Professor Marston & The Wonder Women (2017)
| Theatrical Performance | ||
| Domestic Box Office | $1,585,362 | Details |
| International Box Office | $323,063 | Details |
| Worldwide Box Office | $1,908,425 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $657,110 | |
| Blu-ray Sales (estimated) | $259,361 | |
| Total | $916,471 | |
| OpusData ID: 294020100 More info... | ||
| Further financial details... | ||
Synopsis
The true story of what inspired Harvard psychologist Dr. William Moulton Marston to create the iconic Wonder Woman character in the 1940’s. While Marston’s feminist superhero was criticized by censors for her 'sexual perversity’, he was keeping a secret that could have destroyed him. Marston’s muses for the Wonder Woman character were his wife Elizabeth Marston and their lover Olive Byrne, two empowered women who defied convention: working with Marston on human behavior research—while building a hidden life with him that rivaled the greatest of superhero disguises.
Metrics
| Opening Weekend: | $736,883 (46.5% of total gross) |
| Legs: | 2.15 (domestic box office/biggest weekend) |
| Domestic Share: | 83.1% (domestic box office/worldwide) |
| Theater counts: | 1,229 opening theaters/1,229 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $2,113,810 |
Movie Details
| Domestic Releases: | October 13th, 2017 (Wide) by Annapurna Pictures |
| International Releases: | November 2nd, 2017 (Wide) (Germany)
November 10th, 2017 (Wide), released as Professor Marston And The Wonder Women (Australia) November 10th, 2017 (Wide) (Mexico) November 10th, 2017 (Wide) (Taiwan) November 10th, 2017 (Wide) (United Kingdom) ... Show all releases |
| Video Release: | January 30th, 2018 by Sony Pictures Home Entertainment |
| MPA Rating: | R for strong sexual content including brief graphic images, and language. (Rating bulletin 2485 (Cert #50882), 7/19/2017) |
| Running Time: | 108 minutes |
| Plot point: | Artists, Bigamy or Polygamy, Biography, LGBTQ+, Writing and Writers |
| Social setting: | Comic Industry |
| Subgenre: | Biographical Drama |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Annapurna Pictures, Stage 6 Films, Topple Entertainment, Boxspring Entertainment, Opposite Field Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 13, 2017 | 14 | $736,883 | 1,229 | $600 | $736,883 | 1 | |
| Oct 20, 2017 | 22 | $239,512 | -67% | 959 | $250 | $1,319,958 | 2 |
| Oct 27, 2017 | 42 | $55,825 | -77% | 181 | $308 | $1,528,258 | 3 |
| Nov 3, 2017 | 61 | $10,423 | -81% | 27 | $386 | $1,565,812 | 4 |
| Nov 10, 2017 | 67 | $4,838 | -54% | 11 | $440 | $1,576,478 | 5 |
| Nov 17, 2017 | 72 | $2,759 | -43% | 10 | $276 | $1,583,641 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Oct 13, 2017 | 14 | $248,804 | 1,229 | $202 | $248,804 | 1 | ||
| Oct 14, 2017 | 14 | $296,024 | +19% | 1,229 | $241 | $544,828 | 2 | |
| Oct 15, 2017 | 14 | $192,055 | -35% | 1,229 | $156 | $736,883 | 3 | |
| Oct 16, 2017 | 14 | $83,379 | -57% | 1,229 | $68 | $820,262 | 4 | |
| Oct 17, 2017 | 14 | $103,092 | +24% | 1,229 | $84 | $923,354 | 5 | |
| Oct 18, 2017 | 14 | $85,884 | -17% | 1,229 | $70 | $1,009,238 | 6 | |
| Oct 19, 2017 | 14 | $71,208 | -17% | 1,229 | $58 | $1,080,446 | 7 | |
| Oct 20, 2017 | - | $63,987 | -10% | -74% | 959 | $67 | $1,144,433 | 8 |
| Oct 21, 2017 | - | $100,124 | +56% | -66% | 959 | $104 | $1,244,557 | 9 |
| Oct 22, 2017 | - | $75,401 | -25% | -61% | 959 | $79 | $1,319,958 | 10 |
| Oct 23, 2017 | - | $35,838 | -52% | -57% | 959 | $37 | $1,355,796 | 11 |
| Oct 24, 2017 | - | $41,457 | +16% | -60% | 959 | $43 | $1,397,253 | 12 |
| Oct 25, 2017 | - | $38,848 | -6% | -55% | 959 | $41 | $1,436,101 | 13 |
| Oct 26, 2017 | - | $36,332 | -6% | -49% | 959 | $38 | $1,472,433 | 14 |
| Oct 27, 2017 | - | $14,051 | -61% | -78% | 181 | $78 | $1,486,484 | 15 |
| Oct 28, 2017 | - | $22,585 | +61% | -77% | 181 | $125 | $1,509,069 | 16 |
| Oct 29, 2017 | - | $19,189 | -15% | -75% | 181 | $106 | $1,528,258 | 17 |
| Oct 30, 2017 | - | $7,580 | -60% | -79% | 181 | $42 | $1,535,838 | 18 |
| Oct 31, 2017 | - | $7,785 | +3% | -81% | 181 | $43 | $1,543,623 | 19 |
| Nov 1, 2017 | - | $5,198 | -33% | -87% | 181 | $29 | $1,548,821 | 20 |
| Nov 2, 2017 | - | $6,568 | +26% | -82% | 181 | $36 | $1,555,389 | 21 |
| Nov 3, 2017 | - | $2,517 | -62% | -82% | 27 | $93 | $1,557,906 | 22 |
| Nov 4, 2017 | - | $4,237 | +68% | -81% | 27 | $157 | $1,562,143 | 23 |
| Nov 5, 2017 | - | $3,669 | -13% | -81% | 27 | $136 | $1,565,812 | 24 |
| Nov 6, 2017 | - | $842 | -77% | -89% | 27 | $31 | $1,566,654 | 25 |
| Nov 7, 2017 | - | $2,197 | +161% | -72% | 27 | $81 | $1,568,851 | 26 |
| Nov 8, 2017 | - | $1,604 | -27% | -69% | 27 | $59 | $1,570,455 | 27 |
| Nov 9, 2017 | - | $1,185 | -26% | -82% | 27 | $44 | $1,571,640 | 28 |
| Nov 10, 2017 | - | $1,413 | +19% | -44% | 11 | $128 | $1,573,053 | 29 |
| Nov 11, 2017 | - | $2,025 | +43% | -52% | 11 | $184 | $1,575,078 | 30 |
| Nov 12, 2017 | - | $1,400 | -31% | -62% | 11 | $127 | $1,576,478 | 31 |
| Nov 13, 2017 | - | $1,183 | -16% | +40% | 11 | $108 | $1,577,661 | 32 |
| Nov 14, 2017 | - | $1,482 | +25% | -33% | 11 | $135 | $1,579,143 | 33 |
| Nov 15, 2017 | - | $1,331 | -10% | -17% | 11 | $121 | $1,580,474 | 34 |
| Nov 16, 2017 | - | $408 | -69% | -66% | 11 | $37 | $1,580,882 | 35 |
| Nov 17, 2017 | - | $721 | +77% | -49% | 10 | $72 | $1,581,603 | 36 |
| Nov 18, 2017 | - | $1,052 | +46% | -48% | 10 | $105 | $1,582,655 | 37 |
| Nov 19, 2017 | - | $986 | -6% | -30% | 10 | $99 | $1,583,641 | 38 |
| Nov 20, 2017 | - | $1,118 | +13% | -5% | 10 | $112 | $1,584,759 | 39 |
| Nov 21, 2017 | - | $603 | -46% | -59% | 10 | $60 | $1,585,362 | 40 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 13, 2017 | 14 | $1,080,446 | 1,229 | $879 | $1,080,446 | 1 | |
| Oct 20, 2017 | 20 | $391,987 | -64% | 959 | $409 | $1,472,433 | 2 |
| Oct 27, 2017 | 44 | $82,956 | -79% | 181 | $458 | $1,555,389 | 3 |
| Nov 3, 2017 | 61 | $16,251 | -80% | 27 | $602 | $1,571,640 | 4 |
| Nov 10, 2017 | 66 | $9,242 | -43% | 11 | $840 | $1,580,882 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 11/10/2017 | $3,971 | 4 | 4 | 16 | $21,554 | 12/19/2017 | |||
| Brazil | 12/14/2017 | $11,169 | 12 | 12 | 12 | $11,169 | 12/19/2017 | |||
| Central America | 11/16/2017 | $2,974 | 2 | 2 | 4 | $7,233 | 12/6/2017 | |||
| Germany | 11/2/2017 | $7,540 | 103 | 103 | 121 | $12,311 | 11/21/2017 | |||
| Hong Kong | 11/23/2017 | $18,118 | 13 | 13 | 23 | $37,362 | 12/14/2017 | |||
| Mexico | 11/10/2017 | $40,683 | 80 | 80 | 127 | $74,418 | 12/19/2017 | |||
| New Zealand | 11/17/2017 | $3,219 | 6 | 6 | 16 | $9,010 | 12/11/2017 | |||
| South Africa | 11/17/2017 | $2,260 | 5 | 5 | 15 | $7,585 | 12/14/2017 | |||
| Taiwan | 11/10/2017 | $57,261 | 62 | 62 | 121 | $111,803 | 11/29/2017 | |||
| Thailand | 11/16/2017 | $855 | 1 | 1 | 4 | $2,176 | 12/14/2017 | |||
| United Kingdom | 11/10/2017 | $12,015 | 72 | 72 | 82 | $25,683 | 11/29/2017 | |||
| Venezuela | 12/1/2017 | $1,119 | 1 | 1 | 2 | $2,759 | 12/14/2017 | |||
| International Total | $323,063 | 12/19/2017 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Rebecca Hall | Elizabeth Holloway Marston | |
| Luke Evans | William Moulton Marston | |
| Bella Heathcote | Olive Byrne |
Supporting
| JJ Field | Charles Guyette | |
| Oliver Platt | M.C. Gaines | |
| Connie Britton | Josette Frank | |
| Monica Giordano | Mary | |
| Chris Conroy | Brant Gregory | |
| Maggie Castle | Dorothy Roubicek | |
| Alexa Havins | Molly Stewart | |
| Sharon Kubo | Kate | |
| Allie Gallerani | Sara | |
| Chris Gombos | Fred Steward | |
| Forry Buckingham | Doctor | |
| Stacy Fischer | Linda | |
| Gabrielle Nail | Student | |
| Frank Ridley | Manager | |
| Ken Cheeseman | Dean Liddy | |
| Tom Kemp | Harry Peter | |
| Chris Richard | Teen Donn | |
| Sebastian Wood | Teen Son | |
| Nicholas Dias | Young Son | |
| Lucinda Clare | Theater Performer |
Production and Technical Credits
| Angela Robinson | Director | |
| Angela Robinson | Screenwriter | |
| Amy Redford | Producer | |
| Terry Leonard | Producer | |
| Andrea Sperling | Executive Producer | |
| Joey Soloway | Executive Producer | |
| Bryce Fortner | Director of Photography | |
| Jeffrey M. Werner | Editor | |
| Carl Sprague | Production Designer | |
| Donna Maloney | Costume Designer | |
| Tom Howe | Composer | |
| Howard Paar | Music Supervisor | |
| Eve Battaglia | Casting Director | |
| Michael Bowes | Line Producer | |
| Terry Leonard | Unit Production Manager | |
| Eric Berkal | First Assistant Director | |
| Alex Schwerin | Second Assistant Director | |
| Katie Kramer | Second Assistant Director | |
| Paul Marini | Stunt Coordinator | |
| Shawnna Thibodeau Zak | Stunt Coordinator | |
| Danica Chipman | Set Decorator | |
| Lisa Arnone | Script Supervisor | |
| Michael Steiner | Production Supervisor | |
| Virginia B. Johnson | Costume Supervisor | |
| Sasha Grossman | Make up | |
| Angela Marinis | Make up | |
| Shayna Passaretti | Hairstylist | |
| Jared Detsikas | Sound Mixer | |
| Jose Peter Gonzalez | Location Manager | |
| Eric Bergman | Post-Production Supervisor | |
| Ruben Sebban | Assistant Editor | |
| Trevor Gates | Supervising Sound Editor | |
| Chris David | Re-recording Mixer | |
| James Parnell | Additional Sound Re-recording Mixer | |
| Kristen Hirlinger | Dialogue Editor | |
| Michael Baird | Sound Effects Editor | |
| Benjamin Gieschen | Sound Effects Editor | |
| Mike Ricci | Special Effects Coordinator | |
| Dave Tecson | Visual Effects by | |
| Eliza Pelham Randall | Visual Effects Supervisor | |
| Deanna O’Neil | Visual Effects Producer | |
| Alicia Vogt | Visual Effects Producer | |
| Joanie Diener | Music Editor | |
| Al Clay | Score Mixer | |
| Tom Howe | Score Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
The true story of what inspired Harvard psychologist Dr. William Moulton Marston to create the iconic Wonder Woman character in the 1940’s. While Marston’s feminist superhero was criticized by censors for her 'sexual perversity’, he was keeping a secret that could have destroyed him. Marston’s muses for the Wonder Woman character were his wife Elizabeth Marston and their lover Olive Byrne, two empowered women who defied convention: working with Marston on human behavior research—while building a hidden life with him that rivaled the greatest of superhero disguises.
Metrics
| Opening Weekend: | $736,883 (46.5% of total gross) |
| Legs: | 2.15 (domestic box office/biggest weekend) |
| Domestic Share: | 83.1% (domestic box office/worldwide) |
| Theater counts: | 1,229 opening theaters/1,229 max. theaters, 2.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $2,113,810 |
Movie Details
| Domestic Releases: | October 13th, 2017 (Wide) by Annapurna Pictures |
| International Releases: | November 2nd, 2017 (Wide) (Germany)
November 10th, 2017 (Wide), released as Professor Marston And The Wonder Women (Australia) November 10th, 2017 (Wide) (Mexico) November 10th, 2017 (Wide) (Taiwan) November 10th, 2017 (Wide) (United Kingdom) ... Show all releases |
| Video Release: | January 30th, 2018 by Sony Pictures Home Entertainment |
| MPA Rating: | R for strong sexual content including brief graphic images, and language. (Rating bulletin 2485 (Cert #50882), 7/19/2017) |
| Running Time: | 108 minutes |
| Plot point: | Artists, Bigamy or Polygamy, Biography, LGBTQ+, Writing and Writers |
| Social setting: | Comic Industry |
| Subgenre: | Biographical Drama |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Annapurna Pictures, Stage 6 Films, Topple Entertainment, Boxspring Entertainment, Opposite Field Pictures |
| Production Countries: | United States |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 13, 2017 | 14 | $736,883 | 1,229 | $600 | $736,883 | 1 | |
| Oct 20, 2017 | 22 | $239,512 | -67% | 959 | $250 | $1,319,958 | 2 |
| Oct 27, 2017 | 42 | $55,825 | -77% | 181 | $308 | $1,528,258 | 3 |
| Nov 3, 2017 | 61 | $10,423 | -81% | 27 | $386 | $1,565,812 | 4 |
| Nov 10, 2017 | 67 | $4,838 | -54% | 11 | $440 | $1,576,478 | 5 |
| Nov 17, 2017 | 72 | $2,759 | -43% | 10 | $276 | $1,583,641 | 6 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Oct 13, 2017 | 14 | $248,804 | 1,229 | $202 | $248,804 | 1 | ||
| Oct 14, 2017 | 14 | $296,024 | +19% | 1,229 | $241 | $544,828 | 2 | |
| Oct 15, 2017 | 14 | $192,055 | -35% | 1,229 | $156 | $736,883 | 3 | |
| Oct 16, 2017 | 14 | $83,379 | -57% | 1,229 | $68 | $820,262 | 4 | |
| Oct 17, 2017 | 14 | $103,092 | +24% | 1,229 | $84 | $923,354 | 5 | |
| Oct 18, 2017 | 14 | $85,884 | -17% | 1,229 | $70 | $1,009,238 | 6 | |
| Oct 19, 2017 | 14 | $71,208 | -17% | 1,229 | $58 | $1,080,446 | 7 | |
| Oct 20, 2017 | - | $63,987 | -10% | -74% | 959 | $67 | $1,144,433 | 8 |
| Oct 21, 2017 | - | $100,124 | +56% | -66% | 959 | $104 | $1,244,557 | 9 |
| Oct 22, 2017 | - | $75,401 | -25% | -61% | 959 | $79 | $1,319,958 | 10 |
| Oct 23, 2017 | - | $35,838 | -52% | -57% | 959 | $37 | $1,355,796 | 11 |
| Oct 24, 2017 | - | $41,457 | +16% | -60% | 959 | $43 | $1,397,253 | 12 |
| Oct 25, 2017 | - | $38,848 | -6% | -55% | 959 | $41 | $1,436,101 | 13 |
| Oct 26, 2017 | - | $36,332 | -6% | -49% | 959 | $38 | $1,472,433 | 14 |
| Oct 27, 2017 | - | $14,051 | -61% | -78% | 181 | $78 | $1,486,484 | 15 |
| Oct 28, 2017 | - | $22,585 | +61% | -77% | 181 | $125 | $1,509,069 | 16 |
| Oct 29, 2017 | - | $19,189 | -15% | -75% | 181 | $106 | $1,528,258 | 17 |
| Oct 30, 2017 | - | $7,580 | -60% | -79% | 181 | $42 | $1,535,838 | 18 |
| Oct 31, 2017 | - | $7,785 | +3% | -81% | 181 | $43 | $1,543,623 | 19 |
| Nov 1, 2017 | - | $5,198 | -33% | -87% | 181 | $29 | $1,548,821 | 20 |
| Nov 2, 2017 | - | $6,568 | +26% | -82% | 181 | $36 | $1,555,389 | 21 |
| Nov 3, 2017 | - | $2,517 | -62% | -82% | 27 | $93 | $1,557,906 | 22 |
| Nov 4, 2017 | - | $4,237 | +68% | -81% | 27 | $157 | $1,562,143 | 23 |
| Nov 5, 2017 | - | $3,669 | -13% | -81% | 27 | $136 | $1,565,812 | 24 |
| Nov 6, 2017 | - | $842 | -77% | -89% | 27 | $31 | $1,566,654 | 25 |
| Nov 7, 2017 | - | $2,197 | +161% | -72% | 27 | $81 | $1,568,851 | 26 |
| Nov 8, 2017 | - | $1,604 | -27% | -69% | 27 | $59 | $1,570,455 | 27 |
| Nov 9, 2017 | - | $1,185 | -26% | -82% | 27 | $44 | $1,571,640 | 28 |
| Nov 10, 2017 | - | $1,413 | +19% | -44% | 11 | $128 | $1,573,053 | 29 |
| Nov 11, 2017 | - | $2,025 | +43% | -52% | 11 | $184 | $1,575,078 | 30 |
| Nov 12, 2017 | - | $1,400 | -31% | -62% | 11 | $127 | $1,576,478 | 31 |
| Nov 13, 2017 | - | $1,183 | -16% | +40% | 11 | $108 | $1,577,661 | 32 |
| Nov 14, 2017 | - | $1,482 | +25% | -33% | 11 | $135 | $1,579,143 | 33 |
| Nov 15, 2017 | - | $1,331 | -10% | -17% | 11 | $121 | $1,580,474 | 34 |
| Nov 16, 2017 | - | $408 | -69% | -66% | 11 | $37 | $1,580,882 | 35 |
| Nov 17, 2017 | - | $721 | +77% | -49% | 10 | $72 | $1,581,603 | 36 |
| Nov 18, 2017 | - | $1,052 | +46% | -48% | 10 | $105 | $1,582,655 | 37 |
| Nov 19, 2017 | - | $986 | -6% | -30% | 10 | $99 | $1,583,641 | 38 |
| Nov 20, 2017 | - | $1,118 | +13% | -5% | 10 | $112 | $1,584,759 | 39 |
| Nov 21, 2017 | - | $603 | -46% | -59% | 10 | $60 | $1,585,362 | 40 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 13, 2017 | 14 | $1,080,446 | 1,229 | $879 | $1,080,446 | 1 | |
| Oct 20, 2017 | 20 | $391,987 | -64% | 959 | $409 | $1,472,433 | 2 |
| Oct 27, 2017 | 44 | $82,956 | -79% | 181 | $458 | $1,555,389 | 3 |
| Nov 3, 2017 | 61 | $16,251 | -80% | 27 | $602 | $1,571,640 | 4 |
| Nov 10, 2017 | 66 | $9,242 | -43% | 11 | $840 | $1,580,882 | 5 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Australia | 11/10/2017 | $3,971 | 4 | 4 | 16 | $21,554 | 12/19/2017 | |||
| Brazil | 12/14/2017 | $11,169 | 12 | 12 | 12 | $11,169 | 12/19/2017 | |||
| Central America | 11/16/2017 | $2,974 | 2 | 2 | 4 | $7,233 | 12/6/2017 | |||
| Germany | 11/2/2017 | $7,540 | 103 | 103 | 121 | $12,311 | 11/21/2017 | |||
| Hong Kong | 11/23/2017 | $18,118 | 13 | 13 | 23 | $37,362 | 12/14/2017 | |||
| Mexico | 11/10/2017 | $40,683 | 80 | 80 | 127 | $74,418 | 12/19/2017 | |||
| New Zealand | 11/17/2017 | $3,219 | 6 | 6 | 16 | $9,010 | 12/11/2017 | |||
| South Africa | 11/17/2017 | $2,260 | 5 | 5 | 15 | $7,585 | 12/14/2017 | |||
| Taiwan | 11/10/2017 | $57,261 | 62 | 62 | 121 | $111,803 | 11/29/2017 | |||
| Thailand | 11/16/2017 | $855 | 1 | 1 | 4 | $2,176 | 12/14/2017 | |||
| United Kingdom | 11/10/2017 | $12,015 | 72 | 72 | 82 | $25,683 | 11/29/2017 | |||
| Venezuela | 12/1/2017 | $1,119 | 1 | 1 | 2 | $2,759 | 12/14/2017 | |||
| International Total | $323,063 | 12/19/2017 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Rebecca Hall | Elizabeth Holloway Marston | |
| Luke Evans | William Moulton Marston | |
| Bella Heathcote | Olive Byrne |
Supporting
| JJ Field | Charles Guyette | |
| Oliver Platt | M.C. Gaines | |
| Connie Britton | Josette Frank | |
| Monica Giordano | Mary | |
| Chris Conroy | Brant Gregory | |
| Maggie Castle | Dorothy Roubicek | |
| Alexa Havins | Molly Stewart | |
| Sharon Kubo | Kate | |
| Allie Gallerani | Sara | |
| Chris Gombos | Fred Steward | |
| Forry Buckingham | Doctor | |
| Stacy Fischer | Linda | |
| Gabrielle Nail | Student | |
| Frank Ridley | Manager | |
| Ken Cheeseman | Dean Liddy | |
| Tom Kemp | Harry Peter | |
| Chris Richard | Teen Donn | |
| Sebastian Wood | Teen Son | |
| Nicholas Dias | Young Son | |
| Lucinda Clare | Theater Performer |
Production and Technical Credits
| Angela Robinson | Director | |
| Angela Robinson | Screenwriter | |
| Amy Redford | Producer | |
| Terry Leonard | Producer | |
| Andrea Sperling | Executive Producer | |
| Joey Soloway | Executive Producer | |
| Bryce Fortner | Director of Photography | |
| Jeffrey M. Werner | Editor | |
| Carl Sprague | Production Designer | |
| Donna Maloney | Costume Designer | |
| Tom Howe | Composer | |
| Howard Paar | Music Supervisor | |
| Eve Battaglia | Casting Director | |
| Michael Bowes | Line Producer | |
| Terry Leonard | Unit Production Manager | |
| Eric Berkal | First Assistant Director | |
| Alex Schwerin | Second Assistant Director | |
| Katie Kramer | Second Assistant Director | |
| Paul Marini | Stunt Coordinator | |
| Shawnna Thibodeau Zak | Stunt Coordinator | |
| Danica Chipman | Set Decorator | |
| Lisa Arnone | Script Supervisor | |
| Michael Steiner | Production Supervisor | |
| Virginia B. Johnson | Costume Supervisor | |
| Sasha Grossman | Make up | |
| Angela Marinis | Make up | |
| Shayna Passaretti | Hairstylist | |
| Jared Detsikas | Sound Mixer | |
| Jose Peter Gonzalez | Location Manager | |
| Eric Bergman | Post-Production Supervisor | |
| Ruben Sebban | Assistant Editor | |
| Trevor Gates | Supervising Sound Editor | |
| Chris David | Re-recording Mixer | |
| James Parnell | Additional Sound Re-recording Mixer | |
| Kristen Hirlinger | Dialogue Editor | |
| Michael Baird | Sound Effects Editor | |
| Benjamin Gieschen | Sound Effects Editor | |
| Mike Ricci | Special Effects Coordinator | |
| Dave Tecson | Visual Effects by | |
| Eliza Pelham Randall | Visual Effects Supervisor | |
| Deanna O’Neil | Visual Effects Producer | |
| Alicia Vogt | Visual Effects Producer | |
| Joanie Diener | Music Editor | |
| Al Clay | Score Mixer | |
| Tom Howe | Score Producer |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
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