Friend Request (2016)
| Theatrical Performance | ||
| Domestic Box Office | $3,759,078 | Details |
| International Box Office | $7,551,757 | Details |
| Worldwide Box Office | $11,310,835 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $407,010 | |
| Blu-ray Sales (estimated) | $231,419 | |
| Total | $638,429 | |
| OpusData ID: 246220100 More info... | ||
| Further financial details... | ||
Synopsis
Popular college student Laura shares everything with her more than 800 Facebook friends. One day she accepts a friend request from classmate Marina, an awkward outcast. But when Laura excludes the hoodie-clad loner from her birthday party, she makes the mistake of posting pictures of the happy gathering. Outraged by the snub, and then devastated when Laura unfriends her, Marina kills herself, unleashing evil forces that commandeer Laura’s Facebook page and post a video of Marina’s gruesome suicide. Soon, one by one, Laura’s classmates Gustavo, Isabel and Olivia fall prey to demonic forces that include homicidal swarms of wasps. Laura’s Facebook page is mysteriously hacked and begins displaying videos of each of her friends’ horrific deaths, triggering a drop in Laura’s social media followers and turning her into a campus pariah. Kicked out of school for the out-of-control postings, Laura joins forces with her boyfriend Tyler and tech-savvy friend Kobe to try and stop the killings. Together, they uncover secrets of Marina’s past and learn of her involvement with the ancient witchcraft of the “Black Mirror,” which serves as a portal to evil spirits. Laura tracks the demonic forces’ origins to a remote site where they face off against the deadly social media terror gone supernaturally viral.
Metrics
| Opening Weekend: | $2,002,863 (53.3% of total gross) |
| Legs: | 1.88 (domestic box office/biggest weekend) |
| Domestic Share: | 33.2% (domestic box office/worldwide) |
| Production Budget: | $9,900,000 (worldwide box office is 1.1 times production budget) |
| Theater counts: | 2,573 opening theaters/2,573 max. theaters, 1.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $5,012,101 |
Movie Details
| Domestic Releases: | September 22nd, 2017 (Wide) by Entertainment Studios Motion Pictures |
| International Releases: | January 7th, 2016 (Wide) (Germany)
January 8th, 2016 (Wide) (Austria) January 14th, 2016 (Wide) (Cambodia) March 17th, 2016 (Wide) (Thailand) March 17th, 2016 (Wide) (Russia (CIS)) ... Show all releases |
| Video Release: | December 19th, 2017 by Lionsgate Home Entertainment |
| MPA Rating: | R for horror violence, disturbing images, and language. (Rating bulletin 2444 (Cert #50702), 9/28/2016) |
| Running Time: | 92 minutes |
| Cast, crew, or production detail: | Epilogue |
| Plot point: | Haunting, Internet, Occult, Orphan, Revenge, Social Media, Social Outcast, Suicide, Witches |
| Social setting: | College, Supernatural |
| Subgenre: | Supernatural Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Wiedemann & Berg, Seven Pictures Film, Two Oceans, The Exchange |
| Production Countries: | Germany |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 22, 2017 | 7 | $2,002,863 | 2,573 | $778 | $2,002,863 | 1 | |
| Sep 29, 2017 | 14 | $728,064 | -64% | 2,081 | $350 | $3,411,022 | 2 |
| Oct 6, 2017 | 36 | $75,156 | -90% | 154 | $488 | $3,700,326 | 3 |
| Oct 13, 2017 | 62 | $9,578 | -87% | 50 | $192 | $3,733,254 | 4 |
| Oct 20, 2017 | 67 | $10,486 | +9% | 40 | $262 | $3,746,025 | 5 |
| Oct 27, 2017 | 78 | $5,569 | -47% | 32 | $174 | $3,754,992 | 6 |
| Nov 3, 2017 | 96 | $483 | -91% | 4 | $121 | $3,757,645 | 7 |
| Nov 10, 2017 | 97 | $515 | +7% | 2 | $258 | $3,758,339 | 8 |
| Nov 17, 2017 | 91 | $357 | -31% | 2 | $179 | $3,758,792 | 9 |
| Nov 24, 2017 | 86 | $87 | -76% | 1 | $87 | $3,759,014 | 10 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Sep 21, 2017 | P | $110,000 | 1,500 | $73 | $110,000 | |||
| Sep 22, 2017 | 7 | $687,006 | 2,573 | $267 | $687,006 | 1 | ||
| Sep 23, 2017 | 7 | $813,069 | +18% | 2,573 | $316 | $1,500,075 | 2 | |
| Sep 24, 2017 | 7 | $502,788 | -38% | 2,573 | $195 | $2,002,863 | 3 | |
| Sep 25, 2017 | 7 | $157,385 | -69% | 2,573 | $61 | $2,160,248 | 4 | |
| Sep 26, 2017 | 8 | $240,628 | +53% | 2,573 | $94 | $2,400,876 | 5 | |
| Sep 27, 2017 | 8 | $150,532 | -37% | 2,573 | $59 | $2,551,408 | 6 | |
| Sep 28, 2017 | 7 | $131,550 | -13% | 2,573 | $51 | $2,682,958 | 7 | |
| Sep 29, 2017 | 14 | $213,792 | +63% | -69% | 2,081 | $103 | $2,896,750 | 8 |
| Sep 30, 2017 | 14 | $340,072 | +59% | -58% | 2,081 | $163 | $3,236,822 | 9 |
| Oct 1, 2017 | 15 | $174,200 | -49% | -65% | 2,081 | $84 | $3,411,022 | 10 |
| Oct 2, 2017 | - | $53,687 | -69% | -66% | 2,081 | $26 | $3,464,709 | 11 |
| Oct 3, 2017 | 15 | $80,412 | +50% | -67% | 2,081 | $39 | $3,545,121 | 12 |
| Oct 4, 2017 | - | $48,323 | -40% | -68% | 2,081 | $23 | $3,593,444 | 13 |
| Oct 5, 2017 | - | $31,726 | -34% | -76% | 2,081 | $15 | $3,625,170 | 14 |
| Oct 6, 2017 | - | $20,779 | -35% | -90% | 154 | $135 | $3,645,949 | 15 |
| Oct 7, 2017 | - | $34,325 | +65% | -90% | 154 | $223 | $3,680,274 | 16 |
| Oct 8, 2017 | - | $20,052 | -42% | -88% | 154 | $130 | $3,700,326 | 17 |
| Oct 9, 2017 | - | $7,701 | -62% | -86% | 154 | $50 | $3,708,027 | 18 |
| Oct 10, 2017 | - | $7,346 | -5% | -91% | 154 | $48 | $3,715,373 | 19 |
| Oct 11, 2017 | - | $5,245 | -29% | -89% | 154 | $34 | $3,720,618 | 20 |
| Oct 12, 2017 | - | $3,058 | -42% | -90% | 154 | $20 | $3,723,676 | 21 |
| Oct 13, 2017 | - | $2,773 | -9% | -87% | 50 | $55 | $3,726,449 | 22 |
| Oct 14, 2017 | - | $4,533 | +63% | -87% | 50 | $91 | $3,730,982 | 23 |
| Oct 15, 2017 | - | $2,272 | -50% | -89% | 50 | $45 | $3,733,254 | 24 |
| Oct 16, 2017 | - | $629 | -72% | -92% | 50 | $13 | $3,733,883 | 25 |
| Oct 17, 2017 | - | $772 | +23% | -89% | 50 | $15 | $3,734,655 | 26 |
| Oct 18, 2017 | - | $424 | -45% | -92% | 50 | $8 | $3,735,079 | 27 |
| Oct 19, 2017 | - | $460 | +8% | -85% | 50 | $9 | $3,735,539 | 28 |
| Oct 20, 2017 | - | $3,492 | +659% | +26% | 40 | $87 | $3,739,031 | 29 |
| Oct 21, 2017 | - | $4,279 | +23% | -6% | 40 | $107 | $3,743,310 | 30 |
| Oct 22, 2017 | - | $2,715 | -37% | +19% | 40 | $68 | $3,746,025 | 31 |
| Oct 23, 2017 | - | $841 | -69% | +34% | 40 | $21 | $3,746,866 | 32 |
| Oct 24, 2017 | - | $933 | +11% | +21% | 40 | $23 | $3,747,799 | 33 |
| Oct 25, 2017 | - | $748 | -20% | +76% | 40 | $19 | $3,748,547 | 34 |
| Oct 26, 2017 | - | $876 | +17% | +90% | 40 | $22 | $3,749,423 | 35 |
| Oct 27, 2017 | - | $1,600 | +83% | -54% | 32 | $50 | $3,751,023 | 36 |
| Oct 28, 2017 | - | $2,404 | +50% | -44% | 32 | $75 | $3,753,427 | 37 |
| Oct 29, 2017 | - | $1,565 | -35% | -42% | 32 | $49 | $3,754,992 | 38 |
| Oct 30, 2017 | - | $413 | -74% | -51% | 32 | $13 | $3,755,405 | 39 |
| Oct 31, 2017 | - | $696 | +69% | -25% | 32 | $22 | $3,756,101 | 40 |
| Nov 1, 2017 | - | $465 | -33% | -38% | 32 | $15 | $3,756,566 | 41 |
| Nov 2, 2017 | - | $596 | +28% | -32% | 32 | $19 | $3,757,162 | 42 |
| Nov 3, 2017 | - | $85 | -86% | -95% | 4 | $21 | $3,757,247 | 43 |
| Nov 4, 2017 | - | $248 | +192% | -90% | 4 | $62 | $3,757,495 | 44 |
| Nov 5, 2017 | - | $150 | -40% | -90% | 4 | $38 | $3,757,645 | 45 |
| Nov 6, 2017 | - | $53 | -65% | -87% | 4 | $13 | $3,757,698 | 46 |
| Nov 7, 2017 | - | $29 | -45% | -96% | 4 | $7 | $3,757,727 | 47 |
| Nov 8, 2017 | - | $37 | +28% | -92% | 4 | $9 | $3,757,764 | 48 |
| Nov 9, 2017 | - | $60 | +62% | -90% | 4 | $15 | $3,757,824 | 49 |
| Nov 10, 2017 | - | $98 | +63% | +15% | 2 | $49 | $3,757,922 | 50 |
| Nov 11, 2017 | - | $213 | +117% | -14% | 2 | $107 | $3,758,135 | 51 |
| Nov 12, 2017 | - | $204 | -4% | +36% | 2 | $102 | $3,758,339 | 52 |
| Nov 13, 2017 | - | $24 | -88% | -55% | 2 | $12 | $3,758,363 | 53 |
| Nov 14, 2017 | - | $8 | -67% | -72% | 2 | $4 | $3,758,371 | 54 |
| Nov 15, 2017 | - | $30 | +275% | -19% | 2 | $15 | $3,758,401 | 55 |
| Nov 16, 2017 | - | $34 | +13% | -43% | 2 | $17 | $3,758,435 | 56 |
| Nov 17, 2017 | - | $63 | +85% | -36% | 2 | $32 | $3,758,498 | 57 |
| Nov 18, 2017 | - | $125 | +98% | -41% | 2 | $63 | $3,758,623 | 58 |
| Nov 19, 2017 | - | $169 | +35% | -17% | 2 | $85 | $3,758,792 | 59 |
| Nov 20, 2017 | - | $48 | -72% | +100% | 2 | $24 | $3,758,840 | 60 |
| Nov 21, 2017 | - | $55 | +15% | +588% | 2 | $28 | $3,758,895 | 61 |
| Nov 22, 2017 | - | $16 | -71% | -47% | 2 | $8 | $3,758,911 | 62 |
| Nov 23, 2017 | - | $16 | n/c | -53% | 2 | $8 | $3,758,927 | 63 |
| Nov 24, 2017 | - | $4 | -75% | -94% | 1 | $4 | $3,758,931 | 64 |
| Nov 25, 2017 | - | $83 | +1,975% | -34% | 1 | $83 | $3,759,014 | 65 |
| Nov 27, 2017 | - | $4 | -92% | 1 | $4 | $3,759,018 | 67 | |
| Nov 29, 2017 | - | $28 | +75% | 1 | $28 | $3,759,046 | 69 | |
| Nov 30, 2017 | - | $32 | +14% | +100% | 1 | $32 | $3,759,078 | 70 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 22, 2017 | 7 | $2,682,958 | 2,573 | $1,043 | $2,682,958 | 1 | |
| Sep 29, 2017 | 14 | $942,212 | -65% | 2,081 | $453 | $3,625,170 | 2 |
| Oct 6, 2017 | 36 | $98,506 | -90% | 154 | $640 | $3,723,676 | 3 |
| Oct 13, 2017 | 63 | $11,863 | -88% | 50 | $237 | $3,735,539 | 4 |
| Oct 20, 2017 | 66 | $13,884 | +17% | 40 | $347 | $3,749,423 | 5 |
| Oct 27, 2017 | 76 | $7,739 | -44% | 32 | $242 | $3,757,162 | 6 |
| Nov 3, 2017 | 100 | $662 | -91% | 4 | $166 | $3,757,824 | 7 |
| Nov 10, 2017 | 96 | $611 | -8% | 2 | $306 | $3,758,435 | 8 |
| Nov 17, 2017 | 92 | $492 | -19% | 2 | $246 | $3,758,927 | 9 |
| Nov 24, 2017 | 93 | $151 | -69% | 1 | $151 | $3,759,078 | 10 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Austria | 1/8/2016 | $0 | 0 | 43 | 76 | $280,053 | 6/9/2016 | |||
| Cambodia | 1/14/2016 | $18,445 | 11 | 11 | 15 | $100,496 | 12/31/2018 | |||
| France | 11/25/2016 | $402,105 | 0 | 0 | 0 | $881,821 | 8/17/2018 | |||
| Germany | 1/7/2016 | $963,434 | 0 | 306 | 635 | $2,407,754 | 8/18/2018 | |||
| Italy | 6/9/2016 | $292,171 | 0 | 0 | 0 | $688,544 | 8/9/2016 | |||
| Portugal | 11/4/2016 | $18,137 | 13 | 17 | 46 | $50,375 | 12/15/2016 | |||
| Russia (CIS) | 3/17/2016 | $2,431 | 638 | 638 | 638 | $375,810 | 12/31/2018 | |||
| South Korea | 1/24/2017 | $0 | 0 | 179 | 178 | $162,197 | 4/4/2026 | |||
| Thailand | 3/17/2016 | $51,267 | 70 | 70 | 94 | $94,099 | 6/9/2016 | |||
| Turkey | 9/9/2016 | $8,810 | 35 | 35 | 67 | $37,534 | 2/26/2019 | |||
| Ukraine | 3/24/2016 | $2,121 | 13 | 13 | 13 | $2,121 | 12/31/2018 | |||
| United Kingdom | 4/22/2016 | $899,404 | 402 | 402 | 944 | $2,107,091 | 9/8/2018 | |||
| Rest of World | $363,862 | |||||||||
| International Total | $7,551,757 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Alycia Debnam Carey | Laura |
Supporting
| William Moseley | Tyler | |
| Connor Paolo | Kobe | |
| Brit Morgan | Olivia | |
| Brooke Markham | Isabel | |
| Sean Marquette | Gustavo | |
| Liesl Ahlers | Marina | |
| Shasha Wnee-Hal | Detective Cameron | |
| Tom Choi | Dean | |
| Nicholas Pauling | Detective Cameron | |
| Susan Danford | Caroline Woodson |
Production and Technical Credits
| Simon Verhoeven | Director | |
| Simon Verhoeven | Screenwriter | |
| Matthew Ballen | Screenwriter | |
| Philip Koch | Screenwriter | |
| Quirin Berg | Producer | |
| Max Viedelmann | Producer | |
| Stefan Gartner | Co-Producer | |
| Simon Verhoeven | Co-Producer | |
| Giselher Venzke | Co-Producer | |
| Bertha Spieker | Co-Producer | |
| Mark Popp | Co-Producer | |
| Maren Bouwer | Line Producer | |
| David Vogt | Line Producer | |
| Mark Popp | Line Producer | |
| Marco Le Roux | Line Producer | |
| Patrick Noel Simon | Creative Producer | |
| Matthew Ballen | Associate Producer | |
| Byron Allen | Executive Producer | |
| Carolyn Folks | Executive Producer | |
| Jennifer Lucas | Executive Producer | |
| Chris Charalambous | Executive Producer | |
| Mark Borde | Executive Producer | |
| Richard Barner | Executive Producer | |
| Chad Doher | Executive Producer | |
| Jo Heim | Director of Photography | |
| Tom Seil | Editor | |
| Denis Bachter | Editor | |
| Ben Rosenkind | Sound Recording Mixer | |
| Nico Krebs | Sound Designer | |
| Thomas Conen | Sound Mixer | |
| Greg Albert | Sound Mixer | |
| Gary Go | Composer | |
| Martin Todsharow | Composer | |
| Tommy Stark | Production Designer | |
| Sylvain Gingras | Production Designer | |
| Tatjana Brecht-Bergen | Costume Designer | |
| Wolfgang Ender | Costume Designer | |
| Sina Stoelzle | Make up | |
| Ayten Morgenstern | Make up | |
| Tannis Vallely | Casting Director | |
| Christa Schamberger-Young* | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
Popular college student Laura shares everything with her more than 800 Facebook friends. One day she accepts a friend request from classmate Marina, an awkward outcast. But when Laura excludes the hoodie-clad loner from her birthday party, she makes the mistake of posting pictures of the happy gathering. Outraged by the snub, and then devastated when Laura unfriends her, Marina kills herself, unleashing evil forces that commandeer Laura’s Facebook page and post a video of Marina’s gruesome suicide. Soon, one by one, Laura’s classmates Gustavo, Isabel and Olivia fall prey to demonic forces that include homicidal swarms of wasps. Laura’s Facebook page is mysteriously hacked and begins displaying videos of each of her friends’ horrific deaths, triggering a drop in Laura’s social media followers and turning her into a campus pariah. Kicked out of school for the out-of-control postings, Laura joins forces with her boyfriend Tyler and tech-savvy friend Kobe to try and stop the killings. Together, they uncover secrets of Marina’s past and learn of her involvement with the ancient witchcraft of the “Black Mirror,” which serves as a portal to evil spirits. Laura tracks the demonic forces’ origins to a remote site where they face off against the deadly social media terror gone supernaturally viral.
Metrics
| Opening Weekend: | $2,002,863 (53.3% of total gross) |
| Legs: | 1.88 (domestic box office/biggest weekend) |
| Domestic Share: | 33.2% (domestic box office/worldwide) |
| Production Budget: | $9,900,000 (worldwide box office is 1.1 times production budget) |
| Theater counts: | 2,573 opening theaters/2,573 max. theaters, 1.9 weeks average run per theater |
| Infl. Adj. Dom. BO | $5,012,101 |
Movie Details
| Domestic Releases: | September 22nd, 2017 (Wide) by Entertainment Studios Motion Pictures |
| International Releases: | January 7th, 2016 (Wide) (Germany)
January 8th, 2016 (Wide) (Austria) January 14th, 2016 (Wide) (Cambodia) March 17th, 2016 (Wide) (Thailand) March 17th, 2016 (Wide) (Russia (CIS)) ... Show all releases |
| Video Release: | December 19th, 2017 by Lionsgate Home Entertainment |
| MPA Rating: | R for horror violence, disturbing images, and language. (Rating bulletin 2444 (Cert #50702), 9/28/2016) |
| Running Time: | 92 minutes |
| Cast, crew, or production detail: | Epilogue |
| Plot point: | Haunting, Internet, Occult, Orphan, Revenge, Social Media, Social Outcast, Suicide, Witches |
| Social setting: | College, Supernatural |
| Subgenre: | Supernatural Horror |
| Source: | Original Screenplay |
| Genre: | Horror |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Wiedemann & Berg, Seven Pictures Film, Two Oceans, The Exchange |
| Production Countries: | Germany |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 22, 2017 | 7 | $2,002,863 | 2,573 | $778 | $2,002,863 | 1 | |
| Sep 29, 2017 | 14 | $728,064 | -64% | 2,081 | $350 | $3,411,022 | 2 |
| Oct 6, 2017 | 36 | $75,156 | -90% | 154 | $488 | $3,700,326 | 3 |
| Oct 13, 2017 | 62 | $9,578 | -87% | 50 | $192 | $3,733,254 | 4 |
| Oct 20, 2017 | 67 | $10,486 | +9% | 40 | $262 | $3,746,025 | 5 |
| Oct 27, 2017 | 78 | $5,569 | -47% | 32 | $174 | $3,754,992 | 6 |
| Nov 3, 2017 | 96 | $483 | -91% | 4 | $121 | $3,757,645 | 7 |
| Nov 10, 2017 | 97 | $515 | +7% | 2 | $258 | $3,758,339 | 8 |
| Nov 17, 2017 | 91 | $357 | -31% | 2 | $179 | $3,758,792 | 9 |
| Nov 24, 2017 | 86 | $87 | -76% | 1 | $87 | $3,759,014 | 10 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Sep 21, 2017 | P | $110,000 | 1,500 | $73 | $110,000 | |||
| Sep 22, 2017 | 7 | $687,006 | 2,573 | $267 | $687,006 | 1 | ||
| Sep 23, 2017 | 7 | $813,069 | +18% | 2,573 | $316 | $1,500,075 | 2 | |
| Sep 24, 2017 | 7 | $502,788 | -38% | 2,573 | $195 | $2,002,863 | 3 | |
| Sep 25, 2017 | 7 | $157,385 | -69% | 2,573 | $61 | $2,160,248 | 4 | |
| Sep 26, 2017 | 8 | $240,628 | +53% | 2,573 | $94 | $2,400,876 | 5 | |
| Sep 27, 2017 | 8 | $150,532 | -37% | 2,573 | $59 | $2,551,408 | 6 | |
| Sep 28, 2017 | 7 | $131,550 | -13% | 2,573 | $51 | $2,682,958 | 7 | |
| Sep 29, 2017 | 14 | $213,792 | +63% | -69% | 2,081 | $103 | $2,896,750 | 8 |
| Sep 30, 2017 | 14 | $340,072 | +59% | -58% | 2,081 | $163 | $3,236,822 | 9 |
| Oct 1, 2017 | 15 | $174,200 | -49% | -65% | 2,081 | $84 | $3,411,022 | 10 |
| Oct 2, 2017 | - | $53,687 | -69% | -66% | 2,081 | $26 | $3,464,709 | 11 |
| Oct 3, 2017 | 15 | $80,412 | +50% | -67% | 2,081 | $39 | $3,545,121 | 12 |
| Oct 4, 2017 | - | $48,323 | -40% | -68% | 2,081 | $23 | $3,593,444 | 13 |
| Oct 5, 2017 | - | $31,726 | -34% | -76% | 2,081 | $15 | $3,625,170 | 14 |
| Oct 6, 2017 | - | $20,779 | -35% | -90% | 154 | $135 | $3,645,949 | 15 |
| Oct 7, 2017 | - | $34,325 | +65% | -90% | 154 | $223 | $3,680,274 | 16 |
| Oct 8, 2017 | - | $20,052 | -42% | -88% | 154 | $130 | $3,700,326 | 17 |
| Oct 9, 2017 | - | $7,701 | -62% | -86% | 154 | $50 | $3,708,027 | 18 |
| Oct 10, 2017 | - | $7,346 | -5% | -91% | 154 | $48 | $3,715,373 | 19 |
| Oct 11, 2017 | - | $5,245 | -29% | -89% | 154 | $34 | $3,720,618 | 20 |
| Oct 12, 2017 | - | $3,058 | -42% | -90% | 154 | $20 | $3,723,676 | 21 |
| Oct 13, 2017 | - | $2,773 | -9% | -87% | 50 | $55 | $3,726,449 | 22 |
| Oct 14, 2017 | - | $4,533 | +63% | -87% | 50 | $91 | $3,730,982 | 23 |
| Oct 15, 2017 | - | $2,272 | -50% | -89% | 50 | $45 | $3,733,254 | 24 |
| Oct 16, 2017 | - | $629 | -72% | -92% | 50 | $13 | $3,733,883 | 25 |
| Oct 17, 2017 | - | $772 | +23% | -89% | 50 | $15 | $3,734,655 | 26 |
| Oct 18, 2017 | - | $424 | -45% | -92% | 50 | $8 | $3,735,079 | 27 |
| Oct 19, 2017 | - | $460 | +8% | -85% | 50 | $9 | $3,735,539 | 28 |
| Oct 20, 2017 | - | $3,492 | +659% | +26% | 40 | $87 | $3,739,031 | 29 |
| Oct 21, 2017 | - | $4,279 | +23% | -6% | 40 | $107 | $3,743,310 | 30 |
| Oct 22, 2017 | - | $2,715 | -37% | +19% | 40 | $68 | $3,746,025 | 31 |
| Oct 23, 2017 | - | $841 | -69% | +34% | 40 | $21 | $3,746,866 | 32 |
| Oct 24, 2017 | - | $933 | +11% | +21% | 40 | $23 | $3,747,799 | 33 |
| Oct 25, 2017 | - | $748 | -20% | +76% | 40 | $19 | $3,748,547 | 34 |
| Oct 26, 2017 | - | $876 | +17% | +90% | 40 | $22 | $3,749,423 | 35 |
| Oct 27, 2017 | - | $1,600 | +83% | -54% | 32 | $50 | $3,751,023 | 36 |
| Oct 28, 2017 | - | $2,404 | +50% | -44% | 32 | $75 | $3,753,427 | 37 |
| Oct 29, 2017 | - | $1,565 | -35% | -42% | 32 | $49 | $3,754,992 | 38 |
| Oct 30, 2017 | - | $413 | -74% | -51% | 32 | $13 | $3,755,405 | 39 |
| Oct 31, 2017 | - | $696 | +69% | -25% | 32 | $22 | $3,756,101 | 40 |
| Nov 1, 2017 | - | $465 | -33% | -38% | 32 | $15 | $3,756,566 | 41 |
| Nov 2, 2017 | - | $596 | +28% | -32% | 32 | $19 | $3,757,162 | 42 |
| Nov 3, 2017 | - | $85 | -86% | -95% | 4 | $21 | $3,757,247 | 43 |
| Nov 4, 2017 | - | $248 | +192% | -90% | 4 | $62 | $3,757,495 | 44 |
| Nov 5, 2017 | - | $150 | -40% | -90% | 4 | $38 | $3,757,645 | 45 |
| Nov 6, 2017 | - | $53 | -65% | -87% | 4 | $13 | $3,757,698 | 46 |
| Nov 7, 2017 | - | $29 | -45% | -96% | 4 | $7 | $3,757,727 | 47 |
| Nov 8, 2017 | - | $37 | +28% | -92% | 4 | $9 | $3,757,764 | 48 |
| Nov 9, 2017 | - | $60 | +62% | -90% | 4 | $15 | $3,757,824 | 49 |
| Nov 10, 2017 | - | $98 | +63% | +15% | 2 | $49 | $3,757,922 | 50 |
| Nov 11, 2017 | - | $213 | +117% | -14% | 2 | $107 | $3,758,135 | 51 |
| Nov 12, 2017 | - | $204 | -4% | +36% | 2 | $102 | $3,758,339 | 52 |
| Nov 13, 2017 | - | $24 | -88% | -55% | 2 | $12 | $3,758,363 | 53 |
| Nov 14, 2017 | - | $8 | -67% | -72% | 2 | $4 | $3,758,371 | 54 |
| Nov 15, 2017 | - | $30 | +275% | -19% | 2 | $15 | $3,758,401 | 55 |
| Nov 16, 2017 | - | $34 | +13% | -43% | 2 | $17 | $3,758,435 | 56 |
| Nov 17, 2017 | - | $63 | +85% | -36% | 2 | $32 | $3,758,498 | 57 |
| Nov 18, 2017 | - | $125 | +98% | -41% | 2 | $63 | $3,758,623 | 58 |
| Nov 19, 2017 | - | $169 | +35% | -17% | 2 | $85 | $3,758,792 | 59 |
| Nov 20, 2017 | - | $48 | -72% | +100% | 2 | $24 | $3,758,840 | 60 |
| Nov 21, 2017 | - | $55 | +15% | +588% | 2 | $28 | $3,758,895 | 61 |
| Nov 22, 2017 | - | $16 | -71% | -47% | 2 | $8 | $3,758,911 | 62 |
| Nov 23, 2017 | - | $16 | n/c | -53% | 2 | $8 | $3,758,927 | 63 |
| Nov 24, 2017 | - | $4 | -75% | -94% | 1 | $4 | $3,758,931 | 64 |
| Nov 25, 2017 | - | $83 | +1,975% | -34% | 1 | $83 | $3,759,014 | 65 |
| Nov 27, 2017 | - | $4 | -92% | 1 | $4 | $3,759,018 | 67 | |
| Nov 29, 2017 | - | $28 | +75% | 1 | $28 | $3,759,046 | 69 | |
| Nov 30, 2017 | - | $32 | +14% | +100% | 1 | $32 | $3,759,078 | 70 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Sep 22, 2017 | 7 | $2,682,958 | 2,573 | $1,043 | $2,682,958 | 1 | |
| Sep 29, 2017 | 14 | $942,212 | -65% | 2,081 | $453 | $3,625,170 | 2 |
| Oct 6, 2017 | 36 | $98,506 | -90% | 154 | $640 | $3,723,676 | 3 |
| Oct 13, 2017 | 63 | $11,863 | -88% | 50 | $237 | $3,735,539 | 4 |
| Oct 20, 2017 | 66 | $13,884 | +17% | 40 | $347 | $3,749,423 | 5 |
| Oct 27, 2017 | 76 | $7,739 | -44% | 32 | $242 | $3,757,162 | 6 |
| Nov 3, 2017 | 100 | $662 | -91% | 4 | $166 | $3,757,824 | 7 |
| Nov 10, 2017 | 96 | $611 | -8% | 2 | $306 | $3,758,435 | 8 |
| Nov 17, 2017 | 92 | $492 | -19% | 2 | $246 | $3,758,927 | 9 |
| Nov 24, 2017 | 93 | $151 | -69% | 1 | $151 | $3,759,078 | 10 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Austria | 1/8/2016 | $0 | 0 | 43 | 76 | $280,053 | 6/9/2016 | |||
| Cambodia | 1/14/2016 | $18,445 | 11 | 11 | 15 | $100,496 | 12/31/2018 | |||
| France | 11/25/2016 | $402,105 | 0 | 0 | 0 | $881,821 | 8/17/2018 | |||
| Germany | 1/7/2016 | $963,434 | 0 | 306 | 635 | $2,407,754 | 8/18/2018 | |||
| Italy | 6/9/2016 | $292,171 | 0 | 0 | 0 | $688,544 | 8/9/2016 | |||
| Portugal | 11/4/2016 | $18,137 | 13 | 17 | 46 | $50,375 | 12/15/2016 | |||
| Russia (CIS) | 3/17/2016 | $2,431 | 638 | 638 | 638 | $375,810 | 12/31/2018 | |||
| South Korea | 1/24/2017 | $0 | 0 | 179 | 178 | $162,197 | 4/4/2026 | |||
| Thailand | 3/17/2016 | $51,267 | 70 | 70 | 94 | $94,099 | 6/9/2016 | |||
| Turkey | 9/9/2016 | $8,810 | 35 | 35 | 67 | $37,534 | 2/26/2019 | |||
| Ukraine | 3/24/2016 | $2,121 | 13 | 13 | 13 | $2,121 | 12/31/2018 | |||
| United Kingdom | 4/22/2016 | $899,404 | 402 | 402 | 944 | $2,107,091 | 9/8/2018 | |||
| Rest of World | $363,862 | |||||||||
| International Total | $7,551,757 | 4/4/2026 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Alycia Debnam Carey | Laura |
Supporting
| William Moseley | Tyler | |
| Connor Paolo | Kobe | |
| Brit Morgan | Olivia | |
| Brooke Markham | Isabel | |
| Sean Marquette | Gustavo | |
| Liesl Ahlers | Marina | |
| Shasha Wnee-Hal | Detective Cameron | |
| Tom Choi | Dean | |
| Nicholas Pauling | Detective Cameron | |
| Susan Danford | Caroline Woodson |
Production and Technical Credits
| Simon Verhoeven | Director | |
| Simon Verhoeven | Screenwriter | |
| Matthew Ballen | Screenwriter | |
| Philip Koch | Screenwriter | |
| Quirin Berg | Producer | |
| Max Viedelmann | Producer | |
| Stefan Gartner | Co-Producer | |
| Simon Verhoeven | Co-Producer | |
| Giselher Venzke | Co-Producer | |
| Bertha Spieker | Co-Producer | |
| Mark Popp | Co-Producer | |
| Maren Bouwer | Line Producer | |
| David Vogt | Line Producer | |
| Mark Popp | Line Producer | |
| Marco Le Roux | Line Producer | |
| Patrick Noel Simon | Creative Producer | |
| Matthew Ballen | Associate Producer | |
| Byron Allen | Executive Producer | |
| Carolyn Folks | Executive Producer | |
| Jennifer Lucas | Executive Producer | |
| Chris Charalambous | Executive Producer | |
| Mark Borde | Executive Producer | |
| Richard Barner | Executive Producer | |
| Chad Doher | Executive Producer | |
| Jo Heim | Director of Photography | |
| Tom Seil | Editor | |
| Denis Bachter | Editor | |
| Ben Rosenkind | Sound Recording Mixer | |
| Nico Krebs | Sound Designer | |
| Thomas Conen | Sound Mixer | |
| Greg Albert | Sound Mixer | |
| Gary Go | Composer | |
| Martin Todsharow | Composer | |
| Tommy Stark | Production Designer | |
| Sylvain Gingras | Production Designer | |
| Tatjana Brecht-Bergen | Costume Designer | |
| Wolfgang Ender | Costume Designer | |
| Sina Stoelzle | Make up | |
| Ayten Morgenstern | Make up | |
| Tannis Vallely | Casting Director | |
| Christa Schamberger-Young* | Casting Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.