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Mark Heslop

Best known as a Sound Effects Editor based on credits in that role in 5 films, with $710,797,547 worldwide aggregate box office (rank #127)
Best-known technical roles: Brooklyn (Sound Effects Editor), Love Actually (Sound Effects Editor), Bridget Jones’s Baby (Sound Effects Editor), The Invention of Lying (Sound Effects Editor), Johnny English Reborn (Sound Effects Editor)
Most productive collaborators: Emma Thompson, Tim Bevan, Eric Fellner, Glenn Freemantle, Colin Firth

  1. Summary
  2. Acting Credits
  3. Technical Credits

Career Summary


  MoviesDomestic
Box Office
International
Box Office
Worldwide
Box Office
In Technical RolesSound Effects Editor5$148,692,047$562,105,500$710,797,547

Latest Ranking on Selected Box Office Record Lists


RecordRankAmount
Top Grossing Sound Effects Editor at the Domestic Box Office (Rank 201-300) 290 $148,692,047
Top Grossing Sound Effects Editor at the International Box Office 89 $562,105,500
Top Grossing Sound Effects Editor at the Worldwide Box Office (Rank 101-200) 127 $710,797,547

See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.


All Technical Credits


Release
Date
TitleRoleDomestic
Box Office
International
Box Office
Worldwide
Box Office
9/16/2016 Bridget Jones’s Baby Sound Effects Editor $24,139,805 $179,415,762 $203,555,567
11/4/2015 Brooklyn Sound Effects Editor $38,322,743 $23,753,398 $62,076,141
10/21/2011 Johnny English Reborn Sound Effects Editor $8,305,970 $156,233,690 $164,539,660
10/2/2009 The Invention of Lying Sound Effects Editor $18,451,251 $14,228,013 $32,679,264
11/7/2003 Love Actually Sound Effects Editor $59,472,278 $188,474,637 $247,946,915
Movies: 5Totals:$148,692,047$562,105,500$710,797,547
  Averages:$29,738,409$112,421,100$142,159,509





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