Follow us on

Cindy Marty

Best known as a Sound Effects Editor based on credits in that role in 5 films, with $1,086,873,191 worldwide aggregate box office (rank #63)
Best-Known Technical Roles: We're the Millers (Sound Designer), We're the Millers (Sound Effects Editor), Austin Powers in Goldmember (Sound Effects Editor), Central Intelligence (Sound Effects Editor), Charlie's Angels: Full Throttle (Sound Effects Editor)
Most productive collaborators: Rawson Marshall Thurber, Toby Emmerich, Ed Helms, Richard Brener, Marcus Viscidi

  1. Summary
  2. Acting Credits
  3. Technical Credits
Box Office
Box Office
Box Office
In Technical RolesSound Effects Editor5$658,075,625$428,797,566$1,086,873,191
Sound Editor3$240,299,120$94,700,000$334,999,120
Sound Designer1$150,394,119$117,422,157$267,816,276
Box Office
Box Office
Box Office
6/17/2016 Central Intelligence Sound Effects Editor $127,440,871 $87,700,000 $215,140,871
8/7/2013 We're the Millers Effects Editor,
Sound Designer 
$150,394,119 $117,422,157 $267,816,276
6/27/2003 Charlie's Angels: Full Throttle Sound Effects Editor $100,814,328 $126,385,672 $227,200,000
7/25/2002 Austin Powers in Goldmember Sound Effects Editor $213,117,789 $79,620,837 $292,738,626
7/29/1998 The Parent Trap Sound Effects Editor $66,308,518 $17,668,900 $83,977,418
6/3/1994 Renaissance Man Sound Editor $24,172,899 $0 $24,172,899
8/7/1992 Unforgiven Sound Editor $101,157,447 $58,000,000 $159,157,447
6/3/1988 Big Sound Editor $114,968,774 $36,700,000 $151,668,774
Movies: 8Totals:$898,374,745$523,497,566$1,421,872,311