Any Day Now (2012)
| Theatrical Performance | ||
| Domestic Box Office | $201,395 | Details |
| International Box Office | $56,505 | Details |
| Worldwide Box Office | $257,900 | |
| OpusData ID: 183680100 More info... | ||
| Further financial details... | ||
Synopsis
ANY DAY NOW is a tale of love, acceptance and family. When a teenager with Down syndrome is abandoned by his mother, a gay couple takes him in and becomes the loving family he's never had. But when their unconventional living arrangement is discovered by authorities, the men are forced to fight a biased legal system to save the life of the child they have come to love as their own. Inspired by a true story from the late 1970s, Any Day Now touches on legal and social issues that are as relevant today as they were 35 years ago.
Metrics
| Opening Weekend: | $40,489 (20.1% of total gross) |
| Legs: | 4.97 (domestic box office/biggest weekend) |
| Domestic Share: | 78.1% (domestic box office/worldwide) |
| Theater counts: | 16 opening theaters/19 max. theaters, 6.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $299,729 |
Movie Details
| Domestic Releases: | December 14th, 2012 (Limited) by Music Box Films |
| International Releases: | October 10th, 2013 (Wide) (Hong Kong)
July 4th, 2014 (Limited) (New Zealand) |
| Video Release: | April 23rd, 2013 by Music Box Films Video |
| MPA Rating: | R for sexual content, language and some drug use. (Rating bulletin 2247, 10/31/2012) |
| Running Time: | 97 minutes |
| Plot point: | Abandoned Child, Down Syndrome, LGBTQ+ |
| Social setting: | Adopted Family |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | PFM Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 14, 2012 | 44 | $40,489 | 16 | $2,531 | $40,489 | 1 | |
| Dec 21, 2012 | 46 | $23,665 | -42% | 19 | $1,246 | $82,385 | 2 |
| Dec 28, 2012 | 54 | $8,454 | -64% | 9 | $939 | $109,830 | 3 |
| Jan 4, 2013 | 59 | $12,099 | +43% | 9 | $1,344 | $129,391 | 4 |
| Jan 11, 2013 | 61 | $8,906 | -26% | 15 | $594 | $146,715 | 5 |
| Jan 18, 2013 | 58 | $5,203 | -42% | 7 | $743 | $157,813 | 6 |
| Jan 25, 2013 | 66 | $8,045 | +55% | 13 | $619 | $170,091 | 7 |
| Feb 1, 2013 | 81 | $1,637 | -80% | 5 | $327 | $176,746 | 8 |
| Feb 8, 2013 | 78 | $1,576 | -4% | 5 | $315 | $179,903 | 9 |
| Feb 15, 2013 | 81 | $1,138 | -28% | 3 | $379 | $183,075 | 10 |
| Mar 1, 2013 | 90 | $1,547 | 3 | $516 | $186,799 | 12 | |
| Mar 8, 2013 | 91 | $1,502 | -3% | 1 | $1,502 | $188,355 | 13 |
| Mar 22, 2013 | 83 | $5,848 | 7 | $835 | $194,889 | 15 | |
| Mar 29, 2013 | 101 | $2,169 | -63% | 4 | $542 | $200,002 | 16 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 14, 2012 | 50 | $58,720 | 16 | $3,670 | $58,720 | 1 | |
| Dec 21, 2012 | 47 | $42,656 | -27% | 19 | $2,245 | $101,376 | 2 |
| Dec 28, 2012 | 56 | $15,916 | -63% | 9 | $1,768 | $117,292 | 3 |
| Jan 4, 2013 | 60 | $20,517 | +29% | 11 | $1,865 | $137,809 | 4 |
| Jan 11, 2013 | 56 | $14,801 | -28% | 17 | $871 | $152,610 | 5 |
| Jan 18, 2013 | 58 | $9,436 | -36% | 8 | $1,180 | $162,046 | 6 |
| Jan 25, 2013 | 67 | $13,063 | +38% | 14 | $933 | $175,109 | 7 |
| Feb 1, 2013 | 77 | $3,218 | -75% | 6 | $536 | $178,327 | 8 |
| Feb 8, 2013 | 79 | $3,610 | +12% | 6 | $602 | $181,937 | 9 |
| Feb 15, 2013 | 78 | $3,315 | -8% | 6 | $553 | $185,252 | 10 |
| Mar 1, 2013 | 93 | $1,601 | 3 | $534 | $186,853 | 12 | |
| Mar 8, 2013 | 89 | $2,188 | +37% | 1 | $2,188 | $189,041 | 13 |
| Mar 22, 2013 | 84 | $8,792 | 7 | $1,256 | $197,833 | 15 | |
| Mar 29, 2013 | 100 | $3,562 | -59% | 5 | $712 | $201,395 | 16 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Hong Kong | 10/10/2013 | $0 | 0 | 1 | 2 | $53,037 | 12/13/2015 | |||
| New Zealand | 7/4/2014 | $0 | 0 | 2 | 2 | $3,468 | 1/8/2016 | |||
| International Total | $56,505 | 1/8/2016 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Alan Cumming | Rudy Donatello | |
| Garret Dillahunt | Paul Fleiger | |
| Isaac Leyva | Marco Deleon |
Supporting
| Frances Fisher | Judge Meyerson | |
| Gregg Henry | Lambert | |
| Chris Mulkey | DA Wilson | |
| Don Franklin | Lonnie Washington | |
| Jamie Anne Allman | Marianna Deleon | |
| Kelli Williams | Miss Fleming | |
| Alan Rachins | Judge Resnick |
Production and Technical Credits
| Travis Fine | Screenwriter | |
| Travis Fine | Producer | |
| Travis Fine | Director | |
| George Arthur Bloom | Screenwriter | |
| George Arthur Bloom | Associate Producer | |
| Kristine Hostetter Fine | Producer | |
| Maxine Makeover | Executive Producer | |
| Anne O'Shea | Executive Producer | |
| Wayne Larue Smith | Executive Producer | |
| Dan Skahen | Executive Producer | |
| Chip Hourihan | Producer | |
| Liam Finn | Producer | |
| Alec Chorches | Co-Producer | |
| Steven Robert Kozlowski | Co-Producer | |
| Sarah Trippe | Associate Producer | |
| Stephen Trippe | Associate Producer | |
| Rachel Morrison | Director of Photography | |
| Tom Cross | Editor | |
| Joey Newman | Original Music By |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
ANY DAY NOW is a tale of love, acceptance and family. When a teenager with Down syndrome is abandoned by his mother, a gay couple takes him in and becomes the loving family he's never had. But when their unconventional living arrangement is discovered by authorities, the men are forced to fight a biased legal system to save the life of the child they have come to love as their own. Inspired by a true story from the late 1970s, Any Day Now touches on legal and social issues that are as relevant today as they were 35 years ago.
Metrics
| Opening Weekend: | $40,489 (20.1% of total gross) |
| Legs: | 4.97 (domestic box office/biggest weekend) |
| Domestic Share: | 78.1% (domestic box office/worldwide) |
| Theater counts: | 16 opening theaters/19 max. theaters, 6.1 weeks average run per theater |
| Infl. Adj. Dom. BO | $299,729 |
Movie Details
| Domestic Releases: | December 14th, 2012 (Limited) by Music Box Films |
| International Releases: | October 10th, 2013 (Wide) (Hong Kong)
July 4th, 2014 (Limited) (New Zealand) |
| Video Release: | April 23rd, 2013 by Music Box Films Video |
| MPA Rating: | R for sexual content, language and some drug use. (Rating bulletin 2247, 10/31/2012) |
| Running Time: | 97 minutes |
| Plot point: | Abandoned Child, Down Syndrome, LGBTQ+ |
| Social setting: | Adopted Family |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | PFM Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 14, 2012 | 44 | $40,489 | 16 | $2,531 | $40,489 | 1 | |
| Dec 21, 2012 | 46 | $23,665 | -42% | 19 | $1,246 | $82,385 | 2 |
| Dec 28, 2012 | 54 | $8,454 | -64% | 9 | $939 | $109,830 | 3 |
| Jan 4, 2013 | 59 | $12,099 | +43% | 9 | $1,344 | $129,391 | 4 |
| Jan 11, 2013 | 61 | $8,906 | -26% | 15 | $594 | $146,715 | 5 |
| Jan 18, 2013 | 58 | $5,203 | -42% | 7 | $743 | $157,813 | 6 |
| Jan 25, 2013 | 66 | $8,045 | +55% | 13 | $619 | $170,091 | 7 |
| Feb 1, 2013 | 81 | $1,637 | -80% | 5 | $327 | $176,746 | 8 |
| Feb 8, 2013 | 78 | $1,576 | -4% | 5 | $315 | $179,903 | 9 |
| Feb 15, 2013 | 81 | $1,138 | -28% | 3 | $379 | $183,075 | 10 |
| Mar 1, 2013 | 90 | $1,547 | 3 | $516 | $186,799 | 12 | |
| Mar 8, 2013 | 91 | $1,502 | -3% | 1 | $1,502 | $188,355 | 13 |
| Mar 22, 2013 | 83 | $5,848 | 7 | $835 | $194,889 | 15 | |
| Mar 29, 2013 | 101 | $2,169 | -63% | 4 | $542 | $200,002 | 16 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Dec 14, 2012 | 50 | $58,720 | 16 | $3,670 | $58,720 | 1 | |
| Dec 21, 2012 | 47 | $42,656 | -27% | 19 | $2,245 | $101,376 | 2 |
| Dec 28, 2012 | 56 | $15,916 | -63% | 9 | $1,768 | $117,292 | 3 |
| Jan 4, 2013 | 60 | $20,517 | +29% | 11 | $1,865 | $137,809 | 4 |
| Jan 11, 2013 | 56 | $14,801 | -28% | 17 | $871 | $152,610 | 5 |
| Jan 18, 2013 | 58 | $9,436 | -36% | 8 | $1,180 | $162,046 | 6 |
| Jan 25, 2013 | 67 | $13,063 | +38% | 14 | $933 | $175,109 | 7 |
| Feb 1, 2013 | 77 | $3,218 | -75% | 6 | $536 | $178,327 | 8 |
| Feb 8, 2013 | 79 | $3,610 | +12% | 6 | $602 | $181,937 | 9 |
| Feb 15, 2013 | 78 | $3,315 | -8% | 6 | $553 | $185,252 | 10 |
| Mar 1, 2013 | 93 | $1,601 | 3 | $534 | $186,853 | 12 | |
| Mar 8, 2013 | 89 | $2,188 | +37% | 1 | $2,188 | $189,041 | 13 |
| Mar 22, 2013 | 84 | $8,792 | 7 | $1,256 | $197,833 | 15 | |
| Mar 29, 2013 | 100 | $3,562 | -59% | 5 | $712 | $201,395 | 16 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Hong Kong | 10/10/2013 | $0 | 0 | 1 | 2 | $53,037 | 12/13/2015 | |||
| New Zealand | 7/4/2014 | $0 | 0 | 2 | 2 | $3,468 | 1/8/2016 | |||
| International Total | $56,505 | 1/8/2016 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Alan Cumming | Rudy Donatello | |
| Garret Dillahunt | Paul Fleiger | |
| Isaac Leyva | Marco Deleon |
Supporting
| Frances Fisher | Judge Meyerson | |
| Gregg Henry | Lambert | |
| Chris Mulkey | DA Wilson | |
| Don Franklin | Lonnie Washington | |
| Jamie Anne Allman | Marianna Deleon | |
| Kelli Williams | Miss Fleming | |
| Alan Rachins | Judge Resnick |
Production and Technical Credits
| Travis Fine | Screenwriter | |
| Travis Fine | Producer | |
| Travis Fine | Director | |
| George Arthur Bloom | Screenwriter | |
| George Arthur Bloom | Associate Producer | |
| Kristine Hostetter Fine | Producer | |
| Maxine Makeover | Executive Producer | |
| Anne O'Shea | Executive Producer | |
| Wayne Larue Smith | Executive Producer | |
| Dan Skahen | Executive Producer | |
| Chip Hourihan | Producer | |
| Liam Finn | Producer | |
| Alec Chorches | Co-Producer | |
| Steven Robert Kozlowski | Co-Producer | |
| Sarah Trippe | Associate Producer | |
| Stephen Trippe | Associate Producer | |
| Rachel Morrison | Director of Photography | |
| Tom Cross | Editor | |
| Joey Newman | Original Music By |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.