,090 51
2017/02/05 - $11,865 -66% 144 $82   $30,982,955 52
2017/02/06 - $7,593 -36% 144 $53   $30,990,548 53
2017/02/07 - $9,794 +29% 144 $68   $31,000,342 54
2017/02/08 - $7,441 -24% 144 $52   $31,007,783 55
2017/02/09 - $8,238 +11% 144 $57   $31,016,021 56

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2016/12/16 5 $11,001,500   3,028 $3,633   $11,001,500 7
2016/12/23 9 $10,654,117 -3% 3,028 $3,519   $21,655,617 14
2016/12/30 11 $6,899,648 -35% 2,745 $2,514   $28,555,265 21
2017/01/06 15 $1,760,974 -74% 1,402 $1,256   $30,316,239 28
2017/01/13 29 $305,013 -83% 254 $1,201   $30,621,252 35
2017/01/20 35 $109,099 -64% 121 $902   $30,730,351 42
2017/01/27 34 $182,497 +67% 203 $899   $30,912,848 49
2017/02/03 40 $103,173 -43% 144 $716   $31,016,021 56

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Theaters
Maximum
Theaters
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 1/13/2017 $343,000 0 0 0 $343,000 1/16/2017
Australia 1/13/2017 $643,561 207 207 559 $1,388,741 2/6/2017
Brazil 1/27/2017 $685,000 255 255 255 $1,700,000 2/6/2017
Bulgaria 12/16/2016 $17,905 0 0 0 $81,711 2/3/2017
Colombia 1/13/2017 $471,000 0 0 0 $471,000 1/16/2017
Czech Republic 12/23/2016 $22,275 57 57 134 $131,820 1/18/2017
Germany 1/20/2017 $613,000 245 245 245 $613,000 1/24/2017
Hong Kong 12/30/2016 $404,000 36 36 36 $404,000 1/4/2017
Italy 1/4/2017 $3,017,168 0 0 0 $9,967,558 2/16/2017
Lithuania 1/6/2017 $25,350 69 69 142 $82,130 2/21/2017
Mexico 12/16/2016 $1,321,448 0 0 0 $5,700,000 2/6/2017
Netherlands 12/16/2016 $264,605 92 92 337 $1,602,119 2/2/2017
New Zealand 1/13/2017 $116,044 82 82 158 $252,930 1/23/2017
Portugal 12/23/2016 $48,980 61 63 276 $474,949 3/2/2017
Russia (CIS) 12/16/2016 $1,495,297 843 843 1953 $3,443,405 1/18/2017
Slovakia 12/16/2016 $40,636 54 54 151 $199,826 2/10/2017
Slovenia 12/30/2016 $7,319 15 15 44 $29,717 2/6/2017
South Korea 3/5/2017 $331 1 1 1 $331 3/13/2017
Spain 12/23/2016 $646,313 284 294 1363 $3,957,974 2/24/2017
Turkey 12/23/2016 $96,100 72 72 82 $251,384 1/19/2017
United Kingdom 12/30/2016 $1,453,174 408 408 778 $2,800,000 2/6/2017
 
Rest of World $20,403,454
 
International Total$54,299,049 3/13/2017

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.