Welcome to the Melbourne underworld, where tensions are building between dangerous criminals and equally dangerous police. The Wild West played out on the city's streets.
Armed robber Pope Cody is in hiding, on the run from a gang of renegade detectives who want him dead. His business partner and best friend, Barry 'Baz' Brown, wants out of the game, recognizing that their days of old-school banditry are all but over. Pope's younger brother, the speed-addicted and volatile Craig Cody, is making a fortune in the illicit substances trade - the true cash cow of the modern criminal fraternity - while the youngest Cody brother, Darren, naively navigates his way through this criminal world - the only world his family has ever known.
And into this world arrives their nephew, Joshua 'J' Cody.
Following the death of his mother, J finds himself living with his estranged family, under the watchful eye of his doting grandmother, Smurf, mother to the Cody boys.
J quickly comes to believe that he is a player in this world. But, as he soon discovers, this world is far larger and more menacing than he could ever imagine.
When tensions between family and police reach a bloody peak, J finds himself at the center of a cold-blooded revenge plot that turns the family upside down, and which also threatens to ensnare innocent bystanders such as his girlfriend, Nicky.
One senior cop, Nathan Leckie, must lure J into the police fold and then shepherd him through a complex minefield of witness protection, corrupt cops, slippery lawyers and a paranoid and vengeful underworld.
J comes to realize that in order to survive he must determine how the game is played - he must somehow choose his place in this cunning and brutal animal kingdom. He must work out where he fits.
||August 13th, 2010 (Limited) by Sony Pictures Classics|
||R for violence, drug content and pervasive language|
(Rating bulletin 2115, 4/7/2010)
||Coming of Age, Narcotics, Organized Crime, Dysfunctional Family|
|Production Method:||Live Action|
|Creative Type:||Contemporary Fiction|
||Porchlight Films, Screen Australia, Film Victoria, Screen NSW, Fulcrum Media Finance, Showtime Australia|
With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. This weekend we will look at the four acting categories, starting with Best Supporting Actress, which is possibly the most competitive of the four acting races. Even though there's definitely a favorite.
The Oscar nominations were announced this morning, thus ending months of speculation. Along with a (very) few surprises, the list of nominees is mostly a case of Deja Vu. Leading the way, as it has so often this year, was The King's Speech, with 12 nominations, including six in seven of the most prestigious categories (Best Picture, Director, Screenplay, and the four acting categories). But it was far from the only multi-nominated film on the list.
The Hollywood Foreign Press Association announced their nominations early this morning, and there are some interesting surprises included in the mix. Leading the way was The King's Speech, which has long been seen as one of the major players this Awards Season. Meanwhile, The Fighter and The Social Network were right behind with six each. There were many, many other films nomination, including more than a few shocks. ... Mostly in one category.
The overall box office leader, Harry Potter and the Deathly Hallows: Part I, also led the way on the per theater chart, pulling in an average of $30,307 in more than 4000 theaters. Last week's winner, Tiny Furniture, was a distant second place, with $16,384 in one theater. Made in Dagenham opened with a disappointing average of $12,521 in three theaters. This should be enough to expand somewhat, but its chances of earning a significant measure of mainstream success took a hit over the weekend. White Material was right behind with an average of $11,538, also in three theaters.
One of the ways of telling when summer is over, is when the number one film on the overall box office chart doesn't top the $10,000 mark on the per theater chart. That didn't happen this weekend, but it came close, as The Expendables was the only film to earn better than $10,000 on the per theater chart, and it was close with an average of $10,650.
There are only four limited releases on this week's list, but all four have a chance at finding success, even if it is with niche market audiences. Peepli Live is for fans of Indian films, Neshoba is for fans of documentaries, and Tales from Earthsea is for fans of Anime.
Meanwhile, Animal Kingdom is likely the film with the best shot at earning some slice of mainstream success.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
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