Jane Schoenbrun

Best known as a Director based on credits in that role in 2 films, with $5,458,930 worldwide aggregate box office (rank #4,587)
Best-known technical roles: I Saw the TV Glow (Director), I Saw the TV Glow (Screenwriter), We’re All Going to the World’s Fair (Director), We’re All Going to the World’s Fair (Screenwriter), We’re All Going to the World’s Fair (Editor)
                                    

  1. Summary
  2. Acting Credits
  3. Technical Credits

Career Summary


  MoviesDomestic
Box Office		International
Box Office		Worldwide
Box Office
In Technical RolesDirector2$5,050,877$408,053$5,458,930
Screenwriter2$5,050,877$408,053$5,458,930
Editor1$101,178$19,099$120,277
Executive Producer1$0$0$0

Latest Ranking on Selected Box Office Record Lists


RecordRankAmount
Top Grossing Director at the Domestic Box Office (Rank 2,601-2,700) 2,671 $5,050,877
Top Grossing Editor at the Domestic Box Office (Rank 2,401-2,500) 2,429 $101,178
Top Grossing Screenwriter at the Domestic Box Office (Rank 4,801-4,900) 4,839 $5,050,877
Top Grossing Director at the International Box Office (Rank 7,501-7,600) 7,572 $408,053
Top Grossing Editor at the International Box Office (Rank 2,801-2,900) 2,870 $19,099
Top Grossing Screenwriter at the International Box Office (Rank 6,401-6,500) 6,448 $408,053
Top Grossing Director at the Worldwide Box Office (Rank 4,501-4,600) 4,587 $5,458,930
Top Grossing Editor at the Worldwide Box Office (Rank 3,001-3,100) 3,012 $120,277
Top Grossing Screenwriter at the Worldwide Box Office (Rank 6,401-6,500) 6,480 $5,458,930

See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.


All Acting Credits



All Technical Credits

Announced (Undated)

She’s Nonbinary

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Release
Date		TitleRoleDomestic
Box Office		International
Box Office		Worldwide
Box Office
May 3, 2024I Saw the TV Glow Director
Screenwriter		 $4,949,699$388,954$5,338,653
Apr 15, 2022We’re All Going to the Worl… Director
Screenwriter
Editor		 $101,178$19,099$120,277
 
Averages $2,525,439$204,027$2,729,465
Totals 2 $5,050,877$408,053$5,458,930


Director Credits


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Release
Date		TitleOpening
Weekend		Maximum
Theaters		Domestic
Box Office		Worldwide
Box Office		Domestic
Share
May 3, 2024I Saw the TV Glow $119,015469$4,949,699$5,338,65392.7%
Apr 15, 2022We’re All Going to the… $12,75041$101,178$120,27784.1%
 
Averages $65,883255$2,525,439$2,729,46588.4%
Totals 2 $5,050,877$5,458,930


Writer Credits


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Release
Date		TitleOpening
Weekend		Maximum
Theaters		Domestic
Box Office		Worldwide
Box Office		Domestic
Share
May 3, 2024I Saw the TV Glow $119,015469$4,949,699$5,338,65392.7%
Apr 15, 2022We’re All Going to the… $12,75041$101,178$120,27784.1%
 
Averages $65,883255$2,525,439$2,729,46588.4%
Totals 2 $5,050,877$5,458,930

Latest Ranking on All Technical Box Office Record Lists


RecordRankAmount
Top Grossing Director at the Domestic Box Office (Rank 2,601-2,700) 2,671 $5,050,877
Top Grossing Editor at the Domestic Box Office (Rank 2,401-2,500) 2,429 $101,178
Top Grossing Screenwriter at the Domestic Box Office (Rank 4,801-4,900) 4,839 $5,050,877
Top Grossing Director at the International Box Office (Rank 7,501-7,600) 7,572 $408,053
Top Grossing Editor at the International Box Office (Rank 2,801-2,900) 2,870 $19,099
Top Grossing Screenwriter at the International Box Office (Rank 6,401-6,500) 6,448 $408,053
Top Grossing Director at the Worldwide Box Office (Rank 4,501-4,600) 4,587 $5,458,930
Top Grossing Editor at the Worldwide Box Office (Rank 3,001-3,100) 3,012 $120,277
Top Grossing Screenwriter at the Worldwide Box Office (Rank 6,401-6,500) 6,480 $5,458,930