Des Hommes et Des Dieux (2011)

Des Hommes et Des Dieux poster
Theatrical Performance
Domestic Box Office $3,954,651Details
International Box Office $42,308,874Details
Worldwide Box Office $46,263,525
Home Market Performance
Est. Domestic Blu-ray Sales $2,457,350 Details
Total Est. Domestic Video Sales $2,457,350
Further financial details...

Synopsis

Eight French Christian monks live in harmony with their Muslim brothers in a monastery perched in the mountains of North Africa in the 1990s. When a crew of foreign workers is massacred by an Islamic fundamentalist group, fear sweeps though the region. The army offers them protection, but the monks refuse. Should they leave? Despite the growing menace in their midst, they slowly realize that they have no choice but to stay… come what may. This film is loosely based on the life of the Cistercian monks of Tibhirine in Algeria, from 1993 until their kidnapping in 1996.

Metrics

Opening Weekend:$308,895 (7.8% of total gross)
Legs:11.89 (domestic box office/biggest weekend)
Domestic Share:8.5% (domestic box office/worldwide)
Production Budget:$5,000,000 (worldwide box office is 9.3 times production budget)
Theater counts:33 opening theaters/120 max. theaters, 9.7 weeks average run per theater
Infl. Adj. Dom. BO $5,375,921

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Google Play:Google Play, Google Play

Movie Details

Domestic Releases: February 25th, 2011 (Limited) by Sony Pictures Classics, released as Of Gods and Men (NY and LA)
Video Release: July 5th, 2011 by Sony Pictures Home Entertainment, released as Of Gods and Men
MPAA Rating: R for a scene of graphic violence.
(Rating bulletin 2140, 9/29/2010)
PG-13 for a momentary scene of startling wartime violence, some disturbing images and brief language.
(Rating bulletin 2154, 1/12/2011)
Running Time: 122 minutes
Comparisons: vs. Bottle Shock
Create your own comparison chart…
Keywords: Religious, War, Medical and Hospitals, Political, Foreign Language, Historical Drama, 1990s, Monks and Nuns, Colonialism, Catholic, Epilogue, Intertitle
Source:Based on Real Life Events
Genre:Drama
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: Why Not Productions, Armada Films, France 3 Cinema, Cinemage 4, Cofinova 6, Soficinema 6, France Television, Canal Plus, Cinecinema, Centre National de la Cinematographie
Production Countries: France
Languages: Arabic, French

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Feb 25, 2011 26 $308,895   33 $9,360   $308,895 1
Mar 4, 2011 23 $279,011 -10% 42 $6,643   $818,246 2
Mar 11, 2011 25 $283,872 +2% 54 $5,257   $1,209,207 3
Mar 18, 2011 22 $295,102 +4% 94 $3,139   $1,616,916 4
Mar 25, 2011 23 $332,635 +13% 120 $2,772   $2,103,425 5
Apr 1, 2011 24 $219,018 -34% 98 $2,235   $2,466,674 6
Apr 8, 2011 30 $181,451 -17% 96 $1,890   $2,749,093 7
Apr 15, 2011 30 $152,437 -16% 98 $1,555   $2,996,072 8
Apr 22, 2011 34 $146,753 -4% 103 $1,425   $3,227,396 9
Apr 29, 2011 36 $106,142 -28% 94 $1,129   $3,414,613 10
May 6, 2011 40 $86,949 -18% 84 $1,035   $3,556,880 11
May 13, 2011 45 $80,382 -8% 68 $1,182   $3,682,195 12
May 20, 2011 46 $51,825 -36% 60 $864   $3,779,670 13
May 27, 2011 53 $35,348 -32% 37 $955   $3,853,591 14
Jun 3, 2011 57 $18,338 -48% 29 $632   $3,893,411 15
Jun 10, 2011 55 $16,192 -12% 26 $623   $3,921,815 16
Jun 17, 2011 75 $7,043 -57% 17 $414   $3,936,999 17
Jun 24, 2011 77 $5,827 -17% 7 $832   $3,954,651 18
Jul 1, 2011 93 $983 -83% 4 $246   $3,949,827 19

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
May 30, 2011 51 $9,036     37 $244   $3,827,279 95
Jul 4, 2011 91 $202     4 $51   $3,950,029 130

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Feb 25, 2011 22 $539,235   33 $16,340   $539,235 1
Mar 4, 2011 23 $386,100 -28% 42 $9,193   $925,335 2
Mar 11, 2011 25 $396,479 +3% 54 $7,342   $1,321,814 3
Mar 18, 2011 22 $448,976 +13% 94 $4,776   $1,770,790 4
Mar 25, 2011 23 $476,866 +6% 120 $3,974   $2,247,656 5
Apr 1, 2011 23 $319,986 -33% 98 $3,265   $2,567,642 6
Apr 8, 2011 30 $275,993 -14% 96 $2,875   $2,843,635 7
Apr 15, 2011 30 $237,008 -14% 98 $2,418   $3,080,643 8
Apr 22, 2011 32 $227,828 -4% 103 $2,212   $3,308,471 9
Apr 29, 2011 37 $161,460 -29% 94 $1,718   $3,469,931 10
May 6, 2011 40 $131,882 -18% 84 $1,570   $3,601,813 11
May 13, 2011 45 $126,032 -4% 68 $1,853   $3,727,845 12
May 20, 2011 49 $90,398 -28% 60 $1,507   $3,818,243 13
May 27, 2011 54 $56,830 -37% 37 $1,536   $3,875,073 14
Jun 3, 2011 57 $30,550 -46% 29 $1,053   $3,905,623 15
Jun 10, 2011 57 $24,333 -20% 26 $936   $3,929,956 16
Jun 17, 2011 69 $18,868 -22% 17 $1,110   $3,948,824 17
Jun 24, 2011 120 $20 -100% 7 $3   $3,948,844 18
Jul 1, 2011 86 $2,752 +13,660% 4 $688   $3,951,596 19

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Jul 10, 2011199,908 9,908$270,391$270,3911

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Lambert Wilson    Christian
Michael Lonsdale    Luc

Supporting Cast

Olivier Rabourdin    Christophe
Philippe Laudenbach    Celestin
Jacques Herlin    Amedee
Loic Pichon    Jean-Pierre
Xavier Maly    Michel
Jean-Marie Frin    Paul
Abdelhafid Metalsi    Nouredine
Sabrina Ouazani    Rabbia
Abdallah Moundy    Omar
Olivier Perrier    Bruno
Farid Larbi    Ali Fayattia
Adel Bencherif    Terrorist

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Pascal Caucheteux    Producer
Etienne Comar    Producer
Martine Cassinelli    Executive Producer
Frantz Richard    Executive Producer
Xavier Beauvois    Director
Xavier Beauvois    Screenwriter
Etienne Comar    Screenwriter

Blu-ray Sales: Holdovers Lord Above New Releases

July 20th, 2011

Lord of the Rings: Extended Edition Trilogy remained on top of the Blu-ray sales chart this week selling 104,000 units / $5.08 million for the week. It now has generated just over $30 million in sales in just two weeks, and even if you split that between the three movies, it's still an excellent run for a catalog title. More...

DVD and Blu-ray Releases for July 5th, 2011

July 5th, 2011

It's a terrible week for new DVD and Blu-ray releases with no first run releases of note. There's not even an abundance of limited releases, TV on DVD releases, or catalogue releases to pick up the slack. The best-selling release according to Amazon.com is 13 Assassins on Blu-ray and it is also arguably the best. It's really the only competitor for Pick of the Week. More...

Evil is Profitable on the Per Theater Chart

April 26th, 2011

Evil Bong 3D earned $19,315 in its lone theater to lead the way on the per theater chart, and clearly I've slipped into an alternate dimension. Actually, I'm very happy with this film's success, as it's distributed by Full Moon Features, the same company that released Puppetmaster and countless other low-budget films I've been a fan of. Second place went to The Double Hour with $14,990, which is less than 1% lower than its opening weekend. Madea's Big Happy Family was the only wide release to reach the $10,000 mark, and it was close at $10,957. There is one confusing release, Incendies, which earned over $60,000 in 13 theaters, if you include Canada. However, if you just look at its U.S. opening, it earned $50,679 in 3 theaters for an average of $16,893, which is much more impressive. More...

Per Theater Chart was Full of Win

March 30th, 2011

Seven films topped the $10,000 mark on the per theater chart this week, but leading the way were last week's top two films: Bill Cunningham New York and Win Win. The former earned $21,786 in 3 theaters while the latter was right behind with $20,192 in 23. My Perestroika earned $17,680 in its lone theater over the weekend and $25,084 since its Wednesday opening. Mia and the Migoo and Miral were neck-and-neck at $16,975 and $16,561. They also share something else, bad reviews, so their futures are in doubt. Trophy Wife earned an average of $12,288 in seven theaters. Finally, Jane Eyre made nearly $1 million over the weekend in 90 theaters for an average of $10,778. More...

Per Theater Chart: Jane Eyre is in the Red

March 15th, 2011

It was an amazing week on the per theater chart, even if you ignore Red State's special showings. The latest Kevin Smith offering added more than $100,000 over the weekend, at two special showings, for an average of $51,283. At this pace, it's going to start hitting major milestones before its theatrical debut this fall. Meanwhile, Jane Eyre had the best per theater average for a regular release this year at $45,721 in four theaters. The good news doesn't end there as Kill The Irishman opened with an average of $29,086 in five theaters, which also suggests the ability to expand significantly. Certified Copy earned close to $80,000 in five theaters for an average of $15,587. That would have been enough to lead the way many weekends so far this year. 3 Backyards opened with $11,000 in one theater, while the overall number one film, Battle: Los Angeles opened with an average of $10,411 in more than 3400 theaters. More...

Per Theater Chart: I Am Is Number One

March 1st, 2011

There were no films that managed a per theater average of $10,000 or more over the weekend, but I Am came the closest with an average of $9,649 in two theaters. Meanwhile the best new release was Of Gods and Men with an average of $9,360 in 33 theaters. More...

Weekend Estimates: Gnomeo Top on Another Dismal Weekend

February 27th, 2011

All eyes are on the Oscars this weekend, as the industry suffers another poor weekend at the box office. Aside from a blip caused by the timing of President's Day, the overall box office has now been down for 16 straight weeks, and no film will crack $15 million this weekend, with Gnomeo and Juliet likely to be the lowest-earning February number one since Black Hawk Down's $11 million number one weekend in 2002. More...

Limited Releases Grace Theaters

February 25th, 2011

With the Oscars being handed out this weekend, the target audience most interested in art house films might have their attention divided. This explains why the list of limited releases is a little on the soft side. There is one films that is opening wider than most limited releases, but there's also only one that is earning overwhelmingly positive reviews. More...

Awards Season: Winter Showed Its Independence

December 1st, 2010

The official arrival of winter is still a few weeks away, but Winter's Bone ushered in the start of Awards Season picking up seven Independent Spirit Award nominations. This was the most of any film, with The Kids Are All Right placing second with five. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Eight French Christian monks live in harmony with their Muslim brothers in a monastery perched in the mountains of North Africa in the 1990s. When a crew of foreign workers is massacred by an Islamic fundamentalist group, fear sweeps though the region. The army offers them protection, but the monks refuse. Should they leave? Despite the growing menace in their midst, they slowly realize that they have no choice but to stay… come what may. This film is loosely based on the life of the Cistercian monks of Tibhirine in Algeria, from 1993 until their kidnapping in 1996.

Metrics

Opening Weekend:$308,895 (7.8% of total gross)
Legs:11.89 (domestic box office/biggest weekend)
Domestic Share:8.5% (domestic box office/worldwide)
Production Budget:$5,000,000 (worldwide box office is 9.3 times production budget)
Theater counts:33 opening theaters/120 max. theaters, 9.7 weeks average run per theater
Infl. Adj. Dom. BO $5,375,921

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Google Play:Google Play, Google Play

Movie Details

Domestic Releases: February 25th, 2011 (Limited) by Sony Pictures Classics, released as Of Gods and Men (NY and LA)
Video Release: July 5th, 2011 by Sony Pictures Home Entertainment, released as Of Gods and Men
MPAA Rating: R for a scene of graphic violence.
(Rating bulletin 2140, 9/29/2010)
PG-13 for a momentary scene of startling wartime violence, some disturbing images and brief language.
(Rating bulletin 2154, 1/12/2011)
Running Time: 122 minutes
Comparisons: vs. Bottle Shock
Create your own comparison chart…
Keywords: Religious, War, Medical and Hospitals, Political, Foreign Language, Historical Drama, 1990s, Monks and Nuns, Colonialism, Catholic, Epilogue, Intertitle
Source:Based on Real Life Events
Genre:Drama
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: Why Not Productions, Armada Films, France 3 Cinema, Cinemage 4, Cofinova 6, Soficinema 6, France Television, Canal Plus, Cinecinema, Centre National de la Cinematographie
Production Countries: France
Languages: Arabic, French

Leading Cast

Lambert Wilson    Christian
Michael Lonsdale    Luc

Supporting Cast

Olivier Rabourdin    Christophe
Philippe Laudenbach    Celestin
Jacques Herlin    Amedee
Loic Pichon    Jean-Pierre
Xavier Maly    Michel
Jean-Marie Frin    Paul
Abdelhafid Metalsi    Nouredine
Sabrina Ouazani    Rabbia
Abdallah Moundy    Omar
Olivier Perrier    Bruno
Farid Larbi    Ali Fayattia
Adel Bencherif    Terrorist

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Pascal Caucheteux    Producer
Etienne Comar    Producer
Martine Cassinelli    Executive Producer
Frantz Richard    Executive Producer
Xavier Beauvois    Director
Xavier Beauvois    Screenwriter
Etienne Comar    Screenwriter

Blu-ray Sales: Holdovers Lord Above New Releases

July 20th, 2011

Lord of the Rings: Extended Edition Trilogy remained on top of the Blu-ray sales chart this week selling 104,000 units / $5.08 million for the week. It now has generated just over $30 million in sales in just two weeks, and even if you split that between the three movies, it's still an excellent run for a catalog title. More...

DVD and Blu-ray Releases for July 5th, 2011

July 5th, 2011

It's a terrible week for new DVD and Blu-ray releases with no first run releases of note. There's not even an abundance of limited releases, TV on DVD releases, or catalogue releases to pick up the slack. The best-selling release according to Amazon.com is 13 Assassins on Blu-ray and it is also arguably the best. It's really the only competitor for Pick of the Week. More...

Evil is Profitable on the Per Theater Chart

April 26th, 2011

Evil Bong 3D earned $19,315 in its lone theater to lead the way on the per theater chart, and clearly I've slipped into an alternate dimension. Actually, I'm very happy with this film's success, as it's distributed by Full Moon Features, the same company that released Puppetmaster and countless other low-budget films I've been a fan of. Second place went to The Double Hour with $14,990, which is less than 1% lower than its opening weekend. Madea's Big Happy Family was the only wide release to reach the $10,000 mark, and it was close at $10,957. There is one confusing release, Incendies, which earned over $60,000 in 13 theaters, if you include Canada. However, if you just look at its U.S. opening, it earned $50,679 in 3 theaters for an average of $16,893, which is much more impressive. More...

Per Theater Chart was Full of Win

March 30th, 2011

Seven films topped the $10,000 mark on the per theater chart this week, but leading the way were last week's top two films: Bill Cunningham New York and Win Win. The former earned $21,786 in 3 theaters while the latter was right behind with $20,192 in 23. My Perestroika earned $17,680 in its lone theater over the weekend and $25,084 since its Wednesday opening. Mia and the Migoo and Miral were neck-and-neck at $16,975 and $16,561. They also share something else, bad reviews, so their futures are in doubt. Trophy Wife earned an average of $12,288 in seven theaters. Finally, Jane Eyre made nearly $1 million over the weekend in 90 theaters for an average of $10,778. More...

Per Theater Chart: Jane Eyre is in the Red

March 15th, 2011

It was an amazing week on the per theater chart, even if you ignore Red State's special showings. The latest Kevin Smith offering added more than $100,000 over the weekend, at two special showings, for an average of $51,283. At this pace, it's going to start hitting major milestones before its theatrical debut this fall. Meanwhile, Jane Eyre had the best per theater average for a regular release this year at $45,721 in four theaters. The good news doesn't end there as Kill The Irishman opened with an average of $29,086 in five theaters, which also suggests the ability to expand significantly. Certified Copy earned close to $80,000 in five theaters for an average of $15,587. That would have been enough to lead the way many weekends so far this year. 3 Backyards opened with $11,000 in one theater, while the overall number one film, Battle: Los Angeles opened with an average of $10,411 in more than 3400 theaters. More...

Per Theater Chart: I Am Is Number One

March 1st, 2011

There were no films that managed a per theater average of $10,000 or more over the weekend, but I Am came the closest with an average of $9,649 in two theaters. Meanwhile the best new release was Of Gods and Men with an average of $9,360 in 33 theaters. More...

Weekend Estimates: Gnomeo Top on Another Dismal Weekend

February 27th, 2011

All eyes are on the Oscars this weekend, as the industry suffers another poor weekend at the box office. Aside from a blip caused by the timing of President's Day, the overall box office has now been down for 16 straight weeks, and no film will crack $15 million this weekend, with Gnomeo and Juliet likely to be the lowest-earning February number one since Black Hawk Down's $11 million number one weekend in 2002. More...

Limited Releases Grace Theaters

February 25th, 2011

With the Oscars being handed out this weekend, the target audience most interested in art house films might have their attention divided. This explains why the list of limited releases is a little on the soft side. There is one films that is opening wider than most limited releases, but there's also only one that is earning overwhelmingly positive reviews. More...

Awards Season: Winter Showed Its Independence

December 1st, 2010

The official arrival of winter is still a few weeks away, but Winter's Bone ushered in the start of Awards Season picking up seven Independent Spirit Award nominations. This was the most of any film, with The Kids Are All Right placing second with five. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Feb 25, 2011 26 $308,895   33 $9,360   $308,895 1
Mar 4, 2011 23 $279,011 -10% 42 $6,643   $818,246 2
Mar 11, 2011 25 $283,872 +2% 54 $5,257   $1,209,207 3
Mar 18, 2011 22 $295,102 +4% 94 $3,139   $1,616,916 4
Mar 25, 2011 23 $332,635 +13% 120 $2,772   $2,103,425 5
Apr 1, 2011 24 $219,018 -34% 98 $2,235   $2,466,674 6
Apr 8, 2011 30 $181,451 -17% 96 $1,890   $2,749,093 7
Apr 15, 2011 30 $152,437 -16% 98 $1,555   $2,996,072 8
Apr 22, 2011 34 $146,753 -4% 103 $1,425   $3,227,396 9
Apr 29, 2011 36 $106,142 -28% 94 $1,129   $3,414,613 10
May 6, 2011 40 $86,949 -18% 84 $1,035   $3,556,880 11
May 13, 2011 45 $80,382 -8% 68 $1,182   $3,682,195 12
May 20, 2011 46 $51,825 -36% 60 $864   $3,779,670 13
May 27, 2011 53 $35,348 -32% 37 $955   $3,853,591 14
Jun 3, 2011 57 $18,338 -48% 29 $632   $3,893,411 15
Jun 10, 2011 55 $16,192 -12% 26 $623   $3,921,815 16
Jun 17, 2011 75 $7,043 -57% 17 $414   $3,936,999 17
Jun 24, 2011 77 $5,827 -17% 7 $832   $3,954,651 18
Jul 1, 2011 93 $983 -83% 4 $246   $3,949,827 19

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
May 30, 2011 51 $9,036     37 $244   $3,827,279 95
Jul 4, 2011 91 $202     4 $51   $3,950,029 130

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Feb 25, 2011 22 $539,235   33 $16,340   $539,235 1
Mar 4, 2011 23 $386,100 -28% 42 $9,193   $925,335 2
Mar 11, 2011 25 $396,479 +3% 54 $7,342   $1,321,814 3
Mar 18, 2011 22 $448,976 +13% 94 $4,776   $1,770,790 4
Mar 25, 2011 23 $476,866 +6% 120 $3,974   $2,247,656 5
Apr 1, 2011 23 $319,986 -33% 98 $3,265   $2,567,642 6
Apr 8, 2011 30 $275,993 -14% 96 $2,875   $2,843,635 7
Apr 15, 2011 30 $237,008 -14% 98 $2,418   $3,080,643 8
Apr 22, 2011 32 $227,828 -4% 103 $2,212   $3,308,471 9
Apr 29, 2011 37 $161,460 -29% 94 $1,718   $3,469,931 10
May 6, 2011 40 $131,882 -18% 84 $1,570   $3,601,813 11
May 13, 2011 45 $126,032 -4% 68 $1,853   $3,727,845 12
May 20, 2011 49 $90,398 -28% 60 $1,507   $3,818,243 13
May 27, 2011 54 $56,830 -37% 37 $1,536   $3,875,073 14
Jun 3, 2011 57 $30,550 -46% 29 $1,053   $3,905,623 15
Jun 10, 2011 57 $24,333 -20% 26 $936   $3,929,956 16
Jun 17, 2011 69 $18,868 -22% 17 $1,110   $3,948,824 17
Jun 24, 2011 120 $20 -100% 7 $3   $3,948,844 18
Jul 1, 2011 86 $2,752 +13,660% 4 $688   $3,951,596 19

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Jul 10, 2011199,908 9,908$270,391$270,3911

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.