|As an Actor||Leading||21||$2,101,480,434||$3,703,194,361||$5,804,674,795|
|Lead Ensemble Member||2||$179,282,437||$333,178,253||$512,460,690|
|In Technical Roles||Producer||7||$99,689,839||$94,937,880||$194,627,719|
|Best known as a Leading Actor based on credits in that role in 21 films, with $5,804,674,795 worldwide aggregate box office (rank #12)|
|Best-Known Acting Roles: Hobbs (Furious 7), Maui (Moana), Hobbs (The Fate of the Furious), Hobbs (Fast and Furious 6), Hobbs (Fast Five)|
|Best-Known Technical Roles: Journey 2: The Mysterious Island (Co-Producer), Baywatch (Producer), Snitch (Producer)|
|Most productive collaborators: Brad Peyton, Ron Clements, Auli'i Cravalho, John Musker, Carla Gugino|
|Born: May 2nd, 1972 (45 years old)|
May 25th, 2017
It’s Memorial Day long weekend, which is historically one of the best long weekends at the box office all year. However, this year the two new releases are far from the best. Pirates of the Caribbean: Dead Men Tell No Tales has the worst reviews in the franchise and its domestic box office will likely be the same. Sadly, Baywatch’s reviews are even worse. That said, they should still finish one-two over the weekend, while Alien: Covenant and Guardians of the Galaxy Vol 2 will be in a race for third place. It likely won’t be close. Meanwhile, this weekend last year, X-Men: Apocalypse and Alice Through the Looking Glass opened one-two during the weekend with results that are similar to what Dead Men Tell No Tales / Baywatch are expected to make. I don’t know if 2017 will win in the year-over-year comparison, but it should be close.
May 1st, 2017
April is over and thank god for that. The Fate of the Furious is currently the only film that was better than a midlevel hit, while Going in Style might end up being the second-biggest release of the month. On the low end, there were seven films on last month’s list that didn’t even manage to open in truly wide release (2,000 or more theaters). Fortunately, May looks a lot brighter. Guardians of the Galaxy, Vol. 2 should dominate the chart and get the month off to a fast start. Furthermore, every week there’s at least one film with a reasonable chance of earning $100 million domestically. Additionally, last May wasn’t particularly strong, so that should help 2017 overall. Granted, Captain America: Civil War earned more than $400 million, so the month got off to a fast start, but films struggled the rest of the way. The second-biggest film was X-Men: Apocalypse at just $155 million, while only one other movie, The Angry Birds Movie, earned more than $100 million. Guardians of the Galaxy, Vol. 2 should at least be competitive with Captain America: Civil War, allowing 2017 to win thanks to its superior depth.
April 1st, 2017
March was a month of extremes, led by two strong performances: Beauty and the Beast breaking records and Logan cracking $200 million with ease. There were also two other $100 million hits and another potential $100 million hit that we don’t have significant box office numbers for yet. This is fantastic. On the opposite end, there were three films on last month’s list that didn’t even open truly wide. This month won’t be as lucrative at the top, as The Fate of the Furious is the only film expected to top $100 million. Fortunately, it is expected to open with over $100 million. On the other extreme, there are many, many films on this list that I’m not sure will open wide. Fortunately, last April wasn’t any better. The Jungle Book made nearly $1 billion worldwide, but the other nine films combined made less than half of that. To emphasize: the other nine films that opened last April averaged less than $50 million worldwide each. If The Fate of the Furious can just come close to the previous installment of the franchise, then 2017 has a solid shot at topping 2016.
March 5th, 2017
Moana was the third animated film distributed by Disney this year. All three earned excellent reviews, but Moana was by far the weakest at the box office. Is it also the weakest in terms of quality?
December 8th, 2016
November 1st, 2016
October turned out to be a mixed month. On the one hand, not one movie earned $100 million, or even came close. However, it was also a more steady month than last October and the last two weeks really helped 2016 in the year-over-year comparisons. In November, we have five films with at least a shot at $100 million, three of which should have no trouble getting to at least $200 million. A little while ago, I thought Fantastic Beasts and Where to Find Them would be the biggest hit of the month, but the buzz took a hit recently. More on that below. Meanwhile, Doctor Strange’s reviews are currently 90% positive and that should help it out at the box office. The third very likely $200 million hit is Moana. There is certainly precedent for an animated movie to be a monster hit at this time of year, but there is also a lot of competition. Last November was similar in strength, with five films that earned more than $100 million and two films that earned more than $200 million. None earned more than $300 million, so that’s the goal for this November. If we can get one $300 million and / or three $200 million movies over the month, then it will be seen as a victory.
June 21st, 2016
In our prediction column, I said I wanted the top two films to earn a combined total of $150 million to $170 million. Finding Dory's and Central Intelligence's combined opening weekend was $170.60 million. The overall box office was 53% higher than last weekend at $233 million. However, this was still 6.3% lower than the same weekend last year. Finding Dory did do better than either Jurassic World or Inside Out individually, but couldn't compete with their combined totals. 2016 is still ahead of 2015, but its lead was cut by a third at $150 million or 3.1%. That said, 2016 hit $5 billion a week faster than 2015 did and its lead of $5.06 billion to $4.91 billion is still substantial.
June 19th, 2016
Finding Dory is rewriting the record books this weekend, posting the biggest weekend ever for an animated film. Disney is projecting a total of $136.18 million in its first three days, which will easily break the record of $121.6 million set by Shrek the Third back in 2007. The previous top mark for a Pixar movie was Toy Story 3’s $110.3 million. With an A CinemaScore (for the 17th time straight for Pixar, per Disney), and 95% positive reviews on Rotten Tomatoes, the film should enjoy Pixar’s traditional good legs. In the Summer, that has meant a ratio between opening and final box office of somewhere between 3 and 4, which points towards a final box office somewhere between $400 million and $520 million for the fish pic. By way of comparison Finding Nemo earned $518 million, adjusted for inflation.
June 16th, 2016
This weekend should be the best weekend in June, led by Finding Dory. Finding Dory should easily be the biggest hit of the month, one of the biggest hits of the year, and the fastest opening film in Pixar's history. On the other hand, Central Intelligence is just hoping for a solid second place opening in its role as counter-programming. If it hits $30 million, then the studio will be very happy. This weekend last year, Jurassic World led the way with $106.59 million, while Inside Out opened in second place with $90.44 million. 2016 is going to lose more ground to 2015. I just hope they keep it close. I will be happy if Finding Dory and Central Intelligence earned a combined $150 million to $170 million.
June 14th, 2016
It is a much slower week than it was last time. In fact, the only two reviews this week were for releases that came out last week. That doesn't mean we don't have any good releases and there are a few contenders for Pick of the Week. Of these, Hello, My Name is Doris is the one I'm most interested in buying and the Blu-ray, while not loaded with extras, is the Pick of the Week. I'm also giving an honorary Puck of the Week to Dark Matter: Season 1, which is a Canadian Sci-fi series.
(On a side note, Amazon's list of new releases is a mess with a bunch of Game of Thrones and Star Trek titles, most of which don't even have images. This made sorting through the new releases a lot harder.)
June 1st, 2016
May was great, as long as you don't compare it to last May. Captain America: Civil War was a monster hit and is closing in on $400 million, while both X-Men: Apocalypse and The Angry Birds Movie will earn over $100 million. Looking ahead, every week in June, there is one movie that should top $100 million; however, only Finding Dory is expected to make more than $200 million. In fact, that film is expected to make close to $400 million domestically and over $1 billion worldwide. Last June, there were two monster hits, Inside Out and Jurassic World, plus one $100 million hit, Spy. I don't see how 2016 will top that. Even if every film with a shot at $100 million gets to that milestone, 2016 still might not top last year's pace. Fortunately, 2016 does have a large lead and that could be enough to keep 2016 ahead of 2015's pace in the year-over-year competition. It could be really close at the end of the month, on the other hand.
November 27th, 2015
It's Thanksgiving weekend, which means Black Friday, Cyber Monday, and of course the first installment of our Holiday Gift Guide. This week we will tackle first run releases, as well as franchise box sets. I'm going to try to keep it to a dozen or so releases, as these columns are notorious for getting out of hand. Also, while there were a record number of $1 billion box office hits, there were not as many first run releases that earned stellar reviews this year.
September 13th, 2015
Furious 7 is the latest in the Fast and the Furious franchise. The films started out okay, but critical reception fell quickly. It wasn't until Fast Five when the filmmakers realized they were making, in essence, live-action cartoons that they truly found their voices. This focus helped the box office, so much so that Furious 7 became just the third film to earn more than $1 billion internationally and just the fourth film to earn $1.5 billion worldwide. Is the quality up to the same level as its box office? The odds of that are nearly zero. However, is it at least as entertaining as its box office numbers would indicate?
July 1st, 2015
June was a much better month than expected due to two films, Jurassic World and Inside Out. Had those two films merely matched expectations, then 2015 would have likely fallen behind 2014. As for this coming month, there are five weekends in July and each week there is at least one film with the potential to reach $100 million. Most weeks there are two films that at least have a shot at getting to the century mark. The biggest hit of the month will likely be Minions, which has already opened in several international markets and it's ahead of Despicable Me 2 at the same point. That film made more than $300 million and nearly $1 billion worldwide, so any growth would be fantastic. There are also a number of potential $200 million films, led by Ant-man. Ant-man is the latest release in the Marvel Cinematic Universe, a franchise that has averaged $300 million domestically over eleven films and all of the past six films have reached at least $200 million. I'm not saying this one is guaranteed to do the same, but you can't dismiss that possibility. Mission: Impossible - Rogue Nation and Pixels have smaller chances to get to $200 million, but you have to at least entertain the possibility. Additionally, last July was a lot weaker than this July looks to be, so 2015 should win in the year-over-year comparison most weeks. Or I might have let the box office success of June cloud my judgment. We will soon find out.
June 5th, 2015
There are three wide releases this week, including one that is already in theaters. The biggest of these three releases is Spy, which is the latest film from Melissa McCarthy and Paul Feig. Both of their previous films crossed $100 million with ease. Insidious Chapter 3 is the third film in the Insidious franchise, but most think it won't be the best. Entourage started out ahead of expectations, but its reviews could cause a quick decline. This weekend last year, The Fault in Our Stars opened with nearly $50 million, while Maleficent landed in second place with more than $30 million. I don't think 2015 will be strong on top, but I think it will have better depth.
June 2nd, 2015
The post-holiday weekend was softer than the holiday weekend, which is to be expected. However, thanks to a stronger than predicted opening by San Andreas, it wasn't as bad as it could have been. On the other hand, Aloha was on the low end of expectations. The overall box office fell 9.5% from last weekend to $139 million, which is acceptable. By comparison, the overall box office fell 17% from this weekend last year, as San Andreas couldn't keep up with Maleficent's opening. Year-to-date, 2015 has pulled in $4.20 billion, putting it 1.2% ahead of 2014's pace of $4.15 million. 2015 is coming dangerously close to losing its lead over last year.
May 31st, 2015
In a Summer already littered with franchise films, it’s good to see something original top the charts, even if it is something as rote as a disaster movie based on an earthquake in California. The $53.2 million projected opening for San Andreas is something of a triumph for Dwayne Johnson, who carries the film as its sole lead, unlike his contributions to the Furious 7 ensemble. With only the domestic opening numbers in, Johnson has already moved up to third on our top current stars list, and will most likely pass Vin Diesel for second place before San Andreas’ run is over.
May 28th, 2015
The weekend after a holiday is usually a bad weekend at the box office. This time around, San Andreas is the clear front-runner while Aloha might struggle, even as counter-programming. San Andreas will earn more than $30 million over the weekend, no other film is on track to hitting $20 million. On the other hand, there could be six other films that earn $10 million or more over the weekend. By comparison, this weekend last year, Maleficent opened with nearly $70 million, while X-Men: Days of Future Past earned more than $30 million. There's no way the top of the chart will match that. Even with better depth, it is very unlikely 2015 will win in the year-over-year comparison.
May 1st, 2015
April is over and there was good news and bad news. Good news: Furious 7 crushed the competition, and broke records along the way. Bad news: Furious 7 crushed the competition and no other April release will earn as much in total as Furious 7 earned during its opening day. Fortunately, Furious 7 was so strong that it carried April of 2015 to a draw when compared to April of 2014. May has a lot of similarities to April. The Avengers: Age of Ultron is expected to break records during its opening weekend and even the low end has it earning more than $1 billion worldwide. Unfortunately, no other film is going to come close to that figure. There are five other films with a potential to reach $100 million at the box office. The keyword there is "potential". There's a chance less than half of those five films will get to that milestone. And like last April, last May had much better depth with five films that reached $100 million, including four that surpassed $200 million. Age of Ultron will earn more than the combined totals of Maleficent, last month's winner, and X-Men: Days of Future Past, which placed second for the month. I am a little concerned about the lack of depth this month and this could cause May to lose in the month-over-month comparison in the end.
March 5th, 2015
November 5th, 2014
Christmas shopping season is definitely here. This week there is a flood of Christmas releases, as well as full-series TV on DVD Megasets. On the other hand, there isn't a flood of contenders for Pick of the Week. The biggest release of the week is Maleficent and I really liked the movie more than the average critic, but I don't think the DVD or Blu-ray Combo Pack is Pick of the Week material. A Most Wanted Man is a better movie, but the DVD or Blu-ray release is weak. The same is true of Land Ho! on Blu-ray Combo Pack and The One I Love on DVD or Blu-ray. I haven't seen White Collar: Season 5 yet, but given the previous seasons, the DVD is Pick of the Week contender. I'm going with that selection and hopefully when the DVD arrives I won't regret that decision.
July 25th, 2014
There are a trio of wide releases coming out this week, sort of. The first of these, if we go alphabetically is And So It Goes, but it is only opening in 1,762 theaters, which is not quite enough to be wide and likely not enough to reach the top five. Hercules and Lucy are both opening truly wide and both are earning reviews that are currently in the overall positive level. (Although it is close enough that it might change.) Lucy will very likely come out on top, while Hercules should earn second place. There's one more film of note, The Fluffy Movie, which is opening in 400 theaters and has a slim chance at making the top ten. This weekend last year saw the release of The Wolverine, which opened with $53.11 million. There's a chance the top two films won't make that much this year. In other words, 2014 is going to lose in the year-over-year comparison yet again.
July 1st, 2014
Overall, June was not good. Most films matched expectations, or came close enough that there weren't major disappointments. However, it looks like How to Train Your Dragon 2 will miss expectations by more than $100 million. This was such a massive amount that 2014 lost its lead over 2013 and not even Transformers: Age of Extinction's $100 million opening was able to turn things around. Looking forward to July, there's not a lot of good news. Dawn of the Planet of the Apes might be the only film coming out during July that will reach the $100 million milestone, but on the high end, it might reach the $200 million mark. There are a few others that have a shot, but are not favored to reach the century mark. On the other hand, there are more films that may or may not open / expand wide and even if they do, they will likely have no real impact at the box office. By comparison, last July, Despicable Me 2 was the top draw and finished with more than $350 million. There were also four other films that surpassed $100 million at the box office. It seems practically impossible for 2014 to match those numbers and will likely finish the month behind last year's pace. Overall, 2014 isn't doing poorly, but the summer has been much weaker than the spring was, so we've gone from potential record breaking year to merely average.
December 21st, 2013
PANIC! If you haven't finished your Christmas shopping yet, it is officially time to panic. Personally, I got the last of my shopping done on Wednesday, although I don't think the gift will arrive in time for Christmas. For those still looking for a last minute gift, Part IV of our Holiday Gift Guide focuses on books, CDs, and of course anything else I missed the first time around, beginning with...
December 10th, 2013
As a franchise, Fast and the Furious appeared burnt out in 2009. Tokyo Drift bombed failing to match its production budget domestically and likely losing a ton worldwide. Fast and Furious saw the return of the original cast, which helped it return to previous heights in terms of box office dollars, but critics eviscerated it. Then, defying logic, Fast Five became the biggest hit in the franchise and earned the most critical praise. Can Fast and Furious 6 maintain this momentum? Or was Fast Five just a fluke?
June 12th, 2013
Another typical summer week on the home market. There are a few first-run releases, but nothing that is a blockbuster. There are more TV on DVD releases, including a couple that were contenders for Pick of the Week. This includes Burn Notice: Season Six, but the screener is late, so I'm holding off. Enter the Dragon gets an Anniversary Edition Blu-ray and it is a contender. However, in the end I went with The Newsroom: The Complete First Season on Blu-ray Combo Pack.
June 9th, 2013
Snitch opened in late February, which is not a great time of year to release a major hit. It is not a complete dumping ground like January or September, but most films released during this month will be lucky just to become a midlevel hit. Snitch topped admittedly low expectations becoming a middling hit. A final box office of $43 million isn't bad for that time of year. Does this also describe its quality. Is it not bad, for a February release? Or is it better than its box office numbers would indicate?
May 1st, 2013
As April ends and summer begins, we see the 2013 box office on a losing streak. There is some good news, as May should be much, much, much better than April was. Much better. During the five weekends in May, there are nine films opening wide. Of those film, there are seven that at least have a shot at $100 million. And of those seven films, four at least have a shot at $200 million, two have a shot at $300 million, and we might even have a $400 million hit this month. Iron Man 3 should turn out to be the biggest hit of the month, while there are some who think Star Trek: Into Darkness could be a close competitor for that honor. There's also some bad news. The Avengers opened last May and earned more than $600 million. No film opening this month will come close to that figure. There's a chance the top two films opening this month won't match that combined. On the other hand, last year there was a huge drop-off from the biggest hit of the month to the second biggest hit of the month. There were so many high-profile failures last year, that 2013 might actually start winning some weekends in the year-over-year comparison.
April 25th, 2013
It is the final weekend before the Summer blockbuster season, which means the new releases this weekend are not prime releases. Pain and Gain at least has a shot at first place. Most think The Big Wedding won't crack $10 million during the weekend. The only good news is that last year was also a bad week at the box office. The biggest new release was The Pirates! Band of Misfits, which had to settle for second place with just $11.14 million, while Think Like a Man remained in first place with $17.60 million. I think 2013's one-two-punch will top 2012's one-two punch. However, last year had better depth and 2013 will again lose in the year-over-year comparison.
April 1st, 2013
March is over and while it is a little too soon to tell where a few films will end their box office runs, it is clear Oz The Great and Powerful won the month. Some films beat expectations to become midlevel hits, like The Call, but it wasn't a great month at the box office, especially compared to last year. This month, there are only seven wide releases spread over four weeks. Only one of those films, Oblivion, has a shot at being anything more than a midlevel hit. None of the other six releases look like they will come close to $100 million, but none of them look like obvious bombs either. (Although I do have my worries when it comes to Scary Movie 5.) Last April was even weaker with no film earning $100 million, although Think Like a Man did come relatively close. We might actually see growth on the year-over-year comparison. We'd better, because 2013 is behind 2012's pace by a huge margin at the moment and things will get worse when May arrives.
March 1st, 2013
February is over, and for the most part, we should be very happy it is done and buried. The biggest hit of the month turned out to be Identity Thief, which will cross $100 million shortly. There were also a couple of impressive midlevel hits, like Warm Bodies and Escape from Planet Earth, but for the most part, it was miss after miss. This is bad news for March, which is not only dealing with a slumping 2013 box office, but will be compared with a strong March of 2012. Last March started with The Lorax, which earned more than $200 million. There's a good chance no March release this year will reach this milestone. Last March was also the month The Hunger Games opened, which earned more than $400 million. There's a chance the top three films opening this month won't earn that much combined. 2013 is going to take a beating in the year-over-year comparison and it is already $100 million behind last year's pace.
February 21st, 2013
There are just two wide releases coming out this week, Snitch and Dark Skies. Most analysts think Snitch is the stronger of the two films, but most also think Identity Thief will return to top spot. Looking at all of the evidence, it certainly seems that way. Unless one of the new releases is a truly big surprise, it looks like we won't keep pace with last year again this weekend. 2013 needed to get off to a really fast start, because there's no film that's going to match The Hunger Games, and once we are dealing with that film in the year-over-year comparison, 2013 might be sunk for good.
February 1st, 2013
For the most part, January was a really good month and 2013 got off to a really good start. I'm not so sure about February, on the other hand. There's only one film that has a statistically significant shot at $100 million, A Good Day to Die Hard, but I'm a little concerned that it won't live up to expectations. The franchise has been around a long time and it is possible that the target audience has either moved on or are too young to remember when these films were huge at the box office. The film I'm most looking forward to seeing is Warm Bodies, which is earning amazing early reviews (the keyword there is "early"), but it is too high-concept to be a major hit. Last February, there were a couple of films that topped $100 million, plus a few other midlevel hits. I would like to think that would also be the case this year, but I have to be more cautious than that. The evidence points to a weak month ahead, for the most part.
|12/31/2017||Big Trouble in Little China||$0||$0||$0|
|12/22/2017||Jumanji: Welcome to the Jungle||Dr. Smolder Bravestone||$0||$0||$0|
|4/14/2017||The Fate of the Furious||Hobbs||$225,220,660||$1,013,000,000||$1,238,220,660|
|6/17/2016||Central Intelligence||Bob Stone||$127,440,871||$89,755,940||$217,196,811|
|10/23/2015||Jem and the Holograms||Himself||$2,184,640||$184,297||$2,368,937|
|5/24/2013||Fast and Furious 6||Hobbs||$238,679,850||$550,620,594||$789,300,444|
|4/26/2013||Pain & Gain||Paul Doyle||$49,875,291||$31,400,000||$81,275,291|
|3/27/2013||G.I. Joe: Retaliation||Roadblock||$122,523,060||$253,217,645||$375,740,705|
|2/10/2012||Journey 2: The Mysterious Island||Hank||$103,860,290||$214,285,872||$318,146,162|
|8/6/2010||The Other Guys||Chistopher Danson||$119,219,978||$51,716,492||$170,936,470|
|4/2/2010||Why Did I Get Married Too?||Daniel Franklin||$60,095,852||$735,215||$60,831,067|
|1/22/2010||The Tooth Fairy||Derek Thompson / Tooth Fairy||$60,022,256||$52,588,130||$112,610,386|
|8/7/2009||G.I. Joe: The Rise of Cobra||Hector 'Shipwreck' Delgado||$150,201,498||$152,267,519||$302,469,017|
|3/13/2009||Race to Witch Mountain||Jack Bruno||$67,172,594||$37,931,189||$105,103,783|
|6/20/2008||Get Smart||Agent 23||$130,319,208||$96,420,208||$226,739,416|
|11/14/2007||Southland Tales||Boxer Santaros/Jericho Kane||$275,380||$89,227||$364,607|
|9/22/2007||The Game Plan||Joe Kingman||$90,648,202||$55,942,785||$146,590,987|
|2/23/2007||Reno 911!: Miami||Agent Rick Smith||$20,342,161||$1,509,201||$21,851,362|
|9/15/2006||Gridiron Gang||Coach Sean Porter||$38,432,823||$3,025,011||$41,457,834|
|3/4/2005||Be Cool||Elliot Wilhelm||$55,849,401||$39,094,616||$94,944,017|
|4/2/2004||Walking Tall||Chris Vaughn||$46,213,824||$1,100,000||$47,313,824|
|4/19/2002||The Scorpion King||Mathayus (The Scorpion King)||$90,580,000||$75,310,634||$165,890,634|
|5/4/2001||The Mummy Returns||The Scorpion King||$202,007,640||$233,032,755||$435,040,395|
|12/31/2017||Alpha Squad Seven||Producer||$0||$0||$0|
|12/31/2017||Big Trouble in Little China||Producer||$0||$0||$0|
|12/22/2017||Jumanji: Welcome to the Jungle||Producer||$0||$0||$0|
|2/10/2012||Journey 2: The Mysterious Island||Co-Producer||$103,860,290||$214,285,872||$318,146,162|