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T2: Trainspotting (2017)

T2: Trainspotting
Theatrical Performance
Domestic Box Office $613,274Details
International Box Office $34,848,608Details
Worldwide Box Office $35,461,882
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

First there was an opportunity…then there was a betrayal. Twenty years have gone by. Much has changed but just as much remains the same. Mark Renton returns to the only place he can ever call home. They are waiting for him: Spud, Sick Boy, and Begbie. Other old friends are waiting too: sorrow, loss, joy, vengeance, hatred, friendship, love, longing, fear, regret, diamorphine, self-destruction and mortal danger, they are all lined up to welcome him, ready to join the dance.

Metrics

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office 8,343 $613,274
All Time International Box Office 1,852 $34,848,608
All Time Worldwide Box Office 3,057 $35,461,882
All Time Domestic Highest Grossing Limited Release Movies 1,947 $613,274
All Time Domestic Box Office for R Movies 2,724 $613,274
All Time International Box Office for R Movies 542 $34,848,608
All Time Worldwide Box Office for R Movies 963 $35,461,882

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Production Budget:$18,000,000
Domestic Releases: March 17th, 2017 (Limited) by Sony Pictures
International Releases: January 27th, 2017 (Wide) (United Kingdom)
February 16th, 2017 (Wide) (Czech Republic)
February 16th, 2017 (Wide) (Netherlands)
February 16th, 2017 (Wide) (Serbia and Montenegro)
February 16th, 2017 (Wide) (Slovakia)
... Show all releases
MPAA Rating: R for drug use, language throughout, strong sexual content, graphic nudity and some violence.
(Rating bulletin 2459 (Cert #50338), 1/18/2017)
Running Time: 117 minutes
Franchise: Trainspotting
Comparisons: vs. Trainspotting
Create your own comparison chart…
Keywords: Delayed Sequel, Prison Break, Narcotics, Scotland, Non-Chronological, Suicide, Same Role, Multiple Actors, Revenge
Source:Based on Fiction Book/Short Story
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production Companies: Decibel Films, Cloud Eight , Tri-Star Pictures, Film4, Creative Scotland, DNA Films
Production Countries: United Kingdom

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Biggest Domestic 2nd Weekend 4,812 $380,000 Mar 24, 2017 10
Biggest 2nd Weekend Limited Release 545 $380,000 Mar 24, 2017 10
Theater Average 2nd Weekend Limited Release 997 $6,441 Mar 24, 2017 10
Biggest Domestic Opening Weekend 5,675 $170,575 Mar 17, 2017 3
Biggest Opening Weekend Limited Release 1,015 $170,575 Mar 17, 2017 3
Theater Average Opening Weekend Limited Release 147 $34,115 Mar 17, 2017 3
Theater Average Limited Release 175 $34,115 Mar 17, 2017 3
Top 2017 Theater Average Limited Release 2 $34,115 Mar 17, 2017 3
Never Wide Domestic 2,417 $613,274 Mar 17, 2017 0
Never No. 1 Domestic 5,940 $613,274 Mar 17, 2017 0
Widest Expansion Limited Release 1,095 54 Mar 17, 2017 0

Cast

   Renton
   Spud
   Simon
   Begbie
Kelly MacDonald    Diane
Shirley Henderson    Gail
James Cosmo    Renton’s Father
Anjela Nedyalkova    Veronika
Logan Gillies    Simon (aged 9)
Ben Skelton    Renton (aged 9)
Aiden Haggarty    Spud (aged 9)
Daniel Smith    Begbie (aged 9)
Elijah Wolf    Tommy (aged 9)
Steven Robertson    Stoddart
John Kazek    Tom (Rehab Group)
Charlie Hardie    Fergus (aged 9)
Scott Aitken    Farmer
Gordon Kennedy    Tulloch
Tereza Duskova    Tourism Girl
Elek Kish    Dozo
Lewis Gribben    Dealer
Dominic Maccoll    Dealer
Calum Verrecchia    Dealer
Simon Weir    Jailhouse
Bradley Welsh    Doyle
Katie Leung    Nurse
Thierry Mabonga    Security Officer Wilson
Atta Yaqub    Medical Student
Christopher Douglas    Chris the Oracle
Pauline Turner    June
Scot Greenan    Frank Junior
James McElvar    Simon (aged 20)
Connor McIndoe    Renton (aged 20)
Bryan Quinn    Man in Music Video
Irvine Welsh    Mickey Forrester
Ged Hanley    Social Club Band
Neil Thomson    Social Club Band
Margaret Davies    Social Club Singer
Alex Jackson    Social Club Singer
Tom Urie    Big Bear
Phil Coppola    Boxing Instructor
John Bell    Spud (aged 20)
Kyle Fitzpatrick    Fergus
Eileen Nicholas    Renton’s Mother
Michael Shaw    Tommy (aged 20)
Kevin McKidd    Tommy
Lauren Lamb    Baby Dawn
Devon Lamb    Baby Dawn
Amy Manson    Woman in Club
Russell Dunsmore    Hard Guy Driver
Nebli Basani    Hardman
Edyta Szewczyk    Girl in Sauna
Fiori Miari    Girls in Sauna
Pauline Lynch    Lizzy
Christopher Mullen    Begbie (aged 20)
Hamish Haggerty    Young Renton
Daniel Jackson    Young Begbie
Svetlana Yancheva    Veronika’s Mother
Emil Bonev    Veronika’s Son

Production and Technical Credits

Director   
Screenwriter    John Hodge
Based on the boonks ‘Porno’ and ‘Trainspotting’ by    Irvine Welsh
Producer    Andrew MacDonald
Producer    Danny Boyle
Producer    Christian Colson
Producer    Bernard Bellew
Executive Producer    Allon Reich
Executive Producer    Irvine Welsh
Director of Photography    Anthony Dod Mantle
Production Designer    Mark Tildesley
Production Designer    Patrick Rolfe
Editor    Jon Harris
Composer    Rick Smith (Composer-Underworld)
Costume Designer    Rachael Fleming
Costume Designer    Steven Noble
Make-up and Hair Designer    Ivana Primorac
Visual Effects Supervisor    Adam Gascoyne
Sound Designer    Glenn Freemantle
Sound Mixer    Colin Nicolson
Casting Director    Gail Stevens
Stunt Coordinator    Julian Spencer
Production Manager    Claire Campbell
First Assistant Director    David Gilchrist
Set Decorator    Veronique Melery
Post-Production Supervisor    Clare St. John
Art Director    Adam Squires
Art Director    Chris Wyatt
Second Unit Director    Gerry Fraser
Production Manager    Samar Pollitt
First Assistant Director    Zoe Liang
First Assistant Director    Harry Boyd
Second Assistant Director    Michael Queen
Script Supervisor    Sylvia Parker
First Assistant Editor    Tamsin Jeffrey
Second Assistant Editor    Ruth Antoine
Location Manager    Lloret Dunn
Costume Supervisor    Harriet Edmonds
Special Effects Supervisor    Mike Kelt
Special Effects Coordinator    Joanna Dewar
Casting Associate    Rebecca Farhall
Casting Assistant    Clare Gordon
Supervising Sound Editor    Glenn Freemantle
Supervising Dialogue Editor    Gillian Dodders
Sound Effects Editor    Danny Freemantle
Sound Effects Editor    Rob Malone
Dialogue Editor    James Wichall
Dialogue Editor    Emilie O'Connor
Re-recording Mixer    Niv Adiri
Re-recording Mixer    Ian Tapp
Foley Mixer    Glen Gathard
Visual Effects Producer    Tim Caplan
Visual Effects Producer    Noga Alon Stein
Line Producer    Vesselin Karadjov
Music Editor    Allan Jenkins

Theater Averages: Beauty Outshines all Competition with Average of $41,508

March 21st, 2017

Beauty and the Beast

Beauty and the Beast had the best theater average of 2017, so far, at $41,508. This puts it just ahead of Kedi, which opened with $40,103 in its lone theater. The second best average of the week was earned by T2: Trainspotting at $34,115 in five theaters, which is the third best average of the year so far. Song to Song was the only other film to earn an average above $10,000 over the weekend, pulling in $12,640 in four theaters. While Frantz didn’t quite get into the $10,000 club over the weekend, it came close with an average of $9,373. Furthermore, it was a Wednesday release and earned a five-date average of $11,470. More...

Weekend Estimates: Beauty and the Beast Sets New March Record

March 19th, 2017

Beauty and the Beast

Beauty and the Beast set out this weekend to show that it’s not just super heroes who can deliver big openings at the box office, and it’s doing so in some style. Disney is projecting a $170 million opening weekend for the live action fairytale, and the film is setting records around the world. At home, it’ll have the biggest March weekend of all time, and the fourth-best Saturday of all time. The studio is projecting it will have the sixth-best Sunday in history, although my money would be on it slightly outperforming today, for the fifth-best Sunday, and that it will challenge Iron Man 3’s $174 million for the sixth-best opening of all time. Only Star Wars, super heroes, and dinosaur-themed movies have done better on opening weekend. More...

Friday Estimates: Beast Knocks Out Kong with $63.79 million

March 18th, 2017

Beauty and the Beast

As expected, Beauty and the Beast earned first place on Friday. Its performance was a little better than expected, with Disney’s movie earning $63.79 million. To put this into perspective, this is more than Kong: Skull Island earned during its opening weekend. There are some confusing elements to deal with. Firstly, the reviews improved to 71% positive, which is still lower than anticipated, but good enough to not hurt the film’s legs. Additionally, it earned a solid A from CinemaScore. Strangely, the demographics changed, with women representing 72% of Friday’s audiences. That’s up from just under 60% during Thursday’s previews and a lot of times it goes in the other direction. So what does this mean for the future? The film just needs an internal multiplier above 2.6 to become the biggest March opening of all time. That seems very likely at this point. In fact, anything less than $175 million will be seen as a little disappointing. More...

Limited and VOD Releases: Can you Spot any Hits?

March 17th, 2017

T2: Trainspotting

Beauty and the Beast scared away most of the wide-release competition and there are not many limited releases either this weekend. T2: Trainspotting is by far the biggest in terms of buzz. We also have a few like Mean Dreams, which have good reviews, but are playing on VOD. Or foreign-language films like Frantz. More...

Contest: Beauty and the Best

March 9th, 2017

Beauty and the Beast

Like this weekend, there is only one truly wide release next weekend: Beauty and the Beast. The Belko Experiment is opening in just 1,200 theaters and it looks like T2: Transpotting is opening in even fewer theaters, 5 to be exact. Because it is the only truly wide release of the week, it is the only choice for the target film in this week’s box office prediction contest. In order to win, one must simply predict the opening weekend box office number for Beauty and the Beast.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprise consisting of their choice of either one TV on DVD release, two movies, or a kids package (could be a theatrical release, a couple of single-disc TV on DVD releases, or a full season TV on DVD release). Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a Frankenprize, as described above. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will win the final Frankenprize, as described above.

Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

2017 Preview: March

March 1st, 2017

Beauty and the Beast

February was an okay month. The films that missed expectations were mostly balanced by the films that were pleasant surprises. Unfortunately, last February was amazing as Deadpool dominated the chart, so 2017 has fallen further behind 2016 and 2016’s lead is now about $100 million. It is not so bad that a good March won’t help 2017 back into the lead. Will that happen? We have some good news and some bad news. Good news: Every week there is one movie that has at least a shot at $100 million. Two of them, Logan and Beauty and the Beast, could reach $200 million or a lot more. Bad News: last March, both Zootopia and Batman v Superman: Dawn of Justice earned more than $300 million. That’s a really powerful one-two punch and I don’t think we can replicate that this time around. On the other hand, last March, the third best film of the month was 10 Cloverfield Lane, while there were four films that were expected to open wide that earned less than $10 million at the box office. 2017 likely won’t be as good at the top, but I also don’t think it will have as many bombs either. If Beauty and the Beast reaches the very high end of expectations, then 2017 could even close the gap with 2016 entirely. I’ll be happy getting halfway there. More...

Domestic Cumulative Box Office Records


Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2017/03/17 29 $170,575   5 $34,115   $170,575 3
2017/03/24 - $380,000 +123% 59 $6,441   $613,274 10

Daily Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2017/03/17 - $63,873   5 $12,775   $63,873 1
2017/03/18 - $65,101 +2% 5 $13,020   $128,974 2
2017/03/19 - $41,601 -36% 5 $8,320   $170,575 3
2017/03/20 - $15,720 -62% 5 $3,144   $186,295 4
2017/03/21 - $20,200 +28% 5 $4,040   $206,495 5
2017/03/22 - $14,593 -28% 5 $2,919   $221,088 6
2017/03/23 - $12,186 -16% 5 $2,437   $233,274 7

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2017/03/17 28 $233,274   5 $46,655   $233,274 7

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Theaters
Maximum
Theaters
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 3/2/2017 $172,660 102 102 181 $364,478 3/21/2017
Australia 2/17/2017 $283,371 197 264 820 $1,970,834 3/20/2017
Austria 3/10/2017 $63,241 58 59 117 $123,551 3/21/2017
Belgium 3/1/2017 $72,999 28 28 75 $147,902 3/21/2017
Bulgaria 2/17/2017 $19,904 45 45 113 $61,120 3/21/2017
Chile 3/9/2017 $67,471 25 25 49 $145,585 3/21/2017
Croatia 2/23/2017 $39,865 54 54 125 $87,555 3/21/2017
Czech Republic 2/16/2017 $155,217 120 120 291 $403,970 3/21/2017
Denmark 3/2/2017 $52,768 64 64 121 $122,104 3/21/2017
Estonia 3/17/2017 $14,419 10 10 10 $14,419 3/21/2017
Finland 2/17/2017 $93,522 55 55 162 $301,367 3/21/2017
France 3/1/2017 $440,890 254 254 489 $749,792 3/21/2017
Germany 2/17/2017 $496,607 376 376 1265 $1,347,160 3/21/2017
Greece 3/2/2017 $53,994 64 64 118 $160,308 3/21/2017
Hong Kong 3/2/2017 $88,928 37 37 60 $195,606 3/21/2017
Hungary 3/2/2017 $50,163 48 59 137 $133,532 3/21/2017
Iceland 2/17/2017 $14,312 9 9 19 $40,587 3/21/2017
Israel 2/23/2017 $34,485 22 22 49 $69,713 3/21/2017
Italy 2/24/2017 $1,135,856 287 287 697 $2,588,051 3/21/2017
Latvia 3/17/2017 $8,982 8 8 8 $8,982 3/21/2017
Lebanon 2/23/2017 $6,406 5 5 6 $8,595 3/7/2017
Lithuania 3/10/2017 $17,791 102 102 113 $32,147 3/21/2017
Mexico 3/17/2017 $107,514 44 44 44 $107,514 3/21/2017
Netherlands 2/16/2017 $149,934 73 75 292 $555,702 3/23/2017
New Zealand 2/24/2017 $145,860 72 72 236 $427,124 3/20/2017
Norway 2/24/2017 $55,570 136 136 192 $118,812 3/14/2017
Philippines 3/1/2017 $4,801 2 2 2 $4,801 3/7/2017
Poland 3/3/2017 $75,175 93 95 214 $222,955 3/21/2017
Portugal 2/23/2017 $56,799 44 44 115 $151,520 3/22/2017
Romania 2/24/2017 $50,434 68 68 158 $93,040 3/21/2017
Russia (CIS) 3/8/2017 $513,455 433 433 866 $1,078,527 3/22/2017
Serbia and Montenegro 2/16/2017 $14,990 21 21 60 $47,862 3/21/2017
Singapore 3/2/2017 $21,621 8 8 16 $40,151 3/14/2017
Slovakia 2/16/2017 $74,511 72 72 140 $159,707 3/23/2017
Slovenia 2/16/2017 $7,874 19 19 46 $21,351 3/21/2017
South Africa 2/24/2017 $16,639 30 31 67 $40,071 3/21/2017
Spain 2/24/2017 $382,412 305 316 845 $1,195,923 3/23/2017
Sweden 2/22/2017 $99,592 76 76 119 $186,874 3/21/2017
Switzerland 2/16/2017 $75,919 33 34 130 $254,375 3/21/2017
United Kingdom 1/27/2017 $6,449,613 590 609 2787 $21,047,832 3/21/2017
Uruguay 3/9/2017 $9,375 6 6 11 $17,109 3/21/2017
 
International Total$34,848,608 3/23/2017

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.