THE SECOND MOTHER centers around Val, a hard-working live-in housekeeper in modern day Sao Paulo. Val is perfectly content to take care of every one of her wealthy employers' needs, from cooking and cleaning to being a surrogate mother to their teenage son, who she has raised since he was a toddler. But when Val's estranged daughter Jessica suddenly shows up the unspoken but intrinsic class barriers that exist within the home are thrown into disarray. Jessica is smart, confident, and ambitious, and refuses to accept the upstairs/downstairs dynamic, testing relationships and loyalties and forcing everyone to reconsider what family really means.
Latest Ranking on Cumulative Box Office Lists
|All Time Domestic Box Office (Rank 9,001-9,100)
|All Time International Box Office (Rank 4,801-4,900)
|All Time Worldwide Box Office (Rank 8,301-8,400)
|All Time Domestic Highest Grossing Limited Release Movies (Rank 2,401-2,500)
|All Time Domestic Box Office for R Movies (Rank 2,901-3,000)
|All Time International Box Office for R Movies (Rank 1,401-1,500)
|All Time Worldwide Box Office for R Movies (Rank 2,401-2,500)
See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.
||August 28th, 2015 (Limited) by Oscilloscope Pictures, released as The Second Mother|
||June 4th, 2015 (Wide) (Italy)
June 26th, 2015 (Wide) (Spain)
August 20th, 2015 (Wide) (Germany)
August 27th, 2015 (Wide) (Brazil)
September 4th, 2015 (Wide) (Austria)
... Show all releases
||January 12th, 2016 by Oscilloscope Video, released as The Second Mother|
||R for some language and brief drug use.|
(Rating bulletin 2370, 4/21/2015)
||vs. Akeelah and the Bee|
Create your own comparison chart…
||Upstairs / Downstairs, Class Warfare, Brazil, Sao Paulo, Brazil, Dysfunctional Family|
|Production Method:||Live Action|
|Creative Type:||Contemporary Fiction|
||Oscilloscope Laboratories, Gullane, Africa Filmes, Globo Filmes|
January 12th, 2016
It is a busy week for first run releases with four of them on this week's list. Of these, The Martian is the biggest and the best. It would have been the Pick of the Week except for two things. One, the screener is late. Two, David Bowie passed away over the weekend. He died after an 18-month battle with cancer and just two days after his last album came out. This is the the most poignant Rock'n'Roll death since Freddie Mercury and it seems fitting to give Blackstar the title of Pick of the Week.
September 2nd, 2015
Grandma remained on top of the per theater chart, which is impressive in its own right. While it is not uncommon for a movie to repeat on top of the overall box office, doing so on the per theater chart is a lot rarer. This is because the films most likely to win on the per theater chart are limited releases and if they do well enough to win, they tend to expand the following week. This is what happened with Grandma, which saw its theater count rise from 4 to 19, but its per theater average was still top at $15,330. The only other film in the $10,000 club was War Room, which earned an average of $10,001. That's cutting it really close.
August 30th, 2015
Straight Outta Compton will win a third weekend at the box office, according to studio estimates released on Sunday, but it won’t be without a struggle. The biopic lost on Friday to War Room, a faith-based film that opened in just 1,135 theaters, and the weekend race will finish with just a couple of million dollars between the two films, with Compton’s $13.2 million edging out War Room’s $11 million. Compton now has $134 million in the bank, making it the fifth-highest-grossing biographical film after American Sniper ($350 million), Lincoln ($182 million), A Beautiful Mind ($170 million), and Catch Me if You Can ($165 million). If you’re playing the Oscars game at home already, it’s worth noting that three of the four films above it received Best Picture nominations (Catch Me if You Can being the odd-one-out).
August 28th, 2015
There are practically no films on this week's list that I think have a shot at box office success. That's not to say there are no films earning great reviews, but all of them have something that will hold them back. Most of the time, it's a simultaneous Video on Demand run. This includes Turbo Kid (Video on Demand); Z for Zachariah (Video on Demand); and Queen of Earth (Video on Demand). All could find audiences, but they will find them on the home market.
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