The Snowman (2017)
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| Theatrical Performance | ||
| Domestic Box Office | $6,670,765 | Details |
| International Box Office | $36,362,896 | Details |
| Worldwide Box Office | $43,033,661 | |
| Domestic Physical Disc Sales | ||
| DVD Sales (estimated) | $1,158,889 | |
| Blu-ray Sales (estimated) | $860,775 | |
| Total | $2,019,664 | |
| OpusData ID: 251050100 More info... | ||
| Further financial details... | ||
Synopsis
When an elite crime squad’s lead detective investigates the disappearance of a victim on the first snow of winter, he fears an elusive serial killer may be active again. With the help of a brilliant recruit, the cop must connect decades-old cold cases to the brutal new one if he hopes to outwit this unthinkable evil before the next snowfall.
Metrics
| Opening Weekend: | $3,372,565 (50.6% of total gross) |
| Legs: | 1.98 (domestic box office/biggest weekend) |
| Domestic Share: | 15.5% (domestic box office/worldwide) |
| Production Budget: | $35,000,000 (worldwide box office is 1.2 times production budget) |
| Theater counts: | 1,812 opening theaters/1,815 max. theaters, 3.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $8,894,353 |
Movie Details
| Domestic Releases: | October 20th, 2017 (Wide) by Universal |
| International Releases: | October 11th, 2017 (Wide) (Egypt)
October 12th, 2017 (Wide) (Uruguay) October 12th, 2017 (Wide) (Hungary) October 12th, 2017 (Wide) (Greece) October 12th, 2017 (Wide) (Cyprus) ... Show all releases |
| Video Release: | January 16th, 2018 by Universal Home Entertainment |
| MPA Rating: | R for grisly images, violence, some language, sexuality and brief nudity. (Rating bulletin 2495 (Cert #50560), 9/27/2017) |
| Running Time: | 142 minutes |
| Franchise: | The Snowman |
| Cast, crew, or production detail: | Development Hell, Prologue |
| Geographical setting: | Norway |
| Plot point: | Addiction, Cold Case, Death of a Partner, Dysfunctional Family, Infidelity, Police Detective, Police Procedural, Serial Killer, Sex Crimes, Young Child Dealing with the Death of a Parent |
| Subgenre: | Crime Thriller |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Working Title Films, Perfect World Pictures, Another Park Film, Universal Pictures |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 20, 2017 | 8 | $3,372,565 | 1,812 | $1,861 | $3,372,565 | 1 | |
| Oct 27, 2017 | 18 | $1,212,950 | -64% | 1,815 | $668 | $5,799,535 | 2 |
| Nov 3, 2017 | 33 | $167,685 | -86% | 1,650 | $102 | $6,540,965 | 3 |
| Nov 10, 2017 | 44 | $34,165 | -80% | 85 | $402 | $6,656,880 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Oct 19, 2017 | P | $270,000 | 0 | $270,000 | ||||
| Oct 20, 2017 | 8 | $1,339,310 | 1,812 | $739 | $1,339,310 | 1 | ||
| Oct 21, 2017 | 10 | $1,266,600 | -5% | 1,812 | $699 | $2,605,910 | 2 | |
| Oct 22, 2017 | 10 | $766,655 | -39% | 1,812 | $423 | $3,372,565 | 3 | |
| Oct 23, 2017 | 9 | $293,305 | -62% | 1,812 | $162 | $3,665,870 | 4 | |
| Oct 24, 2017 | 8 | $428,985 | +46% | 1,812 | $237 | $4,094,855 | 5 | |
| Oct 25, 2017 | 10 | $266,320 | -38% | 1,812 | $147 | $4,361,175 | 6 | |
| Oct 26, 2017 | 11 | $225,410 | -15% | 1,812 | $124 | $4,586,585 | 7 | |
| Oct 27, 2017 | - | $352,980 | +57% | -74% | 1,815 | $194 | $4,939,565 | 8 |
| Oct 28, 2017 | - | $512,510 | +45% | -60% | 1,815 | $282 | $5,452,075 | 9 |
| Oct 29, 2017 | - | $347,460 | -32% | -55% | 1,815 | $191 | $5,799,535 | 10 |
| Oct 30, 2017 | 15 | $142,610 | -59% | -51% | 1,815 | $79 | $5,942,145 | 11 |
| Oct 31, 2017 | 15 | $202,390 | +42% | -53% | 1,815 | $112 | $6,144,535 | 12 |
| Nov 1, 2017 | 15 | $121,880 | -40% | -54% | 1,650 | $74 | $6,266,415 | 13 |
| Nov 2, 2017 | 15 | $106,865 | -12% | -53% | 1,650 | $65 | $6,373,280 | 14 |
| Nov 3, 2017 | - | $44,505 | -58% | -87% | 1,650 | $27 | $6,417,785 | 15 |
| Nov 4, 2017 | - | $72,340 | +63% | -86% | 1,650 | $44 | $6,490,125 | 16 |
| Nov 5, 2017 | - | $50,840 | -30% | -85% | 1,650 | $31 | $6,540,965 | 17 |
| Nov 6, 2017 | - | $25,195 | -50% | -82% | 1,650 | $15 | $6,566,160 | 18 |
| Nov 7, 2017 | - | $26,160 | +4% | -87% | 1,650 | $16 | $6,592,320 | 19 |
| Nov 8, 2017 | - | $16,855 | -36% | -86% | 1,650 | $10 | $6,609,175 | 20 |
| Nov 9, 2017 | - | $13,540 | -20% | -87% | 1,650 | $8 | $6,622,715 | 21 |
| Nov 10, 2017 | - | $10,445 | -23% | -77% | 85 | $123 | $6,633,160 | 22 |
| Nov 11, 2017 | - | $14,140 | +35% | -80% | 85 | $166 | $6,647,300 | 23 |
| Nov 12, 2017 | - | $9,580 | -32% | -81% | 85 | $113 | $6,656,880 | 24 |
| Nov 13, 2017 | - | $3,465 | -64% | -86% | 85 | $41 | $6,660,345 | 25 |
| Nov 14, 2017 | - | $3,950 | +14% | -85% | 85 | $46 | $6,664,295 | 26 |
| Nov 15, 2017 | - | $3,355 | -15% | -80% | 85 | $39 | $6,667,650 | 27 |
| Nov 16, 2017 | - | $3,115 | -7% | -77% | 85 | $37 | $6,670,765 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 20, 2017 | 8 | $4,586,585 | 1,812 | $2,531 | $4,586,585 | 1 | |
| Oct 27, 2017 | 16 | $1,786,695 | -61% | 1,650 | $1,083 | $6,373,280 | 2 |
| Nov 3, 2017 | 32 | $249,435 | -86% | 1,650 | $151 | $6,622,715 | 3 |
| Nov 10, 2017 | 47 | $48,050 | -81% | 85 | $565 | $6,670,765 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Albania | 10/12/2017 | $2,556 | 4 | 4 | 9 | $8,694 | 1/1/2019 | |||
| Argentina | 10/13/2017 | $167,499 | 73 | 95 | 223 | $360,064 | 1/1/2019 | |||
| Australia | 10/20/2017 | $663,013 | 291 | 291 | 720 | $1,235,141 | 1/18/2018 | |||
| Austria | 10/20/2017 | $181,322 | 55 | 56 | 240 | $589,109 | 12/21/2017 | |||
| Belgium | 11/17/2017 | $105,278 | 40 | 40 | 128 | $252,211 | 12/21/2017 | |||
| Brazil | 11/23/2017 | $148,023 | 36 | 38 | 110 | $292,992 | 2/1/2018 | |||
| Bulgaria | 10/13/2017 | $29,463 | 0 | 13 | 29 | $100,865 | 2/26/2019 | |||
| Central America | 10/19/2017 | $6,422 | 6 | 6 | 12 | $12,583 | 11/16/2017 | |||
| Croatia | 10/12/2017 | $44,112 | 32 | 32 | 45 | $148,468 | 1/1/2019 | |||
| Cyprus | 10/12/2017 | $10,950 | 6 | 6 | 18 | $27,346 | 11/2/2017 | |||
| Czech Republic | 10/13/2017 | $260,150 | 132 | 132 | 357 | $705,255 | 1/1/2019 | |||
| Denmark | 10/13/2017 | $519,615 | 103 | 103 | 463 | $1,901,538 | 1/4/2018 | |||
| Egypt | 10/11/2017 | $18,171 | 15 | 15 | 39 | $28,673 | 1/1/2019 | |||
| Estonia | 10/20/2017 | $18,149 | 12 | 12 | 34 | $58,693 | 12/7/2017 | |||
| Finland | 10/13/2017 | $107,239 | 69 | 69 | 188 | $304,313 | 12/15/2017 | |||
| France | 11/29/2017 | $773,834 | 316 | 316 | 700 | $1,367,161 | 12/21/2017 | |||
| Germany | 10/20/2017 | $1,409,004 | 439 | 447 | 2,069 | $4,620,410 | 2/22/2018 | |||
| Greece | 10/12/2017 | $449,951 | 92 | 92 | 236 | $1,165,314 | 11/24/2017 | |||
| Hong Kong | 11/10/2017 | $159,516 | 31 | 31 | 69 | $262,275 | 12/7/2017 | |||
| Hungary | 10/12/2017 | $170,749 | 51 | 64 | 218 | $515,210 | 1/1/2019 | |||
| Iceland | 10/13/2017 | $18,092 | 8 | 8 | 17 | $43,551 | 1/1/2019 | |||
| Israel | 10/27/2017 | $102,508 | 25 | 25 | 62 | $237,566 | 12/21/2018 | |||
| Italy | 10/13/2017 | $1,065,342 | 0 | 45 | 46 | $2,677,611 | 11/24/2017 | |||
| Latvia | 10/13/2017 | $13,560 | 10 | 10 | 27 | $48,812 | 1/1/2019 | |||
| Lebanon | 10/12/2017 | $32,856 | 18 | 18 | 26 | $46,832 | 1/1/2019 | |||
| Lithuania | 10/13/2017 | $19,223 | 13 | 13 | 30 | $45,533 | 11/2/2017 | |||
| Macedonia | 10/12/2017 | $2,353 | 3 | 3 | 10 | $10,810 | 1/1/2019 | |||
| Middle East Region | 10/12/2017 | $191,615 | 58 | 58 | 95 | $290,464 | 11/2/2017 | |||
| Netherlands | 11/3/2017 | $293,870 | 72 | 72 | 417 | $1,008,760 | 1/18/2018 | |||
| Norway | 10/13/2017 | $1,277,826 | 181 | 181 | 507 | $3,257,090 | 12/21/2017 | |||
| Paraguay | 10/19/2017 | $10,537 | 15 | 15 | 18 | $14,039 | 1/1/2019 | |||
| Philippines | 11/22/2017 | $7,706 | 5 | 5 | 5 | $9,854 | 1/1/2019 | |||
| Poland | 10/13/2017 | $445,294 | 131 | 133 | 498 | $1,324,217 | 1/1/2019 | |||
| Portugal | 10/20/2017 | $97,612 | 58 | 58 | 185 | $283,035 | 11/30/2017 | |||
| Romania | 10/13/2017 | $87,279 | 70 | 70 | 198 | $213,529 | 12/20/2018 | |||
| Russia (CIS) | 11/23/2017 | $1,570,408 | 899 | 905 | 2,519 | $3,018,556 | 1/1/2019 | |||
| Serbia and Montenegro | 10/19/2017 | $28,754 | 33 | 33 | 81 | $103,181 | 1/1/2019 | |||
| Slovakia | 10/13/2017 | $140,830 | 66 | 66 | 170 | $321,964 | 11/24/2017 | |||
| Slovenia | 10/12/2017 | $15,619 | 12 | 12 | 46 | $55,377 | 12/15/2017 | |||
| South Africa | 10/13/2017 | $69,767 | 72 | 72 | 215 | $179,378 | 11/30/2017 | |||
| South Korea | 12/14/2017 | $4,704 | 3 | 3 | 8 | $11,708 | 1/25/2018 | |||
| Spain | 10/13/2017 | $704,927 | 324 | 324 | 1,106 | $2,535,943 | 12/21/2017 | |||
| Sweden | 10/13/2017 | $369,063 | 162 | 162 | 454 | $1,204,938 | 12/7/2017 | |||
| Switzerland | 10/12/2017 | $4,512 | 4 | 48 | 204 | $626,920 | 2/8/2018 | |||
| Switzerland (German Speaking) | 10/20/2017 | $160,000 | 0 | 0 | 0 | $160,000 | 10/23/2017 | |||
| Trinidad | 10/18/2017 | $12,573 | 11 | 11 | 19 | $21,768 | 1/1/2019 | |||
| Turkey | 11/17/2017 | $34,566 | 62 | 62 | 80 | $57,444 | 2/26/2019 | |||
| United Arab Emirates | 10/12/2017 | $225,627 | 41 | 41 | 53 | $315,224 | 12/20/2018 | |||
| United Kingdom | 10/13/2017 | $1,833,057 | 531 | 531 | 1,455 | $4,254,026 | 12/11/2024 | |||
| Uruguay | 10/12/2017 | $0 | 0 | 11 | 26 | $28,451 | 1/1/2019 | |||
| International Total | $36,362,896 | 12/11/2024 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Michael Fassbender | Detective Harry Hole |
Supporting
| Rebecca Ferguson | Katrine Bratt | |
| Charlotte Gainsbourg | Rakel | |
| Val Kilmer | Gert Rafto | |
| J.K. Simmons | Arve Støp | |
| Chloë Sevigny | Sylvia Ottersen | |
| Sofia Helin | Boy's Mother | |
| James D'Arcy | Filip Becker | |
| Toby Jones | Gert Rafto | |
| Anne Reid | Mrs. Bendiksen | |
| Jakob Oftebro | Superintendent Skarre | |
| Michael Yates | Oleg | |
| Jonas Karlsson | Mathias Lund-Helgesen | |
| Ronan Vibert | DCI Gunnar Hagen | |
| Jamie Clayton | Edda | |
| Alec Newman | Mould Man | |
| Silvia Busuioc | Beautiful Girl | |
| David Dencik | Idar Vetlesen | |
| Jamie Michie | Teacher | |
| Charlot Daysh | Celebrity Wife | |
| Peter Dalle | Jonas Lund-Helgsen | |
| Roger Barclay | Arve Støp Aide | |
| Aurora Nossen | Volunteer | |
| Joakim Skarli | Policeman | |
| Theresa Sigvartsen Grun | Prom Queen | |
| Jete Laurence | Josephine | |
| Bjorn Iversen | Rolf Ottersen | |
| Jan Lindwall | Guest in Tux | |
| Karl Andersen | Guest in Tux | |
| Johnny Otto | Detective Campbell | |
| Ellen Hauge Brandstorp | Police Officer | |
| Harris Reiz | Boy on the Train | |
| Stian Werme | Neighbor | |
| Andre Santagati | Bar Guest | |
| Stani Lolo Jean | Bar Guest | |
| Victoria Ennis | Swiss Security Lady | |
| Magnus Lund | Arve Støp’s Aide | |
| Anthony Mark Streeter | Male Spectator | |
| Thor Hoff | Sport Committee Member | |
| Eirik Spanem Eliassen | Train Passenger | |
| Alexander Johansson | Arve Stops Fashion Guest | |
| Marius Tveit | Arve Stops Fashion Guest | |
| Adrian Salinas Reinertsen | Factory Worker |
Production and Technical Credits
| Tomas Alfredson | Director | |
| Hossein Amini | Screenwriter | |
| Peter Straughan | Screenwriter | |
| Tim Bevan | Producer | |
| Eric Fellner | Producer | |
| Robyn Solvo | Producer | |
| Peter Gustafsson | Producer | |
| Jo Nesbo | Based on the novel “The Snowman” by | |
| Martin Scorsese | Executive Producer | |
| Tomas Alfredson | Executive Producer | |
| Amelia Granger | Executive Producer | |
| Liza Chasin | Executive Producer | |
| Richard Hewitt | Co-Producer | |
| Dion Beebe | Director of Photography | |
| Maria Djurkovic | Production Designer | |
| Claire Simpson | Editor | |
| Jina Jay | Casting Director | |
| Marco Beltrami | Composer | |
| Alexander Oakley | First Assistant Director | |
| Ben Collins | Supervising Art Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Synopsis
When an elite crime squad’s lead detective investigates the disappearance of a victim on the first snow of winter, he fears an elusive serial killer may be active again. With the help of a brilliant recruit, the cop must connect decades-old cold cases to the brutal new one if he hopes to outwit this unthinkable evil before the next snowfall.
Metrics
| Opening Weekend: | $3,372,565 (50.6% of total gross) |
| Legs: | 1.98 (domestic box office/biggest weekend) |
| Domestic Share: | 15.5% (domestic box office/worldwide) |
| Production Budget: | $35,000,000 (worldwide box office is 1.2 times production budget) |
| Theater counts: | 1,812 opening theaters/1,815 max. theaters, 3.0 weeks average run per theater |
| Infl. Adj. Dom. BO | $8,894,353 |
Movie Details
| Domestic Releases: | October 20th, 2017 (Wide) by Universal |
| International Releases: | October 11th, 2017 (Wide) (Egypt)
October 12th, 2017 (Wide) (Uruguay) October 12th, 2017 (Wide) (Hungary) October 12th, 2017 (Wide) (Greece) October 12th, 2017 (Wide) (Cyprus) ... Show all releases |
| Video Release: | January 16th, 2018 by Universal Home Entertainment |
| MPA Rating: | R for grisly images, violence, some language, sexuality and brief nudity. (Rating bulletin 2495 (Cert #50560), 9/27/2017) |
| Running Time: | 142 minutes |
| Franchise: | The Snowman |
| Cast, crew, or production detail: | Development Hell, Prologue |
| Geographical setting: | Norway |
| Plot point: | Addiction, Cold Case, Death of a Partner, Dysfunctional Family, Infidelity, Police Detective, Police Procedural, Serial Killer, Sex Crimes, Young Child Dealing with the Death of a Parent |
| Subgenre: | Crime Thriller |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Thriller/Suspense |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Working Title Films, Perfect World Pictures, Another Park Film, Universal Pictures |
| Production Countries: | United Kingdom |
| Languages: | English |
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 20, 2017 | 8 | $3,372,565 | 1,812 | $1,861 | $3,372,565 | 1 | |
| Oct 27, 2017 | 18 | $1,212,950 | -64% | 1,815 | $668 | $5,799,535 | 2 |
| Nov 3, 2017 | 33 | $167,685 | -86% | 1,650 | $102 | $6,540,965 | 3 |
| Nov 10, 2017 | 44 | $34,165 | -80% | 85 | $402 | $6,656,880 | 4 |
Daily Box Office Performance
| Date | Rank | Gross | %YD | %LW | Theaters | Per Theater | Total Gross | Days |
|---|---|---|---|---|---|---|---|---|
| Oct 19, 2017 | P | $270,000 | 0 | $270,000 | ||||
| Oct 20, 2017 | 8 | $1,339,310 | 1,812 | $739 | $1,339,310 | 1 | ||
| Oct 21, 2017 | 10 | $1,266,600 | -5% | 1,812 | $699 | $2,605,910 | 2 | |
| Oct 22, 2017 | 10 | $766,655 | -39% | 1,812 | $423 | $3,372,565 | 3 | |
| Oct 23, 2017 | 9 | $293,305 | -62% | 1,812 | $162 | $3,665,870 | 4 | |
| Oct 24, 2017 | 8 | $428,985 | +46% | 1,812 | $237 | $4,094,855 | 5 | |
| Oct 25, 2017 | 10 | $266,320 | -38% | 1,812 | $147 | $4,361,175 | 6 | |
| Oct 26, 2017 | 11 | $225,410 | -15% | 1,812 | $124 | $4,586,585 | 7 | |
| Oct 27, 2017 | - | $352,980 | +57% | -74% | 1,815 | $194 | $4,939,565 | 8 |
| Oct 28, 2017 | - | $512,510 | +45% | -60% | 1,815 | $282 | $5,452,075 | 9 |
| Oct 29, 2017 | - | $347,460 | -32% | -55% | 1,815 | $191 | $5,799,535 | 10 |
| Oct 30, 2017 | 15 | $142,610 | -59% | -51% | 1,815 | $79 | $5,942,145 | 11 |
| Oct 31, 2017 | 15 | $202,390 | +42% | -53% | 1,815 | $112 | $6,144,535 | 12 |
| Nov 1, 2017 | 15 | $121,880 | -40% | -54% | 1,650 | $74 | $6,266,415 | 13 |
| Nov 2, 2017 | 15 | $106,865 | -12% | -53% | 1,650 | $65 | $6,373,280 | 14 |
| Nov 3, 2017 | - | $44,505 | -58% | -87% | 1,650 | $27 | $6,417,785 | 15 |
| Nov 4, 2017 | - | $72,340 | +63% | -86% | 1,650 | $44 | $6,490,125 | 16 |
| Nov 5, 2017 | - | $50,840 | -30% | -85% | 1,650 | $31 | $6,540,965 | 17 |
| Nov 6, 2017 | - | $25,195 | -50% | -82% | 1,650 | $15 | $6,566,160 | 18 |
| Nov 7, 2017 | - | $26,160 | +4% | -87% | 1,650 | $16 | $6,592,320 | 19 |
| Nov 8, 2017 | - | $16,855 | -36% | -86% | 1,650 | $10 | $6,609,175 | 20 |
| Nov 9, 2017 | - | $13,540 | -20% | -87% | 1,650 | $8 | $6,622,715 | 21 |
| Nov 10, 2017 | - | $10,445 | -23% | -77% | 85 | $123 | $6,633,160 | 22 |
| Nov 11, 2017 | - | $14,140 | +35% | -80% | 85 | $166 | $6,647,300 | 23 |
| Nov 12, 2017 | - | $9,580 | -32% | -81% | 85 | $113 | $6,656,880 | 24 |
| Nov 13, 2017 | - | $3,465 | -64% | -86% | 85 | $41 | $6,660,345 | 25 |
| Nov 14, 2017 | - | $3,950 | +14% | -85% | 85 | $46 | $6,664,295 | 26 |
| Nov 15, 2017 | - | $3,355 | -15% | -80% | 85 | $39 | $6,667,650 | 27 |
| Nov 16, 2017 | - | $3,115 | -7% | -77% | 85 | $37 | $6,670,765 | 28 |
Weekly Box Office Performance
| Date | Rank | Gross | % Change | Theaters | Per Theater | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| Oct 20, 2017 | 8 | $4,586,585 | 1,812 | $2,531 | $4,586,585 | 1 | |
| Oct 27, 2017 | 16 | $1,786,695 | -61% | 1,650 | $1,083 | $6,373,280 | 2 |
| Nov 3, 2017 | 32 | $249,435 | -86% | 1,650 | $151 | $6,622,715 | 3 |
| Nov 10, 2017 | 47 | $48,050 | -81% | 85 | $565 | $6,670,765 | 4 |
Top International Territories
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens/Theaters |
Maximum Screens/Theaters |
Theatrical Engagements |
Total Box Office |
Report Date |
|||
|---|---|---|---|---|---|---|---|---|---|---|
| Albania | 10/12/2017 | $2,556 | 4 | 4 | 9 | $8,694 | 1/1/2019 | |||
| Argentina | 10/13/2017 | $167,499 | 73 | 95 | 223 | $360,064 | 1/1/2019 | |||
| Australia | 10/20/2017 | $663,013 | 291 | 291 | 720 | $1,235,141 | 1/18/2018 | |||
| Austria | 10/20/2017 | $181,322 | 55 | 56 | 240 | $589,109 | 12/21/2017 | |||
| Belgium | 11/17/2017 | $105,278 | 40 | 40 | 128 | $252,211 | 12/21/2017 | |||
| Brazil | 11/23/2017 | $148,023 | 36 | 38 | 110 | $292,992 | 2/1/2018 | |||
| Bulgaria | 10/13/2017 | $29,463 | 0 | 13 | 29 | $100,865 | 2/26/2019 | |||
| Central America | 10/19/2017 | $6,422 | 6 | 6 | 12 | $12,583 | 11/16/2017 | |||
| Croatia | 10/12/2017 | $44,112 | 32 | 32 | 45 | $148,468 | 1/1/2019 | |||
| Cyprus | 10/12/2017 | $10,950 | 6 | 6 | 18 | $27,346 | 11/2/2017 | |||
| Czech Republic | 10/13/2017 | $260,150 | 132 | 132 | 357 | $705,255 | 1/1/2019 | |||
| Denmark | 10/13/2017 | $519,615 | 103 | 103 | 463 | $1,901,538 | 1/4/2018 | |||
| Egypt | 10/11/2017 | $18,171 | 15 | 15 | 39 | $28,673 | 1/1/2019 | |||
| Estonia | 10/20/2017 | $18,149 | 12 | 12 | 34 | $58,693 | 12/7/2017 | |||
| Finland | 10/13/2017 | $107,239 | 69 | 69 | 188 | $304,313 | 12/15/2017 | |||
| France | 11/29/2017 | $773,834 | 316 | 316 | 700 | $1,367,161 | 12/21/2017 | |||
| Germany | 10/20/2017 | $1,409,004 | 439 | 447 | 2,069 | $4,620,410 | 2/22/2018 | |||
| Greece | 10/12/2017 | $449,951 | 92 | 92 | 236 | $1,165,314 | 11/24/2017 | |||
| Hong Kong | 11/10/2017 | $159,516 | 31 | 31 | 69 | $262,275 | 12/7/2017 | |||
| Hungary | 10/12/2017 | $170,749 | 51 | 64 | 218 | $515,210 | 1/1/2019 | |||
| Iceland | 10/13/2017 | $18,092 | 8 | 8 | 17 | $43,551 | 1/1/2019 | |||
| Israel | 10/27/2017 | $102,508 | 25 | 25 | 62 | $237,566 | 12/21/2018 | |||
| Italy | 10/13/2017 | $1,065,342 | 0 | 45 | 46 | $2,677,611 | 11/24/2017 | |||
| Latvia | 10/13/2017 | $13,560 | 10 | 10 | 27 | $48,812 | 1/1/2019 | |||
| Lebanon | 10/12/2017 | $32,856 | 18 | 18 | 26 | $46,832 | 1/1/2019 | |||
| Lithuania | 10/13/2017 | $19,223 | 13 | 13 | 30 | $45,533 | 11/2/2017 | |||
| Macedonia | 10/12/2017 | $2,353 | 3 | 3 | 10 | $10,810 | 1/1/2019 | |||
| Middle East Region | 10/12/2017 | $191,615 | 58 | 58 | 95 | $290,464 | 11/2/2017 | |||
| Netherlands | 11/3/2017 | $293,870 | 72 | 72 | 417 | $1,008,760 | 1/18/2018 | |||
| Norway | 10/13/2017 | $1,277,826 | 181 | 181 | 507 | $3,257,090 | 12/21/2017 | |||
| Paraguay | 10/19/2017 | $10,537 | 15 | 15 | 18 | $14,039 | 1/1/2019 | |||
| Philippines | 11/22/2017 | $7,706 | 5 | 5 | 5 | $9,854 | 1/1/2019 | |||
| Poland | 10/13/2017 | $445,294 | 131 | 133 | 498 | $1,324,217 | 1/1/2019 | |||
| Portugal | 10/20/2017 | $97,612 | 58 | 58 | 185 | $283,035 | 11/30/2017 | |||
| Romania | 10/13/2017 | $87,279 | 70 | 70 | 198 | $213,529 | 12/20/2018 | |||
| Russia (CIS) | 11/23/2017 | $1,570,408 | 899 | 905 | 2,519 | $3,018,556 | 1/1/2019 | |||
| Serbia and Montenegro | 10/19/2017 | $28,754 | 33 | 33 | 81 | $103,181 | 1/1/2019 | |||
| Slovakia | 10/13/2017 | $140,830 | 66 | 66 | 170 | $321,964 | 11/24/2017 | |||
| Slovenia | 10/12/2017 | $15,619 | 12 | 12 | 46 | $55,377 | 12/15/2017 | |||
| South Africa | 10/13/2017 | $69,767 | 72 | 72 | 215 | $179,378 | 11/30/2017 | |||
| South Korea | 12/14/2017 | $4,704 | 3 | 3 | 8 | $11,708 | 1/25/2018 | |||
| Spain | 10/13/2017 | $704,927 | 324 | 324 | 1,106 | $2,535,943 | 12/21/2017 | |||
| Sweden | 10/13/2017 | $369,063 | 162 | 162 | 454 | $1,204,938 | 12/7/2017 | |||
| Switzerland | 10/12/2017 | $4,512 | 4 | 48 | 204 | $626,920 | 2/8/2018 | |||
| Switzerland (German Speaking) | 10/20/2017 | $160,000 | 0 | 0 | 0 | $160,000 | 10/23/2017 | |||
| Trinidad | 10/18/2017 | $12,573 | 11 | 11 | 19 | $21,768 | 1/1/2019 | |||
| Turkey | 11/17/2017 | $34,566 | 62 | 62 | 80 | $57,444 | 2/26/2019 | |||
| United Arab Emirates | 10/12/2017 | $225,627 | 41 | 41 | 53 | $315,224 | 12/20/2018 | |||
| United Kingdom | 10/13/2017 | $1,833,057 | 531 | 531 | 1,455 | $4,254,026 | 12/11/2024 | |||
| Uruguay | 10/12/2017 | $0 | 0 | 11 | 26 | $28,451 | 1/1/2019 | |||
| International Total | $36,362,896 | 12/11/2024 | ||||||||
Note: Territories vary in whether they report screens or theaters. Full details on international box office data are available via our OpusData service.
Leading
| Michael Fassbender | Detective Harry Hole |
Supporting
| Rebecca Ferguson | Katrine Bratt | |
| Charlotte Gainsbourg | Rakel | |
| Val Kilmer | Gert Rafto | |
| J.K. Simmons | Arve Støp | |
| Chloë Sevigny | Sylvia Ottersen | |
| Sofia Helin | Boy's Mother | |
| James D'Arcy | Filip Becker | |
| Toby Jones | Gert Rafto | |
| Anne Reid | Mrs. Bendiksen | |
| Jakob Oftebro | Superintendent Skarre | |
| Michael Yates | Oleg | |
| Jonas Karlsson | Mathias Lund-Helgesen | |
| Ronan Vibert | DCI Gunnar Hagen | |
| Jamie Clayton | Edda | |
| Alec Newman | Mould Man | |
| Silvia Busuioc | Beautiful Girl | |
| David Dencik | Idar Vetlesen | |
| Jamie Michie | Teacher | |
| Charlot Daysh | Celebrity Wife | |
| Peter Dalle | Jonas Lund-Helgsen | |
| Roger Barclay | Arve Støp Aide | |
| Aurora Nossen | Volunteer | |
| Joakim Skarli | Policeman | |
| Theresa Sigvartsen Grun | Prom Queen | |
| Jete Laurence | Josephine | |
| Bjorn Iversen | Rolf Ottersen | |
| Jan Lindwall | Guest in Tux | |
| Karl Andersen | Guest in Tux | |
| Johnny Otto | Detective Campbell | |
| Ellen Hauge Brandstorp | Police Officer | |
| Harris Reiz | Boy on the Train | |
| Stian Werme | Neighbor | |
| Andre Santagati | Bar Guest | |
| Stani Lolo Jean | Bar Guest | |
| Victoria Ennis | Swiss Security Lady | |
| Magnus Lund | Arve Støp’s Aide | |
| Anthony Mark Streeter | Male Spectator | |
| Thor Hoff | Sport Committee Member | |
| Eirik Spanem Eliassen | Train Passenger | |
| Alexander Johansson | Arve Stops Fashion Guest | |
| Marius Tveit | Arve Stops Fashion Guest | |
| Adrian Salinas Reinertsen | Factory Worker |
Production and Technical Credits
| Tomas Alfredson | Director | |
| Hossein Amini | Screenwriter | |
| Peter Straughan | Screenwriter | |
| Tim Bevan | Producer | |
| Eric Fellner | Producer | |
| Robyn Solvo | Producer | |
| Peter Gustafsson | Producer | |
| Jo Nesbo | Based on the novel “The Snowman” by | |
| Martin Scorsese | Executive Producer | |
| Tomas Alfredson | Executive Producer | |
| Amelia Granger | Executive Producer | |
| Liza Chasin | Executive Producer | |
| Richard Hewitt | Co-Producer | |
| Dion Beebe | Director of Photography | |
| Maria Djurkovic | Production Designer | |
| Claire Simpson | Editor | |
| Jina Jay | Casting Director | |
| Marco Beltrami | Composer | |
| Alexander Oakley | First Assistant Director | |
| Ben Collins | Supervising Art Director |
Cast and crew with above-the-line roles are marked in bold. The line marks the division between above-the-line and below-the-line roles.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.