|As an Actor||Supporting||6||$207,301,526||$292,038,387||$499,339,913|
|Lead Ensemble Member||5||$342,491,789||$700,157,464||$1,042,649,253|
|Best known as a Supporting Actress based on credits in that role in 6 films, with $499,339,913 worldwide aggregate box office (rank #5,258)|
|Best-Known Acting Roles: Cosette (Les Miserables), M.K. (Epic), Sophie Sheridan (Mamma Mia!), Samantha (Ted 2), Savannah Curtis (Dear John)|
|Most productive collaborators: Hugh Jackman, Angela Morrison, Andrew Niccol, Russell Crowe, Liza Chasin|
October 1st, 2015
September ended on a record note with the debut of Hotel Transylvania 2. Additionally, there was great depth and 2015's lead over 2014 grew to nearly $500 million. How do things look going forward? The month starts out with The Martian, which should have no trouble becoming the biggest hit of the month and might even top $200 million. On the other hand, no other film is expected to get to $100 million. There's only one or two that will even come close. Fortunately, last October was very similar with one $100 million hit, Gone Girl, while two other films came close, Annabelle and Fury. It looks like it will be up to the depth films from both years to determine which year comes out on top.
June 29th, 2015
While We're Young is the latest film from writer / director Noah Baumbach. He has a great streak going by his Tomatometer Scores and this film earned 84% positive reviews. However, the audience score is only 58% positive. That dichotomy is a bit troubling. Is this film designed to wow critics, but will leave the average moviegoer cold?
October 4th, 2014
Seth MacFarlane wrote and directed Ted, a movie about a talking Teddy bear that earned more than half a billion dollars worldwide. For his next film, he was given free rein. He decided to make A Million Ways to Die in The West, which made less than $100 million worldwide. Did this film struggle at the box office because it is a bad movie? Or is it just too much of a Seth MacFarlane movie? Is it only for his hardcore fans?
November 3rd, 2013
When Lovelace was first announced, there was a lot of good buzz surrounding it. The film is a biopic of Linda Lovelace, arguably the first porn star that had mainstream name recognition. However, when it finally hit theaters, the critical response was mixed and it failed to find an audience in theaters. Is it busted Oscar bait? Or does it deserve a second chance to find an audience?
September 1st, 2013
Epic was the first big digitally animated film of the summer, but it wasn't able to become a monster hit. In fact, it will need a bit of help on the home market to break even. Will it get that help? Or is it just a middling family film destined to be forgotten?
August 9th, 2013
It is not a good week for limited releases with a couple of higher profile releases failing to win over critics. Lovelace had been earning a lot of buzz before its release, but the reviews suggest it won't be able to capitalize on this buzz. On the other hand, In a World is earning surprisingly strong reviews and it does have a lot of name recognition in the cast, so hopefully it will thrive.
May 1st, 2013
As April ends and summer begins, we see the 2013 box office on a losing streak. There is some good news, as May should be much, much, much better than April was. Much better. During the five weekends in May, there are nine films opening wide. Of those film, there are seven that at least have a shot at $100 million. And of those seven films, four at least have a shot at $200 million, two have a shot at $300 million, and we might even have a $400 million hit this month. Iron Man 3 should turn out to be the biggest hit of the month, while there are some who think Star Trek: Into Darkness could be a close competitor for that honor. There's also some bad news. The Avengers opened last May and earned more than $600 million. No film opening this month will come close to that figure. There's a chance the top two films opening this month won't match that combined. On the other hand, last year there was a huge drop-off from the biggest hit of the month to the second biggest hit of the month. There were so many high-profile failures last year, that 2013 might actually start winning some weekends in the year-over-year comparison.
April 1st, 2013
March is over and while it is a little too soon to tell where a few films will end their box office runs, it is clear Oz The Great and Powerful won the month. Some films beat expectations to become midlevel hits, like The Call, but it wasn't a great month at the box office, especially compared to last year. This month, there are only seven wide releases spread over four weeks. Only one of those films, Oblivion, has a shot at being anything more than a midlevel hit. None of the other six releases look like they will come close to $100 million, but none of them look like obvious bombs either. (Although I do have my worries when it comes to Scary Movie 5.) Last April was even weaker with no film earning $100 million, although Think Like a Man did come relatively close. We might actually see growth on the year-over-year comparison. We'd better, because 2013 is behind 2012's pace by a huge margin at the moment and things will get worse when May arrives.
December 1st, 2012
November was a strong month and left 2012 with a very easy path to a new all time record. There was only one major miss the entire month, Rise of the Guardians, while The Silver Linings Playbook was pulled from wide release at the last minute, so it is a little hard to judge its box office performance. On the positive side, Skyfall might top original expectations by $100 million. All this December has to do is maintain pace with last December to ensure 2012 sets the new record. I would like to say that will be easy to do, but I really don't know. Last year, there was only one $200 million hit, Mission: Impossible - Ghost Protocol, plus a few others that reached $100 million, so the bar isn't set too high. This year, The Hobbit: An Unexpected Journey is expected to at least come close to $300 million. Some think it will earn more than $400 million. However, it could also be the last film to make $100 million till February. December is normally a very good month to release a film, but the release schedule is so messed up that it makes it very hard to predict what will happen. There appears to be just ten films opening truly wide this month (I'm getting mixed signals on a few of them). That's a really light schedule for a month and a light schedule tends to help maximize the box office potential for individual films. However, eight of these films open wide within a seven-day period. That's insane. There's no way all of those films will find an audience and there's a chance that due to the competition, none of them will. Let's hope the situation isn't as bad as that, but there are some serious reasons to be concerned for most new releases coming out this month.
|12/31/2016||The Last Word||$0||$0||$0|
|7/8/2016||Fathers and Daughters||$0||$5,105,297||$5,105,297|
|11/13/2015||Love the Coopers||Ruby||$26,302,731||$15,864,555||$42,167,286|
|3/27/2015||While We're Young||Darby||$7,582,065||$5,841,111||$13,423,176|
|5/30/2014||A Million Ways to Die in The West||Louise||$42,720,965||$44,040,030||$86,760,995|
|3/14/2014||Veronica Mars||Lilly Kane||$3,322,127||$163,256||$3,485,383|
|4/26/2013||The Big Wedding||Missy||$21,819,348||$26,606,623||$48,425,971|
|3/1/2013||The End of Love||Amanda||$9,342||$0||$9,342|
|10/28/2011||In Time||Sylvia Weis||$37,553,932||$127,550,020||$165,103,952|
|3/11/2011||Red Riding Hood||Valerie||$37,662,162||$54,016,280||$91,678,442|
|5/14/2010||Letters to Juliet||$53,032,453||$29,116,085||$82,148,538|
|2/5/2010||Dear John||Savannah Curtis||$80,014,842||$62,018,667||$142,033,509|
|7/18/2008||Mamma Mia!||Sophie Sheridan||$144,130,063||$458,370,497||$602,500,560|