The End of Love (2013)

The End of Love poster
Theatrical Performance
Domestic Box Office $9,342Details
Further financial details...

Synopsis

When the mother of his two-year-old son Isaac suddenly passes away, struggling actor Mark is forced to grapple with his ability to grow up. As he kindles a relationship with a young single mother, he begins to realize that he can no longer remain in denial about the real-life consequences his choices have on Isaac. Set against the backdrop of Los Angeles, The End of Love is an intimate and stunningly honest portrait of a young father in transition between the life he’s been working for and the one that’s waiting for him.

Metrics

Opening Weekend:$1,955 (20.9% of total gross)
Legs:2.60 (domestic box office/biggest weekend)
Domestic Share:100.0% (domestic box office/worldwide)
Theater counts:2 opening theaters/3 max. theaters, 2.3 weeks average run per theater
Infl. Adj. Dom. BO $12,386

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 16,601-16,700) 16,639 $9,342
All Time Worldwide Box Office (Rank 33,101-33,200) 33,173 $9,342
All Time Domestic Highest Grossing Limited Release Movies (Rank 7,901-8,000) 7,907 $9,342

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Domestic Releases: March 1st, 2013 (Limited) by Variance Films
MPAA Rating: Not Rated
Running Time: 90 minutes
Comparisons: Create your own comparison chart…
Keywords: Screenplay Written By the Star, Directing Yourself, Young Child Dealing with the Death of a Parent, Unexpected Families, Performing Arts, Delayed Adulthood, Relatives Playing Relatives
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Here Now, Poor Rich Kids
Production Countries: United States
Languages: English

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Mar 1, 2013 86 $1,955   2 $978   $1,955 1
Mar 15, 2013 87 $3,595   3 $1,198   $6,747 3
Mar 22, 2013 111 $376 -90% 1 $376   $7,963 4
Mar 29, 2013 121 $171 -55% 1 $171   $8,326 5

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Mar 1, 2013 84 $3,152   2 $1,576   $3,152 1
Mar 15, 2013 89 $4,059   3 $1,353   $7,211 3
Mar 22, 2013 112 $944 -77% 1 $944   $8,155 4
Mar 29, 2013 122 $264 -72% 1 $264   $8,419 5
May 3, 2013 125 $40   1 $40   $9,342 10

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Isaac Love    Isaac
Mark Webber    Mark

Supporting Cast

Shannyn Sossamon    Lydia
Jason Ritter    Jason
Amanda Seyfried    Amanda
Michael Cera    Michael
Jocelin Donahue    Jocelin
Frankie Shaw    Evelyn
Aubrey Plaza    Aubrey
Michael Angarano    Himself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Mark Webber    Director
Mark Webber    Screenwriter
Mark Webber    Producer
Liz Destro    Producer
Matt Sprague    Producer
Mollie Engelhart    Executive Producer
Rep. Tim Ryan    Executive Producer
Michael Hersey    Production Designer
Sven Pape    Editor
Patrice Cochet    Director of Photography
Alexi Gomez    Art Director
Negar Ali Kline    Costume Designer
Robin Weckerly    Production Coordinator
Jonathan Lachman    Associate Producer
Max Barton    Associate Producer
Robin Weckerly    Associate Producer
Daniel McGilvray    Co-Producer
Kelly Wagner    Casting Director
Dominika Posseren    Casting Director

Per Theater Chart: Getting Stoked

March 5th, 2013

There was only one film able to top $10,000 on the per theater chart, as Stoker earned an average of $22,935 in seven theaters. Its reviews were only good and not great, so I'm not sure how well it will do next week. More...

Limited Releases: Stoked for Limited Releases

March 1st, 2013

It is a busy week with a dozen films on this week's list. However, most of them are earning reviews that are decidedly mixed. There are a couple great films, including War Witch. There are some earning a lot of buzz, even if their reviews are only good or mixed. Of these, Stoker appears to have the best box office potential. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

When the mother of his two-year-old son Isaac suddenly passes away, struggling actor Mark is forced to grapple with his ability to grow up. As he kindles a relationship with a young single mother, he begins to realize that he can no longer remain in denial about the real-life consequences his choices have on Isaac. Set against the backdrop of Los Angeles, The End of Love is an intimate and stunningly honest portrait of a young father in transition between the life he’s been working for and the one that’s waiting for him.

Metrics

Opening Weekend:$1,955 (20.9% of total gross)
Legs:2.60 (domestic box office/biggest weekend)
Domestic Share:100.0% (domestic box office/worldwide)
Theater counts:2 opening theaters/3 max. theaters, 2.3 weeks average run per theater
Infl. Adj. Dom. BO $12,386

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 16,601-16,700) 16,639 $9,342
All Time Worldwide Box Office (Rank 33,101-33,200) 33,173 $9,342
All Time Domestic Highest Grossing Limited Release Movies (Rank 7,901-8,000) 7,907 $9,342

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Domestic Releases: March 1st, 2013 (Limited) by Variance Films
MPAA Rating: Not Rated
Running Time: 90 minutes
Comparisons: Create your own comparison chart…
Keywords: Screenplay Written By the Star, Directing Yourself, Young Child Dealing with the Death of a Parent, Unexpected Families, Performing Arts, Delayed Adulthood, Relatives Playing Relatives
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Here Now, Poor Rich Kids
Production Countries: United States
Languages: English

Leading Cast

Isaac Love    Isaac
Mark Webber    Mark

Supporting Cast

Shannyn Sossamon    Lydia
Jason Ritter    Jason
Amanda Seyfried    Amanda
Michael Cera    Michael
Jocelin Donahue    Jocelin
Frankie Shaw    Evelyn
Aubrey Plaza    Aubrey
Michael Angarano    Himself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Mark Webber    Director
Mark Webber    Screenwriter
Mark Webber    Producer
Liz Destro    Producer
Matt Sprague    Producer
Mollie Engelhart    Executive Producer
Rep. Tim Ryan    Executive Producer
Michael Hersey    Production Designer
Sven Pape    Editor
Patrice Cochet    Director of Photography
Alexi Gomez    Art Director
Negar Ali Kline    Costume Designer
Robin Weckerly    Production Coordinator
Jonathan Lachman    Associate Producer
Max Barton    Associate Producer
Robin Weckerly    Associate Producer
Daniel McGilvray    Co-Producer
Kelly Wagner    Casting Director
Dominika Posseren    Casting Director

Per Theater Chart: Getting Stoked

March 5th, 2013

There was only one film able to top $10,000 on the per theater chart, as Stoker earned an average of $22,935 in seven theaters. Its reviews were only good and not great, so I'm not sure how well it will do next week. More...

Limited Releases: Stoked for Limited Releases

March 1st, 2013

It is a busy week with a dozen films on this week's list. However, most of them are earning reviews that are decidedly mixed. There are a couple great films, including War Witch. There are some earning a lot of buzz, even if their reviews are only good or mixed. Of these, Stoker appears to have the best box office potential. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Mar 1, 2013 86 $1,955   2 $978   $1,955 1
Mar 15, 2013 87 $3,595   3 $1,198   $6,747 3
Mar 22, 2013 111 $376 -90% 1 $376   $7,963 4
Mar 29, 2013 121 $171 -55% 1 $171   $8,326 5

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Mar 1, 2013 84 $3,152   2 $1,576   $3,152 1
Mar 15, 2013 89 $4,059   3 $1,353   $7,211 3
Mar 22, 2013 112 $944 -77% 1 $944   $8,155 4
Mar 29, 2013 122 $264 -72% 1 $264   $8,419 5
May 3, 2013 125 $40   1 $40   $9,342 10

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.